\alternative { {d2 d} {f f,} }
@end lilypond
-In the following example, the first ending is not a complete
-bar (it only had 3 beats). The beginning of the second ending
-contains the 4th beat from the first ending. This @q{extra} beat
-in the second ending is due to the first time ending,
-and has nothing to do with the @code{\partial} at the
-beginning of the example.
+Repeats with upbeats may be created.
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\new Staff {
- \partial 4
- \repeat volta 4 { e | c2 d2 | e2 f2 | }
- \alternative { { g4 g g } { a | a a a a | b2. } }
+ \partial 4 e |
+ \repeat volta 4 { c2 d2 | e2 f2 | }
+ \alternative { { g4 g g e } { a a a a | b2. } }
}
@end lilypond
import os.path
import shutil
-dirs = ['ancient','chords','connecting','contemporary','expressive','education','guitar','parts','pitches','repeats','scheme','spacing','staff','text','vocal','other']
+dirs = ['ancient','chords','connecting','contemporary','expressive','education','guitar','parts','pitch','repeats','scheme','spacing','staff','text','vocal','other']
notsafe=[]
try:
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Volta brackets can be placed over chord names. Just set the
+voltaOnThisStaff property to \"true\" for the ChordNames context and to
+\"false\" for the topmost ordinary Staff context.
+" }
+
+\score { <<
+ \new ChordNames \with {
+ voltaOnThisStaff = ##t
+ } \chordmode {
+ c1 c
+ }
+ \new Staff \with {
+ voltaOnThisStaff = ##f
+ }
+ {
+ \repeat volta 2 { c'1 } \alternative { c' }
+ }
+>> }
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Lilypond can subdivide beams automatically. Set the property
+subdivideBeams, and beams are subdivided at beat positions (as
+specified in beat length)
+" }
+
+\relative{ b'32^"default"[ a g f c' b a g f e d' c b a g f ]
+ \set subdivideBeams = ##t
+ b32^"subdivision enabled"[ a g f c' b a g f e d' c b a g f ]
+ \set Score.beatLength = #(ly:make-moment 1 8)
+ b32^"beatLength 1 8"[ a g f c' b a g f e d' c b a g f ]
+ \set Score.beatLength = #(ly:make-moment 1 16)
+ b32^"beatLength 1 16"[ a g f c' b a g f e d' c b a g f ]
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Groups of beamed notes can be made by setting the subdivideBeams
+property. However, if you have \"\time\"-statements inside your score,
+you'll need to set the beatLength again after each \time-statement
+(that has a denominator that is not 8).
+
+This happens because the \"\time\"-statements reset the
+beatLength-value to the denominator of the time signature. So, if
+you have many meter-changes, you can use the following function named
+\"\timenb #X #Y\" instead of \"\time X/Y\".
+" }
+
+% timenb sets TIMEesignature and measure length, but Not Beatlength
+timenb = #(define-music-function (parser location x y ) (integer? integer?) #{
+ \set Staff.timeSignatureFraction = #(cons $x $y)
+ \set Score.measureLength = #(ly:make-moment $x $y)
+#})
+
+\new Staff {
+ \relative c''
+ {
+ \set Score.beatLength = #(ly:make-moment 1 8)
+ \set subdivideBeams = ##t
+
+ \timenb #3 #8 c16.[ c32 c16. c32 c16. c32] |
+ \timenb #5 #8 d8[ d] d16.[ d32 d16. d32 d8] |
+ \timenb #3 #4 e8[ e16. e32] e16.[ e32 e16. e32] e16.[ f32 f8] |
+ \timenb #2 #4
+ g16.[ g32 g16. g32] g16.[ g32 g16. g32] |
+
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+in XXth century music, where time signatures tend to change a lot, it
+is sometimes recommended to put the time signatures on top of the score
+(or above each StaffGroup in case of an orchestral score). This can be
+achieved by creating a dummy staff which only contains the
+Time-signature-engraver). In this specific example, I've used a
+separate identifier to define every time signature change, which allows
+me to not bother entering them again when typing the actual music
+(careful though: it makes getting lost easier!).
+" }
+
+\layout{
+ \context {
+ \type "Engraver_group"
+ \consists "Time_signature_engraver"
+ \consists "Axis_group_engraver"
+ \name "TimeSig"
+ \override TimeSignature #'extra-offset = #'(-2.2 . 0.0 )
+ \override TimeSignature #'font-size = #3
+ }
+ \context {
+ \Score \accepts TimeSig
+ }
+
+ \context { \Staff
+ \override TimeSignature #'transparent = ##t
+ }
+}
+
+timeSignatures = { \time 2/4 s2 \time 3/4 s2. \time 4/4 s1 }
+\score {
+
+<< \new TimeSig \timeSignatures
+ \new Staff \relative { c'2 c2. c1 }
+ \new Staff { a2 a2. a1}
+ >>
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+For pedagogical purposes, you may want to make one staff line thicker
+(e.g. the middle line, to emphasize the line of the G clef). This can
+be achieved by adding extra lines very close to the line you want to
+make thicker, using the #'line-positions property in the StaffSymbol
+context.
+" }
+
+\score {
+ \new Staff{
+ \override Staff.StaffSymbol #'line-positions =#'(-4 -2 -0.2 0 0.2 2 4 )
+ d'4 e' f' g'
+ }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+As children do not always have hands large enough, say, to plays
+octavas when studying piano, or anything else, it can be useful to add
+parentheses around a low note for example. In this snippet, the
+\"parenthesized\" note is made a bit smaller using the \tweak command
+on the #'font-size property.
+" }
+
+{ \clef bass
+< f \parenthesize \tweak #'font-size #-1 f, >2
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+If you want to print some white text on black background, here's the
+trick:
+" }
+
+{
+ g1^\markup { \combine \filled-box #'(-.3 . 6.8) #'(-.3 . 1.8) #0 \with-color #white White}
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+A hammer in tablature can be faked with slurs.
+" }
+
+\score{
+\context TabStaff
+ <<
+ \relative c''{
+ c(d)
+ d(d)
+ d(c)
+ }
+ >>
+}
+
+%%some weird letters are displayed in the Staff; can't reproduce it at home... --vv
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+A demonstration of all headers.
+" }
+
+\header {
+copyright = "copyright"
+title = "title"
+subtitle = "subtitle"
+composer = "composer"
+arranger = "arranger"
+instrument = "instrument"
+metre = "metre"
+opus = "opus"
+piece = "piece"
+poet = "poet"
+texidoc = "All header fields with special meanings."
+ copyright = "public domain"
+ enteredby = "jcn"
+ source = "urtext"
+
+}
+
+
+\score {
+ \relative c'' { c1 c1 c1 c1 }
+}
+
+\score {
+ \relative c'' { c1 c1 c1 c1 }
+
+ \header {
+
+ title = "localtitle"
+ subtitle = "localsubtitle"
+ composer = "localcomposer"
+ arranger = "localarranger"
+ instrument = "localinstrument"
+ metre = "localmetre"
+ opus = "localopus"
+ piece = "localpiece"
+ poet = "localpoet"
+ copyright = "localcopyright"
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The notation problem, creating a certain symbol, is handled by plugins.
+Each plugin is called an Engraver. In this example, engravers are
+switched on one by one, in the following order:
+
+- note heads
+
+
+- staff symbol,
+
+
+- clef,
+
+
+- stem,
+
+
+- beams, slurs, accents,
+
+
+- accidentals, bar lines, time signature, and key signature.
+
+
+
+Engravers are grouped. For example, note heads, slurs, beams etc. form
+a Voice context. Engravers for key, accidental, bar, etc. form a Staff
+context.
+
+
+You may only see the first example in this document; please download
+this snippet and run it from your own computer.
+" }
+
+%% sample music
+topVoice = \relative c' {
+ \key d\major
+ es8([ g] a[ fis])
+ b4
+ b16[-. b-. b-. cis-.]
+ d4->
+}
+
+botVoice = \relative c' {
+ \key d\major
+ c8[( f] b[ a)]
+ es4
+ es16[-. es-. es-. fis-.]
+ b4->
+}
+
+hoom = \relative c {
+ \key d \major
+ \clef bass
+ g8-. r
+ r4
+ fis8-.
+ r8
+ r4
+ b'4->
+}
+
+pah = \relative c' {
+ r8 b-.
+ r4
+ r8 g8-.
+ r16 g-. r8
+ \clef treble
+ fis'4->
+}
+
+%
+% setup for Request->Element conversion. Guru-only
+%
+
+MyStaff =\context {
+ \type "Engraver_group"
+ \name Staff
+
+ \description "Handles clefs, bar lines, keys, accidentals. It can contain
+@code{Voice} contexts."
+
+
+ \consists "Output_property_engraver"
+
+ \consists "Font_size_engraver"
+
+ \consists "Volta_engraver"
+ \consists "Separating_line_group_engraver"
+ \consists "Dot_column_engraver"
+
+ \consists "Ottava_spanner_engraver"
+ \consists "Rest_collision_engraver"
+ \consists "Piano_pedal_engraver"
+ \consists "Piano_pedal_align_engraver"
+ \consists "Instrument_name_engraver"
+ \consists "Grob_pq_engraver"
+ \consists "Forbid_line_break_engraver"
+ \consists "Axis_group_engraver"
+
+ \consists "Pitch_squash_engraver"
+
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
+ extraVerticalExtent = ##f
+ verticalExtent = ##f
+ localKeySignature = #'()
+
+ % explicitly set instrument, so we don't get
+ % weird effects when doing instrument names for
+ % piano staves
+
+ instrumentName = #'()
+ shortInstrumentName = #'()
+
+ \accepts "Voice"
+}
+
+
+MyVoice = \context {
+ \type "Engraver_group"
+ \name Voice
+
+ \description "
+ Corresponds to a voice on a staff. This context handles the
+ conversion of dynamic signs, stems, beams, super- and subscripts,
+ slurs, ties, and rests.
+
+ You have to instantiate this explicitly if you want to have
+ multiple voices on the same staff."
+
+ localKeySignature = #'()
+ \consists "Font_size_engraver"
+
+ % must come before all
+ \consists "Output_property_engraver"
+ \consists "Arpeggio_engraver"
+ \consists "Multi_measure_rest_engraver"
+ \consists "Text_spanner_engraver"
+ \consists "Grob_pq_engraver"
+ \consists "Note_head_line_engraver"
+ \consists "Glissando_engraver"
+ \consists "Ligature_bracket_engraver"
+ \consists "Breathing_sign_engraver"
+ % \consists "Rest_engraver"
+ \consists "Grace_beam_engraver"
+ \consists "New_fingering_engraver"
+ \consists "Chord_tremolo_engraver"
+ \consists "Percent_repeat_engraver"
+ \consists "Slash_repeat_engraver"
+
+%{
+ Must come before text_engraver, but after note_column engraver.
+
+%}
+ \consists "Text_engraver"
+ \consists "Dynamic_engraver"
+ \consists "Fingering_engraver"
+
+ \consists "Script_column_engraver"
+ \consists "Rhythmic_column_engraver"
+ \consists "Cluster_spanner_engraver"
+ \consists "Tie_engraver"
+ \consists "Tie_engraver"
+ \consists "Tuplet_engraver"
+ \consists "Note_heads_engraver"
+ \consists "Rest_engraver"
+
+ \consists "Skip_event_swallow_translator"
+}
+
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+
+MyStaff = \context {
+ \MyStaff
+ \consists "Staff_symbol_engraver"
+}
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyStaff = \context {
+ \MyStaff
+ \consists "Clef_engraver"
+ \remove "Pitch_squash_engraver"
+}
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyVoice = \context {
+ \MyVoice
+ \consists "Stem_engraver"
+}
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyVoice = \context {
+ \MyVoice
+ \consists "Beam_engraver"
+}
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyVoice= \context {
+ \MyVoice
+ \consists "Phrasing_slur_engraver"
+ \consists "Slur_engraver"
+ \consists "Script_engraver"
+}
+
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyStaff = \context {
+ \MyStaff
+ \consists "Bar_engraver"
+ \consists "Time_signature_engraver"
+}
+
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
+MyStaff = \context {
+ \MyStaff
+ \consists "Accidental_engraver"
+ \consists "Key_engraver"
+}
+\score {
+ \topVoice
+ \layout {
+ \context { \MyStaff }
+ \context { \MyVoice }
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in `invisible ink': the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, and ties and beams can be attached to it.
+
+
+The snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices.
+" }
+
+\relative c'' {
+<< {
+ \once \override Stem #'transparent = ##t
+ b8~ b8\noBeam
+} \\ {
+ b[ g8]
+} >>
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+By putting the output of
+ @code{lilypond-version} into a lyric, it is possible to print the
+ version number of LilyPond in a score, or in a document generated
+ with @code{lilypond-book}. Another possibility is to append the
+ version number to the doc-string, in this manner:
+" }
+
+\score { \context Lyrics {
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark #(ly:export (string-append "Processed with LilyPond version " (lilypond-version)))
+ s2
+ }
+}
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Engravers can be removed one by one. Here, the time signature and bar
+lines have been removed.
+
+
+" }
+
+\score {
+ \relative c'' {
+ a b c d
+ d c b a
+ }
+ \layout {
+ raggedright = ##t
+ \context {
+ \Staff
+ whichBar = #""
+ \remove "Time_signature_engraver"
+ }
+ }
+}
+
+
+
\version "2.11.23"
\header { texidoc = "
-With the \tweak command, you can tune every grob directly. Here are
-some examples of available tweaks.
+With the @code{\tweak} command, you can tune every grob directly. Here
+are some examples of available tweaks.
" }
\paper {
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The part combiner tool ( \partcombine command ) allows you to combine
+different parts on a same Staff. You can choose whether you want or
+don't want to add texts such as \"solo\" or \"a2\", by defining the
+printPartCombineTexts property.
+
+For vocal scores (hymns), there is no need to add solo/a2 texts, so
+they should be switched off. However, you'd better not use it if there
+are any solos, as they won't be indicated. In such cases, you may
+simply wan't to use standard LilyPond polyphony.
+
+This snippet presents the three ways two parts can be printed on a same
+staff : standard polyphony, \partcombine whitout texts, and
+\partcombine with texts.
+
+
+" }
+
+musicUp = { \time 4/4
+ \relative c'' {
+ a4 c4.(g8) a4 |
+ g4 e' g,( a8 b) |
+ c b a2.
+ }
+}
+
+musicDown = {
+ \relative c'' {
+ g4 e4.(d8) c4 |
+ r2 g'4( f8 e) |
+ d2 a
+ }
+}
+\score{
+ \new Staff {
+ \set Staff.instrumentName = "Standard polyphony "
+ << \musicUp \\ \musicDown >>
+ }
+ \layout{
+ indent = 6.0\cm
+ }
+}
+
+\score{
+ \context Staff {
+ \set Staff.instrumentName = "PartCombine without texts "
+ \partcombine \musicUp \musicDown
+ }
+ \layout{
+ indent = 6.0\cm
+ \context {
+ \Voice
+ printPartCombineTexts = ##f
+ }
+ }
+}
+
+\score{
+ \context Staff {
+ \set Staff.instrumentName = "PartCombine with texts "
+ \partcombine \musicUp \musicDown
+ }
+ \layout{
+ indent = 6.0\cm
+ \context {
+ \Voice
+ printPartCombineTexts = ##t
+ }
+ }
+}
+
+%% Do not edit this file; it is auto-generated from LSR!
\header {
texidoc = "Makam is Turkish type of melody that uses 1/9 tone
}
-\version "2.11.6"
+\version "2.11.23"
%{
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Extending stems to the center line may be prevented using
+@code{no-stem-extend}.
+
+
+" }
+
+\score {
+ \context Voice \relative c {
+ \context Staff <<
+ \new Voice {
+ f2 f8 g a b
+ \override Stem #'no-stem-extend = ##t
+ f2 f8 g a b
+ }
+ \new Voice {
+ c''2 c8 b a g
+ \override Stem #'no-stem-extend = ##t
+ c2 c8 b a g
+ }
+ >>
+
+ }
+
+}
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Rests may be used in various styles.
+
+
+
+" }
+
+\layout {
+ indent = 0.0
+ raggedright = ##t
+}
+
+\context Staff \relative c {
+ \set Score.timing = ##f
+ \override Staff.Rest #'style = #'mensural
+ r\maxima^\markup \typewriter { mensural }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'neomensural
+ r\maxima^\markup \typewriter { neomensural }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'classical
+ r\maxima^\markup \typewriter { classical }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'default
+ r\maxima^\markup \typewriter { default }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+
+}
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+This Scheme-based snippet allows you to generate 256 random notes based
+on the current time (or any randomish number you might wish to specify
+instead, so you can obtain the same random notes each time): i.e. to
+get different random notes patterns, just change this number.
+" }
+
+\score {
+{ #(let ((random-state (seed->random-state (current-time))))
+ (ly:export
+ (make-music 'SequentialMusic 'elements
+ (map (lambda x
+ (let ((idx (random 12 random-state)))
+ (make-music 'EventChord
+ 'elements (list (make-music 'NoteEvent
+ 'duration (ly:make-duration 2 0 1 1)
+ 'pitch (ly:make-pitch (quotient idx 7)
+ (remainder idx 7)
+ 0))))))
+ (make-list 256)))))
+ }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+There is a way to enforce enharmonic modifications for notes in order
+to have the minimum number of accidentals. In that case, ``Double
+accidentals should be removed, as well as E-sharp (-> F), bC (-> B), bF
+(-> E), B-sharp (-> C).'', as proposed by a request for a new feature.
+In this manner, the most natural enharmonic notes are chosen in this
+example.
+" }
+
+#(define (naturalise-pitch p)
+ (let* ((o (ly:pitch-octave p))
+ (a (ly:pitch-alteration p))
+ (n (ly:pitch-notename p)))
+
+ (cond
+ ((and (> a 1) (or (eq? n 6) (eq? n 2)))
+ (set! a (- a 2))
+ (set! n (+ n 1)))
+ ((and (< a -1) (or (eq? n 0) (eq? n 3)))
+ (set! a (+ a 2))
+ (set! n (- n 1))))
+
+ (cond
+ ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
+ ((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
+
+ (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
+ (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
+
+ (ly:make-pitch o n a)))
+
+#(define (naturalise music)
+ (let* ((es (ly:music-property music 'elements))
+ (e (ly:music-property music 'element))
+ (p (ly:music-property music 'pitch)))
+
+ (if (pair? es)
+ (ly:music-set-property!
+ music 'elements
+ (map (lambda (x) (naturalise x)) es)))
+
+ (if (ly:music? e)
+ (ly:music-set-property!
+ music 'element
+ (naturalise e)))
+
+ (if (ly:pitch? p)
+ (begin
+ (set! p (naturalise-pitch p))
+ (ly:music-set-property! music 'pitch p)))
+
+ music))
+
+music = \relative c' { c4 d e f g a b c }
+
+naturaliseMusic =
+#(define-music-function (parser location m)
+ (ly:music?)
+ (naturalise m))
+
+\score {
+ \context Staff {
+ \transpose c ais \music
+ \naturaliseMusic \transpose c ais \music
+ \transpose c deses \music
+ \naturaliseMusic \transpose c deses \music
+ }
+ \layout { ragged-right = ##t}
+}
+
+
as ossias.
" }
-% ****************************************************************
-% ly snippet:
-% ****************************************************************
-
\paper {
ragged-right = ##t
}
}
>> }
>>
-
-
-
-% ****************************************************************
-% end ly snippet
-% ****************************************************************
-
\version "2.11.23"
\header { texidoc = "
-By setting the Scheme property 'debug-skylines, you can make a nice
-funky artwork out of you score :-)
-
-More seriously, drawing your skyline can be helpful to debug spacing
-and collision issues. (Still, it does make your score pretty; so just
-try it, no matter how you really need to...)
+By setting the Scheme property 'debug-skylines, you can turn your score
+into a nice funky artwork :-) More seriously, drawing this skyline can
+be helpful to debug spacing and collision issues. (Still, it does make
+your score pretty; so just try it, no matter how much you really need
+to...)
" }
#(ly:set-option 'debug-skylines #t)
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The object may be extended to larger sized by overriding their
+properties. The lyrics in this example have an extent of
+@code{(-10,10)}, which is why they are spaced so widely.
+
+
+
+" }
+
+\score {
+ \context Lyrics \lyricmode {
+ foo --
+
+ \override LyricText #'X-extent = #'(-10.0 . 10.0)
+ bar baz
+ }
+ \layout { raggedright = ##t}
+}
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Instrument names can be displayed using a \markup command; in this case
+the name is placed inside a padded box, which can help vertical
+alignment.
+" }
+
+\new StaffGroup \relative
+<<
+ \new Staff {
+ \set Staff.instrumentName = \markup { \hcenter-in #10 "blabla" }
+ c1 c1
+ }
+ \new Staff {
+ \set Staff.instrumentName = \markup { \hcenter-in #10 "blo" }
+ c1 c1
+ }
+
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+In order to change staff sizes, both @code{staff-space} and
+@code{fontSize} must be scaled.
+" }
+
+\relative c' <<
+% \new Staff \relative c'' { \dynamicDown c4 \ff c c c }
+ \new Staff \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ } {
+ \clef bass
+ c8 c c c c c c c
+ }
+>>
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+In this preliminary test of a modern score, the staff lines are washed
+out temporarily. This is done by making a tuned @code{StaffContainer},
+which @code{\skip}s some notes without printing lines either and
+creates a @code{\new Staff} then in order to create the lines again.
+(Be careful if you use this; it has been done by splitting the grouping
+@code{Axis_group_engraver} and creating functionality into separate
+contexts, but the clefs and time signatures may not do what you would
+expect.)
+
+
+
+" }
+
+\score {
+ \relative c'' <<
+ \new StaffContainer {
+
+ %% need << >>, otherwise we descend to the voice inside SA
+ << \new Staff { c4 c4 } >>
+ \skip 4 % s4 would create staff.
+
+ << \new Staff { b4 b4 } >>
+ }
+ \new StaffContainer {
+ \skip 4
+ << \context Staff { e d f \bar ":|" } >>
+ \skip 4
+ }
+ >>
+
+ \layout {
+ \context {
+ \Score
+ \accepts StaffContainer
+ \denies Staff
+ }
+ \context {
+ \type Engraver_group
+ \consists Clef_engraver
+ \consists Time_signature_engraver
+ \consists Separating_line_group_engraver
+ \consists "Axis_group_engraver"
+ \accepts "Staff"
+
+ \name StaffContainer
+ }
+ \context {
+ \Staff
+ \remove Axis_group_engraver
+ \remove Separating_line_group_engraver
+ \remove Clef_engraver
+ \remove Time_signature_engraver
+ }
+ raggedright=##t
+ }
+}
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The \startTextSpan and \stopTextSpan commands give you the ability to
+create text spanners as easily as pedals indications or octavations.
+Override some properties of the TextSpanner object to modify its
+output.
+" }
+
+\relative c''{
+ \override TextSpanner #'edge-text = #'("bla" . "blu")
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+ \override TextSpanner #'dash-period = #2
+ \override TextSpanner #'dash-fraction = #0.0
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+ \revert TextSpanner #'style
+ \override TextSpanner #'style = #'dashed-lineNone \override TextSpanner #'bound-details #'left #'text = \markup { \draw-line #'(0 . 1) }
+None \override TextSpanner #'bound-details #'right #'text = \markup { \draw-line #'(0 . -2) }
+
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+
+ \set Staff.middleCPosition = #-13
+
+ \override TextSpanner #'dash-period = #10
+ \override TextSpanner #'dash-fraction = #.5
+ \override TextSpanner #'thickness = #10
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+ \set Staff.middleCPosition = #-6
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Some letters imply smaller vertical extents than the others; if you
+have, below your staff, two markups with different vertical extents
+(e.g. one text with letters \"t,h,l and/or UPPER CASE\" and one text
+with \"a, c, e, n or m\"), LilyPond will align them to the top by
+default, thus making it look a bit messy. Therefore, you need to add
+invisible ascender letters using the \transparent command to make it
+right.
+" }
+
+\new Staff {
+ \override TextScript #'staff-padding = #4
+ \override TextScript #'self-alignment-X = #center
+ \time 2/4
+ c'4_\markup { \transparent "A" "WRONG" \transparent "A" }
+ c'4_\markup { "case" }
+ c'4_\markup { \transparent "A" "RIGHT" \transparent "A" }
+ c'4_\markup { \transparent "A" "case" \transparent "A" }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+LilyPond gives you the ability to rotate any object you want,
+particularly markups as showed here. Alternatively, you can use the
+\column function to display your text vertically without rotating the
+letters.
+" }
+
+\score {
+ \relative c' {
+ c4^\markup {\rotate #45.0 {"hello"}}
+ c4^\markup {\rotate #90.0 {"hello"}}
+ c4^\markup {\column {"h" "e" "l" "l" "o"}}
+ }
+ }
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+You can specify different horizontal alignment for your lyrics, by
+overriding the #'self-alignment-X property of the LyricText object. #-1
+is left, #0 is center and #1 is right; however, you can use #LEFT,
+#CENTER and #RIGHT as well.
+" }
+
+\relative c'' {
+c1 c c}
+\addlyrics {\once \override LyricText #'self-alignment-X = #LEFT "This is left-aligned"
+\once \override LyricText #'self-alignment-X = #CENTER "This is centered"
+\once \override LyricText #'self-alignment-X = #1 "this is right-aligned" }
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+This example shows a trick to insert a vertical brace when going from
+several stanzas into a common ending in the lyrics. (An alternative is
+of course to just skip the brace, especially if you add a line break
+instead).
+" }
+
+% Replace brace150 by whatever between brace0 and brace575 that is of a
+% suitable size.
+leftbrace = \markup {\override #'(font-encoding . fetaBraces) \lookup #"brace200" }
+
+% In some versions earlier than 20.10.20, the argument to \rotate was
+% erroneously treated as radians instead of degrees, i.e. #3.14 was
+% needed instead of #180
+rightbrace = \markup {\rotate #180 \leftbrace }
+
+
+lyricsbeforebrace = \lyricmode {Here is some ly -- rics }
+
+lyricsfrombrace = \lyricmode { \markup{\rightbrace Here} comes some more }
+
+
+melody = \relative c'{ c d e f g f e d c e d f g }
+
+
+\score{
+<<
+ \new Voice = m \melody
+ \new Lyrics \lyricsto m \lyricsbeforebrace
+ \new Lyrics \lyricsto m { \lyricsbeforebrace \lyricsfrombrace }
+ \new Lyrics \lyricsto m \lyricsbeforebrace
+>>
+}
+
+++ /dev/null
-\version "2.10.0"
-\header {
-
-texidoc ="In polyphonic notation, many voices can share a staff: In
-this situation, the accidentals and staff are shared, but the stems,
-slurs, beams, etc. are private to each voice. Hence, engravers should
-be grouped. The engravers for note head, stems, slurs, etc. go into a
-group called ``Voice context'', while the engravers for key,
-accidental, bar, etc. go into a group called ``Staff context''. In the
-case of polyphony, a single Staff context contains more than one Voice
-context. Similarly, more Staff contexts can be put into a single Score
-context. "
-
-}
-
-\include "engraver-example.ily"
-
-\score {
-\context Staff << \topVoice \\ \botVoice >>
-}
-
-
-\score {
-<< \new Staff << \topVoice \\ \botVoice >>
-\new Staff << \pah \\ \hoom >>
- >>
-}
-
-
-
+++ /dev/null
-
-\version "2.10.0"
-\header {
-
- texidoc = "The notation problem, creating a certain symbol,
- is handled by plugins. Each plugin is called Engraver. In this example,
-engravers are switched on one by one, in the following order:
-
-@itemize
-@item note heads,
-@item staff symbol,
-@item clef,
-@item stem,
-@item beams, slurs, accents,
-@item accidentals, bar lines, time signature, and key signature.
-@end itemize
-
-Engravers are grouped. For example, note heads, slurs, beams etc. form
-a Voice context. Engravers for key, accidental, bar, etc. form a
-Staff context.
-
-"
-
-}
-\layout { ragged-right = ##t }
-
-\include "engraver-example.ily"
-
-
-%
-% setup for Request->Element conversion. Guru-only
-%
-
-MyStaff =\context {
- \type "Engraver_group"
- \name Staff
-
- \description "Handles clefs, bar lines, keys, accidentals. It can contain
-@code{Voice} contexts."
-
-
- \consists "Output_property_engraver"
-
- \consists "Font_size_engraver"
-
- \consists "Volta_engraver"
- \consists "Separating_line_group_engraver"
- \consists "Dot_column_engraver"
-
- \consists "Ottava_spanner_engraver"
- \consists "Rest_collision_engraver"
- \consists "Piano_pedal_engraver"
- \consists "Piano_pedal_align_engraver"
- \consists "Instrument_name_engraver"
- \consists "Grob_pq_engraver"
- \consists "Forbid_line_break_engraver"
- \consists "Axis_group_engraver"
-
- \consists "Pitch_squash_engraver"
-
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
- extraVerticalExtent = ##f
- verticalExtent = ##f
- localKeySignature = #'()
-
- % explicitly set instrument, so we don't get
- % weird effects when doing instrument names for
- % piano staves
-
- instrumentName = #'()
- shortInstrumentName = #'()
-
- \accepts "Voice"
-}
-
-
-MyVoice = \context {
- \type "Engraver_group"
- \name Voice
-
- \description "
- Corresponds to a voice on a staff. This context handles the
- conversion of dynamic signs, stems, beams, super- and subscripts,
- slurs, ties, and rests.
-
- You have to instantiate this explicitly if you want to have
- multiple voices on the same staff."
-
- localKeySignature = #'()
- \consists "Font_size_engraver"
-
- % must come before all
- \consists "Output_property_engraver"
- \consists "Arpeggio_engraver"
- \consists "Multi_measure_rest_engraver"
- \consists "Text_spanner_engraver"
- \consists "Grob_pq_engraver"
- \consists "Note_head_line_engraver"
- \consists "Glissando_engraver"
- \consists "Ligature_bracket_engraver"
- \consists "Breathing_sign_engraver"
- % \consists "Rest_engraver"
- \consists "Grace_beam_engraver"
- \consists "New_fingering_engraver"
- \consists "Chord_tremolo_engraver"
- \consists "Percent_repeat_engraver"
- \consists "Slash_repeat_engraver"
-
-%{
- Must come before text_engraver, but after note_column engraver.
-
-%}
- \consists "Text_engraver"
- \consists "Dynamic_engraver"
- \consists "Fingering_engraver"
-
- \consists "Script_column_engraver"
- \consists "Rhythmic_column_engraver"
- \consists "Cluster_spanner_engraver"
- \consists "Tie_engraver"
- \consists "Tie_engraver"
- \consists "Tuplet_engraver"
- \consists "Note_heads_engraver"
- \consists "Rest_engraver"
-
- \consists "Skip_event_swallow_translator"
-}
-
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-
-MyStaff = \context {
- \MyStaff
- \consists "Staff_symbol_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Clef_engraver"
- \remove "Pitch_squash_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice = \context {
- \MyVoice
- \consists "Stem_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice = \context {
- \MyVoice
- \consists "Beam_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice= \context {
- \MyVoice
- \consists "Phrasing_slur_engraver"
- \consists "Slur_engraver"
- \consists "Script_engraver"
-}
-
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Bar_engraver"
- \consists "Time_signature_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Accidental_engraver"
- \consists "Key_engraver"
-}
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
+++ /dev/null
-
-\version "2.10.0"
-
-\header { texidoc = "
-
-You can combine two parts on the same staff using the part
-combiner. For vocal scores (hymns), there is no need to add solo/a2
-texts, so they should be switched off.
-
-" }
-
-\score{
- \context Staff <<
- \time 4/4
- \partcombine
- \relative c'' {
- a4 c4.(g8) a4 |
- g4 e' g(f) |
- b, a c2
- }
- \relative c'' {
- g4 e4.(d8) c4 |
- g'4 c, e(f) |
- d2 a
- }
- >>
- \layout{
- line-width=140.\mm
- \context {
- \Voice
- printPartCombineTexts = ##f
- }
- }
-}
-
-
+++ /dev/null
-
-\header {
-
-
- texidoc = "instrument names may be aligned manually by putting the
-names in padded boxes with @code{\markup}."
-
-
-}
-
-\version "2.10.0"
-
-\paper {
- line-width = 15\cm
-}
-
-
-\new StaffGroup \relative
-<<
- \new Staff {
- \set Staff.instrumentName = \markup { \hcenter-in #10 "blabla" }
- c1 c1
- }
- \new Staff {
- \set Staff.instrumentName = \markup { \hcenter-in #10 "blo" }
- c1 c1
- }
-
->>
+++ /dev/null
-
-\version "2.10.0"
-% MERGE with title.ly -gp
-
-%{
- Test lilypond features.
-%}
-
-\header {
-copyright = "copyright"
-title = "title"
-subtitle = "subtitle"
-composer = "composer"
-arranger = "arranger"
-instrument = "instrument"
-metre = "metre"
-opus = "opus"
-piece = "piece"
-poet = "poet"
-texidoc = "All header fields with special meanings."
- copyright = "public domain"
- enteredby = "jcn"
- source = "urtext"
-
-}
-
-
-\score {
- \relative c'' { c1 c1 c1 c1 }
-}
-
-\score {
- \relative c'' { c1 c1 c1 c1 }
-
- \header {
-
- title = "localtitle"
- subtitle = "localsubtitle"
- composer = "localcomposer"
- arranger = "localarranger"
- instrument = "localinstrument"
- metre = "localmetre"
- opus = "localopus"
- piece = "localpiece"
- poet = "localpoet"
- copyright = "localcopyright"
- }
-}
-
+++ /dev/null
-\version "2.10.0"
-
-% possible rename to scheme- something. -gp
-\header { texidoc = "@cindex Scheme Music Creation
-You can engrave music using just Scheme expressions. Although those
-expressions reflect the inner mechanism of LilyPond, they are rather
-clumsy to use, so avoid them, if possible. "
-}
-
-#(define (make-note-req p d)
- (make-music 'NoteEvent
- 'duration d
- 'pitch p))
-
-#(define (make-note elts)
- (make-music 'EventChord
- 'elements elts))
-
-#(define (seq-music-list elts)
- (make-music 'SequentialMusic
- 'elements elts))
-
-fooMusic = #(seq-music-list
- (list (make-note (list (make-note-req (ly:make-pitch 1 0 0) (ly:make-duration 2 0))))
- (make-note (list (make-note-req (ly:make-pitch 1 1 0) (ly:make-duration 2 0))))))
-
-\score { \fooMusic
-\layout { ragged-right = ##t }
-}
-
+++ /dev/null
-
-\version "2.10.0"
-% possible rename to bar-lines-foo. -gp
-
-\header{ texidoc = "@cindex Bar Lines Remove
-Engravers can be removed one by one. Here, the time signature and bar lines
-have been removed.
-"
-}
-
-\score {
- \relative c'' {
- a b c d
- d c b a
- }
- \layout {
- ragged-right = ##t
- \context {
- \Staff
- whichBar = #""
- \remove "Time_signature_engraver"
- }
- }
-}
-
-
+++ /dev/null
-
-\version "2.10.0"
-% check with invisible-notes or blank-notes. possible rename. -gp
-\header{ texidoc = "@cindex Partial Blank
-When entering partially typeset music (i.e. for students to be
-completed by hand), you may need the spacing that correspond to the
-timing of notes: all measures have same length, etc. It can be
-implemented by adding an invisible staff with a lot of fast notes. "
-}
-
-quickmeasure = {
- \repeat unfold 16 c''16
-}
-
-mel = \relative c' {c16 d16 e8 a4 g2 e8 d c2. g'1 e4 d c2}
-
-\score {
-\context PianoStaff <<
- \new Staff <<
- \clef G
- \new Voice {\mel}
- \new Voice {
- \override NoteHead #'transparent = ##t
- \override Stem #'transparent = ##t
- \override Beam #'transparent = ##t
- \repeat unfold 4 \quickmeasure
- }
- >>
- \new Staff {\clef F s1*4}
->>
-\layout {}
-}
-
+++ /dev/null
-\version "2.10.0"
-\header { texidoc = "
-
-@cindex Preset Extent
-
-The object may be extended to larger sized by overriding their properties.
-The lyrics in this example have an extent of @code{(-10,10)}, which is why
-they are spaced so widely.
-
-"
-
-}
-
-\score {
- \context Lyrics \lyricmode {
- foo --
-
- \override LyricText #'X-extent = #'(-10.0 . 10.0)
- bar baz
- }
- \layout { ragged-right = ##t}
-}
-
-
+++ /dev/null
-
-\version "2.10.0"
-\header {
- texidoc = "@cindex Rests
-
-Rests may be used in various styles.
-
-"
-}
-
-\layout {
- indent = 0.0
- ragged-right = ##t
-}
-
-\context Staff \relative c {
- \set Score.timing = ##f
- \override Staff.Rest #'style = #'mensural
- r\maxima^\markup \typewriter { mensural }
- r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
- \bar ""
-
- \override Staff.Rest #'style = #'neomensural
- r\maxima^\markup \typewriter { neomensural }
- r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
- \bar ""
-
- \override Staff.Rest #'style = #'classical
- r\maxima^\markup \typewriter { classical }
- r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
- \bar ""
-
- \override Staff.Rest #'style = #'default
- r\maxima^\markup \typewriter { default }
- r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
-
-}
-
+++ /dev/null
-\version "2.10.0"
-
-\header {
-
- texidoc = "
-
-In this preliminary test of a modern score, the staff lines are washed
-out temporarily. This is done by making a tuned @code{StaffContainer},
-which @code{\skip}s some notes without printing lines either and
-creates a @code{\\new Staff} then in order to create the lines again.
-(Be careful if you use this; it has been done by splitting the
-grouping @code{Axis_group_engraver} and creating functionality into
-separate contexts, but the clefs and time signatures may not do
-what you would expect.)
-
- "
-
- }
-
-
-
-\score {
- \relative c'' <<
- \new StaffContainer {
-
- %% need << >>, otherwise we descend to the voice inside SA
- << \new Staff { c4 c4 } >>
- \skip 4 % s4 would create staff.
-
- << \new Staff { b4 b4 } >>
- }
- \new StaffContainer {
- \skip 4
- << \context Staff { e d f \bar ":|" } >>
- \skip 4
- }
- >>
-
- \layout {
- \context {
- \Score
- \accepts StaffContainer
- \denies Staff
- }
- \context {
- \type Engraver_group
- \consists Clef_engraver
- \consists Time_signature_engraver
- \consists Separating_line_group_engraver
- \consists "Axis_group_engraver"
- \accepts "Staff"
-
- \name StaffContainer
- }
- \context {
- \Staff
- \remove Axis_group_engraver
- \remove Separating_line_group_engraver
- \remove Clef_engraver
- \remove Time_signature_engraver
- }
- ragged-right=##t
- }
-}
-
-
+++ /dev/null
-\version "2.10.0"
-
-\header { texidoc = "@cindex Staff Size
-
-In order to change staff sizes, both @code{staff-space} and @code{fontSize}
-must be scaled."
-
-}
-
-\layout { ragged-right = ##t}
-
-\relative c' <<
-% \new Staff \relative c'' { \dynamicDown c4 \ff c c c }
- \new Staff \with {
- fontSize = #-3
- \override StaffSymbol #'staff-space = #(magstep -3)
- } {
- \clef bass
- c8 c c c c c c c
- }
->>
-
-
+++ /dev/null
-\version "2.10.0"
-
-\header { texidoc = "@cindex Stem Extend
-Extending stems to the center line may be prevented using @code{no-stem-extend}.
-"
-}
-
-\score {
- \context Voice \relative c {
- \context Staff <<
- \new Voice {
- f2 f8 g a b
- \override Stem #'no-stem-extend = ##t
- f2 f8 g a b
- }
- \new Voice {
- c''2 c8 b a g
- \override Stem #'no-stem-extend = ##t
- c2 c8 b a g
- }
- >>
-
- }
- \layout { ragged-right = ##t}
-}
-
+++ /dev/null
-
-\version "2.10.0"
-\header {texidoc = "@cindex Tablature hammer
-A hammer in tablature can be faked with slurs. "
-}
-
-\score{
- %BROKEN \context TabStaff
- <<
- \relative c''{
- c(d)
- d(d)
- d(c)
- }
- >>
- \layout{ ragged-right = ##t}
-}
-
+++ /dev/null
-%% todo: move into advanced notation section of the manual.
-
-\header {
-
- texidoc = "Time signatures may be put on a separate staff. This is
- used contemporary pieces with many time signature changes. "
-
-}
-\version "2.10.0"
-\layout {
- ragged-right = ##T
-}
-
-\layout{
- \context {
- \type "Engraver_group"
- \consists "Time_signature_engraver"
- \consists "Axis_group_engraver"
- \name "TimeSig"
- \override TimeSignature #'font-size = #4
- }
- \context {
- \Score \accepts TimeSig
- }
-
- \context { \Staff
- \override TimeSignature #'transparent = ##t
- }
-}
-
-
-\relative
-<< \new Staff { \time 2/4 c2 \time 3/4 c2. \time 4/4 c1 }
- \new TimeSig {
- \skip 4 * 9
- }
- \new Staff { r4 r r
- r4 r r
- r4 r r }
-
- >>
+++ /dev/null
-\version "2.10.0"
-
-\header {
-
-
- texidoc = #(string-append "By putting the output of
- @code{lilypond-version} into a lyric, it is possible to print the
- version number of LilyPond in a score, or in a document generated
- with @code{lilypond-book}. Another possibility is to append the
- version number to the doc-string, in this manner: "
-
- (lilypond-version)
- )
-
-}
-
-\score { \context Lyrics {
- \override Score.RehearsalMark #'self-alignment-X = #LEFT
- \mark #(ly:export (string-append "Processed with LilyPond version " (lilypond-version)))
- s2
- }
-}
-
-
+++ /dev/null
-\version "2.10.0"
-% TODO: huh? what's this file about? -gp
-% This file shows that Staff grobs can get very deep or high; there is a lot
-% of room between the staves.
-
-\header { texidoc = "
-Vertical extents may increased by setting @code{\override VerticalAxisGroup #'minimum-Y-extent},
-@code{extra-Y-extent}, and @code{Y-extent}. In this example,
-@code{Y-extent} is increased.
-" }
-
-\score {
- <<
- \new Staff {
- \override Staff.VerticalAxisGroup #'Y-extent = #'(-15.0 . 0.0)
- \clef alto
- a1^"15-deep staff"
- }
- \new Staff {
- \clef alto
- b1
- }
- \new Staff {
- \clef alto
- c1
- }
- \new Staff {
- \clef alto
- \override Staff.VerticalAxisGroup #'Y-extent = #'(-0.0 . 10.0)
- d1^"10-high staff"
- }
- >>
- \layout{
- ragged-right = ##t
- }
-}
-
+++ /dev/null
-\header {
- texidoc = "Volta brackets can be placed over chord names. Just set
-the @code{voltaOnThisStaff} property to true for the @code{ChordNames} context and to false for the topmost ordinary @code{Staff} context."
-}
-
-\version "2.10.0"
-\score { <<
- \new ChordNames \with {
- voltaOnThisStaff = ##t
- } \chordmode {
- c1 c
- }
- \new Staff \with {
- voltaOnThisStaff = ##f
- }
- {
- \repeat volta 2 { c'1 } \alternative { c' }
- }
->> }
projects / lilypond.git / commitdiff