Ligatures are entered by @emph{enclosing} them in @code{\[} and
@code{\]}. Some ligature styles may need additional input syntax
specific for this particular type of ligature. By default, the
-@rinternals{LigatureBracket} engraver just puts a square bracket
+@code{LigatureBracket} engraver just puts a square bracket
above the ligature.
@lilypond[quote,ragged-right,verbatim]
mensural ligatures are supported for mensural music, and with
certain limitations). To use any of these styles, the default
@code{Ligature_bracket_engraver} has to be replaced with one of the
-specialized ligature engravers in the @rinternals{Voice} context,
+specialized ligature engravers in the @code{Voice} context,
as explained in @ref{White mensural ligatures} and @ref{Gregorian
square neume ligatures}.
-@seealso
+@c @seealso
@c TODO: nothing here yet ...
different custos glyphs used in different flavors of notational
style.
-For typesetting custodes, just put a @rinternals{Custos_engraver} into the
-@rinternals{Staff} context when declaring the @code{\layout} block,
+For typesetting custodes, just put a @code{Custos_engraver} into the
+@code{Staff} context when declaring the @code{\layout} block,
and change the style of the custos with an @code{\override} if
desired, as shown in the following example:
The custos glyph is selected by the @code{style} property. The styles
supported are @code{vaticana}, @code{medicaea}, @code{hufnagel}, and
-@code{mensural}. They are demonstrated in the following fragment
+@code{mensural}. They are demonstrated in the following fragment.
@lilypond[quote,ragged-right,fragment]
\new Lyrics \lyricmode {
\markup { \column {
- \typewriter "vaticana"
+ \typewriter "vaticana "
\line { " " \musicglyph #"custodes.vaticana.u0" }
} }
\markup { \column {
- \typewriter "medicaea"
+ \typewriter "medicaea "
\line { " " \musicglyph #"custodes.medicaea.u0" }
}}
\markup { \column {
- \typewriter "hufnagel"
+ \typewriter "hufnagel "
\line { " " \musicglyph #"custodes.hufnagel.u0" }
}}
\markup { \column {
- \typewriter "mensural"
+ \typewriter "mensural "
\line { " " \musicglyph #"custodes.mensural.u0" }
}}
}
@seealso
-Internals Reference: @rinternals{Custos}.
+Internals Reference:
+@rinternals{Custos}.
-Examples:
+Snippets:
@rlsr{Ancient notation}.
@end lilypond
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@c {{{2 Mensural clefs
@seealso
-Notation Reference: see @ref{Clef}.
+Notation Reference:
+@ref{Clef}.
@knownissues
}
@end lilypond
-Use the @code{style} property of grob @rinternals{TimeSignature}
+Use the @code{style} property of grob @code{TimeSignature}
to select ancient time signatures. Supported styles are
@code{neomensural} and @code{mensural}. The above table uses the
@code{neomensural} style. The following examples show the
@seealso
-Notation Reference: @ref{Time signature}, gives a general introduction to
+Notation Reference:
+@ref{Time signature}, gives a general introduction to
the use of time signatures.
@knownissues
Ratios of note durations do not change with the time signature. For
-example, the ratio of 1 breve = 3 semibreves (@emph{tempus perfectum}) must
-be made by hand, by setting
+example, the ratio of 1@tie{}breve = 3@tie{}semibreves (@emph{tempus
+perfectum}) must be made by hand, by setting
@example
breveTP = #(ly:make-duration -1 0 3 2)
For ancient notation, a note head style other than the @code{default} style
may be chosen. This is accomplished by setting the @code{style} property of
-the @rinternals{NoteHead} object to @code{baroque}, @code{neomensural},
+the @code{NoteHead} object to @code{baroque}, @code{neomensural},
@code{mensural} or @code{petrucci}.
The @code{baroque} style differs from the @code{default} style by:
@seealso
-@ref{Note head styles} gives an overview of all available note head styles.
+Notation Reference:
+@ref{Note head styles}, gives an overview of all available note head styles.
@c {{{2Mensural flags
@cindex flags
-Use the @code{flag-style} property of grob @rinternals{Stem} to
+Use the @code{flag-style} property of grob @code{Stem} to
select ancient flags. Besides the @code{default} flag style,
only the @code{mensural} style is supported.
There are no flags in Gregorian chant notation.
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@knownissues
@cindex rests, ancient
-Use the @code{style} property of grob @rinternals{Rest} to select
+Use the @code{style} property of grob @code{Rest} to select
ancient rests. Supported styles are @code{classical},
@code{neomensural}, and @code{mensural}. @code{classical} differs
from the @code{default} style only in that the quarter rest looks
See @rlsr{Ancient notation} for a chart of all rests.
@seealso
-Notation Reference: @ref{Rests}, gives a general introduction into the use of
+Notation Reference:
+@ref{Rests}, gives a general introduction into the use of
rests.
@end lilypond
The style for accidentals and key signatures is controlled by the
-@code{glyph-name-alist} property of the grobs @rinternals{Accidental} and
-@rinternals{KeySignature}, respectively; e.g.:
+@code{glyph-name-alist} property of the grobs @code{Accidental} and
+@code{KeySignature}, respectively; e.g.:
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@seealso
-Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
-@ref{Automatic accidentals} give a general introduction of the use of
-accidentals. @ref{Key signature} gives a general introduction of
-the use of key signatures.
+Notation Reference:
+@ref{Pitches}, @ref{Accidentals}, and @ref{Automatic accidentals}, give a
+general introduction of the use of accidentals. @ref{Key signature}, gives
+a general introduction of the use of key signatures.
-Internals Reference: @rinternals{KeySignature}.
+Internals Reference:
+@rinternals{KeySignature}.
@c {{{2 Annotational accidentals (musica ficta)
@seealso
-Internals Reference: @rinternals{Accidental_engraver} engraver and
-the @rinternals{AccidentalSuggestion} object.
+Internals Reference:
+@rinternals{Accidental_engraver},
+@rinternals{AccidentalSuggestion}.
@c {{{2White mensural ligatures
There is limited support for white mensural ligatures.
To engrave white mensural ligatures, in the layout block, replace
-the @rinternals{Ligature_bracket_engraver} with the
-@rinternals{Mensural_ligature_engraver} in the @rinternals{Voice}
+the @code{Ligature_bracket_engraver} with the
+@code{Mensural_ligature_engraver} in the @code{Voice}
context:
@example
}
@end lilypond
-Without replacing @rinternals{Ligature_bracket_engraver} with
-@rinternals{Mensural_ligature_engraver}, the same music transcribes
+Without replacing @code{Ligature_bracket_engraver} with
+@code{Mensural_ligature_engraver}, the same music transcribes
to the following
@lilypond[quote,ragged-right]
@end lilypond
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@knownissues
@end menu
When typesetting a piece in Gregorian chant notation, the
-@rinternals{Vaticana_ligature_engraver} automatically selects the
+@code{Vaticana_ligature_engraver} automatically selects the
proper note heads, so there is no need to explicitly set the note
head style. Still, the note head style can be set, e.g., to
@code{vaticana_punctum} to produce punctum neumes. Similarly, the
-@rinternals{Mensural_ligature_engraver} automatically assembles
+@code{Mensural_ligature_engraver} automatically assembles
mensural ligatures. See @ref{Ligatures}, for how ligature
engravers work.
@end lilypond
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@c {{{2 Gregorian clefs
@seealso
-Notation Reference: see @ref{Clef}.
+Notation Reference:
+@ref{Clef}.
@c {{{2 Gregorian accidentals and key signatures
@c {ancient-accidentals.ly}
The style for accidentals and key signatures is controlled by the
-@code{glyph-name-alist} property of the grobs @rinternals{Accidental} and
-@rinternals{KeySignature}, respectively; e.g.:
+@code{glyph-name-alist} property of the grobs @code{Accidental} and
+@code{KeySignature}, respectively; e.g.:
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@seealso
-Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
-@ref{Automatic accidentals} give a general introduction of the use of
-accidentals. @ref{Key signature} gives a general introduction of
-the use of key signatures.
+Notation Reference:
+@ref{Pitches}, @ref{Accidentals}, and @ref{Automatic accidentals}, give a
+general introduction of the use of accidentals. @ref{Key signature}, gives
+a general introduction of the use of key signatures.
-Internals Reference: @rinternals{KeySignature}.
+Internals Reference:
+@rinternals{KeySignature}.
@c {{{2Divisiones
@end lilypond
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@knownissues
@seealso
-Notation Reference: @ref{Breath marks}.
+Notation Reference:
+@ref{Breath marks}.
-Internals Reference: @rinternals{BreathingSign}.
+Internals Reference:
+@rinternals{BreathingSign}.
-Examples: @rlsr{Ancient notation}.
+Snippets:
+@rlsr{Ancient notation}.
@c {{{2Gregorian square neumes ligatures
modifying the shape of the second note: @code{\[ a \pes \deminutum
b \] }, the second by modifying the shape of a single-note neume
with @code{\auctum} and one of the direction markers
-@code{\descendens} or @code{\ascendens}, e.g. @code{ \[ \auctum
+@code{\descendens} or @code{\ascendens}, e.g., @code{ \[ \auctum
\descendens a \] }.
@noindent
In addition to the note signs, gregorian.ly also defines the
commands @code{\versus}, @code{\responsum}, @code{\ij},
@code{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
-corresponding characters, e.g. for use in lyrics, as section
+corresponding characters, e.g., for use in lyrics, as section
markers, etc. These commands use special unicode characters and
will only work if a font is used which supports them.
Use the unary music function @code{\augmentum} to add augmentum dots.
-@seealso
-TODO: nothing here yet ...
+@c @seealso
+@c TODO: nothing here yet ...
@knownissues
When an @code{\augmentum} dot appears at the end of the last staff
within a ligature, it is sometimes vertically placed wrong. As a
-workaround, add an additional skip note (e.g. @code{s8}) as last note
+workaround, add an additional skip note (e.g., @code{s8}) as last note
of the staff.
@code{\augmentum} should be implemented as a head prefix rather than a
TBC
-@seealso
+@c @seealso
@c ... and reference to other sections ...
@c TBC
-@seealso
+@c @seealso
@c ... and reference to other sections ...
invisible signature will still take up space.
In many cases, @code{\set Score.timing = ##f} will give good
-results. Another alternative is to use \@code{\CadenzaOn} and
+results. Another alternative is to use @code{\CadenzaOn} and
@code{\CadenzaOff}.
To remove the barlines, the radical approach is to @code{\remove}
to each syllable. In this case, one would want to set the
syllable groups clearly apart, usually also the subdivisions of a
longer melisma. One way to achieve this is to use a fixed
-@code{\time}, e.g. 1/4, and let each syllable or note group fill
+@code{\time}, e.g., 1/4, and let each syllable or note group fill
one of these measures, with the help of tuplets or shorter
durations. If the barlines and all other rhythmical indications
are made transparent, and the space around the barlines is
@c extract from 1.6.1.1
-@seealso
+@c @seealso
@c ... and reference to other sections ...
@c {{{2Ancient and modern from one source
@c Here among others the snippets about reducing note length
TBC
-@seealso
+@c @seealso
@c ... and reference to other sections ...
@c {{{2Editorial markings
TBC
-@seealso
+@c @seealso
@c ... and reference to other sections ...
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