attach an extra symbol to the drum, and restrict the number of lines.
" }
% begin verbatim
-drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat unfold 5 { hhc8 hho hhc8 hh16 hh } hhc4 r4 r2 }
-drl = \drummode { \repeat unfold 3 { bd4 sn8 bd bd4 << bd ss >> } bd8 tommh tommh bd toml toml bd tomfh16 tomfh }
-timb = \drummode { \repeat unfold 2 { timh4 ssh timl8 ssh r timh r4 ssh8 timl r4 cb8 cb } }
+drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh hhc8 hho hhc8 hh16 hh hhc4 r4 r2 }
+drl = \drummode { bd4 sn8 bd bd4 << bd ss >> bd8 tommh tommh bd toml toml bd tomfh16 tomfh }
+timb = \drummode { timh4 ssh timl8 ssh r timh r4 ssh8 timl r4 cb8 cb }
\score {
- \repeat volta 2 {
- <<
- \new DrumStaff \with {
- drumStyleTable = #timbales-style
- \override StaffSymbol #'line-count = #2
- \override BarLine #'bar-size = #2
- } <<
- \set Staff.instrumentName = "timbales"
- \timb
- >>
- \new DrumStaff <<
- \set Staff.instrumentName = "drums"
- \new DrumVoice { \stemUp \drh }
- \new DrumVoice { \stemDown \drl }
- >>
+ <<
+ \new DrumStaff \with {
+ drumStyleTable = #timbales-style
+ \override StaffSymbol #'line-count = #2
+ \override BarLine #'bar-size = #2
+ } <<
+ \set Staff.instrumentName = "timbales"
+ \timb
>>
- }
+ \new DrumStaff <<
+ \set Staff.instrumentName = "drums"
+ \new DrumVoice { \stemUp \drh }
+ \new DrumVoice { \stemDown \drl }
+ >>
+ >>
\layout {}
\midi {
\context {
lsrtags = "text, vocal-music"
texidoc = "
You can specify different horizontal alignment for your lyrics, by
-overriding the #'self-alignment-X property of the LyricText object. #-1
-is left, #0 is center and #1 is right; however, you can use #LEFT,
-#CENTER and #RIGHT as well.
+overriding the @code{#'self-alignment-X} property of the
+@code{LyricText} object. @code{#-1} is left, @code{#0} is center and
+@code{#1} is right; however, you can use @code{#LEFT}, @code{#CENTER}
+and @code{#RIGHT} as well.
" }
% begin verbatim
\relative c'' {
\header {
lsrtags = "rhythms"
texidoc = "
-In time signature 2/2 or 4/4 the beam are @code{ _____
- _ _ Default | | | | I want | | | |. } Use a \"macro\" with
-#(override-auto-beam-setting '.....
-
-
-
+In a simple time signature of 2/2 or 4/4, 8th notes are beamed by
+default as two sets of four. Using a macro which overrides the
+autobeaming behaviour, this snippet changes the beaming to quarter note
+beats.
" }
% begin verbatim
% Automatic beams two per two in 4/4 or 2/2 time signature
-% _____
+% _____
% Default | | | |
-% _ _
+% _ _
% I want | | | |
-% The good way adapted from David Bobrof
+% The good way adapted from David Bobroff
% macro for beamed two per two in 2/2 and 4/4 time signature
-qbeam={
- #(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
- #(override-auto-beam-setting '(end 1 8 * *) 2 4 'Staff)
- #(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff)
- }
-% other macros
-timeFractionstyle = { \override Staff.TimeSignature #'style = #'() }
-textn = ^\markup { without the macro }
-texty = ^\markup { with the macro }
+qbeam= {
+ #(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
+ #(override-auto-beam-setting '(end 1 8 * *) 2 4 'Staff)
+ #(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff)
+}
\score {
- <<
- \new Staff << \relative c'' {
- \timeFractionstyle
- \time 4/4
- g8\textn g g g g g g g g g g g4 g8 g g
- }
- >>
-
- %Use the macro
-
- \new Staff << \relative c'' {
- \timeFractionstyle
- \time 4/4
- \qbeam
- g8\texty g g g g g g g g g g g4 g8 g g
- }
- >>
- >>
+ <<
+ \new Staff \relative c'' {
+ \time 4/4
+ g8^\markup { without the macro } g g g g g g g |
+ g g g g4 g8 g g |
+ }
+ %Use the macro
+ \new Staff \relative c'' {
+ \time 4/4
+ \qbeam
+ g8^\markup { with the macro } g g g g g g g |
+ g g g g4 g8 g g |
+ }
+ >>
+ \layout {
+ \context {
+ \Staff
+ \override TimeSignature #'style = #'()
+ }
+ }
}
" }
% begin verbatim
\relative {
- <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup{A tiny e}_\markup{A big c}
+ <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup { A tiny e }_\markup { A big c }
}
+\layout { ragged-right = ##t }
+
\times 2/3 { c8 c c } \times 2/3 { c8 c c }
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
\times 2/3 { c8 c c }
- \override TupletNumber #'transparent = ##t
+ \override TupletNumber #'stencil = ##f
\times 2/3 { c8 c c }
}
fragment = \relative c' {
c4 f4 <e d'>4
- <g a>8 <e a> a4 c2 <d b>4 e4
- c4
+ <g a>8 <e a> a4 c2 <d b>4
+ e2 c2
}
<<
\header {
lsrtags = "simultaneous-notes, text"
texidoc = "
-The part combiner tool ( \\partcombine command ) allows you to combine
-different parts on a same Staff. You can choose whether you want or
-don't want to add texts such as \"solo\" or \"a2\", by defining the
-printPartCombineTexts property.
+The part combiner tool ( @code{\\partcombine} command ) allows you to
+combine different parts on the same staff. Text directions such as
+\"solo\" or \"a2\" are added by default; to remove them, simply set the
+property @code{printPartCombineTexts} to \"false\". For vocal scores
+(hymns), there is no need to add \"solo\"/\"a2\" texts, so they should
+be switched off. However, you'd better not use it if there are any
+solos, as they won't be indicated. In such cases, you may simply want
+to use standard LilyPond polyphony. This snippet presents the three
+ways two parts can be printed on a same staff: standard polyphony,
+@code{\\partcombine} whitout texts, and @code{\\partcombine} with texts.
-For vocal scores (hymns), there is no need to add \"solo\"/\"a2\"
-texts, so they should be switched off. However, you'd better not use it
-if there are any solos, as they won't be indicated. In such cases, you
-may simply want to use standard LilyPond polyphony.
-
-This snippet presents the three ways two parts can be printed on a same
-staff : standard polyphony, \\partcombine whitout texts, and
-\\partcombine with texts.
" }
% begin verbatim
-musicUp = {
+musicUp = \relative c'' {
\time 4/4
- \relative c'' {
- a4 c4.(g8) a4 |
- g4 e' g,( a8 b) |
- c b a2.
- }
-}
-
-musicDown = {
- \relative c'' {
- g4 e4.(d8) c4 |
- r2 g'4( f8 e) |
- d2 a
- }
+ a4 c4.( g8) a4 |
+ g4 e' g,( a8 b) |
+ c b a2.
}
-\score{
- \new Staff {
- \set Staff.instrumentName = "Standard polyphony "
- << \musicUp \\ \musicDown >>
+musicDown = \relative c'' {
+ g4 e4.( d8) c4 |
+ r2 g'4( f8 e) |
+ d2 \stemDown a
}
- \layout{
- indent = 6.0\cm
+\score {
+ <<
+ <<
+ \new Staff {
+ \set Staff.instrumentName = "Standard polyphony "
+ << \musicUp \\ \musicDown >>
+ }
+ \new Staff \with { printPartCombineTexts = ##f } {
+ \set Staff.instrumentName = "PartCombine without texts "
+ \partcombine \musicUp \musicDown
+ }
+ \new Staff {
+ \set Staff.instrumentName = "PartCombine with texts "
+ \partcombine \musicUp \musicDown
+ }
+ >>
+ >>
+ \layout {
+ indent = 6.0\cm
+ \context {
+ \Score
+ \override SystemStartBar #'collapse-height = #30
+ }
}
}
-
-\score{
- \context Staff {
- \set Staff.instrumentName = "PartCombine without texts "
- \partcombine \musicUp \musicDown
- }
- \layout{
- indent = 6.0\cm
- \context {
- \Voice
- printPartCombineTexts = ##f
- }
- }
-}
-
-\score{
- \context Staff {
- \set Staff.instrumentName = "PartCombine with texts "
- \partcombine \musicUp \musicDown
- }
- \layout{
- indent = 6.0\cm
- \context {
- \Voice
- printPartCombineTexts = ##t
- }
- }
-}
-
" }
% begin verbatim
#(define (compound-time one two num)
- (markup #:override '(baseline-skip . 0) #:number
- (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))))))
-
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))))
+ ))
\relative {
- %% compound time signature hack
- \time 5/8
+ % compound time signature hack
\override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "2" "3" "8" )
+ \override Staff.TimeSignature #'text = #( compound-time "2" "3" "8" )
+ \time 5/8
#(override-auto-beam-setting '(end 1 8 5 8) 1 4)
- c8 d e fis gis | c fis, gis e d | c8 d e4 gis8
+ c8 d e fis gis |
+ c fis, gis e d |
+ c8 d e4 gis8
}
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
texidoc = "
-If there is only one staff in one of the staff types ChoirStaff,
-InnerChoirStaff, InnerStaffGroup and StaffGroup, the bracket won't be
-displayed as standard behaviour. This can be changed with:
+If there is only one staff in one of the staff types @code{ChoirStaff},
+@code{InnerChoirStaff}, @code{InnerStaffGroup} or @code{StaffGroup},
+the bracket and the starting bar line will not be displayed as standard
+behaviour. This can be changed with:
@code{\\override [staffcontext].SystemStartBracket #'collapse-height =
#1}
+ and
+
+@code{\\override [staffcontext].SystemStartBar #'collapse-height = #1}
This applies to all staff contexts with
@code{systemStartDelimiter}-property set to @code{'SystemStartBracket}.
+
For staff contexts with @code{'SystemStartBrace}, such as
-@code{PianoStaff}, this tweaking can be used as well.
+@code{PianoStaff}, this tweaking can be used as well.
+
+
+
" }
% begin verbatim
\score {
- \new StaffGroup <<
- % Must be one lower than your actual amount off staff lines
- \override StaffGroup.SystemStartBracket #'collapse-height = #4
- \new Staff {
- c'4 d' e' f'
- }
- >>
- }
- {
- \new PianoStaff <<
- \override PianoStaff.SystemStartBrace #'collapse-height = #4
- \new Staff {
- c'4 d' e' f'
- }
- >>
+\new StaffGroup <<
+ % Must be lower than your actual amount off staff lines
+ \override StaffGroup.SystemStartBracket #'collapse-height = #1
+ \override Score.SystemStartBar #'collapse-height = #1
+ \new Staff {
+ c'4 d' e' f'
+ }
+ >>
+ }
+ {
+ \new PianoStaff <<
+ \override PianoStaff.SystemStartBrace #'collapse-height = #1
+ \override Score.SystemStartBar #'collapse-height = #1
+ \new Staff {
+ c'4 d' e' f'
+ }
+ >>
}
\layout {
ragged-right = ##t
Ties may be engraved manually by changing the @code{tie-configuration}
property of the @code{TieColumn} object. The first number indicates the
distance from the center of the staff in staff-spaces, and the second
-number indicates the direction (1=up, -1=down).
+number indicates the direction (1 = up, -1 = down).
" }
% begin verbatim
\relative c' {
c1 \mark \default
c1 \mark \default
c1 \mark \default
-
-\break
-
- \set Score.markFormatter = #format-mark-numbers
+ \break
+ \set Score.markFormatter = #format-mark-numbers
c1 \mark #1
c1 \mark \default
c1 \mark \default
\header {
lsrtags = "rhythms, percussion"
texidoc = "
-Though the set-time-signature thing was not the most essential here, it
-has been included to show the beat of this piece (which is a template
-of a real balkan song!).
+Though the polymetric time signature shown was not the most essential
+item here, it has been included to show the beat of this piece (which
+is the template of a real Balkan song!).
" }
% begin verbatim
-#(define (compound-time one two three four five six seven eight nine ten
+#(define (set-time-signature one two three four five six seven eight nine ten
eleven num)
(markup #:override '(baseline-skip . 0) #:number
(#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))
\set Staff.instrumentName = "Bb Sop."
\key g \major \time 25/8
\override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "3" "2" "2" "3"
+ \override Staff.TimeSignature #'text = #(set-time-signature "3" "2" "2" "3"
"2" "2" "2" "2 " "3" "2" "2" "8" )
\set Staff.beatGrouping = #'(3 2 2 3 2 2 2 2 3 2 2)
#(override-auto-beam-setting '(end * * 25 8) 3 8)
" }
% begin verbatim
\relative c {
+ \time 2/4
% from upper staffline (position 4) to centre (position 0)
\override Beam #'positions = #'(2 . 0)
- c'8[ c]
+ c'8 c
% from centre to one above centre (position 2)
\override Beam #'positions = #'(0 . 1)
- c[ c]
+ c c
}
projects / lilypond.git / commitdiff