LSR: update.

diff --git a/input/lsr/adding-ambiti-per-voice.ly b/input/lsr/adding-ambiti-per-voice.ly
index 2be46181f91fded7f25bbc0f28e4be072d6cf67b..7f896f243e4f11f22e5edb6da7893e1ddbadda09 100644 (file)
--- a/input/lsr/adding-ambiti-per-voice.ly
+++ b/input/lsr/adding-ambiti-per-voice.ly
@@ -5,7 +5,7 @@
 \header {
   lsrtags = "pitches, staff-notation, vocal-music"
  texidoc = "
-Ambits can be added per voice. In that case, the ambitus must be moved
+Ambits can be added per voice. In this case, the ambitus must be moved
 manually to prevent collisions. 
 " }
 % begin verbatim
@@ -13,7 +13,7 @@ manually to prevent collisions.
   \new Voice \with {
     \consists "Ambitus_engraver"
   } \relative c'' {
-    \override Ambitus #'X-offset = # 2.0
+    \override Ambitus #'X-offset = #2.0
     \voiceOne
     c4 a d e f1
   }

diff --git a/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly b/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
index 15d77cbcffe4245d197c82572f918a890cccf3c7..d7b5bcf838567b94888d651c7c4ae8583e20d478 100644 (file)
--- a/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
+++ b/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
@@ -6,14 +6,14 @@
   lsrtags = "rhythms, expressive-marks"
  texidoc = "
 LilyPond syntax can involve many unusual placements for parentheses,
-brackets etc., which might sometimes have to be interleaved.For
+brackets etc., which might sometimes have to be interleaved. For
 example, when entering a manual beam, the left square bracket has to be
 placed after the starting note and its duration, not before. Similarly,
 the right square bracket should directly follow the note which is to be
 at the end of the requested beaming, even if this note happens to be
-inside a tuplet section. This snippet demonstrates how to superpose
-manual beaming, manual slurs, ties, and phrasing slurs, while using
-tuplet sections (enclosed with curly braces).
+inside a tuplet section. This snippet demonstrates how to combine
+manual beaming, manual slurs, ties, and phrasing slurs with tuplet
+sections (enclosed with curly braces). 
 " }
 % begin verbatim
 {

diff --git a/input/lsr/adding-drum-parts.ly b/input/lsr/adding-drum-parts.ly
index f9941b82c8205cf162745cb42ffd7be5725ec546..2e43f205b2ccb6b90b2ea8fda3db8d2a74a7e6ec 100644 (file)
--- a/input/lsr/adding-drum-parts.ly
+++ b/input/lsr/adding-drum-parts.ly
@@ -6,10 +6,10 @@
   lsrtags = "rhythms, percussion"
  texidoc = "
 LilyPond makes drums input quite easy, with powerful pre-configured
-tools such as the \\drummode function and the DrumStaff context:  drums
-are placed to their own staff positions (with a special clef symbol)
-and have note heads according to the drum. You can easily attach an
-extra symbol to the drum, and restrict the number of lines.
+tools such as the @code{\\drummode} function and the @code{DrumStaff}
+context: drums are placed at their own staff positions (with a special
+clef symbol) and have noteheads according to the drum. You can easily
+attach an extra symbol to the drum, and restrict the number of lines. 
 " }
 % begin verbatim
 drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat "unfold" 5 {hhc8 hho hhc8 hh16 hh} hhc4 r4 r2 }
@@ -35,14 +35,11 @@ timb = \drummode { \repeat "unfold" 2 {timh4 ssh timl8 ssh r timh r4 ssh8 timl r
     >>
   }
   \layout {}
-
   \midi {
     \context {
       \Score
       tempoWholesPerMinute = #(ly:make-moment 120 4)
       }
     }
-
-
 }
 

diff --git a/input/lsr/adding-the-current-date-to-a-score.ly b/input/lsr/adding-the-current-date-to-a-score.ly
index 85ac4910c5c5544cf210efacfd2229d082330396..c525d98d6e514122845729d3368940cc27269abf 100644 (file)
--- a/input/lsr/adding-the-current-date-to-a-score.ly
+++ b/input/lsr/adding-the-current-date-to-a-score.ly
@@ -33,7 +33,7 @@ date = #(strftime "%d-%m-%Y" (localtime (current-time)))
   title = "Including the date!"
   subtitle = \date
 }
-% begin verbatim
+
 \score {
   \relative c'' {
     c4 c c c

diff --git a/input/lsr/altering-the-number-of-stems-in-a-beam.ly b/input/lsr/altering-the-number-of-stems-in-a-beam.ly
index 67d6605a4f87d239d06619ff9a14d27e1bdff8f4..d29ad8d235668873102e252764a62749f16f4303 100644 (file)
--- a/input/lsr/altering-the-number-of-stems-in-a-beam.ly
+++ b/input/lsr/altering-the-number-of-stems-in-a-beam.ly
@@ -5,7 +5,7 @@
 \header {
   lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
-You can alter the number of stems in a beam.  In this example, two sets
+You can alter the number of stems in a beam. In this example, two sets
 of four 32nds are joined, as if they were 8th notes.
 
 
@@ -16,8 +16,8 @@ of four 32nds are joined, as if they were 8th notes.
   #(override-auto-beam-setting '(end * * * *)  1 4)
   f32 g a b b a g f
 
-  f32 g a 
-  \set stemRightBeamCount = #1  b
+  f32 g a
+  \set stemRightBeamCount = #1 b
   \set stemLeftBeamCount = #1 b
   a g f
 }

diff --git a/input/lsr/ambiti-multiple-voices.ly b/input/lsr/ambiti-multiple-voices.ly
index d6c563becfeb72aebcd735b1d4a9ddab5d6da4eb..9ee2b3a5d5840a0479d532e0d4d7b928a58a7516 100644 (file)
--- a/input/lsr/ambiti-multiple-voices.ly
+++ b/input/lsr/ambiti-multiple-voices.ly
@@ -8,7 +8,7 @@
 If you have multiple voices in a single staff and you want a single
 ambitus per staff rather than per voice, add the
 @code{Ambitus_engraver} to the @code{Staff} context rather than to the
-@code{Voice} context.
+@code{Voice} context. 
 " }
 % begin verbatim
 \new Staff \with {

diff --git a/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly b/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly
new file mode 100644 (file)
index 0000000..b43eedb
--- /dev/null
+++ b/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly
@@ -0,0 +1,41 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "pitches, editorial-and-educational-use"
+ texidoc = "
+The shapeNoteStyles property gives you the ability to define various
+notehead styles for each step of the scale (as defined by the key
+signature or the \"tonic\" property). This property requires a set of
+symbols, which can be purely arbitrary (geometrical expressions such as
+triangle, cross, xcircle etc. are allowed) or based on old American
+engraving tradition (you can use some latin note names as well). That
+said, if you're trying to imitate old American song books, you may also
+want to try LilyPond's predefined notehead styles, through shortcut
+commands such as \\aikenHeads or \\sacredHarpHeads. This example shows
+different ways to obtain shape noteheads, and demonstrates the ability
+to transpose a melody without losing the correspondence between
+harmonic functions and notehead styles. 
+" }
+% begin verbatim
+fragment = {
+  \key c \major
+  c2 d e f g a b c
+}
+
+\score {
+  \new Staff {
+    \transpose c d 
+    \relative {
+      \set shapeNoteStyles = ##(do re mi fa #f la ti)
+      \fragment
+    }
+    
+    \relative {
+      \set shapeNoteStyles  = ##(cross triangle fa #f mensural xcircle diamond)
+      \fragment
+    }
+  }
+}
+

diff --git a/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly b/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
deleted file mode 100644 (file)
index 4a13c69..0000000
--- a/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
+++ /dev/null
@@ -1,46 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "pitches, editorial-and-educational-use"
- texidoc = "
-The shapeNoteStyles property gives you the ability to define various
-note heads styles for each step of the scale (as defined by the key
-signature or the \"tonic\" property).
-
-This property requires a set of symbols, which can be purely arbitrary
-(geometrical expressions such as triangle, cross, xcircle etc. are
-allowed) or based on old American engraving tradition (you can use some
-latin note names as well). 
-
-That said, if you're trying to imitate old American song books, you may
-also want to try LilyPond's predefined note heads styles, through
-shortcut commands such as \\aikenHeads or \\sacredHarpHeads.
-
-This example shows different ways to obtain shape note heads, and
-demonstrates the ability to transpose a melody without losing the
-correspondance between harmonic functions and note heads styles.
-" }
-% begin verbatim
-fragment = {
-  \key c \major
-  c1 d e f g a b c
-  \break
-}
-
-\score {
-  \new Staff {
-    \transpose c d 
-    \relative {
-      \set shapeNoteStyles = ##(do re mi fa #f la ti)
-      \fragment \break
-    }
-    
-    \relative {
-      \set shapeNoteStyles  = ##(cross triangle fa #f mensural xcircle diamond)
-      \fragment
-    }
-  }
-}
-

diff --git a/input/lsr/automatic-beam-subdivisions.ly b/input/lsr/automatic-beam-subdivisions.ly
deleted file mode 100644 (file)
index 2dbb41d..0000000
--- a/input/lsr/automatic-beam-subdivisions.ly
+++ /dev/null
@@ -1,21 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "rhythms"
- texidoc = "
-Lilypond can subdivide beams automatically. Set the property
-subdivideBeams, and beams are subdivided at beat positions (as
-specified in beat length)
-" }
-% begin verbatim
-\relative{ b'32^"default"[ a g f c' b a g f e d' c b a g f ]
-              \set subdivideBeams = ##t
-              b32^"subdivision enabled"[ a g f c' b a g f e d' c b a g f ] 
-              \set Score.beatLength = #(ly:make-moment 1 8)
-              b32^"beatLength 1 8"[ a g f c' b a g f e d' c b a g f ]
-              \set Score.beatLength = #(ly:make-moment 1 16)
-              b32^"beatLength 1 16"[ a g f c' b a g f e d' c b a g f ]
-    }
-

diff --git a/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly b/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
index 8d008b750738ac9db970325453f7d9b909714c6b..ec94f1d7c91a9fc8c376480cc75573a122818068 100644 (file)
--- a/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
+++ b/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
@@ -28,9 +28,9 @@ qbeam={
        #(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff) 
        }
 % other macros 
-timeFractionstyle={ \override Staff.TimeSignature #'style = #'()}
-textn = ^\markup{ without the macro }
-texty = ^\markup{ with the macro }
+timeFractionstyle = { \override Staff.TimeSignature #'style = #'() }
+textn = ^\markup { without the macro }
+texty = ^\markup { with the macro }
 
 \score {
  << 
@@ -51,5 +51,4 @@ texty = ^\markup{ with the macro }
                 }
         >>      
  >>
-\layout{ raggedright = ##t }
 }

diff --git a/input/lsr/beam-across-line-breaks.ly b/input/lsr/beam-across-line-breaks.ly
deleted file mode 100644 (file)
index ea2fc57..0000000
--- a/input/lsr/beam-across-line-breaks.ly
+++ /dev/null
@@ -1,18 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "rhythms, breaks"
- texidoc = "
-By default, beams can't be printed across line breaks. Here's a way to
-force the line break, by setting the @code{#'breakable} property. See
-also in the manual the \"Line Breaking\" and \"Manual beams\" sections.
-" }
-% begin verbatim
-\layout { ragged-right= ##t }
-
-\relative c''  {
-  \override Score.Beam #'breakable = ##t
-  \time 3/16 c16-[ d e \break f-] 
-}

diff --git a/input/lsr/beams-across-line-breaks.ly b/input/lsr/beams-across-line-breaks.ly
new file mode 100644 (file)
index 0000000..a5326cd
--- /dev/null
+++ b/input/lsr/beams-across-line-breaks.ly
@@ -0,0 +1,18 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms, breaks"
+ texidoc = "
+By default, beams can't be printed across line breaks. Here's a way to
+force the line break, by setting the @code{#'breakable} property. See
+also in the manual the \"Line Breaking\" and \"Manual beams\" sections.
+
+" }
+% begin verbatim
+\layout { ragged-right= ##t }
+\relative c'' {
+  \override Score.Beam #'breakable = ##t
+  \time 3/16 c16[ d e \break f] 
+}

diff --git a/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly b/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
index b33e4ab0d12edcfa915660025875191092636b81..02b1350a4368afbe89e32689b32d964dbd841a33 100644 (file)
--- a/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
+++ b/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
@@ -10,11 +10,7 @@ staff lines are in a lower layer than most other grobs, this white box
 will not overlap any other grob.
 " }
 % begin verbatim
-\paper
-{
-  ragged-right = ##t
-}
 {
   \override TextScript #'extra-offset = #'(2 . 4)
-  c'4-\markup  { \whiteout \pad-markup #0.5 foo } c
+  c'2-\markup  { \whiteout \pad-markup #0.5 foo } c
 } 

diff --git a/input/lsr/breaks.snippet-list b/input/lsr/breaks.snippet-list
index a8b1e07a2275f2330e64e67ae2ed56c882255e38..cffb62e0a227cf90739c10afc5d7f32dbd764455 100644 (file)
--- a/input/lsr/breaks.snippet-list
+++ b/input/lsr/breaks.snippet-list
@@ -1,3 +1,3 @@
 positioning-segno-and-coda-with-line-break.ly
-beam-across-line-breaks.ly
 adding-and-extra-staff-at-a-line-break.ly
+beams-across-line-breaks.ly

diff --git a/input/lsr/broken-crescendo-hairpin.ly b/input/lsr/broken-crescendo-hairpin.ly
index 56117a6cb86be0c46908e329e4f17a23e5c17471..eebe31d36fc6eebe5c5c73d231a5efa780293995 100644 (file)
--- a/input/lsr/broken-crescendo-hairpin.ly
+++ b/input/lsr/broken-crescendo-hairpin.ly
@@ -7,17 +7,22 @@
  texidoc = "
 In order to make parts of a crescendo hairpin invisible, the following
 method is used: A white rectangle is drawn on top of the respective
-part of the crescendo hairpin, making it invisible. the rectangle is
-defined as postscript code within a text markup. In order to fine tune
-the position and size of the markup, the number preceding the
-\"setgray\" in the postscript definition can be set to a value <1
-making it grey. The two numbes before the \"scale\" in the postscript
-code are responsible for the width and height of the rectangle, the two
-numbers before the \"translate\" change the x- and y-origin of the
-rectangle.  Make sure to put the Hairpin in a lower layer than the Text
-Markup to actually draw the rectangle above the hairpin. 
+part of the crescendo hairpin, making it invisible. The rectangle is
+defined as postscript code within a text markup.
+
+In order to fine-tune the position and size of the markup, the number
+preceding the \"setgray\" in the postscript definition can be set to a
+value <1 making it grey. The two numbes before the \"scale\" in the
+postscript code are responsible for the width and height of the
+rectangle, the two numbers before the \"translate\" change the x- and
+y-origin of the rectangle. 
+
+Make sure to put the Hairpin in a lower layer than the Text Markup to
+actually draw the rectangle above the hairpin. 
 " }
 % begin verbatim
+% Version specific to 2.10; fails under 2.11 -np
+
 \score
 {
     \relative c' {

diff --git a/input/lsr/changing-a-single-notes-size-in-a-chord.ly b/input/lsr/changing-a-single-notes-size-in-a-chord.ly
new file mode 100644 (file)
index 0000000..efe5600
--- /dev/null
+++ b/input/lsr/changing-a-single-notes-size-in-a-chord.ly
@@ -0,0 +1,23 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "simultaneous-notes, editorial-and-educational-use, tweaks-and-overrides"
+ texidoc = "
+Individual noteheads in a chord can be modified with the @code{\\tweak}
+command inside a chord, by altering the @code{'font-size} property.
+
+
+Inside the chord (within the brackets @code{< >}), before the note to
+be altered, place the @code{\\tweak} command, followed by
+@code{#'font-size} and define the proper size like @code{#-2} (a tiny
+notehead).
+
+
+The code for the chord example shown: @code{} 
+" }
+% begin verbatim
+\relative {
+  <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup{A tiny e}_\markup{A big c}
+}

diff --git a/input/lsr/changing-an-individual-notes-size-in-a-chord.ly b/input/lsr/changing-an-individual-notes-size-in-a-chord.ly
deleted file mode 100644 (file)
index f2a6558..0000000
--- a/input/lsr/changing-an-individual-notes-size-in-a-chord.ly
+++ /dev/null
@@ -1,31 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "simultaneous-notes, editorial-and-educational-use, tweaks-and-overrides"
- texidoc = "
-Individual noteheads in a chord can be modified with the @code{\\tweak}
-command inside a chord, by altering the @code{'font-size} property.
-
-
-Inside the chord (within the brackets @code{< >}), before the note to
-be altered, place the @code{\\tweak} command, followed by
-@code{#'font-size} and define the proper size like @code{#-2} (a tiny
-notehead).
-
-
-The code for the chord example shown: @code{} 
-" }
-% begin verbatim
-\header{
-  title = "Modifying an individual notehead's size in a chord"
-}
-
-Notes = \relative {
-  <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup{A tiny e}_\markup{A big c}
-}
-
-\score{
-  \Notes
-}

diff --git a/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly b/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
index 1a71ec3e8fb835a03bd60a5ab1922ffed25c3d12..7dfbd6cce9002805370a1badb1377cd93a376a3c 100644 (file)
--- a/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
+++ b/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
@@ -10,21 +10,19 @@ The appearance of slurs may be changed from solid to dotted or dashed.
 
 " }
 % begin verbatim
-\score{
-  \relative c'{
-    c( d e  c) |
-    \slurDotted
-    c( d e  c) |
-    \slurSolid
-    c( d e  c) |
-    \slurDashed
-    c( d e  c) |
-    \slurSolid
-    c( d e  c) |
-  }
-  \layout{ raggedright=##t }
+\relative c'{
+  c( d e  c) |
+  \slurDotted
+  c( d e  c) |
+  \slurSolid
+  c( d e  c) |
+  \slurDashed
+  c( d e  c) |
+  \slurSolid
+  c( d e  c) |
 }
 
 
 
 
+

diff --git a/input/lsr/changing-the-default-text-font-family.ly b/input/lsr/changing-the-default-text-font-family.ly
index 1f87eb9fe991baddd670c1fd904f14c8f660c178..14b684a713be74eb83e299612efbe8105b2b8219 100644 (file)
--- a/input/lsr/changing-the-default-text-font-family.ly
+++ b/input/lsr/changing-the-default-text-font-family.ly
@@ -37,7 +37,7 @@ The default font families for text can be overridden with
       sans: foo \bold bla \italic bar \italic \bold baz
     }
   }
-  c'^\markup {
+  c'2^\markup {
     \override #'(font-family . typewriter)
     {
       mono: foo \bold bla \italic bar \italic \bold baz

diff --git a/input/lsr/changing-the-tuplet-number.ly b/input/lsr/changing-the-tuplet-number.ly
new file mode 100644 (file)
index 0000000..cd173a7
--- /dev/null
+++ b/input/lsr/changing-the-tuplet-number.ly
@@ -0,0 +1,20 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+By default, only the numerator of the tuplet number is printed over the
+tuplet bracket, i.e. the denominator of the argument to the
+@code{\\times} command. Alternatively, num:den of the tuplet number may
+be printed, or the tuplet number may be suppressed altogether.
+" }
+% begin verbatim
+\relative c'' {
+  \times 2/3 { c8 c c } \times 2/3 { c8 c c }
+  \override TupletNumber #'text = #tuplet-number::calc-fraction-text
+  \times 2/3 { c8 c c }
+  \override TupletNumber #'transparent = ##t
+  \times 2/3 { c8 c c }
+}

diff --git a/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly b/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
index fa8bd79a8aba6d24b085297d5905d1281f659702..bfbd90f128af11a0ca1c21fb7bdaede7641e840f 100644 (file)
--- a/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
+++ b/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
@@ -5,14 +5,13 @@
 \header {
   lsrtags = "rhythms, contexts-and-engravers"
  texidoc = "
-The measureLength variable, together with measurePosition, determines
-when a barline is needed. However, when using \\compressMusic, the
-scaling of durations makes it difficult to change time signatures
-without making a mess of it. 
-
-Therefore, measureLength has to be set manually, using the
-ly:make-moment callback. The second argument has to be the same as the
-second argument of \\compressMusic.
+The @code{measureLength} property, together with
+@code{measurePosition}, determines when a barline is needed. However,
+when using @code{\\compressMusic}, the scaling of durations makes it
+difficult to change time signatures without making a mess of it.
+Therefore, @code{measureLength} has to be set manually, using the
+@code{ly:make-moment} callback. The second argument has to be the same
+as the second argument of @code{\\compressMusic}. 
 " }
 % begin verbatim
 \layout {
@@ -29,7 +28,7 @@ second argument of \\compressMusic.
 
 <<
  \new Staff {
-   \compressMusic #'( 8 . 5 ) {
+   \compressMusic #'(8 . 5) {
      \time 6/8
      \set Timing.measureLength = #(ly:make-moment 3 5)
      b8 b b b b b
@@ -41,6 +40,6 @@ second argument of \\compressMusic.
  \new Staff {
    \clef bass
    \time 2/4
-   c2 d e f  }
+   c2 d e f }   
  >>
 

diff --git a/input/lsr/chant-or-psalms-notation.ly b/input/lsr/chant-or-psalms-notation.ly
index af4ca99b46fbf49f1eac80115bef7841b3e58eb4..3e9fe60b52deffcf4244b8beea6065a4fc818990 100644 (file)
--- a/input/lsr/chant-or-psalms-notation.ly
+++ b/input/lsr/chant-or-psalms-notation.ly
@@ -9,20 +9,19 @@ This form of notation is used for the chant of the Psalms, where verses
 aren't always the same length.
 " }
 % begin verbatim
-stemon = { \override Staff.Stem #'transparent = ##f }
-stemoff = { \override Staff.Stem #'transparent = ##t }
+stemOn = { \override Staff.Stem #'transparent = ##f }
+stemOff = { \override Staff.Stem #'transparent = ##t }
 
 \score {
-\new Staff \with {\remove "Time_signature_engraver" }
-{
-       \key g \minor
-       \set Score.timing = ##f
-       \stemoff a'\breve bes'4 g'4
-       \stemon a'2 \bar "||"
-       \stemoff a'\breve g'4 a'4
-       \stemon f'2 \bar "||"
-       \stemoff a'\breve^\markup { \italic flexe }
-       \stemon g'2 \bar "||"
-}
-\layout { raggedright = ##t}
+       \new Staff \with { \remove "Time_signature_engraver" }
+       {
+               \key g \minor
+               \set Score.timing = ##f
+               \stemOff a'\breve bes'4 g'4
+               \stemOn a'2 \bar "||"
+               \stemOff a'\breve g'4 a'4
+               \stemOn f'2 \bar "||"
+               \stemOff a'\breve^\markup { \italic flexe }
+               \stemOn g'2 \bar "||"
+       }
 }

diff --git a/input/lsr/clefs-commonly-tweaked-properties.ly b/input/lsr/clefs-commonly-tweaked-properties.ly
index dac04fe9798199140e57e7258036fbf8ca57f127..3a6983181c6416b2ebbb52257a654e378e4daf3a 100644 (file)
--- a/input/lsr/clefs-commonly-tweaked-properties.ly
+++ b/input/lsr/clefs-commonly-tweaked-properties.ly
@@ -6,8 +6,8 @@
   lsrtags = "pitches, staff-notation, editorial-and-educational-use, tweaks-and-overrides"
  texidoc = "
 The command @code{\\clef \"treble_8\"} is equivalent to setting
-@code{clefGlyph}, @code{clefPosition} (which controls the Y position of
-the clef), @code{middleCPosition} and @code{clefOctavation}.  A clef is
+@code{clefGlyph}, @code{clefPosition} (which controls the Y-position of
+the clef), @code{middleCPosition} and @code{clefOctavation}. A clef is
 printed when any of these properties are changed.
 
 
@@ -16,19 +16,18 @@ octavation, does not in itself change the position of subsequent notes
 on the staff: the position of middle C must also be specified to do
 this. The positional parameters are relative to the staff centre line,
 positive numbers displacing upwards, counting 1 for each line and
-space. The clefOctavation value would normally be set to 7, -7, 15 or
--15, but other values are not invalid.
+space. The @code{clefOctavation} value would normally be set to 7, -7,
+15 or -15, but other values are valid.
 
 
 When a clef change takes place at a line break the new clef symbol is
 printed at both the end of the previous line and the beginning of the
 new line by default. If the warning clef at the end of the previous
-line is not required it can be suppressed by setting the
-explicitClefVisibility Staff property to the value 
+line is not required it can be suppressed by setting the @code{Staff}
+property @code{explicitClefVisibility} to the value
 @code{end-of-line-invisible}. The default behaviour can be recovered
 with  @code{\\unset Staff.explicitClefVisibility}.
 
-
 The following examples show the possibilities when setting these
 properties manually. On the first line, the manual changes preserve the
 standard relative positioning of clefs and notes, whereas on the second
@@ -59,11 +58,10 @@ line, they do not.
   \set Staff.clefOctavation = #0
   \set Staff.middleCPosition = #-4
   c' \break
-  
-  
+
   % The following clef changes do not preserve
   % the normal relationship between notes and clefs:
-  
+
   \set Staff.clefGlyph = #"clefs.F"
   \set Staff.clefPosition = #2
   c'
@@ -78,7 +76,7 @@ line, they do not.
   c'
   
   % Here we go back to the normal clef:
-  
+
   \set Staff.middleCPosition = #4
   c'
 }

diff --git a/input/lsr/compound-time-signatures.ly b/input/lsr/compound-time-signatures.ly
index 37b840a30899535bb20b5d1296eb845210e74acf..17bc15b9b3e609e930b081b8a1560ea6e53f0418 100644 (file)
--- a/input/lsr/compound-time-signatures.ly
+++ b/input/lsr/compound-time-signatures.ly
@@ -7,10 +7,10 @@
  texidoc = "
 Odd 20th century time signatures (such as \"5/8\") can often be played
 as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
-more inequal metrics. LilyPond can make such musics quite easy to read
+more inequal metrics. LilyPond can make such music quite easy to read
 and play, by explicitly printing the compound time signatures and
 adapting the automatic beaming behaviour. (You can even add graphic
-measure grouping indications, see the appropriate snippet in this
+measure grouping indications; see the appropriate snippet in this
 database.) 
 " }
 % begin verbatim

diff --git a/input/lsr/conducting-signs,-measure-grouping-signs.ly b/input/lsr/conducting-signs,-measure-grouping-signs.ly
index db28346ec3a09275bda2e7288449520ec8cb7755..eacc4c63566e690433e6b2b17272e1fff80d383a 100644 (file)
--- a/input/lsr/conducting-signs,-measure-grouping-signs.ly
+++ b/input/lsr/conducting-signs,-measure-grouping-signs.ly
@@ -6,11 +6,11 @@
   lsrtags = "rhythms"
  texidoc = "
 The Scheme function @code{set-time-signature}, in combination with the
-Measure grouping engraver,  it will create MeasureGrouping signs.  Such
-signs ease reading rhythmically complex modern music.  In the following
-example, the 9/8 measure is subdivided in 2, 2, 2 and 3.  This is
-passed to @code{set-time-signature} as the third argument @code{(2 2 2
-3)}
+@code{Measure_grouping_engraver}, creates measure grouping signs. Such
+signs ease reading rhythmically complex modern music. In the following
+example, the 9/8 measure is subdivided into 2, 2, 2 and 3 beats. This
+is passed to @code{set-time-signature} as the third argument @code{(2 2
+2 3)}.
 
 
 " }

diff --git a/input/lsr/contemporary-glissando.ly b/input/lsr/contemporary-glissando.ly
index 3b163adf2e8a02547150bdc6cc01256022d1799c..6783d4a8b2650975645c12942175e1af22bf3a7f 100644 (file)
--- a/input/lsr/contemporary-glissando.ly
+++ b/input/lsr/contemporary-glissando.ly
@@ -20,4 +20,4 @@ Use a glissando without final note. Contemporary glissando !
 \addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4  }
 \layout{raggedright = ##t}
 \header { tagline="" }
-% begin verbatim
+

diff --git a/input/lsr/controlling-tuplet-bracket-visibility.ly b/input/lsr/controlling-tuplet-bracket-visibility.ly
index d5707537d3333576576d1c9687a7b612c8669c16..c1d37bea8d47f47d0d84bc2f7768aefea389ae1f 100644 (file)
--- a/input/lsr/controlling-tuplet-bracket-visibility.ly
+++ b/input/lsr/controlling-tuplet-bracket-visibility.ly
@@ -5,12 +5,12 @@
 \header {
   lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
-Default behaviour of tuplet-bracket visibility is to print a bracket
-unless there is a beam of the same length as the tuplet. To control the
-visibility of tuplet brackets, you can set the property TupletBracket
-#'bracket-visibility to either ##t (always print a bracket), ##f (never
-print a bracket) or #'if-no-beam (only print a bracket if there is no
-beam).
+The default behaviour of tuplet-bracket visibility is to print a
+bracket unless there is a beam of the same length as the tuplet. To
+control the visibility of tuplet brackets, you can set the property
+@code{TupletBracket #'bracket-visibility} to either @code{##t} (always
+print a bracket), @code{##f} (never print a bracket) or
+@code{#'if-no-beam} (only print a bracket if there is no beam). 
 " }
 % begin verbatim
 mus = \relative c'' {

diff --git a/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly b/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
index 2a19a9959c257caa563f51b8c33e5eecabef805d..09670d32344a139a336354c70ac1b16fead2eb57 100644 (file)
--- a/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
+++ b/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
@@ -8,10 +8,9 @@
 In music that contains many occurrences of the same sequence of notes
 at different pitches, you can use the following music function. It
 takes a note, of which the pitch is used. The supporting Scheme
-functions were borrowed from the Tips and Tricks document in the manual.
-
-This example creates the rhythm used throughout Mars, from The Planets,
-by Gustav Holst.
+functions were borrowed from the Tips and Tricks document in the
+manual. This example creates the rhythm used throughout Mars, from
+Gustav Holst's The Planets. 
 " }
 % begin verbatim
 #(define (make-note-req p d)

diff --git a/input/lsr/creating-blank-staves.ly b/input/lsr/creating-blank-staves.ly
index f44697755b278e10353e579bc6f6ce93e4607c9a..deb6622518a5b7e4499a0e6ee1c10bba80442c83 100644 (file)
--- a/input/lsr/creating-blank-staves.ly
+++ b/input/lsr/creating-blank-staves.ly
@@ -14,7 +14,7 @@ the @code{Staff} context the @code{Time_signature_engraver}, the
 \header {
   tagline = ""
 }
-% begin verbatim
+
 #(set-global-staff-size 20)
 
 \score {

diff --git a/input/lsr/demo-midiinstruments.ly b/input/lsr/demo-midiinstruments.ly
index 4f7941129d102ab8325caec3072b91307bfdd107..dc2dc609c95a5ee7c3f86fade214e9693b72a5c5 100644 (file)
--- a/input/lsr/demo-midiinstruments.ly
+++ b/input/lsr/demo-midiinstruments.ly
@@ -18,7 +18,7 @@ melodie = { \tempo 4 = 150 \basemelodie }
   title = "Demo of all midi sounds"
   arranger = "Myself"
 }
-% begin verbatim
+
 \score { 
   \new Staff <<
     \new Voice { \melodie 

diff --git a/input/lsr/demonstrating-all-headers.ly b/input/lsr/demonstrating-all-headers.ly
index 6870f153b3c327d13e3fbdc722eeb8f2baa14f8a..09536d4e965ee6f4dd7a1b5ce146c204cba24d28 100644 (file)
--- a/input/lsr/demonstrating-all-headers.ly
+++ b/input/lsr/demonstrating-all-headers.ly
@@ -25,7 +25,7 @@ texidoc = "All header fields with special meanings."
   source = "urtext"
 
 }
-% begin verbatim
+
 
 \score {
   \relative c'' { c1 c1 c1 c1 }
@@ -48,4 +48,4 @@ texidoc = "All header fields with special meanings."
        copyright = "localcopyright"
        }
 }
-% begin verbatim
+

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 70d106df8bb9b10412fc721edd44f743dbe94a53..89a58b9b36f05ac33a1b43916e0205ad5f4e0554 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -11,7 +11,7 @@ has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
 new approach to music theory and language. This snippet shows how to
-achieve such notation rules with LilyPond.
+achieve such notation rules with LilyPond. 
 " }
 % begin verbatim
 webernAccidentals = {
@@ -23,7 +23,7 @@ webernAccidentals = {
 }
 
 \layout {
-  \context { \Staff \remove Key_engraver }
+  \context { \Staff \remove "Key_engraver" }
 }
 \score {
   {

diff --git a/input/lsr/editorial-and-educational-use.snippet-list b/input/lsr/editorial-and-educational-use.snippet-list
index 022286d6071b37efd3f4847e8d69cd5d3e02965d..05f5d94acebfea5222c50eb3ce1b421c563259e4 100644 (file)
--- a/input/lsr/editorial-and-educational-use.snippet-list
+++ b/input/lsr/editorial-and-educational-use.snippet-list
@@ -1,13 +1,10 @@
-applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
 creating-blank-staves.ly
+forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
 changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
 coloring-objects.ly
-inserting-score-fragments-above-the-staff,-as-markups.ly
-rhythmic-slashes.ly
 changing-the-default-text-font-family.ly
+changing-a-single-notes-size-in-a-chord.ly
 three-sided-box.ly
 clefs-commonly-tweaked-properties.ly
 blanking-staff-lines-using-the--whiteout-command.ly
-forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
-formatting-lyrics-syllables.ly
-changing-an-individual-notes-size-in-a-chord.ly
+applying-notehead-styles-depending-on-the-step-of-the-scale.ly

diff --git a/input/lsr/engraving-ties-manually.ly b/input/lsr/engraving-ties-manually.ly
new file mode 100644 (file)
index 0000000..9b2185c
--- /dev/null
+++ b/input/lsr/engraving-ties-manually.ly
@@ -0,0 +1,19 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+Ties may be engraved manually by changing the @code{tie-configuration}
+property of the @code{TieColumn} object. The first number indicates the
+distance from the center of the staff in staff-spaces, and the second
+number indicates the direction (1=up, -1=down).
+" }
+% begin verbatim
+\relative c' {
+  <c e g>2~ <c e g> |
+  \override TieColumn #'tie-configuration =
+    #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
+  <c e g>~ <c e g> |
+}

diff --git a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
index d22e4b7492cc3531b8e30809b1c3c9ed2d4b0e8a..ce945363c4a7f4c596e88c9bec10212a25ea0d44 100644 (file)
--- a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
+++ b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
@@ -6,9 +6,9 @@
   lsrtags = "rhythms"
  texidoc = "
 This example shows how to specify how long each of the tuplets
-contained within the bracket after @code{\\times} should last.  Many
-consecutive tuplets can then be contained within a single @code{\\times
-@{ ... @}}, thus saving typing.
+contained within the brackets after @code{\\times} should last. Many
+consecutive tuplets can then be placed within a single @code{\\times @{
+... @}} expression, thus saving typing.
 
 In the example, two triplets are shown, while @code{\\times} was
 entered only once.

diff --git a/input/lsr/foo.txt b/input/lsr/foo.txt
new file mode 100644 (file)
index 0000000..46a9098
--- /dev/null
+++ b/input/lsr/foo.txt
@@ -0,0 +1,2312 @@
+/Users/gperciva/usr/src/lilypond/stepmake/stepmake/texinfo-rules.make:29: warning: overriding commands for target `out/.info-images-dir.dep'
+/Users/gperciva/usr/src/lilypond/stepmake/stepmake/texinfo-rules.make:29: warning: ignoring old commands for target `out/.info-images-dir.dep'
+make --no-builtin-rules out=www WWW
+xargs /opt/local/bin/python ../../buildscripts/lys-to-tely.py -f printfilename,texidoc,verbatim --name=out-www/bagpipes.itely --template=bagpipes-intro.itely < bagpipes.snippet-list
+/opt/local/bin/python ../../scripts/lilypond-book.py -I ./ -I ./out-www -I ../../input -I ../../input/regression/ -I ../../input/manual/ -I ../../input/tutorial/ -I /Users/gperciva/usr/src/lilypond/mf/out/  -I /Users/gperciva/usr/src/lilypond/mf/out/ -I ../../input/lsr/ --process='/Users/gperciva/Apps/LilyPond.app/Contents/Resources/bin/lilypond -I ./ -I ./out-www -I ../../input -I ../../input/regression/ -I ../../input/manual/ -I ../../input/tutorial/ -I /Users/gperciva/usr/src/lilypond/mf/out/  -I /Users/gperciva/usr/src/lilypond/mf/out/ -I ../../input/lsr/ -dbackend=eps --formats=ps,png,pdf  -dinclude-eps-fonts -dgs-load-fonts --header=texidoc -I /Users/gperciva/usr/src/lilypond/input/manual -dcheck-internal-types -ddump-signatures -danti-alias-factor=2' --output=./out-www --format=texi-html --verbose --info-images-dir=lilypond-snippets lilypond-snippets.tely
+Reading lilypond-snippets.tely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling lilypond-snippets.texi...
+lilypond-snippets.texi is up to date.
+Writing `lilypond-snippets.texi'...
+Processing include: pitches.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/pitches.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling pitches.texi...
+pitches.texi is up to date.
+Writing `pitches.texi'...
+Processing include: rhythms.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/rhythms.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling rhythms.texi...
+rhythms.texi is up to date.
+Writing `rhythms.texi'...
+Processing include: expressive-marks.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/expressive-marks.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling expressive-marks.texi...
+expressive-marks.texi is up to date.
+Writing `expressive-marks.texi'...
+Processing include: repeats.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/repeats.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling repeats.texi...
+repeats.texi is up to date.
+Writing `repeats.texi'...
+Processing include: simultaneous-notes.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/simultaneous-notes.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling simultaneous-notes.texi...
+simultaneous-notes.texi is up to date.
+Writing `simultaneous-notes.texi'...
+Processing include: staff-notation.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/staff-notation.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling staff-notation.texi...
+staff-notation.texi is up to date.
+Writing `staff-notation.texi'...
+Processing include: editorial-and-educational-use.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/editorial-and-educational-use.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling editorial-and-educational-use.texi...
+editorial-and-educational-use.texi is up to date.
+Writing `editorial-and-educational-use.texi'...
+Processing include: text.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/text.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling text.texi...
+text.texi is up to date.
+Writing `text.texi'...
+Processing include: vocal-music.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/vocal-music.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling vocal-music.texi...
+vocal-music.texi is up to date.
+Writing `vocal-music.texi'...
+Processing include: chords.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/chords.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling chords.texi...
+chords.texi is up to date.
+Writing `chords.texi'...
+Processing include: piano-music.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/piano-music.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling piano-music.texi...
+piano-music.texi is up to date.
+Writing `piano-music.texi'...
+Processing include: percussion.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/percussion.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling percussion.texi...
+percussion.texi is up to date.
+Writing `percussion.texi'...
+Processing include: guitar.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/guitar.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
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+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/template.itely...
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+Writing `template.texi'...
+lilypond-book.py: warning: option --psfonts not used
+lilypond-book.py: warning: processing with dvips will have no fonts
+lilypond-book.py (GNU LilyPond) @TOPLEVEL_VERSION@
+rm -f lilypond-snippets
+ln -s ./out-www lilypond-snippets
+mkdir -p ./out-www/lilypond-snippets
+find ./out-www/lilypond-snippets/ -name '*'.png | xargs rm -f
+(cd ./out-www/lilypond-snippets/ ; ln -sf ../*.png . )
+touch out-www/lilypond-snippets.info-images-dir.dep
+LANG= makeinfo --enable-encoding -D 'version 2.11.42' -I./out-www --output=out-www/lilypond-snippets.info out-www/lilypond-snippets.texi
+cd ./out-www; texi2pdf --command '@set version 2.11.42' --batch  lilypond-snippets.texi
+/opt/local/bin/texi2dvi: Running pdfetex --file-line-error </dev/null '\nonstopmode' '\input' '/Users/gperciva/usr/src/lilypond/input/lsr/out-www/lilypond-snippets.t2d/pdf/xtr/lilypond-snippets.texi' ...
+This is pdfTeXk, Version 3.141592-1.40.3 (Web2C 7.5.6)
+ file:line:error style messages enabled.
+entering extended mode
+
+
+(/Users/gperciva/usr/src/lilypond/input/lsr/out-www/lilypond-snippets.t2d/pdf/x
+tr/lilypond-snippets.texi (/Users/gperciva/usr/src/lilypond/tex/texinfo.tex
+Loading texinfo [version 2008-03-07.10]: pdf, fonts, page headings, tables,
+conditionals, indexing, sectioning, toc, environments, defuns, macros,
+cross references, insertions,
+(/opt/local/share/texmf-dist/tex/generic/epsf/epsf.tex
+This is `epsf.tex' v2.7.3 <23 July 2005>
+) localization, formatting, and turning on texinfo input format.)
+(./lilypond-snippets.aux) (/opt/local/share/texmf-dist/tex/texinfo/txi-en.tex)
+[1{/opt/local/share/texmf/fonts/map/pdftex/updmap/pdftex.map}]
+(./lilypond-snippets.toc) [-1] (./lilypond-snippets.toc)
+(./lilypond-snippets.toc) (./pitches.texi
+./pitches.texi:1: This command can appear only out of any environment, not in e
+nvironment @titlepage.
+@badenverr ...temp , not @inenvironment @thisenv }
+                                                  
+@checkenv ...@ifx @thisenv @temp @else @badenverr 
+                                                  @fi 
+@\node #1->@checkenv {}
+                       @donode #1 ,@finishnodeparse 
+l.1 @node Pitches
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+Underfull \hbox (badness 10000) detected at line 1
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+[]@textrm `@texttt preventing-natural-signs-from-being-printed-when-the-key-sig
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+./rhythms.texi:1: This command can appear only out of any environment, not in e
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+@badenverr ...temp , not @inenvironment @thisenv }
+                                                  
+@checkenv ...@ifx @thisenv @temp @else @badenverr 
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+@\node #1->@checkenv {}
+                       @donode #1 ,@finishnodeparse 
+l.1 @node Rhythms
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+[13] (./lily-f4701f5acc-systems.texi <./lily-f4701f5acc-1.pdf>
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+[]@textrm `@texttt changing-time-signatures-inside-a-polymetric-section-using--
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+) [16] (./lily-c13f65514d-systems.texi <./lily-c13f65514d-1.pdf>)
+(./lily-7e48734647.texidoc) [17] (./lily-7e48734647-systems.texi <./lily-7e4873
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+(./lily-3fcc6bff98-systems.texi <./lily-3fcc6bff98-1.pdf>)
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+[]
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+Overfull \hbox (31.57468pt too wide) detected at line 4
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+Underfull \hbox (badness 10000) detected at line 1
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+(./expressive-marks.texi
+./expressive-marks.texi:1: This command can appear only out of any environment,
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+@badenverr ...temp , not @inenvironment @thisenv }
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+@checkenv ...@ifx @thisenv @temp @else @badenverr 
+                                                  @fi 
+@\node #1->@checkenv {}
+                       @donode #1 ,@finishnodeparse 
+l.1 @node Expressive marks
+                          
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+Overfull \hbox (56.38913pt too wide) in paragraph at lines 651--651
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+@badenverr ...temp , not @inenvironment @thisenv }
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+@\node #1->@checkenv {}
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+                 
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+Overfull \hbox (33.39438pt too wide) in paragraph at lines 121--121
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+[][] 
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+./simultaneous-notes.texi:1: This command can appear only out of any environmen
+t, not in environment @titlepage.
+@badenverr ...temp , not @inenvironment @thisenv }
+                                                  
+@checkenv ...@ifx @thisenv @temp @else @badenverr 
+                                                  @fi 
+@\node #1->@checkenv {}
+                       @donode #1 ,@finishnodeparse 
+l.1 @node Simultaneous notes
+                            
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+[][] 
+(./lily-fc697fb037-systems.texi <./lily-fc697fb037-1.pdf>
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+./staff-notation.texi:1: This command can appear only out of any environment, n
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+@badenverr ...temp , not @inenvironment @thisenv }
+                                                  
+@checkenv ...@ifx @thisenv @temp @else @badenverr 
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+l.1 @node Staff notation
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+(./lily-a21040bf57.texidoc) [71] (./lily-a21040bf57-systems.texi <./lily-a21040
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+./text.texi:1: This command can appear only out of any environment, not in envi
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+                                                  
+@checkenv ...@ifx @thisenv @temp @else @badenverr 
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+) (./lily-a1e99a0027.texidoc) [268] (./lily-a1e99a0027-systems.texi <./lily-a1e
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+pdf>) (./lily-2313dd36da.texidoc) [279] [280] (./lily-2313dd36da-systems.texi <
+./lily-2313dd36da-1.pdf>)) [281] )
+(@end occurred inside a group at level 1)
+
+### semi simple group (level 1) entered at line 24 (@begingroup)
+### bottom level
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+
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+
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+
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+
+
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+
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+
+
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+
+
+pdfTeX warning: pdfetex (file /opt/local/share/texmf-dist/fonts/type1/urw/ncntr
+sbk/uncr8a.pfb): glyph `afii10097' undefined
+></opt/local/share/texmf-dist/fonts/type1/urw/ncntrsbk/uncri8a.pfb>
+Output written on lilypond-snippets.pdf (283 pages, 5480419 bytes).
+Transcript written on lilypond-snippets.log.
+/opt/local/bin/texi2dvi: pdfetex exited with bad status, quitting.
+make[1]: *** [out-www/lilypond-snippets.pdf] Error 1
+rm out-www/lilypond-snippets.info-images-dir.dep
+make: *** [web] Error 2

diff --git a/input/lsr/formatting-lyrics-syllables.ly b/input/lsr/formatting-lyrics-syllables.ly
index 037b35539217a87e2aac1d77aec5466ab115bb29..b57aec0fcd74f2b4635ffcc5bf06c57afabdfd4b 100644 (file)
--- a/input/lsr/formatting-lyrics-syllables.ly
+++ b/input/lsr/formatting-lyrics-syllables.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "editorial-and-educational-use, text, vocal-music"
+  lsrtags = "text, vocal-music"
  texidoc = "
 To format single lyrics syllables, you can simply use \\markup @{ ....
 @} on these lyrics!
@@ -13,7 +13,7 @@ To format single lyrics syllables, you can simply use \\markup @{ ....
 \header {
   title = "Markup can be used inside lyrics!" 
 }
-% begin verbatim
+
 melody = \relative c'' { c4 c c c  }
 lyr = \lyricmode { 
   Lyrics \markup { \italic can } \markup {\with-color #red contain } 

diff --git a/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly b/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
index f80973921e72ebc78932a3212081757a707fe224..260ee09d67e09f605f010c19045bd3edd22faabc 100644 (file)
--- a/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
+++ b/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "staff-notation, editorial-and-educational-use"
+  lsrtags = "staff-notation"
  texidoc = "
 The \\markup command is quite versatile. In this snippet, it contains a
 \\score bloc instead of texts or marks.
@@ -26,7 +26,7 @@ tuning = \markup {
     subtitle = "Suite IV"
     subsubtitle = \markup { "Originalstimmung:" \tuning }
 }
-% begin verbatim
+
 \relative {
     \time 4/8
     \times 2/3 { c'8 d e } \times 2/3 {c d e}

diff --git a/input/lsr/jazz-combo-template.ly b/input/lsr/jazz-combo-template.ly
index 59c75797927aaf3e5c529a940de3f525e91bfb17..2796e7bdecb375e1163a3770c37ff9cea1ea79cf 100644 (file)
--- a/input/lsr/jazz-combo-template.ly
+++ b/input/lsr/jazz-combo-template.ly
@@ -264,3 +264,4 @@ music is within a \\transpose section.
          
            \midi { }
          }
+

diff --git a/input/lsr/lilypond-snippets.tely b/input/lsr/lilypond-snippets.tely
index 7fed3d953fe7a1f921f16fbf162235b38b59ebd3..3b8879366eeba00a6c97bcae6f840b3adafe1cde 100644 (file)
--- a/input/lsr/lilypond-snippets.tely
+++ b/input/lsr/lilypond-snippets.tely
@@ -39,7 +39,7 @@ Please note that this document is not an exact subset of LSR: some
 snippets come from @file{input/new} LilyPond sources directory, and
 snippets from LSR are converted through @command{convert-ly}, as LSR is
 based on a stable LilyPond version, and this document is for version
-@value{version}.
+@c @value{version}.
 
 Snippets are grouped by tags; tags listed in the table of contents match
 a section of LilyPond notation manual.  Snippets may have several tags,

diff --git a/input/lsr/non-traditional-key-signatures.ly b/input/lsr/non-traditional-key-signatures.ly
index fd57c48b66b63cee7f0f8277be52cd1c1afd555d..1d3b3a036fe601c6930dd35b14169a2d8eb0248e 100644 (file)
--- a/input/lsr/non-traditional-key-signatures.ly
+++ b/input/lsr/non-traditional-key-signatures.ly
@@ -6,18 +6,22 @@
   lsrtags = "pitches, staff-notation"
  texidoc = "
 The commonly used @code{\\key} command sets the @code{keySignature}
-property, in the @code{Staff} context. However, non-standard key
-signatures can be specified by setting this property directly. The
-format of this command is a list: @code{ \\set Staff.keySignature =
-#'(((octave . step) . alter) ((octave . step) . alter) ...) } where,
-for each element in the list, octave specifies the octave (0 being the
-octave from middle C to the B above), step specifies the note within
-the octave (0 means C and 6 means B), and alter is ,SHARP ,FLAT
-,DOUBLE-SHARP etc. (Note the leading comma.)
+property, in the @code{Staff} context.
+
+However, non-standard key signatures can be specified by setting this
+property directly. The format of this command is a list:
+
+@code{ \\set Staff.keySignature = #`(((octave . step) . alter) ((octave
+. step) . alter) ...) } where, for each element in the list,
+@code{octave} specifies the octave (0 being the octave from middle C to
+the B above), @code{step} specifies the note within the octave (0 means
+C and 6 means B), and @code{alter} is @code{,SHARP ,FLAT ,DOUBLE-SHARP}
+etc. (Note the leading comma.)
+
 
 However, for each item in the list, you can also use the alternative
-format (step . alter), which specifies that the same alteration should
-hold in all octaves.
+format @code{(step . alter)}, which specifies that the same alteration
+should hold in all octaves.
 
 
 Here is an example of a possible key signature for generating a
@@ -25,8 +29,7 @@ whole-tone scale:
 " }
 % begin verbatim
 \relative c' {
-  \set Staff.keySignature =
-    #`(((0 .  3) . ,SHARP) ((0 . 5) . ,FLAT) ((0 . 6) . ,FLAT))
+  \set Staff.keySignature = #`(((0 .  3) . ,SHARP) ((0 . 5) . ,FLAT) ((0 . 6) . ,FLAT))
   c d e fis aes bes c2
 }
 

diff --git a/input/lsr/ottava-text.ly b/input/lsr/ottava-text.ly
index d64bfa45db1575ccf71869c300ce2ceb655448da..76eba09c80f33482bca18482f58fa5e8c497915e 100644 (file)
--- a/input/lsr/ottava-text.ly
+++ b/input/lsr/ottava-text.ly
@@ -9,7 +9,9 @@ Internally, the set-octavation function sets the properties
 @code{ottavation} (e.g., to @code{\"8va\"} or @code{\"8vb\"}) and
 @code{middleCPosition}.  To override the text of the bracket, set
 @code{ottavation} after invoking @code{set-octavation}, like in the
-following example. 
+following example.
+
+
 " }
 % begin verbatim
 {

diff --git a/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
new file mode 100644 (file)
index 0000000..6ca7996
--- /dev/null
+++ b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
@@ -0,0 +1,29 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+This artificial example shows how both manual and automatic line breaks
+may be permitted to within a beamed tuplet. Note that such off-beat
+tuplets have to be beamed manually.
+" }
+% begin verbatim
+\relative c'' {
+ a8
+ \repeat unfold 8 {\times 2/3 { c[ b a]}}
+ % Insert a manual line break within a tuplet
+ \times 2/3 { c[ b \bar "" \break a]}
+ \repeat unfold 2 {\times 2/3 { c[ b a]}}
+ c8
+}
+\layout {
+ \context {
+   \Voice
+   % Permit line breaks within tuplets
+   \remove "Forbid_line_break_engraver"
+   % Allow beams to be broken at line breaks
+   \override Beam #'breakable = ##t
+ }
+}

diff --git a/input/lsr/pitches.snippet-list b/input/lsr/pitches.snippet-list
index 6b85fe7a49d2648bcca7c4eaf6b932f3784c430b..9f3eea8056b107784753fd55928b442fd49b0737 100644 (file)
--- a/input/lsr/pitches.snippet-list
+++ b/input/lsr/pitches.snippet-list
@@ -1,6 +1,6 @@
-applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
-creating-a-sequence-of-notes-on-various-pitches.ly
 makam.ly
+ambiti-multiple-voices.ly
+applying-notehead-styles-depending-on-the-step-of-the-scale.ly
 transposing-pitches-with-minimum-accidentals-smart-transpose.ly
 ottava-text.ly
 preventing-extra-naturals-from-being-automatically-added.ly
@@ -10,5 +10,5 @@ adding-ambiti-per-voice.ly
 clefs-commonly-tweaked-properties.ly
 dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
 preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
-ambiti-multiple-voices.ly
+creating-a-sequence-of-notes-on-various-pitches.ly
 non-traditional-key-signatures.ly

diff --git a/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly b/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
index b802fc08217b64515c064a8995062e319d2ceea6..fbf165b75c4f7d67a13a8fb5c0c02c9435b1b723 100644 (file)
--- a/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
+++ b/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
@@ -8,7 +8,9 @@
 In accordance with standard typesetting rules, a natural sign is
 printed before a sharp or flat if a previous accidental on the same
 note needs to be canceled.  To change this behavior, set the
-extraNatural property to \"false\" in the Staff context. 
+@code{extraNatural} property to \"false\" in the @code{Staff} context.
+
+
 " }
 % begin verbatim
 \relative {

diff --git a/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly b/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
index c7fbfb283c336d2a0a0274a97ec3537e663af6f0..e5c809fc4568e4dcf5144ef513554dbe41decf05 100644 (file)
--- a/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
+++ b/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
@@ -7,8 +7,8 @@
  texidoc = "
 When the key signature changes, natural signs are automatically printed
 to cancel any accidentals from previous key signatures. This may be
-altered by setting to \"false\" the printKeyCancellation property in
-the Staff context.
+altered by setting to \"false\" the @code{printKeyCancellation}
+property in the @code{Staff} context. 
 " }
 % begin verbatim
 \relative {

diff --git a/input/lsr/rhythmic-slashes.ly b/input/lsr/rhythmic-slashes.ly
index 45e09b689086c44dd5e55a2b7150a6430620bc44..6cd245fe0c07d1b91acecbd5672387d3bc820940 100644 (file)
--- a/input/lsr/rhythmic-slashes.ly
+++ b/input/lsr/rhythmic-slashes.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "rhythms, editorial-and-educational-use, tweaks-and-overrides"
+  lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
 In \"simple\" lead-sheets, sometimes no actual notes are written,
 instead only \"rhythmic patterns\" and chords above the measures are

diff --git a/input/lsr/rhythms.snippet-list b/input/lsr/rhythms.snippet-list
index c6c3483538429a85fd94a079adcef3cd917e4638..8192c813078471b66d2d02121bb106daead27c95 100644 (file)
--- a/input/lsr/rhythms.snippet-list
+++ b/input/lsr/rhythms.snippet-list
@@ -1,22 +1,25 @@
-altering-the-number-of-stems-in-a-beam.ly
 adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
-modifying-tuplet-bracket-length.ly
-changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
-making-an-object-invisible-with-the-transparent-property.ly
+beams-across-line-breaks.ly
 manually-controlling-beam-positions.ly
-controlling-tuplet-bracket-visibility.ly
 adding-drum-parts.ly
 rest-styles.ly
 skips-in-lyric-mode-2.ly
 chant-or-psalms-notation.ly
-conducting-signs,-measure-grouping-signs.ly
+controlling-tuplet-bracket-visibility.ly
 heavily-customized-polymetric-time-signatures.ly
+using-ties-with-arpeggios.ly
+forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
 compound-time-signatures.ly
+altering-the-number-of-stems-in-a-beam.ly
+modifying-tuplet-bracket-length.ly
+changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
+making-an-object-invisible-with-the-transparent-property.ly
+changing-the-tuplet-number.ly
+entering-several-tuplets-using-only-one--times-command.ly
+conducting-signs,-measure-grouping-signs.ly
 rhythmic-slashes.ly
 automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
-automatic-beam-subdivisions.ly
-entering-several-tuplets-using-only-one--times-command.ly
-forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
-beam-across-line-breaks.ly
-printing-music-with-different-time-signatures.ly
+permitting-line-breaks-within-beamed-tuplets.ly
 skips-in-lyric-mode.ly
+engraving-ties-manually.ly
+printing-music-with-different-time-signatures.ly

diff --git a/input/lsr/simultaneous-notes.snippet-list b/input/lsr/simultaneous-notes.snippet-list
index bbc27d213fd0e0abfcfa9acabaaead97745930d5..b52edebe6b7b2633e759185973ee270beb7b25f3 100644 (file)
--- a/input/lsr/simultaneous-notes.snippet-list
+++ b/input/lsr/simultaneous-notes.snippet-list
@@ -1,3 +1,3 @@
 clusters.ly
-changing-an-individual-notes-size-in-a-chord.ly
+changing-a-single-notes-size-in-a-chord.ly
 combining-two-parts-on-the-same-staff.ly

diff --git a/input/lsr/skips-in-lyric-mode-2.ly b/input/lsr/skips-in-lyric-mode-2.ly
index 7d6a885fe9c7fb5f0443d2e704413197d6dbaf88..5fc4d1e2213371a761309f735c47d67e9e8c860f 100644 (file)
--- a/input/lsr/skips-in-lyric-mode-2.ly
+++ b/input/lsr/skips-in-lyric-mode-2.ly
@@ -5,8 +5,9 @@
 \header {
   lsrtags = "rhythms, vocal-music"
  texidoc = "
-Although you can't use `s' in lyric mode (it's taken to be a literal s,
-not a space) you can use either \"\" or _.
+Although you can't use @code{s} in @code{\\lyricmode} (it's taken to be
+a literal \"s\", not a space) you can use either @code{\"\"} or
+@code{_}.
 
 So for example:
 " }

diff --git a/input/lsr/three-sided-box.ly b/input/lsr/three-sided-box.ly
index ce9b3a589b338dd3727ffe9be179c965cf200f4f..77a3baf57b63a278cc9e021f5793d627650e40b2 100644 (file)
--- a/input/lsr/three-sided-box.ly
+++ b/input/lsr/three-sided-box.ly
@@ -43,6 +43,6 @@ thickness and padding around the markup."
 % Test it:
 
 \relative c'{ 
-  c^\markup{ \NWS-box ABCD }
+  c2^\markup{ \NWS-box ABCD }
   c^\markup{\NWS-box \note #"4" #1.0 } 
 }

diff --git a/input/lsr/tweaks-and-overrides.snippet-list b/input/lsr/tweaks-and-overrides.snippet-list
index e8959b7e1ee7ded1c46a373aefc1dd27759d804d..cf8c291fed053cd0bf7c9e3f8e83c336164c3aca 100644 (file)
--- a/input/lsr/tweaks-and-overrides.snippet-list
+++ b/input/lsr/tweaks-and-overrides.snippet-list
@@ -18,9 +18,9 @@ controlling-tuplet-bracket-visibility.ly
 caesura-railtracks-with-fermata.ly
 rhythmic-slashes.ly
 changing-the-staff-size.ly
+changing-a-single-notes-size-in-a-chord.ly
 coloring-objects.ly
 clefs-commonly-tweaked-properties.ly
 vertically-aligning-ossias-and-lyrics.ly
 changing-properties-for-individual-grobs.ly
-changing-an-individual-notes-size-in-a-chord.ly
 nesting-staves.ly

diff --git a/input/lsr/using-ties-with-arpeggios.ly b/input/lsr/using-ties-with-arpeggios.ly
new file mode 100644 (file)
index 0000000..1620756
--- /dev/null
+++ b/input/lsr/using-ties-with-arpeggios.ly
@@ -0,0 +1,22 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+Ties are sometimes used to write out arpeggios.  In this case, two tied
+notes need not be consecutive.  This can be achieved by setting the
+@code{tieWaitForNote} property to true.  The same feature is also
+useful, for example, to tie a tremolo to a chord, but in principle, it
+can also be used for ordinary consecutive notes, as demonstrated in
+this example. 
+" }
+% begin verbatim
+\relative c' {
+  \set tieWaitForNote = ##t
+  \grace { c16[~ e~ g]~ } <c, e g>2
+  \repeat tremolo 8 { c32~ c'~ } <c c,>1
+  e8~ c~ a~ f~ <e' c a f>2
+  \tieUp c8~ a \tieDown \tieDotted g~ c g2
+}