game is catching where has gone each section. In Learning manual, and
in Notation Reference sections which have been revised in GDP, there
may be completely new sections: in this case, copy @node and
-@section-command from English docs, and put the usual tricky line
-'UNTRANSLATED NODE: IGNORE ME'. Note that it is not possible to
-exactly match subsections or subsubsections of documentation in
-English, when contents has been deeply revised; in this case, kee
-obsolete (sub)subsections in the translation.
+@section-command from English docs, and add the marker for
+untranslated status '@untranslated' on a single line. Note that it is
+not possible to exactly match subsections or subsubsections of
+documentation in English, when contents has been deeply revised; in
+this case, keep obsolete (sub)subsections in the translation, marking
+them with a line '@c obsolete' just before the node.
-* Hints for Emacs users (without Emacs AucTeX installed)
+4) update sections finished in GDP; check sections status at GDP website.
+
+
+* Hints for Emacs users
Emacs with Texinfo mode makes this step easier:
@node Ancient notation
@section Ancient notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Introduction to ancient notation::
@node Introduction to ancient notation
@subsection Introduction to ancient notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Ancient notation supported::
@node Ancient notation supported
@subsubsection Ancient notation supported
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Alternative note signs
@subsection Alternative note signs
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Ancient note heads::
@node Additional note signs
@subsection Additional note signs
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Ancient articulations::
@node Pre-defined contexts
@subsection Pre-defined contexts
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Gregorian chant contexts::
@node Transcribing ancient music
@subsection Transcribing ancient music
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Ancient and modern from one source::
@node Ancient and modern from one source
@subsubsection Ancient and modern from one source
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Incipits
@subsubsection Incipits
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Mensurstriche layout
@subsubsection Mensurstriche layout
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Transcribing Gregorian chant
@subsubsection Transcribing Gregorian chant
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Editorial markings
@subsection Editorial markings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Annotational accidentals::
@node Baroque rhythmic notation
@subsubsection Baroque rhythmic notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Changing defaults
@chapter Changing defaults
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Interpretation contexts::
-* Explaining the Internals Reference::
-* Modifying properties::
-* Useful concepts and properties::
-* Common properties::
-* Advanced tweaks::
-* Discussion of specific tweaks::
+* Interpretation contexts::
+* Explaining the Internals Reference::
+* Modifying properties::
+* Useful concepts and properties::
+* Common properties::
+* Advanced tweaks::
+* Discussion of specific tweaks::
@end menu
@node Interpretation contexts
@section Interpretation contexts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Contexts explained::
-* Creating contexts::
-* Modifying context plug-ins::
-* Changing context default settings::
-* Defining new contexts::
-* Aligning contexts::
+* Contexts explained::
+* Creating contexts::
+* Modifying context plug-ins::
+* Changing context default settings::
+* Defining new contexts::
+* Aligning contexts::
@end menu
@node Contexts explained
@subsection Contexts explained
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Score - the master of all contexts::
-* Top-level contexts - staff containers::
-* Intermediate-level contexts - staves::
-* Bottom-level contexts - voices::
+* Score - the master of all contexts::
+* Top-level contexts - staff containers::
+* Intermediate-level contexts - staves::
+* Bottom-level contexts - voices::
@end menu
@node Score - the master of all contexts
@unnumberedsubsubsec Score - the master of all contexts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Top-level contexts - staff containers
@unnumberedsubsubsec Top-level contexts - staff containers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Intermediate-level contexts - staves
@unnumberedsubsubsec Intermediate-level contexts - staves
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Bottom-level contexts - voices
@unnumberedsubsubsec Bottom-level contexts - voices
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Creating contexts
@subsection Creating contexts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Modifying context plug-ins
@subsection Modifying context plug-ins
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing context default settings
@subsection Changing context default settings
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Defining new contexts
@subsection Defining new contexts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Aligning contexts
@subsection Aligning contexts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explaining the Internals Reference
@section Explaining the Internals Reference
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Navigating the program reference::
-* Layout interfaces::
-* Determining the grob property::
-* Naming conventions::
+* Navigating the program reference::
+* Layout interfaces::
+* Determining the grob property::
+* Naming conventions::
@end menu
@node Navigating the program reference
@subsection Navigating the program reference
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Layout interfaces
@subsection Layout interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Determining the grob property
@subsection Determining the grob property
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Naming conventions
@subsection Naming conventions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Modifying properties
@section Modifying properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Overview of modifying properties::
-* The \set command::
-* The \override command::
-* \set versus \override::
-* Objects connected to the input::
+* Overview of modifying properties::
+* The set command::
+* The override command::
+* set versus override::
+* The tweak command::
@end menu
@node Overview of modifying properties
@subsection Overview of modifying properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
-@node The \set command
+@node The set command
@subsection The @code{\set} command
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
-@node The \override command
+@node The override command
@subsection The @code{\override} command
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
-@node \set versus \override
+@node set versus override
@subsection @code{\set} vs. @code{\override}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
-@node Objects connected to the input
-@subsection Objects connected to the input
+@node The tweak command
+@subsection The @code{\tweak} command
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Useful concepts and properties
@section Useful concepts and properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Input modes::
-* Direction and placement::
-* Distances and measurements::
-* Spanners::
+* Input modes::
+* Direction and placement::
+* Distances and measurements::
+* Spanners::
@end menu
@node Input modes
@subsection Input modes
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Direction and placement
@subsection Direction and placement
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Distances and measurements
@subsection Distances and measurements
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Spanners
@subsection Spanners
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Common properties
@section Common properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Controlling visibility of objects::
-* Line styles::
-* Rotating objects::
-* Aligning objects::
+* Controlling visibility of objects::
+* Line styles::
+* Rotating objects::
+* Aligning objects::
@end menu
@node Controlling visibility of objects
@subsection Controlling visibility of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Removing the stencil::
-* Making objects transparent::
-* Painting objects white::
-* Using break-visibility::
-* Special considerations::
+* Removing the stencil::
+* Making objects transparent::
+* Painting objects white::
+* Using break-visibility::
+* Special considerations::
@end menu
@node Removing the stencil
@unnumberedsubsubsec Removing the stencil
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Making objects transparent
@unnumberedsubsubsec Making objects transparent
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Painting objects white
@unnumberedsubsubsec Painting objects white
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using break-visibility
@unnumberedsubsubsec Using break-visibility
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Special considerations
@unnumberedsubsubsec Special considerations
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Line styles
@subsection Line styles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Rotating objects
@subsection Rotating objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Aligning objects
@subsection Aligning objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Advanced tweaks
@section Advanced tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* Vertical grouping of grobs::
-* Modifying ends of spanners::
-* Modifying stencils::
-* Modifying shapes::
+* Vertical grouping of grobs::
+* Modifying ends of spanners::
+* Modifying stencils::
+* Modifying shapes::
@end menu
@node Vertical grouping of grobs
@subsection Vertical grouping of grobs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Modifying ends of spanners
@subsection Modifying ends of spanners
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Modifying stencils
@subsection Modifying stencils
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Modifying shapes
@subsection Modifying shapes
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Discussion of specific tweaks
@section Discussion of specific tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
-* old Contexts explained::
+* old Contexts explained::
@end menu
@node old Contexts explained
@subsection old Contexts explained
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Chord notation
@section Chord notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Chord mode::
@node Chord mode
@subsection Chord mode
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Chord mode overview::
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Displaying chords
@subsection Displaying chords
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Printing chord names::
@node Customizing chord names
@unnumberedsubsubsec Customizing chord names
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Figured bass
@subsection Figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Introduction to figured bass::
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Converting from other formats
@chapter Converting from other formats
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Invoking midi2ly
@section Invoking @command{midi2ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Invoking musicxml2ly
@section Invoking @code{musicxml2ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Invoking abc2ly
@section Invoking @code{abc2ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Invoking etf2ly
@section Invoking @command{etf2ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Generating LilyPond files
@section Generating LilyPond files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Selecting notation font size
@unnumberedsubsubsec Selecting notation font size
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Fingering instructions
@node Hidden notes
@unnumberedsubsubsec Hidden notes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Coloring objects
@unnumberedsubsubsec Coloring objects
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Parentheses
@unnumberedsubsubsec Parentheses
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Stems
@node Balloon help
@unnumberedsubsubsec Balloon help
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Grid lines
@unnumberedsubsubsec Grid lines
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Analysis brackets
@unnumberedsubsubsec Analysis brackets
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node New dynamic marks
@subsubsection New dynamic marks
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Curves
@node Fretted string instruments
@section Fretted string instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for fretted strings::
@node Common notation for fretted strings
@subsection Common notation for fretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for fretted strings::
@node References for fretted strings
@subsubsection References for fretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node String number indications
@subsubsection String number indications
@node Guitar
@subsection Guitar
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Guitar tablatures::
@node Guitar tablatures
@subsubsection Guitar tablatures
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Indicating position and barring
@subsubsection Indicating position and barring
@node Banjo
@subsection Banjo
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Banjo tablatures::
@node Introduction to the LilyPond file structure
@subsection Introduction to the LilyPond file structure
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
@node Nesting music expressions
@subsection Nesting music expressions
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@
@node On the un-nestedness of brackets and ties
@subsection On the un-nestedness of brackets and ties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Voices contain music
@section Voices contain music
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* I'm hearing Voices::
@node I'm hearing Voices
@subsection I'm hearing Voices
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Explicitly instantiating voices
@subsection Explicitly instantiating voices
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Voices and vocals
@subsection Voices and vocals
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Contexts and engravers
@section Contexts and engravers
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Contexts explained::
@node Contexts explained
@subsection Contexts explained
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Creating contexts
@subsection Creating contexts
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Engravers explained
@subsection Engravers explained
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Modifying context properties
@subsection Modifying context properties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Adding and removing engravers
@subsection Adding and removing engravers
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Extending the templates
@section Extending the templates
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Soprano and cello::
@node Soprano and cello
@subsection Soprano and cello
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Four-part SATB vocal score
@subsection Four-part SATB vocal score
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Building a score from scratch
@subsection Building a score from scratch
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node General input and output
@chapter General input and output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input structure
@section Input structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Structure of a score
@subsection Structure of a score
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multiple scores in a book
@subsection Multiple scores in a book
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node File structure
@subsection File structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Titles and headers
@section Titles and headers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Creating titles
@subsection Creating titles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Custom titles
@subsection Custom titles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Reference to page numbers
@subsection Reference to page numbers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Table of contents
@subsection Table of contents
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Working with input files
@section Working with input files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Including LilyPond files
@subsection Including LilyPond files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Different editions from one source
@subsection Different editions from one source
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Using variables
@unnumberedsubsubsec Using variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using tags
@node Text encoding
@subsection Text encoding
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Displaying LilyPond notation
@subsection Displaying LilyPond notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Controlling output
@section Controlling output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Extracting fragments of music
@subsection Extracting fragments of music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Skipping corrected music
@subsection Skipping corrected music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node MIDI output
@section MIDI output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Creating MIDI files
@subsection Creating MIDI files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Instrument names
@node MIDI block
@subsection MIDI block
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node What goes into the MIDI output?
@subsection What goes into the MIDI output?
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Supported in MIDI
@node Repeats in MIDI
@subsection Repeats in MIDI
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Controlling MIDI dynamics
@subsection Controlling MIDI dynamics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Dynamic marks
@node Install
@chapter Install
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Precompiled binaries
@section Precompiled binaries
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subsection Downloading
@node Compiling from source
@section Compiling from source
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Downloading source code
@subsection Downloading source code
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Requirements
@subsection Requirements
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Compilation
@node Building LilyPond
@subsection Building LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Compiling
@node Building documentation
@subsection Building documentation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Commands for building documentation
@unnumberedsubsubsec Commands for building documentation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Building documentation without compiling LilyPond
@unnumberedsubsubsec Building documentation without compiling LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Testing LilyPond
@subsection Testing LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Problems
@subsection Problems
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Bison 1.875
@node References for keyboards
@subsubsection References for keyboards
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
Bezeichnung des Systems. Damit wird die aktuelle Stimme vom aktuellen
System zu dem System mit der @var{Systembezeichnung} gewechselt.
Ãœblicherweise ist die Systembezeichnung @code{"up"} oder
-@code{"down"}. Dieses System (@context{Staff}), auf das verweisen wird,
+@code{"down"}. Dieses System (@code{Staff}), auf das verweisen wird,
muss auch wirklich existieren, weshalb die Aufstellung eines Klaviersystems
dann üblicherweise damit beginnt, die Systeme zu benennen. Hierbei können
natürlich beliebige Namen vergeben werden.
@node Discant symbols
@subsubsection Discant symbols
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node LilyPond-book
@chapter @command{lilypond-book}: Integrating text and music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node An example of a musicological document
@section An example of a musicological document
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Input
@node Integrating music and text
@section Integrating music and text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node LaTeX
@subsection @LaTeX{}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Texinfo
@subsection Texinfo
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node HTML
@subsection HTML
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node DocBook
@subsection DocBook
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Common conventions
@node Music fragment options
@section Music fragment options
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Invoking lilypond-book
@section Invoking @command{lilypond-book}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Format-specific instructions
@node Filename extensions
@section Filename extensions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Alternate methods of mixing text and music
@section Alternative methods of mixing text and music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Many quotes from a large score
@subsection Many quotes from a large score
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Inserting LilyPond output into OpenOffice.org
@subsection Inserting LilyPond output into OpenOffice.org
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Inserting LilyPond output into other programs
@subsection Inserting LilyPond output into other programs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@c -*- coding: utf-8; mode: texinfo; -*-
@ignore
- Translation of GIT committish: 1440fffdf8579046cc2033b9c697a190b34b91e5
+ Translation of GIT committish: a88c1b861df238ad1c000e6a86926e6f19f2fedd
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@c ***** Displaying text *****
-@c we need this since @q{\} doesn't work with makeinfo 4.8 --
-@c say @q{@value{backslash}} instead
-@set backslash \
+@c we need this since @q{\} doesn't work with makeinfo 4.11 --
+@c say @q{@bs{}} instead
+@macro bs
+\\
+@end macro
@c to get decent quotes in `foo' and ``foo''
@c these need to be split up so that "@qq{foo}." looks nice. :(
@quotedblbase{}\TEXT\@quotedblleft{}
@end macro
+@ifhtml
+@macro warning{TEXT}
+@cartouche
+@b{Achtung:} \TEXT\
+@end cartouche
+@end macro
+@end ifhtml
+
+@ifnothtml
@macro warning{TEXT}
@quotation
@quotation
@end quotation
@end quotation
@end macro
+@end ifnothtml
@ifnotinfo
@macro notation{TEXT}
@end macro
-@c obsolete, remove when translation is fully updated
-@macro context{TEXT}
-@vindex \TEXT\
-@code{\TEXT\}@c should use rinternals
-@end macro
-
@macro lydoctitle {TEXT}
@emph{\TEXT\}
+@c **** Links and references ****
+
@c Definitions for references:
-@c @rinternals
@c @rglos
-@c @rprogram
-@c @ruser
@c @rlearning
+@c @ruser
+@c @rprogram
+@c @rlsr
+@c @rinternals
+@c all these also have a @...named version, which allows to specify the
+@c displayed text for the reference as second argument
-@ifhtml
-@c ***** HTML *****
+@c ***** HTML + bigpage is a special case (other manual names), all other
+@c formats are treated similarly
+
+@ifnottex
@ifset bigpage
-@macro rinternals{TEXT}
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals-big-page,Programmreferenz}
+@ref{\TEXT\,,,music-glossary-big-page,Glossar}
@end macro
-@macro rglos{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary-big-page,Glossar}
+@ref{\TEXT\,,\DISPLAY\,music-glossary-big-page,Glossar}
@end macro
-@macro rprogram{TEXT}
+@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program-big-page,Programmbenutzung}
+@ref{\TEXT\,,,lilypond-learning-big-page,Handbuch zum Lernen}
+@end macro
+
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning-big-page,Handbuch zum Lernen}
@end macro
@macro ruser{TEXT}
@ref{\TEXT\,,,lilypond-big-page,Benutzerhandbuch}
@end macro
-@macro rlearning{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning-big-page,Handbuch zum Lernen}
+@ref{\TEXT\,,\DISPLAY\,lilypond-big-page,Benutzerhandbuch}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets-big-page,Beispiele}
+@macro rprogram{TEXT}
+@vindex \TEXT\
+@ref{\TEXT\,,,lilypond-program-big-page,Programmbenutzung}
@end macro
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program-big-page,Programmbenutzung}
+@end macro
-@end ifset
-
+@macro rlsr{TEXT}
+@ref{\TEXT\,,,lilypond-snippets-big-page,Beispiele}
+@end macro
-@ifclear bigpage
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets-big-page,Beispiele}
+@end macro
@macro rinternals{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Programmreferenz}
+@ref{\TEXT\,,,lilypond-internals-big-page,Programmreferenz}
@end macro
-@macro rglos{TEXT}
+@macro rinternalsnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossar}
+@ref{\TEXT\,,\DISPLAY\,lilypond-internals-big-page,Programmreferenz}
@end macro
-@macro rprogram{TEXT}
+@end ifset
+
+
+@ifclear bigpage
+
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Programmbenutzung}
+@ref{\TEXT\,,,music-glossary,Glossar}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Benutzerhandbuch}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glossar}
@end macro
@macro rlearning{TEXT}
@ref{\TEXT\,,,lilypond-learning,Handbuch zum Lernen}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets,Beispiele}
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning,Handbuch zum Lernen}
@end macro
-
-@end ifclear
-
-@end ifhtml
-
-
-@ifdocbook
-@c ***** DOCBOOK-XML *****
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Programmreferenz}
+@ref{\TEXT\,,,lilypond,Benutzerhandbuch}
@end macro
-@macro rglos{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossar}
+@ref{\TEXT\,,\DISPLAY\,lilypond,Benutzerhandbuch}
@end macro
@macro rprogram{TEXT}
@ref{\TEXT\,,,lilypond-program,Programmbenutzung}
@end macro
-@macro ruser{TEXT}
+@macro rprogramnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Benutzerhandbuch}
-@end macro
-
-@macro rlearning{TEXT}
-@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Handbuch zum Lernen}
+@ref{\TEXT\,,\DISPLAY\,lilypond-program,Programmbenutzung}
@end macro
@macro rlsr{TEXT}
@ref{\TEXT\,,,lilypond-snippets,Beispiele}
@end macro
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Beispiele}
+@end macro
+
+@macro rinternals{TEXT}
+@vindex \TEXT\
+@ref{\TEXT\,,,lilypond-internals,Programmreferenz}
+@end macro
-@end ifdocbook
+@macro rinternalsnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-internals,Programmreferenz}
+@end macro
+@end ifclear
-@ifinfo
-@c **** INFO ****
+@end ifnottex
-@macro rinternals{NAME}
-@vindex \NAME\
-@inforef{\NAME\,,lilypond-internals,Programmreferenz}
-@end macro
-@macro rglos{NAME}
-@vindex \NAME\
-@inforef{\NAME\,,music-glossary,Glossar}
-@end macro
+@c **** TEX ****
+@iftex
-@macro rprogram{TEXT}
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Programmbenutzung}
+@ref{\TEXT\,,,music-glossary,Glossar}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Benutzerhandbuch}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glossar}
@end macro
@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Handbuch zum Lernen}
+@ref{\TEXT\,,,lilypond-learning.de,Handbuch zum Lernen}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets,Beispiele}
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning.de,Handbuch zum Lernen}
@end macro
-
-@end ifinfo
-
-
-@c **** TEX ****
-@iftex
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@code{\TEXT\}
+@ref{\TEXT\,,,lilypond.de,Benutzerhandbuch}
@end macro
-@macro rglos {TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossar}
+@ref{\TEXT\,,\DISPLAY\,lilypond.de,Benutzerhandbuch}
@end macro
@macro rprogram{TEXT}
+@vindex \TEXT\
@ref{\TEXT\,,,lilypond-program.de,Programmbenutzung}
@end macro
-@macro ruser{TEXT}
-@ref{\TEXT\,,,lilypond.de,Benutzerhandbuch}
-@end macro
-
-@macro rlearning{TEXT}
-@ref{\TEXT\,,,lilypond-learning.de,Handbuch zum Lernen}
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program.de,Programmbenutzung}
@end macro
@macro rlsr{TEXT}
@ref{\TEXT\,,,lilypond-snippets,Beispiele}
@end macro
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Beispiele}
+@end macro
+
+@macro rinternals{TEXT}
+@vindex \TEXT\
+@code{\TEXT\}
+@end macro
+
+@macro rinternalsnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@code{\DISPLAY\}
+@end macro
@end iftex
-@c Commands specific to translated docs
+@c **** Macros specific to translated docs ****
@c ugh, cannot set/define global variable 'translationof' in some way?
@iftex
Abschnitt im englischen Benutzerhandbuch.
@end macro
+@ifhtml
+@macro untranslated
+UNTRANSLATED NODE: IGNORE ME
+@end macro
+@end ifhtml
+
+@ifnothtml
+@macro untranslated
+@end macro
+@end ifnothtml
@node Percussion
@section Percussion
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
@node References for percussion
@subsubsection References for percussion
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Basic percussion notation
@subsubsection Basic percussion notation
@node Ottava brackets
@unnumberedsubsubsec Ottava brackets
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Instrument transpositions
@unnumberedsubsubsec Instrument transpositions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Automatic accidentals
@unnumberedsubsubsec Automatic accidentals
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Ambitus
@unnumberedsubsubsec Ambitus
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Note heads
@subsection Note heads
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Special note heads::
@node Special note heads
@unnumberedsubsubsec Special note heads
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Easy notation note heads
@unnumberedsubsubsec Easy notation note heads
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Shape note heads
@unnumberedsubsubsec Shape note heads
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Improvisation
@unnumberedsubsubsec Improvisation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Interfaces for programmers
@chapter Interfaces for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Music functions
@section Music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Overview of music functions
@subsection Overview of music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Simple substitution functions
@subsection Simple substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Paired substitution functions
@subsection Paired substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Mathematics in functions
@subsection Mathematics in functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Void functions
@subsection Void functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Functions without arguments
@subsection Functions without arguments
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Overview of available music functions
@subsection Overview of available music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@include identifiers.tely
@node Programmer interfaces
@section Programmer interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input variables and Scheme
@subsection Input variables and Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Internal music representation
@subsection Internal music representation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Building complicated functions
@section Building complicated functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Displaying music expressions
@subsection Displaying music expressions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music properties
@subsection Music properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Doubling a note with slurs (example)
@subsection Doubling a note with slurs (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Adding articulation to notes (example)
@subsection Adding articulation to notes (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Markup programmer interface
@section Markup programmer interface
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Markup construction in Scheme
@subsection Markup construction in Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node How markups work internally
@subsection How markups work internally
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup command definition
@subsection New markup command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup list command definition
@subsection New markup list command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Contexts for programmers
@section Contexts for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Context evaluation
@subsection Context evaluation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Running a function on all layout objects
@subsection Running a function on all layout objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Scheme procedures as properties
@section Scheme procedures as properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node TODO moved into scheme
@section TODO moved into scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Using Scheme code instead of \tweak
@subsection Using Scheme code instead of @code{\tweak}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Difficult tweaks
@subsection Difficult tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multi measure rests
@subsubsection Multi measure rests
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Displaying rhythms
@node Polymetric notation
@subsubsection Polymetric notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Automatic note splitting
@node Feathered beams
@subsubsection Feathered beams
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Setting automatic beam behavior
@subsubsection Setting automatic beam behavior
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bars
@node Bar numbers
@subsubsection Bar numbers
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Barnumber check
@node Rehearsal marks
@subsubsection Rehearsal marks
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Special rhythmic concerns
@node Aligning to cadenzas
@subsubsection Aligning to cadenzas
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Time administration
@subsubsection Time administration
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Proportional notation (introduction)
@subsubsection Proportional notation (introduction)
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Running LilyPond
@chapter Running LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Normal usage
@section Normal usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command-line usage
@section Command-line usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Invoking lilypond
@subsection Invoking lilypond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command line options
@subsection Command line options
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Environment variables
@subsection Environment variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Error messages
@section Error messages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Updating files with convert-ly
@section Updating with @command{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subsection Command line options
@node Problems with convert-ly
@subsection Problems with @code{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Reporting bugs
@section Reporting bugs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Clusters
@unnumberedsubsubsec Clusters
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Multiple voices
@node Automatic part combining
@unnumberedsubsubsec Automatic part combining
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Writing music in parallel
@node Spacing issues
@chapter Spacing issues
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Paper and pages
@section Paper and pages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Paper size
@subsection Paper size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page formatting
@subsection Page formatting
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music layout
@section Music layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Setting the staff size
@subsection Setting the staff size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Score layout
@subsection Score layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Breaks
@section Breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Line breaking
@subsection Line breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page breaking
@subsection Page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page breaking
@subsection Optimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page turning
@subsection Optimal page turning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Minimal page breaking
@subsection Minimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit breaks
@subsection Explicit breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using an extra voice for breaks
@subsection Using an extra voice for breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing
@section Vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Vertical spacing inside a system
@subsection Vertical spacing inside a system
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing between systems
@subsection Vertical spacing between systems
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit staff and system positioning
@subsection Explicit staff and system positioning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Two-pass vertical spacing
@subsection Two-pass vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical collision avoidance
@subsection Vertical collision avoidance
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Horizontal spacing
@section Horizontal Spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Horizontal spacing overview
@subsection Horizontal spacing overview
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New spacing area
@subsection New spacing area
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing horizontal spacing
@subsection Changing horizontal spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Line length
@subsection Line length
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Proportional notation
@subsection Proportional notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Fitting music onto fewer pages
@section Fitting music onto fewer pages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Displaying spacing
@subsection Displaying spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing spacing
@node Hiding staves
@unnumberedsubsubsec Hiding staves
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Writing parts
@node Metronome marks
@unnumberedsubsubsec Metronome marks
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Instrument names
@unnumberedsubsubsec Instrument names
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Quoting other voices
@unnumberedsubsubsec Quoting other voices
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Formatting cue notes
@unnumberedsubsubsec Formatting cue notes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Text
@section Text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Writing text
@subsection Writing text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Text scripts
@subsubsection Text scripts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Text spanners
@subsubsection Text spanners
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Text marks
@subsubsection Text marks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Separate text
@subsubsection Separate text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Formatting text
@subsection Formatting text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Text markup introduction
@subsubsection Text markup introduction
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Selecting font and font size
@subsubsection Selecting font and font size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Text alignment
@subsubsection Text alignment
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Graphic notation inside markup
@subsubsection Graphic notation inside markup
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music notation inside markup
@subsubsection Music notation inside markup
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multi-page markup
@subsubsection Multi-page markup
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Fonts
@subsection Fonts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Entire document fonts
@subsubsection Entire document fonts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Single entry fonts
@subsubsection Single entry fonts
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Tweaking basics
@section Tweaking basics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Introduction to tweaks::
@node Introduction to tweaks
@subsection Introduction to tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Objects and interfaces
@subsection Objects and interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Naming conventions of objects and properties
@subsection Naming conventions of objects and properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Tweaking methods
@subsection Tweaking methods
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node The Internals Reference manual
@section The Internals Reference manual
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Properties of layout objects::
@node Properties of layout objects
@subsection Properties of layout objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Properties found in interfaces
@subsection Properties found in interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Types of properties
@subsection Types of properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Appearance of objects
@section Appearance of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Visibility and color of objects::
@node Visibility and color of objects
@subsection Visibility and color of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Size of objects
@subsection Size of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Length and thickness of objects
@subsection Length and thickness of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Placement of objects
@section Placement of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Automatic behavior::
@node Automatic behavior
@subsection Automatic behavior
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Within-staff objects
@subsection Within-staff objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Outside staff objects
@subsection Outside staff objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Collisions of objects
@node Real music example
@subsection Real music example
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@c DEPRECATED SECTION
@node Other uses for tweaks
@subsection Other uses for tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using variables for tweaks
@subsection Using variables for tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Other sources of information
@subsection Other sources of information
@node Unfretted string instruments
@section Unfretted string instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for unfretted strings::
@node Common notation for unfretted strings
@subsection Common notation for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for unfretted strings::
@node References for unfretted strings
@subsubsection References for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bowed instruments
@subsection Bowed instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for bowed strings::
@node Plucked instruments
@subsection Plucked instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Harp::
@node Harp
@subsubsection Harp
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Vocal music
@section Vocal music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Common notation for vocals
@subsection Common notation for vocals
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node References for vocal music
@subsubsection References for vocal music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Setting simple songs
@subsubsection Setting simple songs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Entering lyrics
@subsubsection Entering lyrics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Working with lyrics and variables
@subsubsection Working with lyrics and variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Aligning lyrics to a melody
@subsection Aligning lyrics to a melody
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Automatic syllable durations
@subsubsection Automatic syllable durations
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Manual syllable durations
@subsubsection Manual syllable durations
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multiple syllables to one note
@subsubsection Multiple syllables to one note
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multiple notes to one syllable
@subsubsection Multiple notes to one syllable
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Skipping notes
@subsubsection Skipping notes
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Extenders and hyphens
@subsubsection Extenders and hyphens
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Lyrics and repeats
@subsubsection Lyrics and repeats
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Placement of lyrics
@subsection Placement of lyrics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Divisi lyrics
@subsubsection Divisi lyrics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Lyrics independent of notes
@subsubsection Lyrics independent of notes
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Chants
@subsubsection Chants
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Spacing out syllables
@subsubsection Spacing out syllables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Centering lyrics between staves
@subsubsection Centering lyrics between staves
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Stanzas
@subsection Stanzas
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Adding stanza numbers
@subsubsection Adding stanza numbers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Adding dynamics marks to stanzas
@subsubsection Adding dynamics marks to stanzas
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Adding singers' names to stanzas
@subsubsection Adding singers' names to stanzas
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Stanzas with different rhythms
@subsubsection Stanzas with different rhythms
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subsubheading Ignoring melismata
@node Printing stanzas at the end
@subsubsection Printing stanzas at the end
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Printing stanzas at the end in multiple columns
@subsubsection Printing stanzas at the end in multiple columns
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Wind instruments
@section Wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for wind instruments::
@node Common notation for wind instruments
@subsection Common notation for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for wind instruments::
@node References for wind instruments
@subsubsection References for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Half-holes
@subsubsection Half-holes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bagpipes
@subsection Bagpipes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Bagpipe definitions::
@node World music
@section World music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Arabic music
@subsection Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node References for Arabic music
@unnumberedsubsubsec References for Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic note names
@unnumberedsubsubsec Arabic note names
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic key signatures
@unnumberedsubsubsec Arabic key signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic time signatures
@unnumberedsubsubsec Arabic time signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic music example
@unnumberedsubsubsec Arabic music example
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Further reading
@unnumberedsubsubsec Further reading
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing context default settings
@subsection Changing context default settings
-Los ajustes de las secciones previas ( @ref{The \set command},
+Los ajustes de las secciones previas ( @ref{The set command},
@ref{Modifying context plug-ins} y @ref{Overview of modifying
properties}) también se pueden escribir separados de la música dentro
del bloque @code{\layout}:
@node Naming conventions
@subsection Naming conventions
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Modifying properties
@section Modifying properties
@menu
* Overview of modifying properties::
-* The \set command::
-* The \override command::
-* \set versus \override::
-* Objects connected to the input::
+* The set command::
+* The override command::
+* set versus override::
+* The tweak command::
@end menu
abruptas, o las dos cosas.
-@node The \set command
+@node The set command
@subsection The @code{\set} command
@cindex propiedades
-@node The \override command
+@node The override command
@subsection The @code{\override} command
Las instrucciones que modifican la salida tienen por lo general un
Mostraremos a continuación cómo localizar esta información en el
manual de notación y en la referencia de funcionamiento interno.
-@node \set versus \override
+@node set versus override
@subsection @code{\set} vs. @code{\override}
Hemos visto dos formas de cambiar las propiedades: @code{\set} y
(modificada con @code{\set}).
-@node Objects connected to the input
-@subsection Objects connected to the input
+@node The tweak command
+@subsection The @code{\tweak} command
@funindex \tweak
@node Distances and measurements
@subsection Distances and measurements
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Spanners
@subsection Spanners
@node Modifying ends of spanners
@subsection Modifying ends of spanners
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Modifying stencils
@subsection Modifying stencils
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@seealso
Referencia de la notación:
-@ref{List of colors}, @ref{Objects connected to
-the input}.
+@ref{List of colors}, @ref{The
+tweak command}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Las notas de un acorde no se pueden colorear con @code{\override}; en
-su lugar utilice @code{\tweak}. Consulte @ref{Objects connected to
-the input} para ver más detalles.
+su lugar utilice @code{\tweak}. Consulte @ref{The
+tweak command} para ver más detalles.
@node Parentheses
@node References for fretted strings
@subsubsection References for fretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node String number indications
@subsubsection String number indications
@node Guitar tablatures
@subsubsection Guitar tablatures
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Indicating position and barring
@subsubsection Indicating position and barring
@node General input and output
@chapter General input and output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input structure
@section Input structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Structure of a score
@subsection Structure of a score
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multiple scores in a book
@subsection Multiple scores in a book
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node File structure
@subsection File structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Titles and headers
@node Working with input files
@section Working with input files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Including LilyPond files
@subsection Including LilyPond files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Different editions from one source
@subsection Different editions from one source
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Using variables
@unnumberedsubsubsec Using variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using tags
@unnumberedsubsubsec Using tags
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Text encoding
@subsection Text encoding
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Displaying LilyPond notation
@subsection Displaying LilyPond notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Controlling output
@section Controlling output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Extracting fragments of music
@subsection Extracting fragments of music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Skipping corrected music
@subsection Skipping corrected music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node MIDI output
@node What goes into the MIDI output?
@subsection What goes into the MIDI output?
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Supported in MIDI
@unnumberedsubsubsec Unsupported in MIDI
@node Controlling MIDI dynamics
@subsection Controlling MIDI dynamics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Dynamic marks
@node Compiling from source
@section Compiling from source
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Downloading source code::
@node Downloading source code
@subsection Downloading source code
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Requirements
@subsection Requirements
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@unnumberedsubsubsec Compilation
@unnumberedsubsubsec Running requirements
@node Building LilyPond
@subsection Building LilyPond
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@unnumberedsubsubsec Compiling
@unnumberedsubsubsec Compiling for multiple platforms
@node Building documentation without compiling LilyPond
@subsection Building documentation without compiling LilyPond
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Testing LilyPond
@subsection Testing LilyPond
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Problems
@subsection Problems
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@unnumberedsubsubsec Bison 1.875
@unnumberedsubsubsec Solaris
@node References for keyboards
@subsubsection References for keyboards
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
La cadena @var{nombre_del_pentagrama} es el nombre del pentagrama.
Cambia la voz actual de su pentagrama en curso al pentagrama de nombre
@var{nombre_del_pentagrama}. Por lo común @var{nombre_del_pentagrama}
-es @code{"up"} o @code{"down"}. El @context{Staff} referido debe
+es @code{"up"} o @code{"down"}. El @code{Staff} referido debe
existir previamente, por ello normalmente la preparación de una
partitura empezará por la preparación de los pentagramas,
@end example
-y la @context{Voice} se inserta con posterioridad
+y la @code{Voice} se inserta con posterioridad
@example
\context Staff = down
@node Discant symbols
@subsubsection Discant symbols
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@c -*- coding: utf-8; mode: texinfo; -*-
@ignore
- Translation of GIT committish: d0333749421c9695907a4da61a6e1cd7eafcb726
+ Translation of GIT committish: a88c1b861df238ad1c000e6a86926e6f19f2fedd
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@quotedblleft{}\TEXT\@quotedblright{}
@end macro
+@ifhtml
+@macro warning{TEXT}
+@cartouche
+@b{Nota:} \TEXT\
+@end cartouche
+@end macro
+@end ifhtml
+
+@ifnothtml
@macro warning{TEXT}
@quotation
@quotation
@end quotation
@end quotation
@end macro
+@end ifnothtml
@ifnotinfo
@macro notation{TEXT}
@end macro
-@c * Deprecated: not in English macros.itexi *
-@macro context{TEXT}
-@vindex \TEXT\
-@code{\TEXT\}@c should use rinternals
-@end macro
-
-@c * Deprecated: not in English macros.itexi *
-@macro refcommand{TEXT}
-@vindex \TEXT\
-@code{\TEXT\}
-@end macro
-
@macro lydoctitle {TEXT}
@emph{\TEXT\}
@c **** Links and references ****
-@c Possibly deprecated; under discussion.
-@c usage: @lsr{ancient,custodes.ly}
-@macro lsr{DIR,TEXT}
-@ifhtml
-@uref{source/input/lsr/\DIR\/collated-files.html#\TEXT\,@file{\DIR\/\TEXT\}}
-@end ifhtml
-@ifnothtml
-@file{\DIR\/\TEXT\}
-@end ifnothtml
-@end macro
-
-@macro lsrdir{DIR}
-@ifhtml
-@uref{source/input/lsr/\DIR\/collated-files.html,@file{\DIR\}/}
-@end ifhtml
-@ifnothtml
-\DIR\
-@end ifnothtml
-@end macro
-
-
@c Definitions for references:
-@c @rinternals
@c @rglos
-@c @rprogram
-@c @ruser
@c @rlearning
+@c @ruser
+@c @rprogram
+@c @rlsr
+@c @rinternals
+@c all these also have a @...named version, which allows to specify the
+@c displayed text for the reference as second argument
-@ifhtml
-@c ***** HTML *****
+@c ***** HTML + bigpage is a special case (other manual names), all other
+@c formats are treated similarly
+
+@ifnottex
@ifset bigpage
-@macro rinternals{TEXT}
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals-big-page,Referencia de Funcionamiento Interno}
+@ref{\TEXT\,,,music-glossary-big-page,Glosario Musical}
@end macro
-@macro rglos{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary-big-page,Glosario Musical}
+@ref{\TEXT\,,\DISPLAY\,music-glossary-big-page,Glosario Musical}
@end macro
-@macro rprogram{TEXT}
+@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program-big-page,Utilización del Programa}
+@ref{\TEXT\,,,lilypond-learning-big-page,Manual de Aprendizaje}
+@end macro
+
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning-big-page,Manual de Aprendizaje}
@end macro
@macro ruser{TEXT}
@ref{\TEXT\,,,lilypond-big-page,Referencia de la Notación}
@end macro
-@macro rlearning{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning-big-page,Manual de Aprendizaje}
+@ref{\TEXT\,,\DISPLAY\,lilypond-big-page,Referencia de la Notación}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets-big-page,Fragmentos de código}
+@macro rprogram{TEXT}
+@vindex \TEXT\
+@ref{\TEXT\,,,lilypond-program-big-page,Utilización del Programa}
@end macro
-@end ifset
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program-big-page,Utilización del Programa}
+@end macro
+@macro rlsr{TEXT}
+@ref{\TEXT\,,,lilypond-snippets-big-page,Fragmentos de código}
+@end macro
-@ifclear bigpage
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets-big-page,Fragmentos de código}
+@end macro
@macro rinternals{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Referencia de Funcionamiento Interno}
+@ref{\TEXT\,,,lilypond-internals-big-page,Referencia de Funcionamiento Interno}
@end macro
-@macro rglos{TEXT}
+@macro rinternalsnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glosario Musical}
+@ref{\TEXT\,,\DISPLAY\,lilypond-internals-big-page,Referencia de Funcionamiento Interno}
@end macro
-@macro rprogram{TEXT}
+@end ifset
+
+
+@ifclear bigpage
+
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Utilización del Programa}
+@ref{\TEXT\,,,music-glossary,Glosario Musical}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Referencia de la Notación}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glosario Musical}
@end macro
@macro rlearning{TEXT}
@ref{\TEXT\,,,lilypond-learning,Manual de Aprendizaje}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets,Fragmentos de código}
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning,Manual de Aprendizaje}
@end macro
-@end ifclear
-
-@end ifhtml
-
-
-@ifdocbook
-@c ***** DOCBOOK-XML *****
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Referencia de Funcionamiento Interno}
+@ref{\TEXT\,,,lilypond,Referencia de la Notación}
@end macro
-@macro rglos{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glosario Musical}
+@ref{\TEXT\,,\DISPLAY\,lilypond,Referencia de la Notación}
@end macro
@macro rprogram{TEXT}
@ref{\TEXT\,,,lilypond-program,Utilización del Programa}
@end macro
-@macro ruser{TEXT}
-@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Referencia de la Notación}
-@end macro
-
-@macro rlearning{TEXT}
+@macro rprogramnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Manual de Aprendizaje}
+@ref{\TEXT\,,\DISPLAY\,lilypond-program,Utilización del Programa}
@end macro
@macro rlsr{TEXT}
@ref{\TEXT\,,,lilypond-snippets,Fragmentos de código}
@end macro
-
-
-@end ifdocbook
-
-
-@ifinfo
-@c **** INFO ****
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Fragmentos de código}
+@end macro
@macro rinternals{TEXT}
@vindex \TEXT\
-@inforef{\TEXT\,,lilypond-internals,Referencia de Funcionamiento Interno}
+@ref{\TEXT\,,,lilypond-internals,Referencia de Funcionamiento Interno}
@end macro
-@macro rglos{TEXT}
+@macro rinternalsnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@inforef{\TEXT\,,music-glossary,Glosario Musical}
+@ref{\TEXT\,,\DISPLAY\,lilypond-internals,Referencia de Funcionamiento Interno}
@end macro
-@macro rprogram{TEXT}
+@end ifclear
+
+@end ifnottex
+
+
+@c **** TEX ****
+@iftex
+
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Utilización del Programa}
+@ref{\TEXT\,,,music-glossary,Glosario Musical}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Referencia de la Notación}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glosario Musical}
@end macro
@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Manual de Aprendizaje}
+@ref{\TEXT\,,,lilypond-learning.es,Manual de Aprendizaje}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets,Fragmentos de código}
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning.es,Manual de Aprendizaje}
@end macro
-
-
-@end ifinfo
-
-
-@c **** TEX ****
-@iftex
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@code{\TEXT\}
+@ref{\TEXT\,,,lilypond.es,Referencia de la Notación}
@end macro
-@macro rglos {TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glosario Musical}
+@ref{\TEXT\,,\DISPLAY\,lilypond.es,Referencia de la Notación}
@end macro
@macro rprogram{TEXT}
+@vindex \TEXT\
@ref{\TEXT\,,,lilypond-program.es,Utilización del Programa}
@end macro
-@macro ruser{TEXT}
-@ref{\TEXT\,,,lilypond.es,Referencia de la Notación}
-@end macro
-
-@macro rlearning{TEXT}
-@ref{\TEXT\,,,lilypond-learning.es,Manual de Aprendizaje}
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program.es,Utilización del Programa}
@end macro
@macro rlsr{TEXT}
@ref{\TEXT\,,,lilypond-snippets,Fragmentos de código}
@end macro
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Fragmentos de código}
+@end macro
+
+@macro rinternals{TEXT}
+@vindex \TEXT\
+@code{\TEXT\}
+@end macro
+
+@macro rinternalsnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@code{\DISPLAY\}
+@end macro
+
@end iftex
-@c Commands specific to translated docs
+@c **** Macros specific to translated docs ****
@c ugh, cannot set/define global variable 'translationof' in some way?
@iftex
Esta sección aún no está traducida; consulte el manual en inglés.
@end macro
+@ifhtml
+@macro untranslated
+UNTRANSLATED NODE: IGNORE ME
+@end macro
+@end ifhtml
+
+@ifnothtml
+@macro untranslated
+@end macro
+@end ifnothtml
@node References for percussion
@subsubsection References for percussion
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Basic percussion notation
@rglos{Pitch names}.
Fragmentos de código:
-@lsrdir{Pitches,Pitches}.
+@rlsr{Pitches}.
@node Relative octave entry
@node Interfaces for programmers
@chapter Interfaces for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Music functions
@section Music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Overview of music functions
@subsection Overview of music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Simple substitution functions
@subsection Simple substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Paired substitution functions
@subsection Paired substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Mathematics in functions
@subsection Mathematics in functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Void functions
@subsection Void functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Functions without arguments
@subsection Functions without arguments
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Overview of available music functions
@subsection Overview of available music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@include identifiers.tely
@node Programmer interfaces
@section Programmer interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input variables and Scheme
@subsection Input variables and Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Internal music representation
@subsection Internal music representation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Building complicated functions
@section Building complicated functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Displaying music expressions
@subsection Displaying music expressions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music properties
@subsection Music properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Doubling a note with slurs (example)
@subsection Doubling a note with slurs (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Adding articulation to notes (example)
@subsection Adding articulation to notes (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Markup programmer interface
@section Markup programmer interface
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Markup construction in Scheme
@subsection Markup construction in Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node How markups work internally
@subsection How markups work internally
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup command definition
@subsection New markup command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup list command definition
@subsection New markup list command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Contexts for programmers
@section Contexts for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Context evaluation
@subsection Context evaluation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Running a function on all layout objects
@subsection Running a function on all layout objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Scheme procedures as properties
@section Scheme procedures as properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node TODO moved into scheme
@section TODO moved into scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Using Scheme code instead of \tweak
@subsection Using Scheme code instead of @code{\tweak}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Difficult tweaks
@subsection Difficult tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
Referencia de la notación:
@ref{Time administration},
@ref{Scaling durations},
-@ref{Objects connected to the input},
+@ref{The tweak command},
@ref{Polymetric notation}.
Fragmentos de código:
@node Polymetric notation
@subsubsection Polymetric notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Automatic note splitting
@node Running LilyPond
@chapter Running LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Normal usage
@section Normal usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command-line usage
@section Command-line usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Invoking lilypond
@subsection Invoking lilypond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command line options
@subsection Command line options
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Environment variables
@subsection Environment variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Error messages
@section Error messages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Updating files with convert-ly
@section Updating with @command{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subsection Command line options
@node Problems with convert-ly
@subsection Problems with @code{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Reporting bugs
@section Reporting bugs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Spacing issues
@chapter Spacing issues
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Paper and pages
@section Paper and pages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Paper size
@subsection Paper size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page formatting
@subsection Page formatting
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music layout
@section Music layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Setting the staff size
@subsection Setting the staff size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Score layout
@subsection Score layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Breaks
@section Breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Line breaking
@subsection Line breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page breaking
@subsection Page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page breaking
@subsection Optimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page turning
@subsection Optimal page turning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Minimal page breaking
@subsection Minimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit breaks
@subsection Explicit breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using an extra voice for breaks
@subsection Using an extra voice for breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing
@section Vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Vertical spacing inside a system
@subsection Vertical spacing inside a system
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing between systems
@subsection Vertical spacing between systems
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit staff and system positioning
@subsection Explicit staff and system positioning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Two-pass vertical spacing
@subsection Two-pass vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical collision avoidance
@subsection Vertical collision avoidance
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Horizontal spacing
@section Horizontal Spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Horizontal spacing overview
@subsection Horizontal spacing overview
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New spacing area
@subsection New spacing area
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing horizontal spacing
@subsection Changing horizontal spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Line length
@subsection Line length
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Proportional notation
@subsection Proportional notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Fitting music onto fewer pages
@section Fitting music onto fewer pages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Displaying spacing
@subsection Displaying spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing spacing
@subsection Changing spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Selecting font and font size
@subsubsection Selecting font and font size
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Text alignment
@subsubsection Text alignment
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Graphic notation inside markup
@subsubsection Graphic notation inside markup
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Music notation inside markup
@subsubsection Music notation inside markup
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Multi-page markup
@subsubsection Multi-page markup
@end lilypond
Encontrará más detalles de la instrucción @code{\tweak} en
-@ruser{Objects connected to the input}.
+@ruser{The tweak command}.
Si los grupos anidados no comienzan en el mismo momento, su apariencia
se puede modificar de la forma usual mediante instrucciones
@node Unfretted string instruments
@section Unfretted string instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for unfretted strings::
@node Common notation for unfretted strings
@subsection Common notation for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for unfretted strings::
@node References for unfretted strings
@subsubsection References for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bowed instruments
@subsection Bowed instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for bowed strings::
@node Plucked instruments
@subsection Plucked instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Harp::
@node Harp
@subsubsection Harp
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Skipping notes
@subsubsection Skipping notes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Extenders and hyphens
@subsubsection Extenders and hyphens
@node Lyrics and repeats
@subsubsection Lyrics and repeats
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Placement of lyrics
@subsection Placement of lyrics
@node Chants
@subsubsection Chants
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Spacing out syllables
@node Centering lyrics between staves
@subsubsection Centering lyrics between staves
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Stanzas
@subsection Stanzas
@node Wind instruments
@section Wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for wind instruments::
@node Common notation for wind instruments
@subsection Common notation for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for wind instruments::
@node References for wind instruments
@subsubsection References for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Half-holes
@subsubsection Half-holes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bagpipes
@subsection Bagpipes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Bagpipe definitions::
@node World music
@section World music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Arabic music
@subsection Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node References for Arabic music
@unnumberedsubsubsec References for Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic note names
@unnumberedsubsubsec Arabic note names
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic key signatures
@unnumberedsubsubsec Arabic key signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic time signatures
@unnumberedsubsubsec Arabic time signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic music example
@unnumberedsubsubsec Arabic music example
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Further reading
@unnumberedsubsubsec Further reading
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Ancient notation
@section Ancient notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
@node Ancient notation supported
@subsubsection Ancient notation supported
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Alternative note signs
@subsection Alternative note signs
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
@node Additional note signs
@subsection Additional note signs
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
@node Pre-defined contexts
@subsection Pre-defined contexts
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
@node Transcribing ancient music
@subsection Transcribing ancient music
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Ancient and modern from one source::
@node Ancient and modern from one source
@subsubsection Ancient and modern from one source
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Incipits
@subsubsection Incipits
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Mensurstriche layout
@subsubsection Mensurstriche layout
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Transcribing Gregorian chant
@subsubsection Transcribing Gregorian chant
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Editorial markings
@subsection Editorial markings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Annotational accidentals::
@node Baroque rhythmic notation
@subsubsection Baroque rhythmic notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Automatic notation::
* Interpretation contexts::
-* The \override command::
+* The override command::
@end menu
Si l'argument @var{contexte} n'est pas spécifié, alors la propriété cherchera à s'appliquer
dans le contexte le plus restreint où elle est employée : le plus souvent
- @context{ChordNames}, @context{Voice}, ou @context{Lyrics}. Dans l'exemple suivant,
+ @code{ChordNames}, @code{Voice}, ou @code{Lyrics}. Dans l'exemple suivant,
@lilypond[quote,verbatim,relative=2,fragment]
c8 c c c
@end lilypond
Les contextes s'organisent de façon hiérarchique : aussi, lorsqu'un contexte de niveau
-supérieur est spécifié (par exemple @context{Staff}), la propriété sera modifée dans
-tous les contextes inférieurs (tous les contextes @context{Voice}, par exemple)
+supérieur est spécifié (par exemple @code{Staff}), la propriété sera modifée dans
+tous les contextes inférieurs (tous les contextes @code{Voice}, par exemple)
qu'il contient.
@funindex \unset
@noindent
rend les hampes plus épaisses (la valeur par défaut est 1.3, ce qui signifie qu'elles
sont 1,3 fois plus épaisses que les lignes de la portée). Dans la mesure où nous avons
-indiqué @context{Staff} comme contexte, ce réglage ne s'appliquera qu'à la portée courante ;
+indiqué @code{Staff} comme contexte, ce réglage ne s'appliquera qu'à la portée courante ;
les autres portées demeureront intactes.
@end lilypond
La commande @code{\override} modifie donc la définition de l'objet @code{Stem}
-dans le contexte @context{Staff} ; toutes les hampes qui suivent seront affectées.
+dans le contexte @code{Staff} ; toutes les hampes qui suivent seront affectées.
Tout comme avec la commande @code{\set}, l'argument @var{contexte} peut être omis, auquel
-cas le contexte par défaut (ici, @context{Voice}) sera employé. La commande @code{\once}
+cas le contexte par défaut (ici, @code{Voice}) sera employé. La commande @code{\once}
permet de n'appliquer la modification qu'une seule fois.
@lilypond[quote,fragment,verbatim,relative=2]
@end example
Le raccourci @code{\Staff} invoque les définitions inhérentes au contexte
-@context{Staff}, de façon à ce qu'elles puissent être modifiées.
+@code{Staff}, de façon à ce qu'elles puissent être modifiées.
-Les lignes suivantes affecteront toutes les portées (tous les contextes @context{Staff})
+Les lignes suivantes affecteront toutes les portées (tous les contextes @code{Staff})
dans la partition.
@example
\set fontSize = #-2
@node Defining new contexts
@subsection Defining new contexts
-Les contextes tels que @context{Staff} ou @code{Voice} sont faits
+Les contextes tels que @code{Staff} ou @code{Voice} sont faits
de briques de constructions empilées. En combinant divers graveurs,
il est possible de créer de nouveaux types de contextes.
Dans l'exemple suivant, on construit, de zéro, un nouveau contexte très
-semblable à @context{Voice}, mais qui n'imprime que des têtes de notes en forme
+semblable à @code{Voice}, mais qui n'imprime que des têtes de notes en forme
de barres obliques au centre de la portée. Un tel contexte, par exemple, peut
servir à indiquer un passage improvisé dans un morceau de jazz.
\name ImproVoice
@end example
-@item Comme il est très semblable à @context{Voice}, nous souhaitons que toutes les
-commandes associées au @context{Voice} déjà existant, restent valables. D'où nécessité
-de la commande @code{\alias}, qui va l'associer au contexte @context{Voice} :
+@item Comme il est très semblable à @code{Voice}, nous souhaitons que toutes les
+commandes associées au @code{Voice} déjà existant, restent valables. D'où nécessité
+de la commande @code{\alias}, qui va l'associer au contexte @code{Voice} :
@example
\alias Voice
@funindex \accepts
Ce n'est pas tout. En effet, on veut intégrer le nouveau contexte
-@context{ImproVoice} dans la hiérarchie des contextes. Tout comme le
+@code{ImproVoice} dans la hiérarchie des contextes. Tout comme le
contexte @code{Voice}, sa place est au sein du contexte @code{Staff}.
-Nous allons donc modifier le contexte @context{Staff},
+Nous allons donc modifier le contexte @code{Staff},
au moyen de la commande @code{\accepts} :
@example
(@code{Staff}), les paroles (@code{Lyrics}) et ainsi de suite ; puis
@code{VerticalAlignment} synchronise verticalement ces différents groupes.
En général, il n'y a qu'un seul @code{VerticalAlignment} pour l'ensemble
-de la partition, mais chaque contexte @context{Staff}, @context{Lyrics}, etc.
+de la partition, mais chaque contexte @code{Staff}, @code{Lyrics}, etc.
possède son propre @code{VerticalAxisGroup}.
-@node The \override command
+@node The override command
@section The @code{\override} command
La commande @code{\override} permet de modifier la mise en page
* Navigating the program reference::
* Layout interfaces::
* Determining the grob property::
-* Objects connected to the input::
-* Using Scheme code instead of \tweak::
-* \set versus \override::
+* The tweak command::
+* Using Scheme code instead of tweak::
+* set versus override::
* Difficult tweaks::
@end menu
Pour élaborer un réglage de ce type, on a besoin de connaître précisément :
@itemize
-@item le contexte : ici @context{Voice} (la voix).
+@item le contexte : ici @code{Voice} (la voix).
@item l'objet à affecter : ici @code{Stem} (les hampes).
@item la propriété à modifier : ici @code{thickness} (l'épaisseur du trait).
@item la valeur désirée : ici @code{3.0} (par défaut, elle est de 1.3).
@end lilypond
-Dans le cas présent, le réglage intervient dans le contexte @context{Voice},
+Dans le cas présent, le réglage intervient dans le contexte @code{Voice},
ce qui pouvait également se déduire de la Référence du programme, où la page
du graveur @rinternals{Fingering_engraver} indique :
@end quotation
-@node Objects connected to the input
-@subsection Objects connected to the input
+@node The tweak command
+@subsection The @code{\tweak} command
@funindex \tweak
Voir pour plus de détails @ref{Displaying music expressions}.
-@node Using Scheme code instead of \tweak
+@node Using Scheme code instead of tweak
@subsection Using Scheme code instead of @code{\tweak}
L'inconvénient principal de la commande @code{\tweak} est la rigidité de sa
@samp{m} lui-même.
-@node \set versus \override
+@node set versus override
@subsection @code{\set} vs. @code{\override}
Si les propriétés peuvent être modifiées de deux façons, par les commandes
@node Chord notation
@section Chord notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Chord mode::
@node Chord mode
@subsection Chord mode
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Chord mode overview::
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Displaying chords
@subsection Displaying chords
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Printing chord names::
@node Customizing chord names
@unnumberedsubsubsec Customizing chord names
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Figured bass
@subsection Figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Introduction to figured bass::
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
Vous ne pouvez pas coloriser des notes à l'intérieur d'un accord avec
@code{\override}. si besoin est, utilisez @code{\tweak}.
-Pour plus de détails, consultez @ref{Objects connected to the input}.
+Pour plus de détails, consultez @ref{The tweak command}.
@node Parentheses
@node Fretted string instruments
@section Fretted string instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for fretted strings::
@node Common notation for fretted strings
@subsection Common notation for fretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for fretted strings::
@node References for fretted strings
@subsubsection References for fretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node String number indications
@subsubsection String number indications
@node Guitar
@subsection Guitar
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Guitar tablatures::
@node Guitar tablatures
@subsubsection Guitar tablatures
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Indicating position and barring
@subsubsection Indicating position and barring
@node Banjo
@subsection Banjo
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Banjo tablatures::
@node Nesting music expressions
@subsection Nesting music expressions
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node On the un-nestedness of brackets and ties
@subsection On the un-nestedness of brackets and ties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Voices contain music
@section Voices contain music
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* I'm hearing Voices::
@node I'm hearing Voices
@subsection I'm hearing Voices
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Explicitly instantiating voices
@subsection Explicitly instantiating voices
@node Voices and vocals
@subsection Voices and vocals
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Contexts and engravers
@section Contexts and engravers
être synchronisée sur toute l'étendue verticale de la partition.
LilyPond regroupe ces règles et ces fragments d'information dans des
-@emph{Contextes}. Certains contextes sont les voix (contexte @context{Voice}),
-les portées (contexte @context{Staff}), ou la partition dans son ensemble
-(contexte @context{Score}). Ils sont ordonnés hiérarchiquement : ainsi un
-contexte @context{Staff} peut contenir plusieurs contextes @context{Voice}, et un
-contexte @context{Score} peut contenir plusieurs contextes @context{Staff}.
+@emph{Contextes}. Certains contextes sont les voix (contexte @code{Voice}),
+les portées (contexte @code{Staff}), ou la partition dans son ensemble
+(contexte @code{Score}). Ils sont ordonnés hiérarchiquement : ainsi un
+contexte @code{Staff} peut contenir plusieurs contextes @code{Voice}, et un
+contexte @code{Score} peut contenir plusieurs contextes @code{Staff}.
@quotation
@image{context-example,5cm,,}
Chaque contexte est chargé de faire appliquer certaines règles de gravure,
de créer certains objets, et de prendre en compte les propriétés qui leur
-sont associées. Ainsi, le contexte @context{Voice} peut faire intervenir une
-altération accidentelle, puis le contexte @context{Staff} devra déterminer si
+sont associées. Ainsi, le contexte @code{Voice} peut faire intervenir une
+altération accidentelle, puis le contexte @code{Staff} devra déterminer si
cette dernière devra être imprimée ou non dans la suite de la mesure. Les barres
-de mesure, enfin, sont alignées verticalement grâce au contexte @context{Score}.
+de mesure, enfin, sont alignées verticalement grâce au contexte @code{Score}.
En revanche, dans une musique polymétrique, par exemple mélant une portée à 3/4
et une autre à 4/4, les barres de mesures n'ont plus à être alignées : il faut alors
-modifier les comportement par défaut des contextes @context{Score} et @context{Staff}.
+modifier les comportement par défaut des contextes @code{Score} et @code{Staff}.
Dans une partition très simple, les contextes sont créés implicitement, et peuvent
être ignorés. Mais lorsqu'il s'agit de morceaux plus amples -- entendons par là tout
ponctuation = @{ s4-. s4-> @}
@end example
-En les envoyant toutes deux dans le même contexte @context{Voice}, on les combine :
+En les envoyant toutes deux dans le même contexte @code{Voice}, on les combine :
@example
<<
plusieurs niveaux. Par exemple, une commande telle que @code{\applyOutput} (voir
@c FIXME: broken link
@c @ruser{Running a function on all layout objects}) : si elle n'est pas associée avec
-@code{\context}, elle s'applique par défaut dans le contexte @context{Voice}.
+@code{\context}, elle s'applique par défaut dans le contexte @code{Voice}.
@example
\applyOutput #'@var{Contexte} #@var{fonction} % s'applique dans le contexte Voice
@end example
-Pour l'appliquer au contexte @context{Score} ou @context{Staff}, il faut utiliser :
+Pour l'appliquer au contexte @code{Score} ou @code{Staff}, il faut utiliser :
@example
\applyOutput #'Score #@var{fonction}
@node Engravers explained
@subsection Engravers explained
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Modifying context properties
@subsection Modifying context properties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Adding and removing engravers
@subsection Adding and removing engravers
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Extending the templates
@node Four-part SATB vocal score
@subsection Four-part SATB vocal score
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Building a score from scratch
@subsection Building a score from scratch
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node General input and output
@chapter General input and output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input structure
@section Input structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Structure of a score
@subsection Structure of a score
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Multiple scores in a book
@subsection Multiple scores in a book
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node File structure
@subsection File structure
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Titles and headers
@section Titles and headers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Creating titles
@subsection Creating titles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Custom titles
@subsection Custom titles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Reference to page numbers
@subsection Reference to page numbers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Table of contents
@subsection Table of contents
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Working with input files
@section Working with input files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Including LilyPond files
@subsection Including LilyPond files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Different editions from one source
@subsection Different editions from one source
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Using variables
@unnumberedsubsubsec Using variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using tags
@node Text encoding
@subsection Text encoding
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Displaying LilyPond notation
@subsection Displaying LilyPond notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Controlling output
@section Controlling output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Extracting fragments of music
@subsection Extracting fragments of music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Skipping corrected music
@subsection Skipping corrected music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node MIDI output
@section MIDI output
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Creating MIDI files
@subsection Creating MIDI files
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Instrument names
@node MIDI block
@subsection MIDI block
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node What goes into the MIDI output?
@subsection What goes into the MIDI output?
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Supported in MIDI
@node Controlling MIDI dynamics
@subsection Controlling MIDI dynamics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@unnumberedsubsubsec Dynamic marks
@node Compiling from source
@section Compiling from source
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@iftex
Toute cette section ne sera pas traduite, car la compilation de LilyPond
demande de maîtriser un minimum l'anglais ; reportez-vous donc Ã
@node References for keyboards
@subsubsection References for keyboards
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@end example
-avant d'insérer une mélodie au moyen d'un contexte @context{Voice} :
+avant d'insérer une mélodie au moyen d'un contexte @code{Voice} :
@example
\context Staff = bas
@node Discant symbols
@subsubsection Discant symbols
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node LilyPond-book
@chapter @command{lilypond-book}: Integrating text and music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node An example of a musicological document
@section An example of a musicological document
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Input
@node Integrating music and text
@section Integrating music and text
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node LaTeX
@subsection @LaTeX{}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Texinfo
@subsection Texinfo
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node HTML
@subsection HTML
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node DocBook
@subsection DocBook
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Common conventions
@node Music fragment options
@section Music fragment options
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Invoking lilypond-book
@section Invoking @command{lilypond-book}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subheading Format-specific instructions
@node Filename extensions
@section Filename extensions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Alternate methods of mixing text and music
@section Alternative methods of mixing text and music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Many quotes from a large score
@subsection Many quotes from a large score
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Inserting LilyPond output into OpenOffice.org
@subsection Inserting LilyPond output into OpenOffice.org
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Inserting LilyPond output into other programs
@subsection Inserting LilyPond output into other programs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Literature list
@appendix Literature list
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@c -*- coding: utf-8; mode: texinfo; -*-
@ignore
- Translation of GIT committish: 1440fffdf8579046cc2033b9c697a190b34b91e5
+ Translation of GIT committish: a88c1b861df238ad1c000e6a86926e6f19f2fedd
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@c ***** Displaying text *****
-@c we need this since @q{\} doesn't work with makeinfo 4.8 --
-@c say @q{@value{backslash}} instead
-@set backslash \
+@c we need this since @q{\} doesn't work with makeinfo 4.11 --
+@c say @q{@bs} instead
+@macro bs
+\\
+@end macro
@c to get decent quotes in `foo' and ``foo''
@c these need to be split up so that "@qq{foo}." looks nice. :(
@end macro
@end ifdocbook
+@ifhtml
+@macro warning{TEXT}
+@cartouche
+@b{Note :} \TEXT\
+@end cartouche
+@end macro
+@end ifhtml
+
+@ifnothtml
@macro warning{TEXT}
@quotation
@quotation
@end quotation
@end quotation
@end macro
+@end ifnothtml
@ifnotinfo
@macro notation{TEXT}
@end macro
-@c obsolete, remove when translation is fully updated
-@macro context{TEXT}
-@vindex \TEXT\
-@code{\TEXT\}@c should use rinternals
-@end macro
-
-@c obsolete, remove when translation is fully updated
-@macro refcommand{TEXT}
-@vindex \TEXT\
-@code{\TEXT\}
-@end macro
-
@macro lydoctitle {TEXT}
@emph{\TEXT\}
@c **** Links and references ****
@c Definitions for references:
-@c @rinternals
@c @rglos
-@c @rprogram
-@c @ruser
@c @rlearning
+@c @ruser
+@c @rprogram
@c @rlsr
+@c @rinternals
+@c all these also have a @...named version, which allows to specify the
+@c displayed text for the reference as second argument
-@ifhtml
-@c ***** HTML *****
+
+@c ***** HTML + bigpage is a special case (other manual names), all other
+@c formats are treated similarly
+
+@ifnottex
@ifset bigpage
-@macro rinternals{TEXT}
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals-big-page,Référence des propriétés internes}
+@ref{\TEXT\,,,music-glossary-big-page,Glossaire}
@end macro
-@macro rglos{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary-big-page,Glossaire}
+@ref{\TEXT\,,\DISPLAY\,music-glossary-big-page,Glossaire}
@end macro
-@macro rprogram{TEXT}
+@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program-big-page,Manuel d'utilisation du programme}
+@ref{\TEXT\,,,lilypond-learning-big-page,Manuel d'initiation}
+@end macro
+
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning-big-page,Manuel d'initiation}
@end macro
@macro ruser{TEXT}
@ref{\TEXT\,,,lilypond-big-page,Manuel de notation}
@end macro
-@macro rlearning{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning-big-page,Manuel d'initiation}
+@ref{\TEXT\,,\DISPLAY\,lilypond-big-page,Manuel de notation}
@end macro
-@macro rlsr{TEXT}
+@macro rprogram{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-snippets-big-page,Exemples de code}
+@ref{\TEXT\,,,lilypond-program-big-page,Manuel d'utilisation du programme}
@end macro
-@end ifset
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program-big-page,Manuel d'utilisation du programme}
+@end macro
+@macro rlsr{TEXT}
+@vindex \TEXT\
+@ref{\TEXT\,,,lilypond-snippets-big-page,Exemples de code}
+@end macro
-@ifclear bigpage
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets-big-page,Exemples de code}
+@end macro
@macro rinternals{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Référence des propriétés internes}
+@ref{\TEXT\,,,lilypond-internals-big-page,Référence des propriétés internes}
@end macro
-@macro rglos{TEXT}
+@macro rinternalsnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossaire}
+@ref{\TEXT\,,,lilypond-internals-big-page,Référence des propriétés internes}
@end macro
-@macro rprogram{TEXT}
+@end ifset
+
+
+@ifclear bigpage
+
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Manuel d'utilisation du programme}
+@ref{\TEXT\,,,music-glossary,Glossaire}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Manuel de notation}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glossaire}
@end macro
@macro rlearning{TEXT}
@ref{\TEXT\,,,lilypond-learning,Manuel d'initiation}
@end macro
-@macro rlsr{TEXT}
+@macro rlearningnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-snippets,Exemples de code}
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning,Manuel d'initiation}
@end macro
-@end ifclear
-
-@end ifhtml
-
-
-@ifdocbook
-@c ***** DOCBOOK-XML *****
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals,Référence des propriétés internes}
+@ref{\TEXT\,,,lilypond,Manuel de notation}
@end macro
-@macro rglos{TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossaire}
+@ref{\TEXT\,,\DISPLAY\,lilypond,Manuel de notation}
@end macro
@macro rprogram{TEXT}
@ref{\TEXT\,,,lilypond-program,Manuel d'utilisation du programme}
@end macro
-@macro ruser{TEXT}
+@macro rprogramnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Manuel de notation}
+@ref{\TEXT\,,\DISPLAY\,lilypond-program,Manuel d'utilisation du programme}
@end macro
-@macro rlearning{TEXT}
+@macro rlsr{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Manuel d'initiation}
+@ref{\TEXT\,,,lilypond-snippets,Exemples de code}
@end macro
-@macro rlsr{TEXT}
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Exemples de code}
+@end macro
+
+@macro rinternals{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-snippets,Exemples de code}
+@ref{\TEXT\,,,lilypond-internals,Référence des propriétés internes}
@end macro
-@end ifdocbook
+@macro rinternalsnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,,lilypond-internals,Référence des propriétés internes}
+@end macro
+@end ifclear
-@ifinfo
-@c **** INFO ****
+@end ifnottex
-@macro rinternals{NAME}
-@vindex \NAME\
-@inforef{\NAME\,,lilypond-internals,Référence des propriétés internes}
-@end macro
-@macro rglos{NAME}
-@vindex \NAME\
-@inforef{\NAME\,,music-glossary,Glossaire}
-@end macro
+@c **** TEX ****
+@iftex
-@macro rprogram{TEXT}
+@macro rglos{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-program,Manuel d'utilisation du programme}
+@ref{\TEXT\,,,music-glossary,Glossaire}
@end macro
-@macro ruser{TEXT}
+@macro rglosnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond,Manuel de notation}
+@ref{\TEXT\,,\DISPLAY\,music-glossary,Glossaire}
@end macro
@macro rlearning{TEXT}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-learning,Manuel d'initiation}
+@ref{\TEXT\,,,lilypond-learning.fr,Manuel d'initiation}
@end macro
-@macro rlsr{TEXT}
-@ref{\TEXT\,,,lilypond-snippets,Exemples de code}
+@macro rlearningnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning.fr,Manuel d'initiation}
@end macro
-@end ifinfo
-
-
-@c **** TEX ****
-@iftex
-
-@macro rinternals{TEXT}
+@macro ruser{TEXT}
@vindex \TEXT\
-@code{\TEXT\}
+@ref{\TEXT\,,,lilypond.fr,Manuel de notation}
@end macro
-@macro rglos {TEXT}
+@macro rusernamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,music-glossary,Glossaire}
+@ref{\TEXT\,,\DISPLAY\,lilypond.fr,Manuel de notation}
@end macro
@macro rprogram{TEXT}
+@vindex \TEXT\
@ref{\TEXT\,,,lilypond-program.fr,Manuel d'utilisation du programme}
@end macro
-@macro ruser{TEXT}
-@ref{\TEXT\,,,lilypond.fr,Manuel de notation}
-@end macro
-
-@macro rlearning{TEXT}
-@ref{\TEXT\,,,lilypond-learning.fr,Manuel d'initiation}
+@macro rprogramnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@ref{\TEXT\,,\DISPLAY\,lilypond-program.fr,Manuel d'utilisation du programme}
@end macro
@macro rlsr{TEXT}
@ref{\TEXT\,,,lilypond-snippets,Exemples de code}
@end macro
+@macro rlsrnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-snippets,Exemples de code}
+@end macro
+
+@macro rinternals{TEXT}
+@vindex \TEXT\
+@code{\TEXT\}
+@end macro
+
+@macro rinternalsnamed{TEXT,DISPLAY}
+@vindex \TEXT\
+@code{\DISPLAY\}
+@end macro
+
@end iftex
-@c Commands specific to translated docs
+@c **** Macros specific to translated docs ****
@c ugh, cannot set/define global variable 'translationof' in some way?
@iftex
Cette section n'est pas encore encore traduite, veuillez
vous reporter à la documentation correspondante en anglais.
@end macro
+
+@ifhtml
+@macro untranslated
+UNTRANSLATED NODE: IGNORE ME
+@end macro
+@end ifhtml
+
+@ifnothtml
+@macro untranslated
+@end macro
+@end ifnothtml
@node Chord name chart
@appendixsec Chord name chart
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node MIDI instruments
@appendixsec MIDI instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node List of colors
@appendixsec List of colors
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@subsubheading Normal colors
@subsubheading X color names
@node The Feta font
@appendixsec The Feta font
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Note head styles
@appendixsec Note head styles
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@ignore
Vous pouvez utiliser les commandes suivantes au sein d'un bloc
@node All context properties
@appendixsec All context properties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Layout properties
@appendixsec Layout properties
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Identifiers
@appendixsec Identifiers
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Scheme functions
@appendixsec Scheme functions
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@subsubsection References for percussion
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Basic percussion notation
@node Interfaces for programmers
@chapter Interfaces for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Music functions
@section Music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Overview of music functions
@subsection Overview of music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Simple substitution functions
@subsection Simple substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Paired substitution functions
@subsection Paired substitution functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Mathematics in functions
@subsection Mathematics in functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Void functions
@subsection Void functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Functions without arguments
@subsection Functions without arguments
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Overview of available music functions
@subsection Overview of available music functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@include identifiers.tely
@node Programmer interfaces
@section Programmer interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Input variables and Scheme
@subsection Input variables and Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Internal music representation
@subsection Internal music representation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Building complicated functions
@section Building complicated functions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Displaying music expressions
@subsection Displaying music expressions
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music properties
@subsection Music properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Doubling a note with slurs (example)
@subsection Doubling a note with slurs (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Adding articulation to notes (example)
@subsection Adding articulation to notes (example)
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Markup programmer interface
@section Markup programmer interface
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Markup construction in Scheme
@subsection Markup construction in Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node How markups work internally
@subsection How markups work internally
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup command definition
@subsection New markup command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New markup list command definition
@subsection New markup list command definition
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Contexts for programmers
@section Contexts for programmers
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Context evaluation
@subsection Context evaluation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Running a function on all layout objects
@subsection Running a function on all layout objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Scheme procedures as properties
@section Scheme procedures as properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@c -- SKELETON FILE --
@node Running LilyPond
@chapter Running LilyPond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Normal usage
@section Normal usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command-line usage
@section Command-line usage
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Invoking lilypond
@subsection Invoking lilypond
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Command line options
@subsection Command line options
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Environment variables
@subsection Environment variables
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Error messages
@section Error messages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Updating files with convert-ly
@section Updating with @command{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@subsection Command line options
@node Problems with convert-ly
@subsection Problems with @code{convert-ly}
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Reporting bugs
@section Reporting bugs
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Scheme tutorial
@appendix Scheme tutorial
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Tweaking with Scheme
@appendixsec Tweaking with Scheme
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Setup
@chapter Setup
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Setup for specific Operating Systems
@section Setup for specific Operating Systems
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node MacOS X on the command-line
@subsection MacOS X on the command-line
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Text editor support
@section Text editor support
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Emacs mode
@subsection Emacs mode
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vim mode
@subsection Vim mode
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node jEdit
@subsection jEdit
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node TexShop
@subsection TexShop
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node TextMate
@subsection TextMate
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node LilyKDE
@subsection LilyKDE
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Point and click
@section Point and click
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Paper and pages
@section Paper and pages
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Paper size
@subsection Paper size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page formatting
@subsection Page formatting
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Music layout
@section Music layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Setting the staff size
@subsection Setting the staff size
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Score layout
@subsection Score layout
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Breaks
@section Breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Line breaking
@subsection Line breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Page breaking
@subsection Page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page breaking
@subsection Optimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Optimal page turning
@subsection Optimal page turning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Minimal page breaking
@subsection Minimal page breaking
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit breaks
@subsection Explicit breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using an extra voice for breaks
@subsection Using an extra voice for breaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing
@section Vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Vertical spacing inside a system
@subsection Vertical spacing inside a system
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical spacing between systems
@subsection Vertical spacing between systems
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Explicit staff and system positioning
@subsection Explicit staff and system positioning
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Two-pass vertical spacing
@subsection Two-pass vertical spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Vertical collision avoidance
@subsection Vertical collision avoidance
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Horizontal spacing
@section Horizontal Spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Horizontal spacing overview
@subsection Horizontal spacing overview
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node New spacing area
@subsection New spacing area
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing horizontal spacing
@subsection Changing horizontal spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Line length
@subsection Line length
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Proportional notation
@subsection Proportional notation
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Fitting music onto fewer pages
@node Displaying spacing
@subsection Displaying spacing
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Changing spacing
@node Templates
@appendix Templates
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Single staff
@appendixsec Single staff
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec Notes only
@node Piano templates
@appendixsec Piano templates
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec Solo piano
@node String quartet
@appendixsec String quartet
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec String quartet
@node Vocal ensembles
@appendixsec Vocal ensembles
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec SATB vocal score
@node Ancient notation templates
@appendixsec Ancient notation templates
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec Transcription of mensural music
@node Jazz combo
@appendixsec Jazz combo
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node lilypond-book templates
@appendixsec lilypond-book templates
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@appendixsubsec LaTeX
@node Tweaking basics
@section Tweaking basics
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Introduction to tweaks::
@node Introduction to tweaks
@subsection Introduction to tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Objects and interfaces
@subsection Objects and interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Naming conventions of objects and properties
@subsection Naming conventions of objects and properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Tweaking methods
@subsection Tweaking methods
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node The Internals Reference manual
@section The Internals Reference manual
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Properties of layout objects::
@node Properties of layout objects
@subsection Properties of layout objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Properties found in interfaces
@subsection Properties found in interfaces
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Types of properties
@subsection Types of properties
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Appearance of objects
@section Appearance of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Visibility and color of objects::
@node Visibility and color of objects
@subsection Visibility and color of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Size of objects
@subsection Size of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Length and thickness of objects
@subsection Length and thickness of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Placement of objects
@section Placement of objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
* Automatic behavior::
@node Automatic behavior
@subsection Automatic behavior
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Within-staff objects
@subsection Within-staff objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Outside staff objects
@subsection Outside staff objects
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Collisions of objects
@node Real music example
@subsection Real music example
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@c DEPRECATED SECTION
@node Other uses for tweaks
@subsection Other uses for tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Using variables for tweaks
@subsection Using variables for tweaks
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Other sources of information
@subsection Other sources of information
@node Common notation for unfretted strings
@subsection Common notation for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for unfretted strings::
@node References for unfretted strings
@subsubsection References for unfretted strings
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bowed instruments
@subsection Bowed instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for bowed strings::
@node Plucked instruments
@subsection Plucked instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Harp::
@node Harp
@subsubsection Harp
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Skipping notes
@subsubsection Skipping notes
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node Lyrics and repeats
@subsubsection Lyrics and repeats
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node Chants
@subsubsection Chants
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node Centering lyrics between staves
@subsubsection Centering lyrics between staves
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@ifnothtml
@englishref
@end ifnothtml
@node Wind instruments
@section Wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Common notation for wind instruments::
@node Common notation for wind instruments
@subsection Common notation for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* References for wind instruments::
@node References for wind instruments
@subsubsection References for wind instruments
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Half-holes
@subsubsection Half-holes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@node Bagpipes
@subsection Bagpipes
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
@menu
* Bagpipe definitions::
@node World music
@section World music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node Arabic music
@subsection Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@menu
@node References for Arabic music
@unnumberedsubsubsec References for Arabic music
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic note names
@unnumberedsubsubsec Arabic note names
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic key signatures
@unnumberedsubsubsec Arabic key signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic time signatures
@unnumberedsubsubsec Arabic time signatures
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Arabic music example
@unnumberedsubsubsec Arabic music example
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@node Further reading
@unnumberedsubsubsec Further reading
-@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+@untranslated
@end lilypond
@item
-A few syntax changes were made:
+The following syntax changes were made, in chronological order. In
+addition, fret diagram properties have been moved to
+@code{fret-diagram-details}, and @code{#'style} property is used to
+select solid/dashed lines instead of @code{#'dash-fraction}.
+
@example
-2.11.23: #'break-align-symbol -> #'break-align-symbols
-2.11.35: scripts.caesura -> scripts.caesura.curved.
-Use #'style not #'dash-fraction to select solid/dashed lines.
-2.11.38: \setEasyHeads -> \easyHeadsOn, \fatText -> \textLengthOn,
+#'break-align-symbol -> #'break-align-symbols
+scripts.caesura -> scripts.caesura.curved
+\setEasyHeads -> \easyHeadsOn
+\easyHeadsOff (new command)
+\fatText -> \textLengthOn
\emptyText -> \textLengthOff
-2.11.46: \set hairpinToBarline -> \override Hairpin #'to-barline
-2.11.48: \compressMusic -> \scaleDurations
-2.11.50: metronomeMarkFormatter uses text markup as second argument,
-fret diagram properties moved to fret-diagram-details.
-2.11.51: \octave -> \octaveCheck, \arpeggioUp -> \arpeggioArrowUp,
-\arpeggioDown -> \arpeggioArrowDown, \arpeggioNeutral -> \arpeggioNormal,
-\setTextCresc -> \crescTextCresc, \setTextDecresc -> \dimTextDecresc,
-\setTextDecr -> \dimTextDecr, \setTextDim -> \dimTextDim,
-\setHairpinCresc -> \crescHairpin, \setHairpinDecresc -> \dimHairpin,
-\sustainUp -> \sustainOff, \sustainDown -> \sustainOn
-\sostenutoDown -> \sostenutoOn, \sostenutoUp -> \sostenutoOff
-2.11.53: infinite-spacing-height -> extra-spacing-height
-2.11.55: #(set-octavation oct) -> \ottava #oct,
+\set hairpinToBarline -> \override Hairpin #'to-barline
+\compressMusic -> \scaleDurations
+\octave -> \octaveCheck
+\arpeggioUp -> \arpeggioArrowUp
+\arpeggioDown -> \arpeggioArrowDown
+\arpeggioNeutral -> \arpeggioNormal
+\setTextCresc -> \crescTextCresc
+\setTextDecresc -> \dimTextDecresc
+\setTextDecr -> \dimTextDecr
+\setTextDim -> \dimTextDim
+\setHairpinCresc -> \crescHairpin
+\setHairpinDecresc -> \dimHairpin
+\sustainUp -> \sustainOff
+\sustainDown -> \sustainOn
+\sostenutoDown -> \sostenutoOn
+\sostenutoUp -> \sostenutoOff
+infinite-spacing-height -> extra-spacing-height
+#(set-octavation oct) -> \ottava #oct
\put-adjacent markup axis dir markup -> \put-adjacent axis dir markup markup
@end example
to guess the line width, thanks to @code{--latex-program} command line
option.
-@item
-@code{\setEasyHeads} has been renamed to @code{\easyHeadsOn}, and a new
-command @code{\easyHeadsOff} reverts note heads to normal heads.
-
-@item
-@code{\fatText}, @code{\emptyText} and @code{\compressMusic} have been
-renamed to @code{\textLengthOn}, @code{\textLengthOff} and
-@code{\scaleDurations}, respectively.
-
@item
Underlining is now possible with the @code{\underline} markup command.
@end lilypond
When typesetting a piece in Gregorian chant notation, the
-@rinternals{Gregorian_ligature_engraver} automatically selects the proper
+@rinternals{Vaticana_ligature_engraver} automatically selects the proper
note heads, so there is no need to explicitly set the note head style.
Still, the note head style can be set, e.g., to @code{vaticana_punctum} to
produce punctum neumes. Similarly, the
@menu
-* Interpretation contexts::
-* Explaining the Internals Reference::
-* Modifying properties::
-* Useful concepts and properties::
-* Common properties::
-* Advanced tweaks::
-* Discussion of specific tweaks::
+* Interpretation contexts::
+* Explaining the Internals Reference::
+* Modifying properties::
+* Useful concepts and properties::
+* Common properties::
+* Advanced tweaks::
+* Discussion of specific tweaks::
@end menu
This section describes what contexts are, and how to modify them.
@menu
-* Contexts explained::
-* Creating contexts::
-* Modifying context plug-ins::
-* Changing context default settings::
-* Defining new contexts::
-* Aligning contexts::
+* Contexts explained::
+* Creating contexts::
+* Modifying context plug-ins::
+* Changing context default settings::
+* Defining new contexts::
+* Aligning contexts::
@end menu
Contexts are arranged heirarchically:
@menu
-* Score - the master of all contexts::
-* Top-level contexts - staff containers::
-* Intermediate-level contexts - staves::
-* Bottom-level contexts - voices::
+* Score - the master of all contexts::
+* Top-level contexts - staff containers::
+* Intermediate-level contexts - staves::
+* Bottom-level contexts - voices::
@end menu
@node Score - the master of all contexts
@subsection Changing context default settings
The adjustments of the previous subsections (
-@ref{The \set command}, @ref{Modifying context plug-ins}, and
+@ref{The set command}, @ref{Modifying context plug-ins}, and
@ref{Overview of modifying properties}) can also be entered
separately from the music in the @code{\layout} block,
All these plug-ins have to cooperate, and this is achieved with a
special plug-in, which must be marked with the keyword @code{\type}.
-This should always be @rinternals{Engraver_group},
+This should always be @code{Engraver_group}.
@example
\type "Engraver_group"
@menu
-* Navigating the program reference::
-* Layout interfaces::
-* Determining the grob property::
-* Naming conventions::
+* Navigating the program reference::
+* Layout interfaces::
+* Determining the grob property::
+* Naming conventions::
@end menu
@node Navigating the program reference
@c outdated info; probably will delete.
@ignore
This fragment points to two parts of the program reference: a page
-on @code{FingerEvent} and one on @code{Fingering}.
+on @code{FingeringEvent} and one on @code{Fingering}.
-The page on @code{FingerEvent} describes the properties of the music
+The page on @code{FingeringEvent} describes the properties of the music
expression for the input @code{-2}. The page contains many links
forward. For example, it says
This engraver creates the following layout objects: @rinternals{Fingering}.
@end quotation
-In other words, once the @code{FingerEvent}s are interpreted, the
+In other words, once the @code{FingeringEvent}s are interpreted, the
@code{Fingering_engraver} plug-in will process them.
@end ignore
@item @rinternals{fingering-event}:
Music event type @code{fingering-event} is in Music expressions named
-@rinternals{FingerEvent}
+@rinternals{FingeringEvent}
@end itemize
This path goes against the flow of information in the program: it
@section Modifying properties
@menu
-* Overview of modifying properties::
-* The \set command::
-* The \override command::
-* \set versus \override::
-* Objects connected to the input::
+* Overview of modifying properties::
+* The set command::
+* The override command::
+* set versus override::
+* The tweak command::
@end menu
-@node The \set command
+@node The set command
@subsection The @code{\set} command
@cindex properties
-@node The \override command
+@node The override command
@subsection The @code{\override} command
Commands which change output generally look like
and the program reference.
-@node \set versus \override
+@node set versus override
@subsection @code{\set} vs. @code{\override}
We have seen two methods of changing properties: @code{\set} and
property (modified with @code{\set}) was created.
-@node Objects connected to the input
-@subsection Objects connected to the input
+@node The tweak command
+@subsection The @code{\tweak} command
TODO: can't use \tweak in a variable
@menu
-* Input modes::
-* Direction and placement::
-* Distances and measurements::
-* Spanners::
+* Input modes::
+* Direction and placement::
+* Distances and measurements::
+* Spanners::
@end menu
@node Input modes
@section Common properties
@menu
-* Controlling visibility of objects::
-* Line styles::
-* Rotating objects::
-* Aligning objects::
+* Controlling visibility of objects::
+* Line styles::
+* Rotating objects::
+* Aligning objects::
@end menu
@node Controlling visibility of objects
considerations.
@menu
-* Removing the stencil::
-* Making objects transparent::
-* Painting objects white::
-* Using break-visibility::
-* Special considerations::
+* Removing the stencil::
+* Making objects transparent::
+* Painting objects white::
+* Using break-visibility::
+* Special considerations::
@end menu
any angle about any point, but the method of doing so differs.
@menu
-* Rotating layout objects::
-* Rotating markup::
+* Rotating layout objects::
+* Rotating markup::
@end menu
@node Rotating layout objects
@section Advanced tweaks
@menu
-* Vertical grouping of grobs::
-* Modifying ends of spanners::
-* Modifying stencils::
-* Modifying shapes::
+* Vertical grouping of grobs::
+* Modifying ends of spanners::
+* Modifying stencils::
+* Modifying shapes::
@end menu
@section Discussion of specific tweaks
@menu
-* old Contexts explained::
+* old Contexts explained::
@end menu
Chord mode and note mode can be mixed in sequential music:
@lilypond[verbatim,quote,ragged-right,relative=1]
-<c e g>2 < g b d >
-\chordmode { c2 f}
-< c e g > < g' b d >
-\chordmode { f g}
+<c e g>2 <g b d>
+\chordmode { c2 f }
+<c e g>2 <g' b d>
+\chordmode { f2 g }
@end lilypond
context.
@lilypond[verbatim,quote,ragged-right,relative=1]
-\chordmode { c2 f}
-< c e g > < g' b d >
+\chordmode { c2 f }
+<c e g>2 <g' b d>
@end lilypond
To avoid this behavior, explicitly create the @code{Staff} context:
@lilypond[verbatim,quote,ragged-right,relative=1]
\new Staff {
- \chordmode { c2 f}
- < c e g > < g' b d >
+ \chordmode { c2 f }
+ <c e g>2 <g' b d>
}
@end lilypond
@lilypond[quote,ragged-right,fragment,verbatim,relative=1]
\chordmode {
c1:2 c:3 c:4 c:5
- c:6 c:7 c:8 c:9
- c:10 c:11 c:12 c:13
- c:14
+ c1:6 c:7 c:8 c:9
+ c1:10 c:11 c:12 c:13
+ c1:14
}
@end lilypond
Added chord steps can be altered by suffixing a @code{-} or @code{+}
sign to the number. To alter a step that is automatically included
-as part of the basic chode structure, add it as an altered step.
+as part of the basic chord structure, add it as an altered step.
@lilypond[quote,verbatim,fragment,relative=1]
\chordmode {
@funindex{\chords}
@code{\chords @{ ... @}} is a shortcut notation for
-@code{\new ChordNames @{\chordmode @{ ... @}@}}.
+@code{\new ChordNames @{ \chordmode @{ ... @} @}}.
@lilypond[verbatim,quote,ragged-right, relative=1]
\chords {
Internals Reference:
@rinternals{ChordNames},
+@rinternals{ChordName},
+@rinternals{Chord_name_engraver},
@rinternals{Volta_engraver},
@rinternals{Bar_engraver}.
@item majorSevenSymbol
This property contains the markup object used to follow the output
-of @code{chordRootNamer} to dentify a major 7 chord. Predefined
+of @code{chordRootNamer} to identify a major 7 chord. Predefined
options are @code{whiteTriangleMarkup} and
@code{blackTriangleMarkup}.
This property is a list of pairs. The first item in each pair
is a set of pitches used to identify the steps present in the chord.
-The second item is a markups that will follow the @code{chordRootNamer}
+The second item is a markup that will follow the @code{chordRootNamer}
output to create the chord name.
@funindex chordPrefixSpacer
@item chordPrefixSpacer
The @q{m} for minor chords is usually printed immediately to the
-right of the root of the chord. By setting
-@code{chordPrefixSpacer}, you can fix a spacer between the root
-and @q{m}. The spacer is not used when the root is altered.
+right of the root of the chord. A spacer can be placed between
+the root and @q{m} by setting @code{chordPrefixSpacer}.
+The spacer is not used when the root is altered.
@end table
@lilypond[quote,ragged-right,verbatim]
myChords = \relative c' {
- \chordmode{ c1 c/g c/f }
- <c e g> <g c e> <f c' e g>
+ \chordmode { c1 c/g c/f }
+ <c e g>1 <g c e> <f c' e g>
}
<<
\new ChordNames { \myChords }
in @code{Staff} contexts.
@code{\figures@{ ... @}} is a shortcut notation for
-@code{\new FiguredBass @{\figuremode @{ ... @}@}}.
+@code{\new FiguredBass @{ \figuremode @{ ... @} @}}.
Although the support for figured bass may superficially resemble chord
stores the figures and the @code{FiguredBass} context prints them
as entered. There is no conversion to pitches.
+@ignore
Figures are created as markup texts. Any of the standard markup
properties can be used to modify the display of figures. For
example, the vertical spacing of the figures may be set with
@code{baseline-skip}.
+@end ignore
@seealso
}
@end lilypond
-Augmented and diminished steps can be indicated.
+Augmented and diminished steps can be indicated:
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
@end lilypond
A backward slash through a figure (typically used for raised
-sixth steps) can be created.
+sixth steps) can be created:
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- <6>
- <6\\>
+ <6> <6\\>
}
@end lilypond
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- < \markup{ \tiny \number 6 \super (1)} 5 >
+ <\markup { \tiny \number 6 \super (1) } 5>
}
@end lilypond
<<
{
\clef bass
- e d c b,
- e d c b,
+ e4 d c b,
+ e4 d c b,
}
\figures {
\bassFigureExtendersOn
- <6 4> <6 3> <7 3> <7 3>
+ <6 4>4 <6 3> <7 3> <7 3>
\bassFigureExtendersOff
- <6 4> <6 3> <7 3> <7 3>
+ <6 4>4 <6 3> <7 3> <7 3>
}
>>
@end lilypond
<<
\figures {
\bassFigureExtendersOn
- <6 4> <6 4> <6\! 4\!> <6 4>
+ <6 4>4 <6 4> <6\! 4\!> <6 4>
}
{
\clef bass
- d d c c
+ d4 d c c
}
>>
@end lilypond
@tab
End of continuation line
@tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=4\cm]
<<
\figures {
\bassFigureExtendersOn
@c @rlearning{}.
@c Notation Reference:
-@c @ruser{}.
+@c @ref{}.
@c Application Usage:
@c @rprogram{}.
@end lilypond
-When added in a Staff context, figured bass can be displayed above
+When added in a @code{Staff} context, figured bass can be displayed above
or below the staff.
@lilypond[verbatim,ragged-right,fragment,quote]
@c @rlearning{}.
@c Notation Reference:
-@c @ruser{}.
+@c @ref{}.
@c Application Usage:
@c @rprogram{}.
<<
{
\clef bass
- \repeat unfold 4 {f16. g32} f8. es16 d8 es
+ \repeat unfold 4 { f16. g32 } f8. es16 d8 es
}
\figures {
\bassFigureExtendersOn
% The extenders are correct here, with the same rhythm as the bass
- \repeat unfold 4 {<6 4->16. <6 4->32}
+ \repeat unfold 4 { <6 4->16. <6 4->32 }
<5>8. r16 <6>8 <6\! 5->
}
>>
<<
{
\clef bass
- \repeat unfold 4 {f16. g32} f8. es16 d8 es
+ \repeat unfold 4 { f16. g32 } f8. es16 d8 es
}
\figures {
\bassFigureExtendersOn
@lilypond[verbatim,ragged-right,fragment,quote,relative=1]
<<
- { fis g g, e' }
+ { fis4 g g, e' }
\figures {
\bassFigureExtendersOn
- <6 5> <5\! 4> < 5 _!> <6>
+ <6 5>4 <5\! 4> < 5 _!> <6>
}
>>
@end lilypond
@lilypond[verbatim,ragged-right,fragment,quote,relative=1]
<<
- { fis g g, e' }
+ { fis4 g g, e' }
\figures {
- <6 5> <5 4>
+ <6 5>4 <5 4>
\bassFigureExtendersOn
- < 5 _!> <6>
+ < 5 _!>4 <6>
\bassFigureExtendersOff
}
>>
@rlsr{Editorial annotations}.
Internals Reference:
-@rinternals{fontSize},
-@rinternals{font-size},
@rinternals{font-interface}.
@seealso
Notation Reference:
-@ref{List of colors}, @ref{Objects connected to
-the input}.
+@ref{List of colors}, @ref{The
+tweak command}.
Snippets:
@rlsr{Editorial annotations}.
Notes in a chord cannot be colored with @code{\override}; use
-@code{\tweak} instead, see @ref{Objects connected to the input}.
+@code{\tweak} instead, see @ref{The tweak command}.
@node Parentheses
@seealso
-Notation Reference: @ruser{Changing context default settings},
-@ruser{The \set command}.
+Notation Reference:
+@ruser{Changing context default settings}.
+@c FIXME
+@c uncomment when backslash-node-name issue is resolved -pm
+@c @ruser{The set command}.
-Internals Reference: @rinternals{Contexts},
+Internals Reference:
+@rinternals{Contexts},
@rinternals{Tunable context properties}.
@knownissues
+@code{-j} command-line option of @command{make} is unsupported for
+building the documentation. As the most time consuming task is
+running LilyPond to build images of music, the makefile variable
+@code{CPU_COUNT} may be set in @file{local.make} or on the command line
+to the number of @code{.ly} files that LilyPond should process
+simultaneously, e.g. on a bi-processor or Dual core machine
+
+@example
+make CPU_COUNT=2 web
+@end example
+
If source files have changed since last documentation build, output
files that need to be rebuilt are normally rebuilt, even if you do not
run @code{make web-clean} first. However, building dependencies in the
explaining some key concepts in easy terms. You should read these
chapters in a linear fashion.
+There is a paragraph @strong{See also} at the end of each section,
+which contains cross-references to other sections: you should not
+follow these cross-references at first reading; when you have read all
+of the Learning Manual, you may want to read some sections again and
+follow cross-references for further reading.
+
@itemize
@item
@quotedblleft{}\TEXT\@quotedblright{}
@end macro
-@macro warning{TEXT}
@ifhtml
+@macro warning{TEXT}
@cartouche
@b{Note:} \TEXT\
@end cartouche
+@end macro
@end ifhtml
+
@ifnothtml
+@macro warning{TEXT}
@quotation
@quotation
@cartouche
@end cartouche
@end quotation
@end quotation
-@end ifnothtml
@end macro
+@end ifnothtml
@ifnotinfo
@macro notation{TEXT}
@c @rlearning
@c @ruser
@c @rprogram
-@c @rsnippets
+@c @rlsr
@c @rinternals
@c all these also have a @...named version, which allows to specify the
@c displayed text for the reference as second argument
@macro rinternalsnamed{TEXT,DISPLAY}
@vindex \TEXT\
-@ref{\TEXT\,,,lilypond-internals-big-page,Internals Reference}
+@ref{\TEXT\,,\DISPLAY\,lilypond-internals-big-page,Internals Reference}
@end macro
@end ifset
@end macro
@macro rlearning{TEXT}
-learning manual, @ref{\TEXT\,,,lilypond-learning,Learning Manual}
+@ref{\TEXT\,,,lilypond-learning,Learning Manual}
+@end macro
+
+@macro rlearningnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-learning,Learning Manual}
@end macro
@macro rlearningnamed{TEXT,DISPLAY}
@end macro
@macro ruser{TEXT}
-notation reference, @ref{\TEXT\,,,lilypond,Notation Reference}
+@ref{\TEXT\,,,lilypond,Notation Reference}
+@end macro
+
+@macro rusernamed{TEXT,DISPLAY,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond,Notation Reference}
@end macro
@macro rusernamed{TEXT,DISPLAY,DISPLAY}
@end macro
@macro rprogram{TEXT}
-program usage manual, @ref{\TEXT\,,,lilypond-program,Application Usage}
+@ref{\TEXT\,,,lilypond-program,Application Usage}
+@end macro
+
+@macro rprogramnamed{TEXT,DISPLAY}
+@ref{\TEXT\,,\DISPLAY\,lilypond-program,Application Usage}
@end macro
@macro rprogramnamed{TEXT,DISPLAY}
@end macro
@end iftex
-
Notation Reference:
@ref{Time administration},
@ref{Scaling durations},
-@ref{Objects connected to the input},
+@ref{The tweak command},
@ref{Polymetric notation}.
Snippets:
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{positioning-multi--measure-rests.ly}
-@c TODO -- convert to snippet
+@c TODO -- convert to snippet -- submitted to Neil
Markups attached to a multi-measure rest will be centered above or
below it. Long markups attached to multi-measure rests do not cause
the measure to expand. To expand a multi-measure rest to fit the markup,
use a spacer rest with an attached markup before the multi-measure rest:
-@c -- music is somewhat compressed vertically. I thought it
-@c was good because the emphasis is not on the content
-@c of the markup, but on the place the markup was attached -cs
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\compressFullBarRests
\textLengthOn
@cindex grace notes, in anacruses
-This command does not take into account grace notes at the start
-of the music. If the pick-up starts with one or more grace
-notes, then the @code{\partial} should follow the grace note(s):
-
-@lilypond[verbatim,quote,ragged-right,relative,fragment]
-\grace f16
-\partial 4
-g4
-a2 g2
-@end lilypond
-
The @code{\partial} command is intended to be used only at the
beginning of a piece. If you use it after the beginning, some
odd warnings may occur.
Polymetric notation is supported, either explicitly or through
clever use of markup features.
-@c Each of these examples uses \set or \override, and therefore
-@c by policy should be converted to a snippet.
-@c Do we want to have a section with a very brief (two-line
-@c introduction, and have most of the content be in snippets?
-
-@strong{Alternating time signatures}
-
-Regularly alternating double time signatures are not supported
-explicitly, but they can be faked. In the next example, the
-double time signature is created with markup text, while the
-real time signature is set in the usual way with @code{\time}.
-
-@lilypond[verbatim,ragged-right]
-% Create 9/8 split into 2/4 + 5/8
-tsMarkup = \markup {
- \override #'(baseline-skip . 2) \number {
- \column { "2" "4" }
- \vcenter "+"
- \bracket \column { "5" "8" }
- }
-}
-
-{
- \override Staff.TimeSignature #'stencil =
- #ly:text-interface::print
- \override Staff.TimeSignature #'text = #tsMarkup
- \time 9/8
- c'2 \bar ":" c'4 c'4.
- c'2 \bar ":" c'4 c'4.
-}
-@end lilypond
-
@strong{Staves with different time signatures, equal measure lengths}
This notation can be created by setting a common time signature
>> }
@end lilypond
-@c I guess this example doesn't use \set or \override, and so
-@c could stay in the manual.
-
@strong{Staves with different time signatures, unequal bar lengths}
Each staff can be given its own independent time signature by
>>
@end lilypond
+@snippets
+
+@c TODO -- Convert to snippet. -- Sent to Neil 8/14/08
+
+@strong{Alternating time signatures}
+
+Regularly alternating double time signatures are not supported
+explicitly, but they can be faked. In the next example, the
+double time signature is created with markup text, while the
+real time signature is set in the usual way with @code{\time}.
+
+@lilypond[verbatim,ragged-right]
+% Create 9/8 split into 2/4 + 5/8
+tsMarkup = \markup {
+ \override #'(baseline-skip . 2) \number {
+ \column { "2" "4" }
+ \vcenter "+"
+ \bracket \column { "5" "8" }
+ }
+}
+
+{
+ \override Staff.TimeSignature #'stencil =
+ #ly:text-interface::print
+ \override Staff.TimeSignature #'text = #tsMarkup
+ \time 9/8
+ c'2 \bar ":" c'4 c'4.
+ c'2 \bar ":" c'4 c'4.
+}
+@end lilypond
+
@seealso
Internals Reference:
@rinternals{TimeSignature},
-@rinternals{Timing-translator},
+@rinternals{Timing_translator},
@rinternals{Staff}.
@knownissues
measures are not entirely filled, then the ties show exactly how
much each measure is off.
-To allow line breaking on the bar lines where the
-@code{Completion_heads_engraver} has inserted a split note, remove
-the @code{Forbid_line_break_engraver} too.
-
-TODO -- find example that shows the above paragraph. I can't make
-the Forbid_line_break_engraver have any effect in my examples (cs).
-Does the Forbid_line_break_engraver still have the claimed effect?
@seealso
Music Glossary: @rglos{tie}
can be done with the rhythmic staff. All pitches of notes on such a
staff are squashed, and the staff itself has a single line
-@c TODO Devise a more realistic example, perhaps with lyrics -td
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
-\new RhythmicStaff {
- \time 4/4
- c4 e8 f g2 | r4 g r2 | g1 | r1 |
-}
+<<
+ \new RhythmicStaff {
+ \new Voice = "myRhythm" {
+ \time 4/4
+ c4 e8 f g2
+ r4 g g f
+ g1
+ }
+ }
+ \new Lyrics {
+ \lyricsto "myRhythm" {
+ This is my song
+ I like to sing
+ }
+ }
+>>
+@end lilypond
+
+Guitar chord charts often show the strumming rhythms. This can
+be done with the @code{Pitch_squash_engraver} and
+@code{\improvisationOn}.
+
+
+@lilypond[quote,verbatim]
+<<
+ \new ChordNames {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+ \new Voice \with {
+ \consists Pitch_squash_engraver
+ } \relative c'' {
+ \improvisationOn
+ c4 c8 c c4 c8 c
+ f4 f8 f f4 f8 f
+ g4 g8 g g4 g8 g
+ c4 c8 c c4 c8 c
+ }
+>>
@end lilypond
-TODO -- put example in with multiple lines as well (used for strumming
-rhythms in guitar)
+@predefined
+@code{\improvisationOn},
+@code{\improvisationOff}.
+
+@snippets
+@c TODO -- Convert to snippet;
+@c tag for both Rhythms and Guitar? Move to @seealso?
+
+For guitar music, it is possible to show strum rhythms, along
+with melody notes, chord names, and fret diagrams.
+
+
+@lilypond[quote,verbatim]
+\include "predefined-guitar-fretboards.ly"
+<<
+ \new ChordNames {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+ \new FretBoards {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+
+ \new Voice \with {
+ \consists Pitch_squash_engraver
+ } \relative c'' {
+ \improvisationOn
+ c4 c8 c c4 c8 c
+ f4 f8 f f4 f8 f
+ g4 g8 g g4 g8 g
+ c4 c8 c c4 c8 c
+ }
+
+
+ \new Voice = "melody" {
+ \relative c'' {
+ \improvisationOff
+ c2 e4 e4
+ f2. r4
+ g2. a4
+ e4 c2.
+ }
+ }
+
+ \new Lyrics {
+ \lyricsto "melody" {
+ This is my song.
+ I like to sing.
+ }
+ }
+>>
+@end lilypond
+
+@seealso
+
+Snippets:
+@rlsr{Rhythms}.
+
+Internals Reference:
+@rinternals{RhythmicStaff},
+@rinternals{Pitch_squash_engraver}.
@node Beams
@subsection Beams
c16 c8
@end lilypond
+@predefined
+@code{\autoBeamOff},
+@code{\autoBeamOn}.
@snippets
@seealso
-Notation Reference: @ref{Manual beams}, @ref{Setting automatic beam behavior}.
+Notation Reference:
+@ref{Manual beams},
+@ref{Setting automatic beam behavior}.
+
+Installed Files:
+@file{scm/auto-beam.scm}.
Snippets:
@rlsr{Rhythms}.
@seealso
-Snippets:
-@rlsr{Rhythms}.
-
-This manual: @ref{The Feta font}, @ref{Formatting text}.
-
-Internals Reference: @rinternals{RehearsalMark}.
+This manual:
+@ref{The Feta font},
+@ref{Formatting text}.
-Init files: @file{scm/@/translation@/-functions@/.scm} contains
+Installed Files:
+@file{scm/@/translation@/-functions@/.scm} contains
the definition of @code{format-mark-numbers} and
@code{format-mark-letters}. They can be used as inspiration for
other formatting functions.
+Snippets:
+@rlsr{Rhythms}.
+
+Internals Reference: @rinternals{RehearsalMark}.
+
Examples: @c @lsr{parts,rehearsal-mark-numbers.ly}
@node Special rhythmic concerns
@cindex appoggiatura
@cindex acciaccatura
-Grace notes are ornaments that are written out. They are made with
-the @code{\grace} command. By prefixing this keyword to a music
-expression, a new one is formed, which will be printed in a
-smaller font and takes up no logical time in a measure.
+Grace notes are ornaments that are written out. Grace notes
+are printed in a smaller font and take up no logical time
+in a measure.
@lilypond[quote,ragged-right,relative=2,verbatim,fragment]
c4 \grace c16 c4
-\grace { c16[ d16] } c2 c4
+\grace { c16[ d16] } c2
@end lilypond
-Two special forms of the @code{\grace} command exist.
-An @emph{acciaccatura}, which should be played as very short,
-is denoted by a slurred small note with a slashed stem. The
-@emph{appoggiatura}, a grace note that takes a fixed fraction of the
-main note, is denoted as a slurred note in small print without
-a slash. They are entered with the commands @code{\acciaccatura}
-and @code{\appoggiatura}, as demonstrated in the following
-example:
+Lilypond also supports two special types of grace notes, the
+@emph{acciaccatura}--an unmeasured grace note indicated by a slurred
+small note with a slashed stem--and the @emph{appoggiatura}, which
+takes a fixed fraction of the main note and appears in small print
+without a slash.
@lilypond[quote,ragged-right,relative=2,verbatim,fragment]
-b4 \acciaccatura d8 c4
+\grace c8 b4
+\acciaccatura d8 c4
\appoggiatura e8 d4
\acciaccatura { g16[ f] } e4
@end lilypond
-@noindent
-@code{\acciaccatura} and @code{\appoggiatura} start a slur,
-@code{\grace} does not.
-
The placement of grace notes is synchronized between different
staves. In the following example, there are two sixteenth grace
notes for every eighth grace note
@lilypond[quote,ragged-right,relative=2,verbatim,fragment]
-<< \new Staff { e4 \grace { c16[ d e f] } e4 }
- \new Staff { c4 \grace { g8[ b] } c4 } >>
+<< \new Staff { e2 \grace { c16[ d e f] } e2 }
+ \new Staff { c2 \grace { g8[ b] } c2 } >>
@end lilypond
@funindex \afterGrace
notes following the main note.
@lilypond[quote,ragged-right,verbatim,relative=2,fragment]
-c1 \afterGrace d1 { c16[ d] } c4
+c1 \afterGrace d1 { c16[ d] } c1
@end lilypond
-This will put the grace notes after a @q{space} lasting 3/4 of the
-length of the main note. The fraction 3/4 can be changed by
-setting @code{afterGraceFraction}. The following example will put
-the grace note at 7/8 of the main note.
+This will put the grace notes after a space lasting 3/4 of the
+length of the main note. The default fraction 3/4 can be changed by
+setting @code{afterGraceFraction}. The following example shows
+the results from setting the space at the default, at 15/16, and
+finally at 1/2 of the main note.
@lilypond[quote,ragged-right,verbatim,relative=2,fragment]
-#(define afterGraceFraction (cons 15 16))
-c1 \afterGrace d1 { c16[ d] } c4
+<<
+ \new Staff {
+ c1 \afterGrace d1 { c16[ d] } c1
+ }
+ \new Staff {
+ #(define afterGraceFraction (cons 15 16))
+ c1 \afterGrace d1 { c16[ d] } c1
+ }
+ \new Staff {
+ #(define afterGraceFraction (cons 1 2))
+ c1 \afterGrace d1 { c16[ d] } c1
+ }
+>>
@end lilypond
The space between the main note and the grace note may also be
specified using spacers. The following example places the grace
-note at 7/8 of the main note.
+note after a space lasting 7/8 of the main note.
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\new Voice {
<< { d1^\trill_( }
{ s2 s4. \grace { c16[ d] } } >>
- c4)
+ c1)
}
@end lilypond
f16->
\stemNeutral
}
- g4
+ g4 e c2
}
@end lilypond
@snippets
-The slash through the stem in @emph{acciaccatura}s can be obtained in
-other situations:
+The slash through the stem found in @emph{acciaccatura}s can be applied
+in other situations:
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\relative c'' {
#(add-grace-property 'Voice 'Stem 'direction ly:stem::calc-direction)
#(remove-grace-property 'Voice 'Stem 'direction)
\new Voice {
- \acciaccatura {
- f16
- }
- g4
+ \acciaccatura { f16 } g4
+ \grace { d16[ e] } f4
+ \appoggiatura { a,32[ b c d] } e2
}
}
}
@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic},
@code{stopAppoggiaturaMusic}. The default values of these can be
-seen in the file @file{ly/@/grace@/-init@/.ly}. By redefining
+seen in the file @code{ly/@/grace@/-init@/.ly}. By redefining
them other effects may be obtained.
Grace notes may be forced to align with regular notes
Music Glossary:
@rglos{grace notes},
@rglos{acciaccatura},
-@rglos{appoggiatura}
+@rglos{appoggiatura}.
-Snippets:
-@rlsr{Rhythms}.
+Installed Files: @file{ly/@/grace@/-init@/.ly}.
+
+Snippets: @rlsr{Rhythms}.
Internals Reference: @rinternals{GraceMusic}.
staves without, for example,
@lilypond[quote,ragged-right,relative=2,verbatim,fragment]
-<< \new Staff { e4 \bar "|:" \grace c16 d4 }
- \new Staff { c4 \bar "|:" d4 } >>
+<< \new Staff { e4 \bar "|:" \grace c16 d2. }
+ \new Staff { c4 \bar "|:" d2. } >>
@end lilypond
@noindent
durations in the other staves. For the above example
@lilypond[quote,ragged-right,relative=2,verbatim,fragment]
-<< \new Staff { e4 \bar "|:" \grace c16 d4 }
- \new Staff { c4 \bar "|:" \grace s16 d4 } >>
+<< \new Staff { e4 \bar "|:" \grace c16 d2. }
+ \new Staff { c4 \bar "|:" \grace s16 d2. } >>
@end lilypond
Grace sections should only be used within sequential music
A solution to this problem is to use the functions
@code{mmrest-of-length} and @code{skip-of-length}. These Scheme
functions take a piece of music as argument, and generate a multi-measure
-rest or @code{\skip}, exactly as long as the piece. The use of
-@code{mmrest-of-length} is demonstrated in the following example.
+rest or @code{\skip}, exactly as long as the piece.
@lilypond[verbatim,ragged-right,quote]
cadenza = \relative c' {
- c4 d8 << { e f g } \\ { d4. } >>
- g4 f2 g4 g
+ c4 d8 e f g g4
+ f2 g4 g
}
\new GrandStaff <<
- \new Staff { \cadenza c'4 }
+ \new Staff { \cadenza c'1 }
\new Staff {
#(ly:export (mmrest-of-length cadenza))
- c'4
+ c'1
}
>>
@end lilypond
wish to skim these chapters right now, and come back to them after
you have more experience.
+In this tutorial and in the rest of the Learning Manual, there is a
+paragraph @strong{See also} at the end of each section, which contains
+cross-references to other sections: you should not follow these
+cross-references at first reading; when you have read all of the
+Learning Manual, you may want to read some sections again and follow
+cross-references for further reading.
+
If you have not done so already, @emph{please} read @ref{About the
documentation}. There is a lot of information about LilyPond, so
newcomers often do not know where they should look for help. If
@ref{Contexts and engravers}. Here for reference is a list
of the most common object and property types together with
the conventions for naming them and a couple of examples of
-some real names. We have used A to stand for any capitalized
-alphabetic character and aaa to stand for any number of
+some real names. We have used @q{A} to stand for any capitalized
+alphabetic character and @q{aaa} to stand for any number of
lower-case alphabetic characters. Other characters are used
verbatim.
@multitable @columnfractions .33 .33 .33
@headitem Object/property type
@tab Naming convention
- @tab Example
+ @tab Examples
@item Contexts
@tab Aaaa or AaaaAaaaAaaa
@tab Staff, GrandStaff
We have already met the commands @code{\set} and @code{\with},
used to change the properties of @strong{contexts} and to remove
and add @strong{engravers}, in
-@ref{Modifying context properties} and @ref{Adding
+@ref{Modifying context properties}, and @ref{Adding
and removing engravers}. We now must meet some more important
commands.
The general syntax of this command is:
@example
-\override @emph{context}.@emph{layout_object}
- #'@emph{layout_property} = #@emph{value}
+\override @var{Context}.@var{LayoutObject} #'@var{layout-property} = #@var{value}
@end example
@noindent
-This will set the property with the name @emph{layout_property}
+This will set the property with the name @var{layout-property}
of the layout object with the name
-@emph{layout_object}, which is a member of the @emph{context}
-context, to the value @emph{value}.
+@var{LayoutObject}, which is a member of the @var{Context}
+context, to the value @var{value}.
-The @emph{context} can be omitted (and usually is) when the
+The @var{Context} can be omitted (and usually is) when the
required context is unambiguously implied and is one of lowest
level contexts, i.e., @code{Voice}, @code{ChordNames} or
@code{Lyrics}, and we shall omit it in many of the following
commands have been issued.
@example
-\revert @emph{context}.@emph{layout_object} #'@emph{layout_property}
+\revert @var{Context}.@var{LayoutObject} #'@var{layout-property}
@end example
-Again, just like @emph{context} in the @code{\override} command,
-@emph{context} is often not needed. It will be omitted
+Again, just like @var{Context} in the @code{\override} command,
+@var{Context} is often not needed. It will be omitted
in many of the following examples. Here we revert the color
of the note head to the default value for the final two notes:
item in the input stream.
Here's an example. Suppose we wish to change the size of the
-middle note (the E) in a C major chord. Let's first see what
+middle note head (the E) in a C major chord. Let's first see what
@code{\once \override} would do:
@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
<c e g>
@end lilypond
-We see the override affects @emph{all} the notes in the chord.
+We see the override affects @emph{all} the note heads in the chord.
This is because all the notes of a chord occur at the same
@emph{musical moment}, and the action of @code{\once} is to
apply the override to all layout objects of the type specified
The @code{\tweak} command operates in a different way. It acts
on the immediately following item in the input stream. However,
it is effective only on objects which are created directly from
-the input stream, essentially note heads and articulations.
-(Objects such as stems and accidentals are created later and
-cannot be tweaked in this way). Furthermore, when it is applied
+the input stream, essentially note heads and articulations;
+objects such as stems and accidentals are created later and
+cannot be tweaked in this way. Furthermore, when it is applied
to note heads these @emph{must} be within a chord, i.e., within
single angle brackets, so to tweak a single note the @code{\tweak}
command must be placed inside single angle brackets with the
layout object should be specified; in fact, it would generate
an error to do so. These are both implied by the following
item in the input stream. So the general syntax of the
-@code{\tweak} command is simply:
+@code{\tweak} command is simply
@example
-\tweak #'@emph{layout_property} = #@emph{value}
+\tweak #'@var{layout-property} = #@var{value}
@end example
A @code{\tweak} command can also be used to modify just one in
-\tweak #'color #green _Green
@end lilypond
+@noindent
Note that the @code{\tweak} command must be preceded by an
articulation mark as if it were an articulation itself.
}
@end lilypond
-You can find more details of the @code{\tweak} command in
-@ruser{Objects connected to the input}.
-
-If nested tuplets do not begin at the same moment their
+If nested tuplets do not begin at the same moment, their
appearance may be modified in the usual way with
@code{\override} commands:
}
@end lilypond
+@seealso
+
+Notation Reference:
+@ruser{The tweak command}.
+
@node The Internals Reference manual
@section The Internals Reference manual
Let's use a concrete example with a simple fragment of real
music:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,verbatim,relative=2]
{
\time 6/8
{
The IR for the version of LilyPond you are using may be found
on the LilyPond website at @uref{http://lilypond.org}. Go to the
documentation page and click on the Internals Reference link.
-For learning purposes you should use the standard html version,
+For learning purposes you should use the standard HTML version,
not the @q{one big page} or the PDF. For the next few
paragraphs to make sense you will need to actually do this
as you read.
version of LilyPond, in alphabetic order. Select the link to
Slur, and the properties of Slurs are listed.
-(An alternative way of finding this page is from the Notation
-Reference. On one of the pages that deals with slurs you may
-find a link to the Internals Reference. This link will
-take you directly to this page, but often it is easier to go
-straight to the IR and search there.)
+An alternative way of finding this page is from the Notation
+Reference. On one of the pages that deals with slurs you may find a
+link to the Internals Reference. This link will take you directly to
+this page, but if you have an idea about the name of the layout object
+to be tweaked, it is easier to go straight to the IR and search there.
-This Slur page in the IR tells us first that Slur objects are
-created by the
-Slur_engraver. Then it lists the standard settings. Note
-these are @strong{not} in alphabetic order. Browse down
-them looking for a property that might control the heaviness
-of slurs, and you should find
+This Slur page in the IR tells us first that Slur objects are created
+by the Slur_engraver. Then it lists the standard settings. Note
+these are @strong{not} in alphabetic order. Browse down them looking
+for a property that might control the heaviness of slurs, and you
+should find
@example
@code{thickness} (number)
answer is, @q{Within the music, before the first slur and
close to it.} Let's do that:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,verbatim,relative=2]
{
\time 6/8
{
@code{\once} must be
repositioned as follows:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,verbatim,relative=2]
{
\time 6/8
{
@code{\once} placed immediately before each of the notes where
the slurs begin:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,verbatim,relative=2]
{
\time 6/8
{
to return the @code{thickness} property to its default value
after the second slur:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,verbatim,relative=2]
{
\time 6/8
{
practice in extracting information from it. These examples will
contain progressively fewer words of guidance and explanation.
+
@node Properties found in interfaces
@subsection Properties found in interfaces
@seealso
-Internals Reference:
-@rinternals{Melisma_translator}.
-
@c @lsr{vocal,lyric@/-combine.ly}.
@knownissues
Internals Reference:
@rinternals{LyricText},
-@rinternals{StanzaNumber},
-@rinternals{VocalName}.
+@rinternals{StanzaNumber}.
@node Wind instruments
@section Wind instruments
-This section includes extra information for writing for bagpipes.
+@lilypondfile[quote]{wind-headword.ly}
+
+This section includes some elements of music notation that arise when
+writing for winds.
@menu
* Common notation for wind instruments::
@node Common notation for wind instruments
@subsection Common notation for wind instruments
+This section discusses some issues common to most wind instruments.
+
@menu
* References for wind instruments::
-* Half-holes::
+* Fingerings::
@end menu
@node References for wind instruments
-@subsubsection References for wind instruments
+@unnumberedsubsubsec References for wind instruments
+
+@cindex wind instruments
+
+Many notation issues for wind instruments pertain to breathing and
+tonguing:
+
+@itemize
+@item Breathing can be specified by rests or @ref{Breath marks}.
+@item Legato playing is indicated by @ref{Slurs}.
+@item Different types of tonguings, ranging from legato to non-legato to
+stacatto are usually shown by articulation marks, sometimes combined
+with slurs, see @ref{Articulations and ornamentations} and @ref{List of
+articulations}.
+@item Flutter tonguing is usually indicated by placing a tremolo mark
+and a text markup on the note. See @ref{Tremolo repeats}.
+@end itemize
+
+There are also other aspects of musical notation that can apply to wind
+instruments:
+
+@itemize
+@item Many wind instruments are transposing intruments, see
+@ref{Instrument transpositions}.
+@item The slide glissando are characteristic of the trombone, but other
+winds may perform keyed or valved glissandi. See @ref{Glissando}.
+@item Harmonic series glissandi, which are possible on all brass
+instruments but common for French Horns, are usually written out as
+@ref{Grace notes}.
+@item Pitch inflections at the end of a note are discussed in @ref{Falls
+and doits}.
+@item Key slaps or valve slaps are often shown by the @code{cross} style
+of @ref{Special note heads}.
+@item Woodwinds can overblow low notes to sound harmonics. These are
+shown by the @code{flageolet} articulation. See @ref{List of articulations}.
+@item The use of brass mutes is usually indicated by a text markup, but
+where there are many rapid changes it is better to use the
+@code{stopped} and @code{open} articulations. See @ref{Articulations and
+ornamentations} and @ref{List of articulations}.
+@item Stopped horns are indicated by the @code{stopped} articulation.
+See @ref{Articulations and ornamentations}.
+@end itemize
+
+@snippets
+
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{changing--flageolet-mark-size.ly}
+
+@seealso
+
+Notation Reference:
+@ref{Breath marks},
+@ref{Slurs},
+@ref{Articulations and ornamentations},
+@ref{List of articulations},
+@ref{Tremolo repeats},
+@ref{Instrument transpositions},
+@ref{Glissando},
+@ref{Grace notes},
+@ref{Falls and doits},
+@ref{Special note heads},
+
+Snippets:
+@rlsr{Winds}
+
+
+@node Fingerings
+@unnumberedsubsubsec Fingerings
+@c TODO add link to LSR snippet by Libero Mureddo once he has added
+@c it (after August 15th).
+All wind instruments other than the trombone require the use of several
+fingers to produce each pitch.
-@c TODO Add refs
-TBC
-
-@node Half-holes
-@subsubsection Half-holes
-@c TODO Add text; search -user
TBC
@node Bagpipes
@subsection Bagpipes
+This section includes extra information for writing for bagpipes.
+
@menu
* Bagpipe definitions::
* Bagpipe example::
@end menu
@node Bagpipe definitions
-@subsubsection Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
+
+@cindex bagpipe
+@cindex Scottish highland bagpipe
+@cindex grace notes
+@funindex \taor
+@funindex taor
+@funindex \hideKeySignature
+@funindex hideKeySignature
+@funindex \showKeySignature
+@funindex showKeySignature
LilyPond contains special definitions for music for the Scottish
highland bagpipe; to use them, add
piobaireachd high g can be written @code{gflat} when it occurs in light
music.
+@seealso
+@rlsr{Winds}
@node Bagpipe example
-@subsubsection Bagpipe example
+@unnumberedsubsubsec Bagpipe example
+
+@cindex bagpipe example
+@cindex Amazing Grace bagpipe example
This is what the well known tune Amazing Grace looks like in bagpipe
notation.
}
@end lilypond
-
-
-
-
+@seealso
+@rlsr{Winds}
# see process_links()
non_copied_pages = ['Documentation/user/out-www/lilypond-big-page',
'Documentation/user/out-www/lilypond-internals-big-page',
+ 'Documentation/user/out-www/lilypond-learning-big-page',
+ 'Documentation/user/out-www/lilypond-program-big-page',
'Documentation/user/out-www/music-glossary-big-page',
'out-www/examples',
'Documentation/topdocs',
'Documentation/bibliography',
'Documentation/out-www/THANKS',
'Documentation/out-www/DEDICATION',
+ 'Documentation/out-www/devel',
'input/']
def _doc (s):
translation = langdefs.translation
localtime = time.strftime ('%c %Z', time.localtime (time.time ()))
- if re.search ("http://", mail_address):
+ if "http://" in mail_address:
mail_address_url = mail_address
else:
mail_address_url= 'mailto:' + mail_address
if int (versiontup[1]) % 2:
branch_str = _doc ('development-branch')
+ # Initialize dictionaries for string formatting
+ subst = {}
+ subst[''] = dict ([i for i in globals ().items() if type (i[1]) is str])
+ subst[''].update (dict ([i for i in locals ().items() if type (i[1]) is str]))
+ for l in translation:
+ e = langdefs.LANGDICT[l].webext
+ if e:
+ subst[e] = {}
+ for name in subst['']:
+ subst[e][name] = translation[l] (subst[''][name])
+ # Do deeper string formatting as early as possible,
+ # so only one '%' formatting pass is needed later
+ for e in subst:
+ subst[e]['footer_name_version'] = subst[e]['footer_name_version'] % subst[e]
+ subst[e]['footer_report_errors'] = subst[e]['footer_report_errors'] % subst[e]
+ subst[e]['footer_suggest_docs'] = subst[e]['footer_suggest_docs'] % subst[e]
+
for prefix, ext_list in pages_dict.items ():
for lang_ext in ext_list:
file_name = langdefs.lang_file_name (prefix, lang_ext, '.html')
# Add menu after stripping: must not have autoselection for language menu.
page_flavors = add_menu (page_flavors, prefix, available, target, translation)
for k in page_flavors:
- subst = dict ([i for i in globals().items() if type (i[1]) is str])
- subst.update (dict ([i for i in locals().items() if type (i[1]) is str]))
- if page_flavors[k][0] in translation:
- for name in subst:
- subst[name] = translation[page_flavors[k][0]] (subst[name])
- subst['footer_name_version'] = subst['footer_name_version'] % subst
- subst['footer_report_errors'] = subst['footer_report_errors'] % subst
- subst['footer_suggest_docs'] = subst['footer_suggest_docs'] % subst
- page_flavors[k][1] = page_flavors[k][1] % subst
+ page_flavors[k][1] = page_flavors[k][1] % subst[page_flavors[k][0]]
out_f = open (name_filter (k), 'w')
out_f.write (page_flavors[k][1])
out_f.close()
return None
-ref_re = re.compile (r'@(ref|ruser|rlearning|rprogram|rglos)\{([^,\\]*?)\}(.)',
- re.DOTALL)
+ref_re = re.compile \
+ ('@(ref|ruser|rlearning|rprogram|rglos)(?:\\{(?P<ref>[^,\\\\\\}]+?)|\
+named\\{(?P<refname>[^,\\\\]+?),(?P<display>[^,\\\\\\}]+?))\\}(?P<last>.)',
+ re.DOTALL)
node_include_re = re.compile (r'(?m)^@(node|include)\s+(.+?)$')
whitespace_re = re.compile (r'\s+')
t -= 1
raise InteractionError ("%d retries limit exceeded" % retries)
+refs_count = 0
def check_ref (manual, file, m):
- global fixes_count, bad_refs_count
+ global fixes_count, bad_refs_count, refs_count
+ refs_count += 1
bad_ref = False
fixed = True
type = m.group (1)
- original_name = m.group (2)
+ original_name = m.group ('ref') or m.group ('refname')
name = whitespace_re.sub (' ', original_name). strip ()
newline_indices = manuals[manual]['newline_indices'][file]
line = which_line (m.start (), newline_indices)
- linebroken = '\n' in m.group (2)
- next_char = m.group (3)
+ linebroken = '\n' in original_name
+ original_display_name = m.group ('display')
+ next_char = m.group ('last')
+ if original_display_name: # the xref has an explicit display name
+ display_linebroken = '\n' in original_display_name
+ display_name = whitespace_re.sub (' ', original_display_name). strip ()
commented_out = is_commented_out \
(m.start (), m.end (), manuals[manual]['comments_boundaries'][file])
useful_fix = not outdir in file
fixed = True
if not fixed:
- # all previous automatic fixes attempts failed,
+ # all previous automatic fixing attempts failed,
# ask user for substring to look in node names
while True:
node_list = search_prompt ()
# compute returned string
if new_name == name:
- return ('@%s{%s}' % (type, original_name)) + next_char
+ if bad_ref and (options.interactive or options.auto_fix):
+ # only the type of the ref was fixed
+ fixes_count += 1
+ if original_display_name:
+ return ('@%snamed{%s,%s}' % (type, original_name, original_display_name)) + next_char
+ else:
+ return ('@%s{%s}' % (type, original_name)) + next_char
else:
fixes_count += 1
(ref, n) = preserve_linebreak (new_name, linebroken)
- return ('@%s{%s}' % (type, ref)) + next_char + n
+ if original_display_name:
+ if bad_ref:
+ stdout.write ("Current display name is `%s'\n")
+ display_name = raw_input \
+ ("Enter a new display name or press enter to keep the existing name:\n") \
+ or display_name
+ (display_name, n) = preserve_linebreak (display_name, display_linebroken)
+ else:
+ display_name = original_display_name
+ return ('@%snamed{%s,%s}' % (type, ref, display_name)) + \
+ next_char + n
+ else:
+ return ('@%s{%s}' % (type, ref)) + next_char + n
log.write ("Checking cross-references...\n")
log.write ("Operation refused by user: %s\nExiting.\n" % instance)
sys.exit (3)
-log.write ("Done: %d bad x-refs found, fixed %d.\n" %
- (bad_refs_count, fixes_count))
+log.write ("Done: %d x-refs found, %d bad x-refs found, fixed %d.\n" %
+ (refs_count, bad_refs_count, fixes_count))
make_skeleton = ('--skeleton', '') in optlist # --skeleton extract the node tree from a Texinfo source
output_file = 'doc.pot'
-node_blurb = '''@ifhtml
-UNTRANSLATED NODE: IGNORE ME
-@end ifhtml
+
+# @untranslated should be defined as a macro in Texinfo source
+node_blurb = '''@untranslated
'''
doclang = ''
head_committish = read_pipe ('git-rev-parse HEAD')
re.M | re.I)
status_re = re.compile (r'^@c\s+Translation\s*status\s*:\s*(.*?)$', re.M | re.I)
post_gdp_re = re.compile ('post.GDP', re.I)
-untranslated_node_str = 'UNTRANSLATED NODE: IGNORE ME'
+untranslated_node_str = '@untranslated'
skeleton_str = '-- SKELETON FILE --'
section_titles_string = _doc ('Section titles')
Alto = {
\key f \major
- c'2 c'4 c' | d'4 c' c'2 | f'4. f'8 f'4 ges' | g'4 e' f'2 |
+ c'2 c'4 c' | d'4 c' c'2 | f'4. f'8 f'4 fis' | g'4 e' f'2 |
f'2 f'4 f' | f'2 g'4 f' | e'2 f' | e'1 |
}
--- /dev/null
+\version "2.11.55"
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 2.whatever Wind
+
+% Tchaikovsky
+% Nutcracker Suite, VII Dance of the Merlitons
+\score {
+ \new StaffGroup <<
+ \new Staff \relative c'' {
+ \set Staff.instrumentName = "Flauto I,II"
+ \once \override Score.RehearsalMark #'self-alignment-X = #-1
+ \once \override Score.RehearsalMark #'break-align-symbols =
+#'(time-signature)
+ \once \override Score.TimeSignature
+#'break-align-anchor-alignment = #LEFT
+ \once \override Score.RehearsalMark #'padding = #4
+ \mark \markup \large \bold {Moderato assai}
+ \key d \major
+ \time 2/4
+ \compressFullBarRests
+ R2*2
+ <d a>16-.\p <cis g>-. <d a>-. <cis g>-. <d a>8-. <cis g>-.
+ <e a,>-.\< <d a>32( <fis d> <a fis> <d a> <fis d>4--)\mf
+ <g d>16-. <fis cis>-. <g d>-. <fis cis>-.
+ <e b>(\> <d a>) <a fis>-. <fis d>-.\!
+ <d bes>4--\sf \acciaccatura {<d' bes>8} <cis a>4--\mf
+ }
+ \new Staff \relative c' {
+ \set Staff.instrumentName = "Flauto III"
+ \key d \major
+ \time 2/4
+ \compressFullBarRests
+ R2*2_\markup{Gr.Fl.}
+ fis16-.\p e-. fis-. e-. fis8-. e-.
+ g8-.\< fis32( a d fis a4--)\mf
+ b16-. a-. b-. a-. g(\> fis) d-. a-.\!
+ g4--\sf \acciaccatura fis'8 g4--\mf
+ }
+ >>
+}
+
{
static Stencil dot (Offset p, Real radius);
static Stencil bracket (Axis a, Interval iv, Real thick, Real protrude, Real blot);
- static Stencil accordion (SCM arg, Real interline_f, Font_metric *fm);
static Stencil rotated_box (Real slope, Real width, Real thick, Real blot);
static Stencil round_filled_polygon (vector<Offset> const &points, Real blotdiameter);
static Stencil frame (Box b, Real thick, Real blot);
#include "warn.hh"
#include "dimensions.hh"
#include "bezier.hh"
-#include "string-convert.hh"
#include "file-path.hh"
#include "main.hh"
#include "lily-guile.hh"
-#include "font-metric.hh"
Stencil
Lookup::dot (Offset p, Real radius)
return Stencil (b, horizontal_bend);
}
-/*
- TODO: junk me.
-*/
-Stencil
-Lookup::accordion (SCM s, Real staff_space, Font_metric *fm)
-{
- Stencil m;
- string sym = ly_scm2string (scm_car (s));
- string reg = ly_scm2string (scm_car (scm_cdr (s)));
-
- if (sym == "Discant")
- {
- Stencil r = fm->find_by_name ("accordion.accDiscant");
- m.add_stencil (r);
- if (reg.substr (0, 1) == "F")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 2.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- int eflag = 0x00;
- if (reg.substr (0, 3) == "EEE")
- {
- eflag = 0x07;
- reg = reg.substr (3);
- }
- else if (reg.substr (0, 2) == "EE")
- {
- eflag = 0x05;
- reg = reg.substr (2);
- }
- else if (reg.substr (0, 2) == "Eh")
- {
- eflag = 0x04;
- reg = reg.substr (2);
- }
- else if (reg.substr (0, 1) == "E")
- {
- eflag = 0x02;
- reg = reg.substr (1);
- }
- if (eflag & 0x02)
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- m.add_stencil (d);
- }
- if (eflag & 0x04)
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- d.translate_axis (0.8 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- }
- if (eflag & 0x01)
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- d.translate_axis (-0.8 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- }
- if (reg.substr (0, 2) == "SS")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (0.5 * staff_space PT, Y_AXIS);
- d.translate_axis (0.4 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- d.translate_axis (-0.8 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- reg = reg.substr (2);
- }
- if (reg.substr (0, 1) == "S")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (0.5 * staff_space PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- }
- else if (sym == "Freebase")
- {
- Stencil r = fm->find_by_name ("accordion.accFreebase");
- m.add_stencil (r);
- if (reg.substr (0, 1) == "F")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg == "E")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 0.5 PT, Y_AXIS);
- m.add_stencil (d);
- }
- }
- else if (sym == "Bayanbase")
- {
- Stencil r = fm->find_by_name ("accordion.accBayanbase");
- m.add_stencil (r);
- if (reg.substr (0, 1) == "T")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 2.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- /* include 4' reed just for completeness. You don't want to use this. */
- if (reg.substr (0, 1) == "F")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg.substr (0, 2) == "EE")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 0.5 PT, Y_AXIS);
- d.translate_axis (0.4 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- d.translate_axis (-0.8 * staff_space PT, X_AXIS);
- m.add_stencil (d);
- reg = reg.substr (2);
- }
- if (reg.substr (0, 1) == "E")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 0.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- }
- else if (sym == "Stdbase")
- {
- Stencil r = fm->find_by_name ("accordion.accStdbase");
- m.add_stencil (r);
- if (reg.substr (0, 1) == "T")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 3.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg.substr (0, 1) == "F")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 2.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg.substr (0, 1) == "M")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 2 PT, Y_AXIS);
- d.translate_axis (staff_space PT, X_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg.substr (0, 1) == "E")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 1.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- if (reg.substr (0, 1) == "S")
- {
- Stencil d = fm->find_by_name ("accordion.accDot");
- d.translate_axis (staff_space * 0.5 PT, Y_AXIS);
- m.add_stencil (d);
- reg = reg.substr (1);
- }
- }
- /* ugh maybe try to use regular font for S.B. and B.B and only use one font
- for the rectangle */
- else if (sym == "SB")
- {
- Stencil r = fm->find_by_name ("accordion.accSB");
- m.add_stencil (r);
- }
- else if (sym == "BB")
- {
- Stencil r = fm->find_by_name ("accordion.accBB");
- m.add_stencil (r);
- }
- else if (sym == "OldEE")
- {
- Stencil r = fm->find_by_name ("accordion.accOldEE");
- m.add_stencil (r);
- }
- else if (sym == "OldEES")
- {
- Stencil r = fm->find_by_name ("accordion.accOldEES");
- m.add_stencil (r);
- }
- return m;
-}
-
Stencil
Lookup::repeat_slash (Real w, Real s, Real t)
{
return Font_interface::get_default_font (me)
->find_by_name ("scripts." + ly_scm2string (str));
}
- else if (key == ly_symbol2scm ("accordion"))
- return Lookup::accordion (scm_cdr (s), 1.0,
- Font_interface::get_default_font (me));
else
assert (false);
+++ /dev/null
-\version "2.10.0"
-% Symbols needed to print accordion music
-%
-% 2' = T
-% 4' = F
-% 8' = E
-% 16' = S
-%
-
-accDiscant = #(make-articulation "accDiscant")
-accDiscantF = #(make-articulation "accDiscantF")
-accDiscantE = #(make-articulation "accDiscantE")
-accDiscantEh = #(make-articulation "accDiscantEh")
-accDiscantFE = #(make-articulation "accDiscantFE")
-accDiscantFEh = #(make-articulation "accDiscantFEh")
-accDiscantEE = #(make-articulation "accDiscantEE")
-accDiscantFEE = #(make-articulation "accDiscantFEE")
-accDiscantEEE = #(make-articulation "accDiscantEEE")
-accDiscantFEEE = #(make-articulation "accDiscantFEEE")
-accDiscantS = #(make-articulation "accDiscantS")
-accDiscantFS = #(make-articulation "accDiscantFS")
-accDiscantES = #(make-articulation "accDiscantES")
-accDiscantEhS = #(make-articulation "accDiscantEhS")
-accDiscantFES = #(make-articulation "accDiscantFES")
-accDiscantFEhS = #(make-articulation "accDiscantFEhS")
-accDiscantEES = #(make-articulation "accDiscantEES")
-accDiscantFEES = #(make-articulation "accDiscantFEES")
-accDiscantEEES = #(make-articulation "accDiscantEEES")
-accDiscantFEEES = #(make-articulation "accDiscantFEEES")
-accDiscantSS = #(make-articulation "accDiscantSS")
-accDiscantESS = #(make-articulation "accDiscantESS")
-accDiscantEESS = #(make-articulation "accDiscantEESS")
-accDiscantEEESS = #(make-articulation "accDiscantEEESS")
-
-accFreebase = #(make-articulation "accFreebase")
-accFreebaseF = #(make-articulation "accFreebaseF")
-accFreebaseE = #(make-articulation "accFreebaseE")
-accFreebaseFE = #(make-articulation "accFreebaseFE")
-
-accBayanbase = #(make-articulation "accBayanbase")
-accBayanbaseT = #(make-articulation "accBayanbaseT")
-accBayanbaseE = #(make-articulation "accBayanbaseE")
-accBayanbaseTE = #(make-articulation "accBayanbaseTE")
-accBayanbaseEE = #(make-articulation "accBayanbaseEE")
-accBayanbaseTEE = #(make-articulation "accBayanbaseTEE")
-
-accStdbase = #(make-articulation "accStdbase")
-accStdbaseFE = #(make-articulation "accStdbaseFE")
-accStdbaseTFE = #(make-articulation "accStdbaseTFE")
-accStdbaseMES = #(make-articulation "accStdbaseMES")
-accStdbaseTFMES = #(make-articulation "accStdbaseTFMES")
-
-accSB = #(make-articulation "accSB")
-accBB = #(make-articulation "accBB")
-accOldEE = #(make-articulation "accOldEE")
-accOldEES = #(make-articulation "accOldEES")
-.PHONY : all clean config default dist dist exe help html lib TAGS\
+.PHONY : all clean bin-clean config default dist doc exe help html lib TAGS\
po web web-1 WWW-1 WWW-2 WWW-post local-WWW-1 local-WWW-2\
web-install
-rm -rf "./$(outdir)"
$(LOOP)
+ifeq (,$(findstring metafont,$(STEPMAKE_TEMPLATES)))
+bin-clean: local-bin-clean
+ -rm -rf "./$(outdir)"
+ $(LOOP)
+else
+bin-clean:
+endif
+
+local-bin-clean: local-clean
+
ifneq ($(strip $(depth)),.)
dist:
$(MAKE) -C $(depth) dist
@echo -e "Generic targets:\n\
all * update everything except website documentation\n\
clean * remove all generated stuff in $(outdir)\n\
+ bin-clean * same as clean, except that mf/out is preserved\n\
default same as the empty target\n\
exe update all executables\n\
help this help\n\