--- /dev/null
+depth = ../..
+
+STEPMAKE_TEMPLATES=documentation
+
+EXTRA_DIST_FILES= README
+EXTRA_DIST_FILES+=$(call src-wildcard,*.ly)
+EXTRA_DIST_FILES+=$(call src-wildcard,*.ily)
+
+include $(depth)/make/stepmake.make
--- /dev/null
+This is for large examples that are included in the manual. Most of these
+examples are distinct snippets; files that are also included in the
+regression tests should be copied from input/regression/ into this
+direction and listed here.
+
--- /dev/null
+\version "2.12.0"
+
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+\include "gregorian.ly"
+
+\score {
+ <<
+ \new VaticanaVoice = "cantus" {
+ \clef "vaticana-do3"
+ % Verse 1 — Salve, Regína
+ a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ \divisioMinima
+ \[ a\melisma \flexa g\melismaEnd \]
+ \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \divisioMaior
+ c d \[d\melisma \flexa c\melismaEnd \] d
+ \[ e\melisma \pes f\melismaEnd\] g
+ \[d\melisma \pes e \flexa c\melismaEnd \] d
+ \finalis
+ % Verse 2 — Vita, dulcédo
+ % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ % \divisioMinima
+ % \[ a\melisma \flexa g\melismaEnd \]
+ % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ % \[ e\melisma \flexa d\melismaEnd \]
+ % \divisioMaior
+ % c d \[e\melisma \pes f\melismaEnd \] g
+ % \[d\melisma \pes e \flexa c\melismaEnd \] d
+ % \finalis
+ % Verse 3 — Ad te clamámus
+ \[ d\melisma \pes f\melismaEnd\] a g
+ \[ g\melisma \flexa f \pes a\melismaEnd\] e
+ \divisioMaior
+ g f \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \divisioMinima
+ c d \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \[ f\melisma \flexa e\melismaEnd \] d
+ \finalis
+ % Verse 4 — Ad te suspirámus
+ \[ d\melisma \pes f\melismaEnd \] a c' g
+ \[ g\melisma \flexa f \pes g\melismaEnd \] a
+ \divisioMaior
+ d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
+ \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
+ c \divisioMaior
+ d \[ d\melisma \flexa c \pes f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ g \[ f\melisma \flexa e\melismaEnd \] g
+ \[ f\melisma \flexa \deminutum e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \finalis
+ % Verse 5 — Eia ergo, Advocáta nostra
+ f\melisma \[ f \pes g\melismaEnd \] f
+ \[ g\melisma \pes \deminutum a\melismaEnd \] a
+ \divisioMinima
+ c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
+ \divisioMaior
+ d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
+ \divisioMinima
+ d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
+ \[ d\melisma \pes e\melismaEnd \] f
+ \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
+ \divisioMaior
+ \[ c\melisma \pes d\melismaEnd \]
+ f \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \] d
+ \finalis
+ % Verse 6 — Et Jesum
+ d a, \[ c\melisma \pes d\melismaEnd \]
+ \divisioMinima
+ d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
+ c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
+ \[ f\melisma \flexa e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \[ d\melisma \pes a \] \virga bes\melismaEnd a
+ \divisioMinima
+ \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
+ \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
+ \divisioMinima
+ \[ e\melisma \pes f \flexa e\melismaEnd \] d d
+ \finalis
+ % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
+ a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
+ \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
+ \finalis
+ \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
+ \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
+ \finalis
+ \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
+ \divisioMinima
+ \[ d \pes e f \pes g\melismaEnd \]
+ \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \finalis
+ }
+ \new Lyrics \lyricsto "cantus" {
+ Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
+ % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
+ Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
+ Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
+ val- le.
+ E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
+ ó- cu- los ad nos con- vér- te.
+ Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
+ ex- sí- li- um os- tén- de.
+ O cle- mens:
+ O pi- a:
+ O dul- cis Vir- go Ma- rí- a.
+ }
+ >>
+}
+
+\layout {
+ \context {
+ \Staff
+ \consists Custos_engraver
+ }
+}
+
--- /dev/null
+\version "2.12.0"
+\header {
+
+texidoc = " Chord names are generated from a list pitches. The
+functions which construct these names can be customised. Here are shown
+Jazz chords, following Ignatzek (pp. 17-18, 1995) and
+an alternative Jazz chord notation.
+
+Chords following Banter (1987) can also be printed from this file, but
+are turned off for brevity.
+
+"
+
+}
+
+chs = \transpose c' c'
+{
+ <c e g>1
+ <c es g>% m = minor triad
+ <c e gis>
+ <c es ges> \break
+ <c e g bes>
+ <c es g bes>
+ <c e g b> % triangle = maj
+ <c es ges beses>
+ <c es ges b> \break
+ <c e gis bes>
+ <c es g b>
+ <c e gis b>
+ <c es ges bes>\break
+ <c e g a> % 6 = major triad with added sixth
+ <c es g a> % m6 = minor triad with added sixth
+ <c e g bes d'>
+ <c es g bes d'> \break
+ <c es g bes d' f' a' >
+ <c es g bes d' f' >
+ <c es ges bes d' >
+ <c e g bes des' > \break
+ <c e g bes dis'>
+ <c e g bes d' f'>
+ <c e g bes d' fis'>
+ <c e g bes d' f' a'>\break
+ <c e g bes d' fis' as'>
+ <c e gis bes dis'>
+ <c e g bes dis' fis'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes d' fis'>
+ <c e g b d'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes des' f' a'>
+ <c e g b d'>
+ <c e g b d' f' a'>\break
+ <c e g b d' fis'>
+ <c e g bes des' f ' a'>
+ <c f g>
+ <c f g bes>\break
+ <c f g bes d'>
+ <c e g d'> % add9
+ <c es g f'>
+}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% alternate Jazz notation
+
+efullmusicJazzAlt =
+{
+ <c e gis>1-\markup { "+" }
+ <c e g b>-\markup { \normal-size-super
+ % \override #'(font-family . math) "N" }
+ \override #'(font-family . math) "M" }
+ %%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
+ %%c:3.5.7 = \markup { \normal-size-super "maj7" }
+
+ <c es ges>-\markup { \super "o" } % should be $\circ$ ?
+ <c es ges bes>-\markup { \super \combine "o" "/" }
+ <c es ges beses>-\markup { \super "o7" }
+}
+
+efullJazzAlt = #(sequential-music-to-chord-exceptions efullmusicJazzAlt #f)
+
+epartialmusicJazzAlt = {
+ <c d>1-\markup { \normal-size-super "2" }
+ <c es>-\markup { "m" }
+ <c f>-\markup { \normal-size-super "sus4" }
+ <c g>-\markup { \normal-size-super "5" }
+
+ %% TODO, partial exceptions
+ <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
+ <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
+}
+
+epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
+
+jazzAltProperties = \sequential {
+ \set majorSevenSymbol = #whiteTriangleMarkup
+ \set chordNameSeparator = #(make-simple-markup "/")
+ \set chordNameExceptionsFull = #efullJazzAlt
+ \set chordNameExceptionsPartial = #epartialJazzAlt
+ \set chordNameFunction = #jazz-chord-names
+}
+
+banterProperties = \sequential {
+ \set chordNameFunction = #banter-chord-names
+}
+
+\score{
+ <<
+ \new ChordNames {
+ \set instrumentName = #"Ignatzek (default)"
+ \set shortInstrumentName = #"Def"
+ \chs
+ }
+
+ \new ChordNames {
+ \jazzAltProperties
+ \set instrumentName = #"Alternative"
+ \set shortInstrumentName = #"Alt"
+ \chs
+ }
+
+%{
+
+ %% This is the Banter (1987) style. It gives exceedingly
+ %% verbose (wide) names, making the output file take up to 4 pages.
+ %% (FIXME: how big is is now?)
+ %% Turned off by default.
+
+ %% FIXME: use smaller font for Banter (or remove some esoteric
+ %% chords).
+
+ \new ChordNames {
+ \banterProperties
+ \set instrumentName = #"Banter"
+ \set shortInstrumentName = #"Ban"
+ \chs
+ }
+%}
+
+ \new Staff \transpose c c' { \chs }
+ >>
+ \layout {
+ indent = 3.\cm
+ \context {
+ \ChordNames
+ \consists Instrument_name_engraver
+ }
+ }
+}
+
--- /dev/null
+\version "2.12.0"
+\header {
+ texidoc = "@cindex Chord Names German
+The english naming of chords (default) can be changed to german
+(@code{\germanChords} replaces B and Bes to H and B), semi-german
+(@code{\semiGermanChords} replaces B and Bes to H and Bb), italian
+(@code{\italianChords} uses Do Re Mi Fa Sol La Si), or french
+(@code{\frenchChords} replaces Re to Ré).
+
+" }
+
+scm = \chordmode {
+ e1/d c:m
+ % c/c cis/cis
+ % yeah, we get the idea. -hwn
+
+ % cisis/cisis ces/ces ceses/ceses
+ b/b bis/bis bes/bes
+ % beses/beses
+}
+
+
+\layout {
+ ragged-right = ##t
+ \context {\ChordNames \consists Instrument_name_engraver }
+}
+
+<<
+ \new ChordNames {
+ \set instrumentName = #"default"
+ \scm
+ }
+ \new ChordNames {
+ \set instrumentName = #"german"
+ \germanChords \scm }
+ \new ChordNames {
+ \set instrumentName = #"semi-german"
+ \semiGermanChords \scm }
+ \new ChordNames {
+ \set instrumentName = #"italian"
+ \italianChords \scm }
+ \new ChordNames {
+ \set instrumentName = #"french"
+ \frenchChords \scm }
+
+ \context Voice { \scm }
+>>
--- /dev/null
+\version "2.12.0"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##f
+ line-width=15\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+theChords = \chordmode {
+ \time 2/2
+ f1 | c2 f2 | f1 | c2 f2| %\break
+ f2 bes2 | f1 | c2:7 f | c1 | \break
+}
+
+verseOne = \lyricmode{
+ \set stanza = "1. "
+ Fair is the sun - shine,
+ Fair - er the moon - light
+ And all the stars __ _ in heav'n a -- bove;
+}
+
+verseTwo = \lyricmode{
+ \set stanza = "2. "
+ Fair are the mead - ows,
+ Fair - er the wood - land,
+ Robed in the flow -- ers of bloom -- ing spring;
+}
+
+Soprano = {
+ \time 2/2
+ \key f \major
+ \stemUp
+ f'2 f'4 f' | g'4 e' f'2 | a'4. a'8 a'4 a' | bes'4 g' a'2 |
+c''2 f''4 d'' | c''2 bes'4 a' | bes'2 a' | g'1 |
+}
+
+Alto = {
+ \key f \major
+ c'2 c'4 c' | d'4 c' c'2 | f'4. f'8 f'4 fis' | g'4 e' f'2 |
+ f'2 f'4 f' | f'2 g'4 f' | e'2 f' | e'1 |
+}
+
+Tenor = {
+ \key f \major
+ \stemDown
+ a2 a4 a | bes4 g a2 | c'4. c'8 d'4 d' | d'4 c' c'2 |
+ a2 d'4 bes | a2 c'4 c' | c'2 c' | c'1 |
+}
+
+Bass = {
+ \key f \major
+ f2 f4 f | bes,4 c f2 | f4. e8 d4 c | bes,4 c f2 |
+ f2 bes,4 d | f2 e4 f | g2 f | c1 |
+}
+
+
+\score {
+ <<
+ \new ChordNames { \theChords }
+ \context Staff = upper {
+ \context Voice = sop {
+ <<
+ \Soprano
+ \Alto
+ >>
+ }
+ }
+ \context Lyrics="LyrOne" \lyricsto "sop" {\verseOne}
+ \context Lyrics="LyrTwo" \lyricsto "sop" {\verseTwo}
+ \context Staff = lower {
+ \new Voice {
+ \clef bass
+ #(set-accidental-style 'modern-cautionary)
+ <<
+ \Tenor
+ \Bass
+ >>
+ }
+ }
+ >>
+
+\layout {
+ %between-system-space = 1\mm
+ indent = 0
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ }
+ \context { \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+ }
+}
+\paper { }
--- /dev/null
+\include "predefined-guitar-fretboards.ly"
+\version "2.12.0"
+
+
+mychords = \chordmode {c1 c:m c:aug c:dim c:7 c:maj7 c:m7 \break }
+
+chordsline = {
+ \mychords
+ \transpose c cis {
+ \mychords
+ }
+ \transpose c des {
+ \mychords
+ }
+ \transpose c d {
+ \mychords
+ }
+ \transpose c dis {
+ \mychords
+ }
+ \transpose c ees {
+ \mychords
+ }
+ \transpose c e {
+ \mychords
+ }
+ \transpose c f {
+ \mychords
+ }
+ \transpose c fis {
+ \mychords
+ }
+ \transpose c ges {
+ \mychords
+ }
+ \transpose c g {
+ \mychords
+ }
+ \transpose c gis {
+ \mychords
+ }
+ \transpose c aes {
+ \mychords
+ }
+ \transpose c a {
+ \mychords
+ }
+ \transpose c ais {
+ \mychords
+ }
+ \transpose c bes {
+ \mychords
+ }
+ \transpose c b {
+ \mychords
+ }
+}
+
+<<
+ \context ChordNames {
+ \chordsline
+ }
+ \context FretBoards {
+ \chordsline
+ }
+ \context Staff {
+ \chordsline
+ }
+>>
--- /dev/null
+% possible rename to ancient- or gregorian- ?
+\header {
+ texidoc = "@cindex Divisiones
+
+Divisiones are ancient variants of breathing signs.
+Choices are @code{divisioMinima}, @code{divisioMaior},
+@code{divisioMaxima} and @code{finalis}, @code{virgula} and
+@code{caesura}.
+
+" }
+
+\version "2.12.0"
+
+\include "gregorian.ly"
+
+\score {
+ <<
+ \context VaticanaVoice {
+ \override TextScript #'padding = #3
+ g a g
+ s^\markup { "divisio minima" }
+ \divisioMinima
+ g a g
+ s^\markup { "divisio maior" }
+ \divisioMaior
+ g a g
+ s^\markup { "divisio maxima" }
+ \divisioMaxima
+ \break
+ g a g
+ s^\markup { "finalis" }
+ \finalis
+ g a g
+ s^\markup { "virgula" }
+ \virgula
+ g a g
+ s^\markup { "caesura" }
+ \caesura
+ g a g
+ }
+ >>
+}
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+% NR 1.7 Editorial annotations
+
+% Beethoven, Op. 31, No. 3
+% Piano sonata 18, Movt II, Scherzo
+% Measures 9 - 14
+
+\layout { }
+
+\new PianoStaff <<
+
+ % RH Staff
+ \new Staff {
+ \clef treble
+ \key af \major
+ \time 2/4
+ \set Staff.fingeringOrientations = #'(up up)
+ \set Score.currentBarNumber = #9
+ \partial 8
+ <af''-4 c''>8 \staccato
+ |
+ \set doubleSlurs = ##t
+ <bf''-5 df''-2>4 (
+ <af''-4 c''>8 \staccato )
+ \noBeam
+ c''8-5 \staccato \pp
+ |
+ \set doubleSlurs = ##f
+ bf'8.. (
+ af'32
+ g'8 ) \staccato
+ f'8 \staccato
+ |
+ e'4-2
+ r8
+ \once \override Script #'script-priority = #-100
+ \afterGrace
+ f'8 ( \trill ^ \markup { \finger "3-2" }
+ { e'16 [ f'16 ] }
+ |
+ g'8..-3
+ f'32
+ e'8-1 ) \staccato
+ d'8-2 \staccato
+ |
+ c'4
+ r4
+ }
+
+ % LH Staff
+ \new Staff {
+ \key af \major
+ \clef treble
+ \override Fingering #'direction = #down
+ \set Staff.fingeringOrientations = #'(down down)
+ \partial 8
+ <af' af>8 \staccato
+ \set doubleSlurs = ##t
+ <g'-2 ef'-3>4 (
+ <af' af>8 ) \staccato
+ \noBeam
+ \clef bass
+ c'8-1 \staccato
+ |
+ \set doubleSlurs = ##f
+ bf8.. (
+ af32
+ g8-1 ) \staccato
+ f8 \staccato
+ |
+ e4
+ r8
+ \afterGrace
+ f8 ( \trill _ \markup { \finger "2-1" }
+ { e16 [ f16 ] }
+ |
+ g8..-1
+ f32
+ e8 ) \staccato
+ d8 \staccato
+ |
+ c4
+ r4
+ }
+
+>>
--- /dev/null
+%% texidoc = "Include file for engraver example."
+\version "2.11.61"
+topVoice = \relative c' {
+ \key d\major
+ es8([ g] a[ fis])
+ b4
+ b16[-. b-. b-. cis-.]
+ d4->
+}
+
+botVoice = \relative c' {
+ \key d\major
+ c8[( f] b[ a)]
+ es4
+ es16[-. es-. es-. fis-.]
+ b4->
+}
+
+hoom = \relative c {
+ \key d \major
+ \clef bass
+ g8-. r
+ r4
+ fis8-.
+ r8
+ r4
+ b'4->
+}
+
+pah = \relative c' {
+ r8 b-.
+ r4
+ r8 g8-.
+ r16 g-. r8
+ \clef treble
+ fis'4->
+}
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 1.3 Expressive marks
+
+% L. v. Beethoven, Op. 49 no. 1
+% Piano sonata 19 - "Leichte Sonate"
+% measures 1 - 12
+
+%\layout {
+% \context {
+% \Score
+% \override SpacingSpanner #'base-shortest-duration =
+% #(ly:make-moment 1 20)
+% }
+%}
+
+\new PianoStaff <<
+
+ % RH Staff
+ \new Staff {
+ \clef treble
+ \key g \major
+ \time 6/8
+ \partial 2
+ \once \override TextScript #'staff-padding = #2
+ d'8 \staccato
+ ^ \markup { \column {
+ RONDO
+ \italic Allegro } }
+ d'8 \staccato
+ g'8 \staccato
+ a'8 \staccato
+
+ |
+
+ b'8 [ (
+ g'8 ] )
+ e'8 \staccato
+ e' \staccato
+ a'8 \staccato
+ b'8 \staccato
+
+ |
+
+ c''8 [ (
+ a'8 ] )
+ e''8 \staccato
+ d''8 \staccato
+ c''8 \staccato
+ b'8 \staccato
+
+ |
+
+ a'8 \staccato
+ g'8 \staccato
+ a'8 \staccato
+ \acciaccatura { g'16 [ a'16 ] }
+ bf'8
+ a'8 \staccato
+ g'8 \staccato
+
+ |
+
+ fs'8 [ (
+ d'8 ] )
+ d'8 \staccato
+ d'8 \staccato
+ g'8 \staccato
+ a'8 \staccato
+
+ |
+
+ b'8 [ (
+ g'8 ] )
+ e'8 \staccato
+ e'8 \staccato
+ a'8 \staccato
+ b'8 \staccato
+
+ |
+
+ c''8 [ (
+ a'8 ] )
+ e''8 \staccato
+ d''8 \staccato
+ c''8 \staccato
+ b'8 \staccato
+
+ |
+
+ a'8 \staccato
+ g'8 \staccato
+ a'8 \staccato
+ <<
+ {
+ \voiceOne
+ d'8
+ g'8
+ fs'8
+ \oneVoice
+ }
+ \new Voice {
+ \voiceTwo
+ d'4
+ c'8
+ \oneVoice
+ }
+ >>
+
+ |
+
+ <b g'>4 \tenuto
+ d'8 \staccato
+ g'8 \staccato
+ b'8 \staccato
+ d''8 \staccato
+
+ |
+
+ d''8 (
+ <c'' a'>8 \staccato )
+ <c'' a'>8 \staccato
+ d''8 (
+ <b' g'>8 \staccato )
+ <b' g'>8 \staccato
+
+ |
+
+ d''8 (
+ <c'' a'>8 \staccato )
+ <c'' a'>8 \staccato
+ d''8 (
+ <b' g'>8 \staccato )
+ <b' g'>8 \staccato
+
+ |
+
+ d''8 \staccato
+ <c'' a'>8 \staccato
+ <b' g'>8 \staccato
+ d'' \staccato
+ <c'' a'>8 \staccato
+ <b' g'>8 \staccato
+
+ |
+
+ <d'' c'' a'>4 \fermata
+ r8 r4 r8
+ }
+
+ % LH Staff
+ \new Staff {
+ \clef bass
+ \key g \major
+ \time 6/8
+ \partial 2
+ r8
+ r8
+ <d' b>8 \staccato
+ <c' a>8 \staccato
+
+ |
+
+ <b g>4
+ r8
+ r8
+ <e' c'>8 \staccato
+ <d' b>8 \staccato
+
+ |
+
+ <c' a>4
+ r8
+ r8
+ <a fs>8 \staccato
+ <b g>8 \staccato
+
+ |
+
+ <c' a>8 \staccato
+ <b d'>8 \staccato
+ <e' c'>8 \staccato
+ <e' cs'>4. (
+
+ |
+
+ d'4 )
+ r8
+ r8
+ <d' b!>8 \staccato
+ <c'! a>8 \staccato
+
+ |
+
+ <b g>4
+ r8
+ r8
+ <e' c'>8 \staccato
+ <d' b>8 \staccato
+
+ |
+
+ <c' a>4
+ r8
+ r8
+ <a fs>8 \staccato
+ <b g>8 \staccato
+
+ |
+
+ <c' a>8 \staccato
+ <d' b>8 \staccato
+ <e' c'>8 \staccato
+ <b d>4
+ <a d>8 \staccato
+
+ |
+
+ <g g,>4 \tenuto
+ r8
+ r4
+ r8
+
+ |
+
+ r8
+ <d' fs>8 \staccato
+ <d' fs>8 \staccato
+ r8
+ <d' g>8 \staccato
+ <d' g>8 \staccato
+
+ |
+
+ r8
+ <d' fs>8 \staccato
+ <d' fs>8 \staccato
+ r8
+ <d' g>8 \staccato
+ <d' g>8 \staccato
+
+ |
+
+ r8
+ <d' fs>8 \staccato
+ <d' g>8 \staccato
+ r8
+ <d' fs>8 \staccato
+ <d' g>8 \staccato
+
+ |
+
+ <d' fs>4 \fermata
+ r8 r4 r8
+ }
+
+>>
--- /dev/null
+\version "2.12.0"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##f
+ line-width=16\cm
+ indent=1.5\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+% NR 2.7.3 Figured bass
+
+% Arcangelo Corelli, 12 Sonate da Camera, Op. 2
+% Sonata II, Allemanda
+% measures 1 - 88
+% Coded by Neil Puttock; modified by Carl Sorensen
+
+extendOn = \bassFigureExtendersOn
+extendOff = \bassFigureExtendersOff
+
+\score {
+
+ \new StaffGroup <<
+
+ \new GrandStaff <<
+
+ \new Staff = "violinoI" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #11
+ \line { Violino I. }
+ }
+ \time 4/4
+ \mark \markup { \italic Adagio. }
+ \partial 8
+ r16 a'16 |
+ a'8. [ d''16 d''8. e''16 ] cis''8 a'4 a''16 bes''16 |
+ cis''8 d''16 ( e'' ) e''8. d''16 d''4 r8 d''16 e''16 |
+ f''8 f''4 g''16 ( f''16 ) e''8 e''4 f''16 ( e''16 ) |
+ d''8. d''16 g''16 ( f''16 ) e''16 ( d''16 ) cis''8
+ cis''4 cis''16 cis''16 |
+ d''8 d''8 c''8. c''16 c''8 ( b'4 ) b'16 b'16 |
+ c''8 c''8 bes'8. bes'16 bes'8 ( a'4 ) a''16 a''16 |
+ a''8 g''8 g''8. g''16 g''8 ( f''8 ) r8 f''8 |
+ }
+
+ \new Staff = "violinoII" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #11
+ \line { Violino II. }
+ }
+ \time 4/4
+ \partial 8
+ r16 f'16 |
+ f'8. g'16 g'4 a'4 r8 d''16 d''16 |
+ e''8 a'8 cis''8. d''16 d''4 r8 f''16 g''16 |
+ a''8 a''8 d''8. d''16 g'8 g'8 c''8. c''16 |
+ f'8. f''16 bes''16 ( a''16 ) g''16 ( f''16 ) e''8 e''4 e''16 e''16 |
+ a'8 fis''8 g''8 a''8 d''8 d''4 d''16 d''16 |
+ g'8 e''8 f''8 g''8 c''8 c''4 cis''16 cis''16 |
+ d''8 d''8 e''8. e''16 e''8 a'8 r8 d''8 |
+ }
+
+ >>
+
+ \new Staff = "violone" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #13 {
+ \center-column {
+ Violone,
+ \line { e Cembalo. }
+ }
+ }
+ }
+ \time 4/4
+ \clef bass
+ \partial 8
+ r16 d16 |
+ d4 bes,4 a,4 f4 |
+ g8 f16 g16 a8 a,8 d4 d'4 ~ |
+ d'8 c'8 b4 c'8 c'16 bes16 a4 |
+ bes8 bes16 a16 g4 a8 a,4 a16 g16 |
+ fis8 d8 e8 fis8 g8 g,4 g16 f16 |
+ e8 c8 d8 e8 f8 f,4 a,8 |
+ b,4 cis4 d4 r8 d'8 |
+ }
+
+ \new FiguredBass \figuremode {
+ \set figuredBassAlterationDirection = #RIGHT
+ \set figuredBassPlusDirection = #RIGHT
+ \override VerticalAxisGroup #'minimum-Y-extent = #'()
+ \override BassFigureAlignment #'stacking-dir = #DOWN
+ s8 |
+ s4 <6>4 <_+>4 <6>4 |
+ <6 4\+ 2>8 <6>8 <_+> s8 s2 |
+ <5>8 <6 4>8 <6 5>4 s4 <5>8 <6>8 |
+ s4 <6 5 _-> <_+>2 |
+ <6>8 <_+>8 <6>8 <6 5>8 <5 4>8 \extendOn <5 _!>8 \extendOff s4 |
+ <6>4 <6->8 <6 5->8 <5 4->8 \extendOn <5 3>4 \extendOff <5 _+>8 |
+ <7>8 <6>8 <5>4 <9 4>8 <8 3>8 s4 |
+ }
+
+ >>
+
+ \layout {
+ \context {
+ \Score
+ \override RehearsalMark #'break-align-symbols = #'(time-signature)
+ \override RehearsalMark #'self-alignment-X = #LEFT
+ \override TimeSignature #'break-align-anchor-alignment = #LEFT
+ }
+ }
+}
--- /dev/null
+#(set-global-staff-size 16)
+
+#(begin
+
+ ;; some helper functions
+
+ (define (filter-out pred lst)
+ (filter (lambda (x) (not (pred x))) lst))
+
+ (define (filter-out-group glyph-list substring)
+ (filter-out (lambda (x) (string-contains x substring)) glyph-list))
+
+ (define (filter-out-groups glyph-list . substrings)
+ (let loop ((new glyph-list) (rem substrings))
+ (if (null? rem)
+ new
+ (loop (filter-out-group new (car rem))
+ (cdr rem)))))
+
+ (define (get-group glyph-list substring)
+ (filter (lambda (x) (string-contains x substring)) glyph-list))
+
+ (define glyph-list
+ (delete ".notdef"
+ (ly:otf-glyph-list (ly:system-font-load "emmentaler-20"))))
+
+ ;;;;;;;;;
+
+ ;; define these 3 groups first since they're
+ ;; harder to get with (get-groups ...)
+ (define numbers
+ '("plus" "comma" "hyphen" "period"
+ "zero" "one" "two" "three" "four"
+ "five" "six" "seven" "eight" "nine"))
+
+ (define default-noteheads
+ '("noteheads.uM2" "noteheads.dM2" "noteheads.sM1"
+ "noteheads.s0" "noteheads.s1" "noteheads.s2"))
+
+ (define dynamics
+ '("space" "f" "m" "p" "r" "s" "z"))
+
+ ;; remove them from the glyph-list
+ (for-each
+ (lambda (x) (set! glyph-list (delete x glyph-list)))
+ (append numbers
+ default-noteheads
+ dynamics))
+
+ ;;;;;;;;;
+
+ ;; extract ancient-music groups before extracting default
+ ;; accidentals, rests, etc. to prevent duplication.
+ (define vaticana (get-group glyph-list "vaticana"))
+ (define medicaea (get-group glyph-list "medicaea"))
+ (define hufnagel (get-group glyph-list "hufnagel"))
+ (define neomensural (get-group glyph-list "neomensural"))
+
+ ;; remove neomensural before defining mensural; otherwise, searching
+ ;; for "mensural" would return "neomensural" matches too.
+ (set! glyph-list
+ (filter-out-groups
+ glyph-list
+ "vaticana"
+ "medicaea"
+ "hufnagel"
+ "neomensural"))
+
+ ;; get the rest of the ancient-music groups
+ (define mensural (get-group glyph-list "mensural"))
+ (define petrucci (get-group glyph-list "petrucci"))
+ (define solesmes (get-group glyph-list "solesmes"))
+
+ ;; remove them from the glyph-list
+ (set! glyph-list
+ (filter-out-groups
+ glyph-list
+ "mensural"
+ "petrucci"
+ "solesmes"))
+
+ ;; This would only get "rests.2classical".
+ ;; We're leaving it with the other rests for now.
+ ;; (define classical (get-group glyph-list "classical"))
+ ;; (set! glyph-list (filter-out-groups glyph-list "classical"))
+
+ ;;;;;;;;;
+
+ ;; get everything else except noteheads.
+ ;; * Some accidentals contain "slash" substring, so extract
+ ;; "accidentals" before extracting "slash" (noteheads).
+ ;; * Also use "pedal." not "pedal", for example, to prevent things
+ ;; like "scripts.upedalheel" ending up in the "pedal." list.
+ ;; * This doesn't apply to the ancient stuff because searching for
+ ;; "vaticana." (as an example) would miss things like
+ ;; "dots.dotvaticana"
+ (define clefs (get-group glyph-list "clefs."))
+ (define timesig (get-group glyph-list "timesig."))
+ (define accidentals (get-group glyph-list "accidentals."))
+ (define rests (get-group glyph-list "rests."))
+ (define flags (get-group glyph-list "flags."))
+ (define dots (get-group glyph-list "dots."))
+ (define scripts (get-group glyph-list "scripts."))
+ (define arrowheads (get-group glyph-list "arrowheads."))
+ (define brackettips (get-group glyph-list "brackettips."))
+ (define pedal (get-group glyph-list "pedal."))
+ (define accordion (get-group glyph-list "accordion."))
+
+ ;; remove them from the glyph-list
+ (set! glyph-list
+ (filter-out-groups
+ glyph-list
+ "clefs."
+ "timesig."
+ "accidentals."
+ "rests."
+ "flags."
+ "dots."
+ "scripts."
+ "arrowheads."
+ "brackettips."
+ "pedal."
+ "accordion."))
+
+ ;;;;;;;;;
+
+ ;; get special noteheads
+ (define cross (get-group glyph-list "cross"))
+ (define diamond (get-group glyph-list "diamond"))
+ (define harmonic (get-group glyph-list "harmonic"))
+ (define slash (get-group glyph-list "slash"))
+ (define triangle (get-group glyph-list "triangle"))
+ (define xcircle (get-group glyph-list "xcircle"))
+
+ (define special-noteheads
+ (append cross
+ diamond
+ harmonic
+ slash
+ triangle
+ xcircle))
+
+ ;; remove special noteheads from the glyph-list
+ (set! glyph-list
+ (filter-out-groups
+ glyph-list
+ "cross"
+ "diamond"
+ "harmonic"
+ "slash"
+ "triangle"
+ "xcircle"))
+
+ ;; (lazy solution)
+ ;; any remaining glyphs containing "noteheads." should be shape-notes.
+ (define shape-note-noteheads (get-group glyph-list "noteheads."))
+
+ ;; remove shape-note-noteheads from the glyph-list
+ (set! glyph-list (filter-out-group glyph-list "noteheads."))
+
+ ;;;;;;;;;
+
+ ;; simple debug test for any glyphs that didn't make it.
+ (if #f
+ (if (null? glyph-list)
+ (format #t "No glyphs are missing from the table.\n")
+ (format #t "You missed these glyphs: ~a\n" glyph-list)))
+
+) % end of (begin ...)
+
+\paper {
+ %% ugh. text on toplevel is a bit broken...
+
+ oddHeaderMarkup = \markup {}
+ evenHeaderMarkup = \markup {}
+ oddFooterMarkup = \markup {}
+ evenFooterMarkup = \markup {}
+ }
+
+\version "2.12.0"
+
+#(define-markup-command (doc-char layout props name) (string?)
+ (interpret-markup layout props
+ (let* ((n (string-length name)))
+ (if (> n 24)
+ ;; split long glyph names near the middle at dots
+ (let* ((middle-pos (round (/ n 2)))
+ (left-dot-pos (string-rindex name #\. 0 middle-pos))
+ (right-dot-pos (string-index name #\. middle-pos))
+ (left-distance (if (number? left-dot-pos)
+ (- middle-pos left-dot-pos)
+ middle-pos))
+ (right-distance (if (number? right-dot-pos)
+ (- right-dot-pos middle-pos)
+ middle-pos))
+ (split-pos (if (> left-distance right-distance)
+ right-dot-pos
+ left-dot-pos))
+ (left (substring name 0 split-pos))
+ (right (substring name split-pos)))
+ (markup
+ #:pad-to-box '(0 . 36) '(-2 . 2) #:column (#:typewriter left
+ #:typewriter #:concat (" " right))
+ #:pad-to-box '(-2 . 4) '(-3.5 . 3.5) #:huge #:musicglyph name))
+ (markup
+ #:pad-to-box '(0 . 36) '(-2 . 2) #:typewriter name
+ #:pad-to-box '(-2 . 4) '(-3.5 . 3.5) #:huge #:musicglyph name)))))
+
+#(define-markup-list-command (doc-chars layout props names) (list?)
+ (define (min-length lst n)
+ "(min (length lst) n)"
+ (if (or (null? lst) (<= n 0))
+ 0
+ (1+ (min-length (cdr lst) (1- n)))))
+ (define (doc-chars-aux names acc)
+ (let* ((n (min-length names 2))
+ (head (take names n))
+ (tail (drop names n)))
+ (if (null? head)
+ (reverse! acc)
+ (doc-chars-aux tail
+ (cons (make-line-markup (map make-doc-char-markup head))
+ acc)))))
+ (interpret-markup-list layout props (doc-chars-aux names (list))))
--- /dev/null
+% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
+% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
+% on melodies from Bellini's "Norma" %
+%*****************************************************************%
+
+\version "2.12.0"
+
+#(set-global-staff-size 15)
+\paper {
+ line-width = 17\cm
+ indent = 0\cm
+}
+
+\layout {
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+%%%% shortcuts
+% fingering orientations
+sfol = \set fingeringOrientations = #'(left)
+sfor = \set fingeringOrientations = #'(right)
+sfod = \set fingeringOrientations = #'(down)
+sfou = \set fingeringOrientations = #'(up)
+
+% string number orientations
+ssnol = \set stringNumberOrientations = #'(left) %(down right up)
+ssnou = \set stringNumberOrientations = #'(up)
+ssnod = \set stringNumberOrientations = #'(down)
+ssnor = \set stringNumberOrientations = #'(right)
+
+% define fingering offset
+FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
+#{
+ \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY)
+#})
+
+% markups
+rit = \markup \center-align { \bold { \italic { " rit." } } }
+dim = \markup \center-align { \italic { " dim." } }
+andantino = \markup \left-align { \italic { \bold { \fontsize #2.5 { "Andantino" } } } }
+benmarcato = \markup { \italic { \bold { "il canto ben marcato" } } }
+pdolce = #(make-dynamic-script (markup #:line (#:dynamic "p" #:normal-text #:italic "dol.")))
+
+%%% THE MUSIC %%%
+
+melody = \relative c {
+ \clef "treble_8"
+ \key d \major
+ \time 4/4
+ \voiceOne
+ \sfol
+ e,32 a' c e
+ e, a c e
+ e,, a' c e
+ e, a c e
+ f4\rest <e'-4>4-> | % m. 1
+
+ e,,,32 gis' b e
+ e, gis b e
+ e,, gis' b e
+ e, gis b e
+ f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
+
+ d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
+ <gis b e>1 | % m. 4
+
+ \bar "||"
+ \key a \minor
+ R1 % m. 5
+
+ e'4^\benmarcato e8. d16-4
+ d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
+
+ \FO #'-0.3 #'0.3
+ <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
+
+ \FO #'-0.3 #'0.3
+ <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
+ \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
+
+ b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
+
+ e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
+
+ \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
+ \sfou \FO #'-0.3 #'0.3
+ <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
+}
+
+bass = \relative c {
+ \key d \major
+ \time 4/4
+ \voiceTwo
+
+ e,8\fp[ e'] e,[ e'] e, \sfol <c''-1> <a'-2> c, | % m. 1
+
+ e,,8\fp[ e'] e,[ e'] e, \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2
+ \sfol \FO #'0.3 #'0.0 <e-1> b | % end m. 2
+
+ e,,8 e' gis e e, e' gis_\dim e | % m. 3
+
+ e,1 | % m. 4
+
+ %% new section starts here in A minor
+ \overrideBeamSettings #'Score #'(4 . 4) #'end
+ #'((* . (1 1 1 1))
+ ((1 . 12) . (3 3 3 3)))
+ \once \override TextScript #'staff-padding = #1.7
+ \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
+
+ \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
+ \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
+
+ \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
+
+ \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
+
+ \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
+ \sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
+
+ \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
+
+ \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
+}
+
+\score {
+ \new Staff = "guitar" <<
+ \context Voice = "upper" { \melody }
+ \context Voice = "lower" { \bass }
+ >>
+ \layout {
+ \context {
+ \Score
+ \override Fingering #'staff-padding = #'()
+ \override TupletNumber #'stencil = ##f
+ \override TupletBracket #'bracket-visibility = ##f
+ }
+ }
+ \midi { }
+}
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 2.2 Keyboard instruments
+
+% M. Ravel, Sonatine (1905)
+% First movement
+
+\layout {
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ }
+}
+
+fermataLong = \markup {
+ \override #'(direction . 1)
+ \override #'(baseline-skip . 2) {
+ \dir-column {
+ \musicglyph #"scripts.ufermata"
+ \text \italic \center-align long
+ }
+ }
+}
+
+\new PianoStaff <<
+ \set PianoStaff.connectArpeggios = ##t
+ \new Staff {
+ \time 2/4
+ \key fs \major
+ <<
+ \new Voice {
+ \voiceOne
+ fs''8 ( ^\markup {
+ \override #'(baseline-skip . 2.4) \column {
+ \line \bold { Un peu retenu }
+ \line \italic { très expressif }
+ }
+ }
+ es''16
+ cs''16
+ as'4 )
+ |
+ fs''8 (
+ es''16
+ cs''16
+ as'4 )
+ |
+ fs''8 (
+ es''16
+ cs''16
+ as'8
+ cs''8 )
+ |
+ }
+ \new Voice {
+ \voiceTwo
+ gs'8\rest \ppp
+ fs'4 (
+ es'8 )
+ |
+ gs'8\rest
+ fs'4 (
+ es'8 )
+ |
+ gs'8\rest
+ fs'4 (
+ es'8 )
+ |
+ }
+ >>
+ \clef bass
+ <ds b! es'>4 ( ^ \markup \bold { Rall. }
+ \override Script #'stencil = #(lambda (grob)
+ ly:script::print (grob-interpret-markup grob fermataLong))
+ <ds' as'>8 ) \fermata
+ \noBeam
+ \clef treble
+ \slurUp
+ \once \override Hairpin #'to-barline = ##f
+ <as fs'>8 ( \pp \>
+ |
+ <gs b cs'>4. \! ) ^\markup \bold { a Tempo }
+ \slurUp
+ <as fs'>8 ^\( \>
+ |
+ <gs b cs'>4. \! \)
+ <<
+ \new Voice {
+ \voiceOne
+ <as fs'>8 (
+ |
+ cs'8 ^\markup \bold { Rallentando }
+ b16
+ cs'16
+ d'8
+ e'16
+ fs'16
+ |
+ <as! cs' gs'>4. )
+ s8
+ |
+ r8
+ <cs'' as'' cs'''>4 \arpeggio
+ e''16 ( ^\markup \bold { Lent }
+ fs''16
+ |
+ \voiceTwo
+ <as'! cs'' gs''>2 )
+ |
+ }
+ \new Voice {
+ \voiceTwo
+ s8
+ |
+ <gs b>4 \<
+ <fs bs>4 \>
+ |
+ s4. \!
+ \slurUp
+ \once \override Script #'direction = #UP
+ <a bs e'>8 ( \accent
+ |
+ <as! cs' gs'>4. )
+ \once \override Hairpin #'to-barline = ##f
+ <a' bs'>8 \ppp \>
+ |
+ s8 \!
+ \stemDown
+ \once \override Script #'direction = #UP
+ \ottava #1
+ \voiceOne
+ \once \override PianoStaff.Arpeggio #'padding = #0.8
+ <cs''' as''' cs''''>4. \arpeggio \fermata
+ \ottava #0
+ \bar "|."
+ }
+ >>
+ }
+ \new Staff <<
+ \set Staff.pedalSustainStyle = #'bracket
+ \key fs \major
+ \clef bass
+ \new Voice {
+ \voiceOne
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ s8
+ \clef treble
+ <b' cs''>8 [
+ \clef bass
+ <es b cs'>8 \fermata ]
+ s8
+ |
+ fs8\rest
+ \clef treble
+ <b' cs''>4 \tenuto
+ s8
+ |
+ fs8\rest
+ \clef treble
+ <b' cs''>4 \tenuto
+ s8
+ |
+ s2
+ |
+ ds8\rest
+ \clef treble
+ <as' cs''>4
+ \clef bass
+ s8
+ |
+ s8
+ \clef treble
+ <as'>4 \arpeggio
+ \clef bass
+ s8
+ |
+ s8
+ \clef treble
+ <as''>4. \arpeggio \fermata
+ |
+ }
+ \new Voice {
+ \voiceTwo
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ \once \override Script #'outside-staff-priority = #100
+ \once \override TextScript #'outside-staff-priority = #500
+ <cs, gs,>4. \fermata _\markup \italic { ped. }
+ <fs, cs>8 (
+ |
+ <e, b,>4. ) \sustainOn
+ \clef bass
+ <fs, cs>8 \( \sustainOff
+ |
+ <e, b,>4. \) \sustainOn
+ \clef bass
+ <fs, cs>8 ( \sustainOff
+ |
+ <e, b,>4
+ <d, a,>4
+ |
+ <fs,, cs,>4. ) \sustainOn
+ <a, e>8 ( \sustainOff
+ |
+ <fs, cs>4. ) \sustainOn
+ \slurUp
+ <a e'>8 ( \sustainOff \sustainOn
+ |
+ <fs cs'>2 ) \sustainOff \sustainOn
+ |
+ }
+ >>
+>>
--- /dev/null
+\version "2.12.0"
+\header{
+ texidoc="
+Note head shapes may be set from several choices.
+The stem endings should be adjusted according to the note head.
+If you want different note head styles on one stem,
+you must create a special context.
+
+Harmonic notes have a different shape and different
+dimensions.
+"
+}
+
+\layout {
+ indent = 0.0
+ ragged-right = ##t
+}
+
+pattern = <<
+ \new Voice {
+ \override Stem #'direction = #UP
+ e'4 e'2. e'1 e'\breve*1/2 e'\longa*1/4
+ }
+ \new Voice {
+ \override Stem #'direction = #DOWN
+ a4 a2. a1 a\breve*1/2 a\longa*1/4
+ }
+>>
+
+
+\transpose c c {
+ \clef C
+
+ \override Staff.NoteHead #'style = #'default
+ s1*0^\markup { "default" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'altdefault
+ s1*0^\markup { "altdefault" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'baroque
+ s1*0^\markup { "baroque" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'neomensural
+ s1*0^\markup { "neomensural" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'mensural
+ s1*0^\markup { "mensural" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'petrucci
+ s1*0^\markup { "petrucci" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'harmonic
+ s1*0^\markup { "harmonic" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'harmonic-black
+ s1*0^\markup { "harmonic-black" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'harmonic-mixed
+ s1*0^\markup { "harmonic-mixed" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'diamond
+ s1*0^\markup { "diamond" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'cross
+ s1*0^\markup { "cross" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'xcircle
+ s1*0^\markup { "xcircle" }
+ \pattern
+
+ \break
+
+ \override Staff.NoteHead #'style = #'triangle
+ s1*0^\markup { "triangle" }
+ \pattern
+
+ \override Staff.NoteHead #'style = #'slash
+ s1*0^\markup { "slash" }
+ \pattern
+}
+
+
+
--- /dev/null
+\version "2.12.0"
+
+% yes, I know this is a mess. But I'm not going to fuss with
+% it one day before I leave. -gp
+
+% this chart is used in the manual too.
+
+\header {
+ texidoc ="@cindex Percussion notes
+
+This chart shows all percussion and drum notes."
+}
+
+myBreak = { \bar " " \break }
+
+\new Score \with {
+ \remove "Bar_number_engraver"
+} \new DrumStaff \with {
+ \remove "Time_signature_engraver"
+} \context DrumVoice {
+
+%% this stuff set up nice || bar lines to divide percussion notes
+%% into related fields, but it should be placed in the actual
+%% music, not as a separate voice. -gp
+%{
+barlines = {
+\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
+\repeat "unfold" 2 { s 1 \bar" " s 1 \bar" " s 1 \bar "||" }
+\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
+\repeat "unfold" 7 {s 1 \bar" " } s 1 \bar "||"
+s 1 \bar" " s 1 \bar "||"
+\repeat "unfold" 2 { \repeat "unfold" 5 {s 1 \bar" " } s 1 \bar "||" }
+\repeat "unfold" 2 { s 1 \bar" " s 1 \bar "||" }
+\repeat "unfold" 2 {s 1 \bar" " } s 1 \bar "||"
+\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
+s 1 \bar" " s 1 \bar "||"
+\repeat "unfold" 3 {s 1 \bar" " } s 1 \bar "||"
+\repeat "unfold" 2 {s 1 \bar" " } s 1 \bar "||"
+\repeat "unfold" 3 {\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||" }
+}
+%}
+
+\drummode {
+\textLengthOn
+\cadenzaOn
+bda1 ^"acousticbassdrum: bda" bd ^"bassdrum: bd" sn ^"snare: sn" sne ^"electricsnare: sne" sna ^"acousticsnare: sna" \myBreak
+tomfl ^"lowfloortom: tomfl" tomfh ^"highfloortom: tomfh" toml ^"lowtom: toml" tomh ^"hightom: tomh"
+tomml ^"lowmidtom: tomml" tommh ^"himidtom: tommh" \myBreak
+hhc ^"closedhihat: hhc" hh ^"hihat: hh" hhp ^"pedalhihat: hhp" hho ^"openhihat: hho" hhho ^"halfopenhihat: hhho" \myBreak
+cymca ^"crashcymbala: cymca" cymc ^"crashcymbal: cymc" cymra ^"ridecymbala: cymra" cymr ^"ridecymbal: cymr" \myBreak cymch ^"chinesecymbal: cymch" cyms ^"splashcymbal: cyms"
+cymcb ^"crashcymbalb: cymcb" cymrb ^"ridecymbalb: cymrb"
+rb ^"ridebell: rb" cb ^"cowbell: cb" \myBreak
+bohm ^"mutehibongo: bohm" boh ^"hibongo: boh" boho ^"openhibongo: boho" bolm ^"mutelobongo: bolm" bol ^"lobongo: bol" bolo ^"openlobongo: bolo"\myBreak
+cghm ^"mutehiconga: cghm" cglm ^"muteloconga: cglm" cgho ^"openhiconga: cgho" cgh ^"hiconga: cgh" cglo ^"openloconga: cglo" cgl ^"loconga: cgl" \myBreak
+timh ^"hitimbale: timh" timl ^"lotimbale: timl"
+agh ^"hiagogo: agh" agl ^"loagogo: agl" \myBreak
+ssh ^"hisidestick: ssh" ss ^"sidestick: ss" ssl ^"losidestick: ssl" \myBreak
+guis ^"shortguiro: guis" guil ^"longguiro: guil" gui ^"guiro: gui" cab ^"cabasa: cab" mar ^"maracas: mar" \myBreak
+whs ^"shortwhistle: whs" whl ^"longwhistle: whl" \myBreak
+hc ^"handclap: hc" tamb ^"tambourine: tamb" vibs ^"vibraslap: vibs" tt ^"tamtam: tt" \myBreak
+cl ^"claves: cl" wbh ^"hiwoodblock: wbh" wbl ^"lowoodblock: wbl" \myBreak
+cuim ^"mutecuica: cuim" cuio ^"opencuica: cuio"
+trim ^"mutetriangle: trim" tri ^"triangle: tri" trio ^"opentriangle: trio" \myBreak
+ua ^"oneup: ua" ub ^"twoup: ub" uc ^"threeup: uc" ud ^"fourup: ud" ue ^"fiveup: ue" \myBreak
+da ^"onedown: da" db ^"twodown: db" dc ^"threedown: dc" dd ^"fourdown: dd" de ^"fivedown: de" \myBreak
+}
+}
+
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+% NR 1.1 Pitches
+
+% L. v. Beethoven
+% Piano sonata 21 - Dem Grafen von Waldstein Gewidmet
+% chorale at measures 34 - 40+
+
+\new PianoStaff <<
+
+ % RH Staff
+ \new Staff <<
+
+ % RH Voice 1
+ \new Voice {
+ \set Score.currentBarNumber = #34
+ \voiceOne
+ gs''2 ( ^ \markup \italic { dolce e molto ligato }
+ fs''4
+ e''4
+ |
+ ds''2
+ cs''2 )
+ |
+ ds''2 (
+ e''4
+ fs''4
+ |
+ <gs'' e''>2
+ <fs'' ds''>2 )
+ |
+ \oneVoice
+ \clef bass
+ <gs' e' b>2 (
+ <fs' ds' a>4
+ <e' cs' gs>4
+ |
+ <ds' bs fs>2
+ <cs' a e>2 )
+ |
+ \voiceOne
+ b2 %(
+ cs'4
+ ds'4
+ |
+ \clef treble
+ <e' gs>4 %)
+ r4 r2
+ }
+
+ % RH Voice 2
+ \new Voice {
+ \voiceTwo
+ \override Staff.DynamicLineSpanner #'staff-padding = #2.5
+ <e'' b'>2 \p
+ <ds'' a'>4
+ <cs'' gs'>4
+ |
+ <bs' fs'>2
+ e'2
+ |
+ \once \override TextScript #'staff-padding = #2.5
+ <b'! a'>2 _ \markup \italic { cresc. }
+ b'4
+ <e'' cs''>4
+ |
+ b'2. ( \sf \>
+ a'4 )
+ \clef bass
+ | \break
+ s1 \p
+ |
+ s1
+ |
+ <gs e>4 (
+ <a fs>2. )
+ |
+ s4
+ r4 r2
+ }
+
+ >>
+
+ % LH Staff
+ \new Staff {
+ \override Staff.SustainPedalLineSpanner #'staff-padding = #5
+ <gs' e'>2 ( \sustainOn
+ <fs' ds' b>4 \sustainOff
+ <e' cs'>4
+ |
+ <ds' bs gs>2
+ <cs' a>2 ) \sustainOn
+ |
+ \clef bass
+ \slurDown
+ <ds' b! a fs>2 ( \sustainOff
+ <e' b gs>4
+ <fs' cs' a>4 \sustainOn
+ |
+ \clef treble
+ \voiceOne
+ <<
+ {
+ <gs' e'>2
+ <fs' ds'>2 )
+ }
+ \new Voice {
+ \voiceTwo
+ b1 \sustainOff
+ }
+ >>
+ \oneVoice
+ |
+ %\break
+ \clef bass
+ <gs e>2 (
+ <fs ds b,>4
+ <e cs>4
+ |
+ <ds bs, gs,>2
+ <cs a,>2 ) \sustainOn
+ |
+ <b,! b,,!>1 ( \sustainOff
+ |
+ <e e,>4 )
+ r4 r2
+ }
+
+>>
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 1.7 Repeats
+
+% Beethoven, Op. 57
+% Piano sonata 23 - Dem Grafen Franz von Brunswick Gewidmet
+% Movt II, Andante con moto
+% Measures 9 - 16
+
+\new PianoStaff <<
+
+ \new Staff = RH {
+ \clef bass
+ \key df \major
+ \time 2/4
+ \set Score.currentBarNumber = #9
+ \bar "|:"
+ <af ef c>4 (
+ <af gf c>8..
+ <af ef c>32
+ |
+ <af f df>8. )
+ <df' af f>16 (
+ <c' af gf>8
+ <df' af f>8 )
+ |
+ <af ef c>4 (
+ <af gf c>8..
+ <af ef c>32
+ |
+ <af f df>8. )
+ \slurDown
+ <f' af f>16 (
+ <<
+ {
+ \voiceTwo
+ gf8
+ f8 )
+ }
+ \new Voice {
+ \voiceOne
+ <f' af>16
+ ef'16
+ <df' af>8
+ }
+ >>
+ \oneVoice
+ |
+ <af ef c>4 (
+ <af gf c>8..
+ <af ef c>32
+ \clef treble
+ |
+ <af' df' af>8. )
+ <af' f' df'>16 (
+ <af' ef' c'>16
+ gf'16
+ <f' df' af>8 )
+ |
+ \slurUp
+ <ef' bf gf>4
+ \change Staff = LH
+ \voiceOne
+ <af ef c>4
+ |
+ <df' f df>4.
+ \change Staff = RH
+ \oneVoice
+ r8
+ \clef bass
+ \bar ":|"
+ }
+
+ \new Staff = LH {
+ \clef bass
+ \key df \major
+ \time 2/4
+ <af, gf,>4 (
+ <af, ef,>8..
+ <af, gf,>32
+ |
+ <af, f,>8. )
+ <af, df,>16 (
+ <af, ef,>8
+ <af, df,>8 )
+ |
+ <af, gf,>4 (
+ <af, ef,>8..
+ <af, gf,>32
+ |
+ <af, f,>8. )
+ <af, df,>16 (
+ <af, c,>8
+ <af, df,> )
+ |
+ <af, gf,>4 (
+ <af, ef,>8..
+ <af, gf,>32
+ |
+ <f f,>8. )
+ <df df,>16 (
+ <ef ef,>8
+ <f f,>8 )
+ |
+ \voiceTwo
+ gf,4 (
+ af,4 ~ )
+ |
+ af,16. [ (
+ gf,32
+ f,16.
+ ef,32 ]
+ df,8 )
+ \oneVoice
+ r8
+ }
+
+>>
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 1.2 Rhythms
+
+% Beethoven, Op. 81a
+% Piano sonata 26 - Das Lebewohl
+% Movt II - Abwesenheit
+% Measures 31 - 34
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 40)
+ %\override SpacingSpanner #'strict-grace-spacing = ##t
+ }
+}
+
+\new PianoStaff <<
+
+ % RH Staff
+ \new Staff {
+ \clef treble
+ \key c \minor
+ \time 2/4
+ \set Score.currentBarNumber = #31
+
+ <c''' c''>8 ( -\markup {
+ \override #'(baseline-skip . 2) \italic \column {
+ \line { a tempo }
+ cantabile
+ }
+ }
+ <g'' g'>8 )
+ ~
+ <g'' g'>8 (
+ <a'' a'>16
+ <f'' f'>16 )
+
+ |
+
+ \afterGrace
+ <f'' f'>8 [ (
+ {
+ e''16 [
+ f''16
+ e''16
+ d''16 ]
+ }
+ <e''! e'>16
+ <f'' f'>16 ] )
+ \once \override TextScript #'padding = #3.8
+ <g'' g'>16 ( \staccato -\markup { \italic cresc. }
+ <a'' a'>16 ) \staccato
+ <bf'' bf'>32 (
+ <b'' b'>32 )
+ <b'' b'>32 (
+ <c''' c''>32 )
+
+ |
+
+ \once \override DynamicLineSpanner #'padding = #2
+ b''32 ( \p \>
+ c'''32
+ d'''32
+ c'''32 ) \!
+ g''8 (
+ ~
+ g''32 [
+ a''64
+ g''64 ) ]
+
+ a''64 ( [
+ g''64 )
+ bf''64 (
+ a''64 ) ]
+
+ bf''64 ( [
+ a''64 )
+ c'''64 (
+ b''64 ) ]
+
+ c'''128 ( [
+ b''128
+ d'''128
+ c'''128
+ f'''64
+ f''64 ) ]
+
+ |
+
+ \afterGrace
+ <f'' f'>8 [ (
+ {
+ e''16 [
+ f''16
+ e''16
+ d''16 ]
+ }
+ <e''! e'>16
+ <f'' f'>16 ] )
+ <g'' g'>16 ( \staccato -\markup { \italic cresc. }
+ <af''! af'!>16 ) \staccato
+ <bf'' bf'>32 (
+ <b'' b'>32 )
+ <b'' b'>32 (
+ <c''' c''>32 )
+ }
+
+ % LH Staff
+ \new Staff {
+ \clef bass
+ \key c \minor
+ \time 2/4
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <a f>32
+ c'32
+ <a f>32
+ c'32
+
+ |
+
+ <bf g>32
+ c'32
+ <bf g>32
+ c'32
+
+ <bf g>32
+ c'32
+ <bf g>32
+ c'32
+
+ <bf g>32
+ c'32
+ <a f>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ |
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+
+ <a f>32
+ c'32
+ <a f>32
+ c'32
+
+ |
+
+ <bf! g>32
+ c'32
+ <bf g>32
+ c'32
+
+ <bf g>32
+ c'32
+ <bf g>32
+ c'32
+
+ <bf g>32
+ c'32
+ <af! f>32
+ c'32
+
+ <g e>32
+ c'32
+ <g e>32
+ c'32
+ }
+
+>>
--- /dev/null
+\version "2.12.0"
+\header {
+ title = "Screech and boink"
+ subtitle = "Random complex notation"
+ composer = "Han-Wen Nienhuys"
+}
+
+\score {
+ \context PianoStaff <<
+ \new Staff = "up" {
+ \time 4/8
+ \key c \minor
+
+
+ << {
+ \revert Stem #'direction
+ \change Staff = down
+ \set subdivideBeams = ##t
+ g16.[
+ \change Staff = up
+ c'''32 \change Staff = down
+ g32 \change Staff = up
+ c'''32 \change Staff = down
+ g16]
+ \change Staff = up
+ \stemUp
+ \set followVoice = ##t
+ c'''32([ b''16 a''16 gis''16 g''32)] } \\
+ { s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d''] } \\
+ { s4 \autoBeamOff d''8.. f''32 } \\
+ { s4 es''4 }
+ >>
+ }
+
+ \new Staff = "down" {
+ \clef bass
+ \key c \minor
+ \set subdivideBeams = ##f
+ \override Stem #'french-beaming = ##t
+ \override Beam #'thickness = #0.3
+ \override Stem #'thickness = #4.0
+ g'16[ b16 fis16 g16]
+ << \makeClusters {
+ as16 <as b>
+ <g b>
+ <g cis>
+ } \\
+ {
+ \override Staff.Arpeggio #'arpeggio-direction =#down
+ <cis, e, gis, b, cis>4\arpeggio }
+ >>
+ }
+ >>
+
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 60 8)
+ }
+ }
+
+
+
+ \layout {
+ ragged-right = ##t
+
+ \context {
+ \Staff
+ \consists Horizontal_bracket_engraver
+ }
+
+ }
+}
--- /dev/null
+\version "2.12.0"
+
+\header {
+ texidoc ="@cindex Feta scripts
+This chart shows all articulations, or scripts, that the feta font contains.
+"
+}
+
+\score {
+ <<
+ \new Voice = "scripts" {
+ c''\accent c''\marcato c''\staccatissimo c''\espressivo
+ c''\staccato c''\tenuto c''\portato
+ c''\upbow c''\downbow c''\flageolet
+ c''\thumb c''^\lheel c''\rheel
+ c''^\ltoe c''\rtoe c''\open
+ c''\stopped c''\snappizzicato c''\turn c''\reverseturn
+ c''\trill c''\prall c''\mordent
+ c''\prallprall c''\prallmordent c''\upprall
+ c''\downprall c''\upmordent c''\downmordent
+ c''\pralldown c''\prallup c''\lineprall
+ c''\signumcongruentiae c''\shortfermata c''\fermata
+ c''\longfermata c''\verylongfermata c''\segno
+ c''\coda c''\varcoda
+ }
+ \new Lyrics \lyricsto "scripts" {
+ accent marcato staccatissimo espressivo
+ staccato tenuto portato
+ upbow downbow flageolet
+ thumb lheel rheel
+ ltoe rtoe open
+ stopped snappizzicato turn reverseturn
+ trill prall mordent
+ prallprall prallmordent upprall
+ downprall upmordent downmordent
+ pralldown prallup lineprall
+ signumcongruentiae shortfermata fermata
+ longfermata verylongfermata segno
+ coda varcoda
+ }
+ >>
+ \layout {
+ line-width = 5.1\in
+ indent = 0.0\mm
+ \context {
+ \Score
+ timing = ##f
+ barAlways = ##t
+ \override NonMusicalPaperColumn #'padding = #2.5
+ }
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \override BarLine #'transparent = ##t
+ }
+ \context {
+ \Lyrics
+ \override LyricText #'font-family = #'typewriter
+ \override LyricText #'font-shape = #'upright
+ }
+ }
+}
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+% NR 1.5 Simultaneous notes
+
+% L. v. Beethoven, Op. 111
+% Piano sonata 32
+% Movt II - Arietta - Adagio molto semplice e cantabile
+% measures 108 - 118
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 18)
+ \override NonMusicalPaperColumn #'line-break-system-details =
+ #'((alignment-offsets . (0 -12)))
+ }
+}
+
+trillflat =
+ \once \override TrillSpanner #'(bound-details left text) =
+ #(markup #:translate-scaled '(-0.05 . -1)
+ #:concat (#:musicglyph "scripts.trill"
+ #:translate '(-0.5 . 1.9) #:fontsize -7 #:flat))
+
+
+\new PianoStaff <<
+
+ % RH
+ \new Staff <<
+ \clef treble
+ \key c \major
+ \time 9/16
+ \set Score.currentBarNumber = #108
+
+ % RH voice 1
+ \new Voice {
+
+ \voiceOne
+ s4.
+ s8.
+
+ |
+
+ s4.
+ a''8 \p \> [ (
+ g''16 ] )
+
+ |
+
+ g''4.
+ af''8 [ (
+ g''16 ] )
+
+ |
+
+ g''8. [
+ g''8.
+ g''8. \pp ]
+
+ |
+
+ g''8. [
+ af''8.
+ af''8. ]
+
+ |
+
+ af''8. [
+ af''8.
+ af''8. ]
+
+ |
+ \break
+
+ \trillflat
+ af''4. \startTrillSpan
+ ~
+ af''8.
+ ~
+
+ |
+
+ af''4.
+ ~
+ af''8.
+ ~
+
+ |
+
+ \oneVoice
+ <af'' d''>8. [
+ a''8. \p \<
+ bf''8. ]
+ ~
+
+ |
+
+ bf''8. [
+ b''8.
+ c'''8. ]
+ ~
+
+ \bar "||"
+
+ \key ef \major
+ c'''8. [
+ cs'''8. \f ] \stopTrillSpan
+ r8.
+
+ }
+
+ % RH voice 2
+ \new Voice {
+ \voiceTwo
+ \override Voice.TrillSpanner #'direction = #down
+ d''4. \f \startTrillSpan
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''8. \stopTrillSpan
+ \trillflat
+ d''4. \startTrillSpan
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8. \stopTrillSpan
+ ~
+
+ |
+
+ \trillflat
+ d''4. \startTrillSpan
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ \once \override NoteColumn #'ignore-collision = ##t
+ \once \override NoteHead #'transparent = ##t
+ \once \override Dots #'transparent = ##t
+ \once \override Stem #'transparent = ##t
+ d''8. \stopTrillSpan
+ s4.
+
+ |
+
+ s8.
+ s8.
+
+ }
+
+ >>
+
+ % LH staff
+ \new Staff {
+ \clef bass
+ \key c \major
+ \time 9/16
+
+ r8.
+ r8.
+ <c! c,!>8 [ (
+ <g, g,,>16 ] )
+
+ |
+
+ <g, g,,>4.
+ \clef treble
+ c''8 [ (
+ b'16 ] )
+
+ |
+
+ b'4.
+ c''8 [ (
+ b'16 ] )
+
+ |
+
+ b'8. [
+ b'8.
+ b'8. ]
+
+ |
+
+ b'8. [
+ bf'8. ]
+ \clef bass
+ <f f,>8 [ (
+ <bf, bf,,>16 ] )
+
+ |
+
+ <bf, bf,,>4.
+ \clef treble
+ f'8 [ (
+ bf16 ] )
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ \override Voice.TrillSpanner #'direction = #up
+ f'4. \startTrillSpan
+ ~
+ f'8.
+ ~
+
+ |
+
+ f'4.
+ ~
+ f'8.
+ ~
+
+ |
+
+ f'8. \stopTrillSpan
+ }
+
+ \new Voice {
+ \voiceTwo
+ \override Voice.TrillSpanner #'direction = #down
+ bf8. [
+ bf8.
+ bf8. ]
+
+ |
+
+ bf8. [
+ bf8.
+ bf8. ]
+
+ |
+
+ bf8.
+ }
+
+ >>
+
+ \oneVoice
+ r8.
+ r8.
+
+ |
+
+ r8.
+ r8.
+ r8.
+ \clef bass
+
+ |
+
+ \key ef \major
+ r8.
+ r8.
+ r8.
+
+ }
+
+>>
--- /dev/null
+\version "2.12.0"
+\include "catalan.ly"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\header {
+ mutopiatitle = "Napolitan Dance (Swan Lake)"
+ mutopiacomposer = "TchaikovskyPI"
+ mutopiainstrument = "Piano, Trumpet, Percussion"
+ source = "New arrangement"
+ style = "Classical"
+ copyright = "Public Domain"
+ maintainer = "Laurence Sardain"
+ lastupdated = "2006/Dec/21"
+% title = "Le Lac des Cygnes"
+% subtitle = "Danse Napolitaine"
+% composer = "Piotr Ilitch Tchaïkovski"
+% arranger = "arr. Laurence Sardain"
+% footer = "Mutopia-2006/12/22-896"
+}
+
+trompette = \relative do'' {
+ \clef treble
+ \key mib \major
+ \time 2/4
+ R2^\markup { \italic Comodo } |
+ r8 \once \override TextScript #'padding = #2.0
+ sib16-.^\markup {\dynamic p \italic grazioso} do-. mib( re)-. do-. sib-. |
+ re8-. r8 re4->( |
+ re8) do16-. re-. mib( re) do-. re-. |
+ do8-. r8 sib4-> |
+}
+
+tambourin = \relative do' {
+ \time 2/4
+ r8 do16 do do8 do |
+ r8 do16 do do8 do |
+ r8 do r do |
+ r8 do16 do do8 do |
+ r8 do r do |
+}
+
+tambourinMidi = \drummode {
+ \time 2/4
+ r8 tamb16 tamb tamb8 tamb |
+ r8 tamb16 tamb tamb8 tamb |
+ r8 tamb r tamb |
+ r8 tamb16 tamb tamb8 tamb |
+ r8 tamb r tamb |
+}
+
+upper = \relative do' {
+ \clef treble
+ \key mib \major
+ \time 2/4
+ r8\p <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
+ r8 <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
+ r8 <lab sib re>16-. <lab sib re>-. <lab sib re>8-. <lab sib re>-. |
+ r8 <lab sib re>16-. <lab sib re>-. <lab sib re>8-. <lab sib re>-. |
+ r8 <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
+}
+
+lower = \relative do {
+ \clef bass
+ \key mib \major
+ \time 2/4
+ mib4-. r4 |
+ sib-. r |
+ fa'-. r |
+ sib, r |
+ mib4-. r4 |
+}
+
+
+\score {
+ <<
+ \context Staff = "trumpet" <<
+ \set Staff.instrumentName = \markup { "Trumpet" \concat{ B \teeny \raise #0.4 \flat } }
+ \transpose sib do'
+ \trompette
+ >>
+ \context RhythmicStaff = "tambourin" <<
+ \set Staff.instrumentName = "Tambourine"
+ \tambourin
+ >>
+ \context PianoStaff = "prima" <<
+ \set PianoStaff.instrumentName = "Piano "
+ \context Staff = "uppera" \upper
+ \context Staff = "lowera" \lower
+ >>
+ >>
+ \layout { }
+}
+\score {
+ <<
+ \context Staff = "trumpet" {
+ \set Staff.midiInstrument = "trumpet"
+ \trompette
+ }
+ \context DrumStaff = "tambourin" {
+ \tambourinMidi
+ }
+ \context Staff = "piano" <<
+ \upper
+ \lower
+ >>
+ >>
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+}
+
--- /dev/null
+\version "2.12.0"
+\include "english.ly"
+#(set-global-staff-size 15)
+\paper{
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+% NR 1.8 Text
+
+% L. v. Beethoven, Op. 110
+% Piano sonata 31
+% measures 1 - 7
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 20)
+ %\override NonMusicalPaperColumn #'line-break-system-details =
+ %#'((alignment-offsets . (0 -12)))
+ }
+}
+
+\new PianoStaff <<
+
+ % RH staff
+ \new Staff {
+ \clef treble
+ \key af \major
+ \time 3/4
+
+ \once \override TextScript #'staff-padding = #4
+ <c'' af'>4. (
+ _ \markup { \dynamic p \italic { con amabilità } }
+ <af' ef'>8 )
+ <af' ef'>8. [
+ <af' ef'>16 ]
+
+ |
+
+ <df'' g'>4
+ <bf' g'>2
+ _ \markup { \italic { ten. } }
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ ef''4. (
+ df''8 [ )
+ ef'' (
+ f'' ) ]
+
+ |
+
+ \once \override TextScript #'staff-padding = #4
+ ef''8. (
+ _ \markup { \italic { tranqu. } }
+ d''16 )
+ df''8 \trill \fermata
+ _ \markup { \italic { ten. } }
+ }
+
+ \new Voice {
+ \voiceTwo
+ af'4.
+ af'8 [
+ af'8
+ af'8 ]
+
+ |
+
+ g'4
+ g'8
+ }
+
+ >>
+
+ \oneVoice
+ \once \override TextScript #'staff-padding = #4
+ df''32
+ _ \markup { \italic dolce }
+ c''32
+ df''32
+ ef''32
+ \acciaccatura { df''[ ef'' ] }
+ f''8
+ ef''16
+ df''16
+
+ |
+ \break
+ \overrideProperty "Score.NonMusicalPaperColumn"
+ #'line-break-system-details #'((alignment-offsets . (0 -12)))
+
+ c''4. (
+ ^ \markup \italic { cantabile, con intimissimo sentimento,
+ ma sempre molto dolce e semplice }
+ ef''4
+ af''8 )
+
+ |
+
+ af''4 (
+ g''2 )
+
+ |
+
+ bf''4. (
+ g''4
+ ef''8 )
+
+ |
+ }
+
+ % LH
+ \new Staff {
+ \clef bass
+ \key af \major
+ \time 3/4
+
+ <ef af,>4. (
+ <ef c>8 )
+ <ef c>8. [
+ <ef c>16 ]
+
+ |
+
+ <ef bf,>4
+ <ef df>2 ^ \markup { \italic ten. }
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ ef8 [ (
+ af8
+ c'8
+ bf8 )
+ c'8 ( \staccato
+ df'8 ] ) \staccato
+
+ |
+
+ bf4
+ bf8 ^ \markup { \italic ten. }
+ }
+
+ \new Voice {
+ \voiceTwo
+ c4. (
+ f8 [ )
+ ef8 ( \staccato
+ df8 ] ) \staccato
+
+ |
+
+ ef4
+ ef8 \fermata
+ }
+
+ >>
+
+ \oneVoice
+ r8
+ r4
+ \clef treble
+
+ |
+
+ \override Staff.SustainPedalLineSpanner #'outside-staff-priority = #1000
+ \override Staff.SustainPedalLineSpanner #'staff-padding = #7
+ \once \override TextScript #'padding = #2
+ af16 \sustainOn
+ ^ \markup \italic { non staccato }
+ _ \markup \italic { molto \concat {\dynamic {p},} sempre tranquillo
+ ed egualmente, non rubato }
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+ af16
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+ af16 \sustainOn
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+
+ |
+
+ bf16 \sustainOn
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+ bf16 \sustainOn
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+ bf16
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+
+ |
+
+ \override Staff.SustainPedalLineSpanner #'staff-padding = #4
+ df'16 \sustainOn
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ df'16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ df'16 \sustainOn
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+
+ |
+ }
+
+>>
--- /dev/null
+% #!lilypond lcp-extract.ly -*- coding: utf-8; -*-
+
+%%%
+%%% les-cinq-pieds:
+%%% extract for the lilypond documentaton project
+%%%
+
+%% Title: Les cinq pieds
+%% Composer: David Séverin
+%% Date: Juillet 2007
+%% Instrument: Violon Solo
+%% Dedication: A mon épouse Lívia De Souza Vidal
+%% Additional: avec l'aide de Krzysztof Wagenaar
+
+%% Statement:
+
+%% Here by, I, the composer, agree that this extract of my composition
+%% be in the public domain and can be part of, used and presented in
+%% the LilyPond Documention Project.
+
+%% Statement Date: Octber the 9th, 2008
+
+
+\version "2.12.0"
+#(set-global-staff-size 15)
+
+%%%
+%%% Abreviations
+%%%
+
+db = \markup { \musicglyph #"scripts.downbow" }
+dub = \markup { \line { \musicglyph #"scripts.downbow" " " \musicglyph #"scripts.upbow" } }
+dubetc = \markup { \line { \musicglyph #"scripts.downbow" " " \musicglyph #"scripts.upbow" "..." } }
+
+ub = \markup { \musicglyph #"scripts.upbow" }
+udb = \markup { \line { \musicglyph #"scripts.upbow" " " \musicglyph #"scripts.downbow" } }
+udbetc = \markup { \line { \musicglyph #"scripts.upbow" " " \musicglyph #"scripts.downbow" "..." } }
+
+fermaTa = \markup \musicglyph #"scripts.ufermata"
+
+accel = \markup \tiny \italic \bold "accel..."
+ritar = \markup \tiny \italic \bold "ritar..."
+
+ignore = \override NoteColumn #'ignore-collision = ##t
+
+
+%%
+%% Strings
+%%
+
+svib = \markup \small "s. vib."
+pvib = \markup \small "p. vib."
+mvib = \markup \small "m. vib."
+sulp = \markup \small "s.p."
+norm = \markup \small "n."
+
+quatre = \markup \teeny "IV"
+
+
+%%
+%% Shifting Notes
+%%
+
+shift = \once \override NoteColumn #'force-hshift = #0.9
+shifta = \once \override NoteColumn #'force-hshift = #1.2
+shiftb = \once \override NoteColumn #'force-hshift = #1.4
+
+
+%%
+%% Hairpin
+%%
+
+% aniente = "a niente"
+aniente = \once \override Hairpin #'circled-tip = ##t
+
+
+%%
+%% Tuplets
+%%
+
+tupletbp = \once \override Staff.TupletBracket #'padding = #2.25
+
+
+%%
+%% Flag [Note Head - Stem]
+%%
+
+noflag = \once \override Stem #'flag-style = #'no-flag
+
+%%%
+%%% Functions
+%%%
+
+#(define-markup-command (colmark layout props args)
+ (markup-list?)
+ (let ((entries (cons (list '(baseline-skip . 2.3)) props)
+ ))
+ (interpret-markup layout entries
+ (make-column-markup
+ (map (lambda (arg)
+ (markup arg))
+ (reverse args))))))
+
+
+%%%
+%%% Instruments
+%%%
+
+ViolinSolo = \relative c' {
+
+ \voiceOne
+
+ \set Score.markFormatter = #format-mark-box-numbers
+ \override Score.VoltaBracket #'font-name = #"sans"
+ \override Score.VoltaBracket #'extra-offset = #'(0 . 1)
+ \override SpacingSpanner #'uniform-stretching = ##t
+
+
+ %% Measure 1
+ \time 25/8
+ \mark \default
+ r2 ^\markup \colmark { \italic "fatigué" " " \bold "lentement"} r4 r r8
+ <<
+ { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \svib } \shifta e1 } \\
+ { d2 \open \mf \< ~ \aniente d1 \! \> r4 r ^\markup \colmark { " " \fermaTa } \! }
+ >>
+
+
+ %% Measure 2
+ \time 7/4
+ \set Score.repeatCommands = #'((volta "1) n. 2) s.p."))
+ <<
+ { \shift d2 \glissando ^\markup \colmark { \quatre \udbetc } \shifta e1 } \\
+ { d2 \open \mf \< ~ d1 \! \> ~ d4 ^\markup \colmark { " " \fermaTa } \! }
+ >>
+ \set Score.repeatCommands = #'((volta #f))
+
+
+ %% Measure 3
+ \time 15/4
+ <<
+ { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
+ { d2 \open \mf \< ~ d1 ~ d2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
+ >>
+ \break
+
+ %% Measure 4
+ \time 4/4
+ \stemUp
+ \tupletDown
+ \times 2/3 { d4 ^\markup \colmark { \quatre \db \accel } d d }
+ \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d }
+
+
+
+ %% Measure 5
+ \time 5/4
+ \tupletbp \times 2/3 { d8 \mf \< ^\markup \colmark { \quatre \db \norm } d _\open d }
+ \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db \sulp } d _\open d }
+ \tupletbp \times 2/3 { d16 ^\markup \colmark { " " \db \norm } d _\open d d d _\open d }
+ d2 \ff ^\markup \colmark { " " \pvib } \>
+
+
+ %% Measure 6
+ \time 5/8
+ \once \override Beam #'grow-direction = #RIGHT % \featherDurations #(ly:make-moment 2 3)
+ { d16 \staccato
+ [ d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato]
+ }
+ \break
+
+
+ %% Measure 7
+ \time 7/4
+ \tupletbp \times 2/3 { d16 ^\markup \colmark { \quatre } d _\open d d d _\open d }
+ \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db } d _\open d }
+ \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db " " \sulp } d _\open d }
+ \times 2/3 { d4 ^\markup \colmark { \quatre \db \ritar \norm } d d }
+ \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d \ppp ~ }
+
+
+ %% Measure 8
+ d4 ^\markup \colmark { " " " " \pvib \norm }
+ deh2 d dih \<
+
+
+ %% Measure 9
+ <<
+ { \shift d2 \glissando ^\markup \colmark { \quatre } \shifta e1 } \\
+ { d2 \open ~ d1 ^\markup \colmark { " " " " \mvib } }
+ >>
+ \breathe r4 \!
+
+}
+
+
+%%%
+%%% Score
+%%%
+
+\score {
+
+ <<
+ \relative <<
+ \new Staff \ViolinSolo
+ >>
+
+ \override Score.Rest #'transparent = ##t
+ \set Score.defaultBarType = "empty"
+ >>
+
+ \layout {
+ indent = 0.0
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ }
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ }
+ }
+}
--- /dev/null
+\version "2.12.0"
+#(set-global-staff-size 15)
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
+}
+
+% NR 2.whatever Wind
+
+% Tchaikovsky
+% Nutcracker Suite, VII Dance of the Merlitons
+\score {
+ \new StaffGroup <<
+ \new Staff \relative c'' {
+ \set Staff.instrumentName = "Flauto I,II"
+ \once \override Score.RehearsalMark #'self-alignment-X = #-1
+ \once \override Score.RehearsalMark #'break-align-symbols =
+#'(time-signature)
+ \once \override Score.TimeSignature
+#'break-align-anchor-alignment = #LEFT
+ \once \override Score.RehearsalMark #'padding = #4
+ \mark \markup \large \bold {Moderato assai}
+ \key d \major
+ \time 2/4
+ \compressFullBarRests
+ R2*2
+ <d a>16-.\p <cis g>-. <d a>-. <cis g>-. <d a>8-. <cis g>-.
+ <e a,>-.\< <d a>32( <fis d> <a fis> <d a> <fis d>4--)\mf
+ <g d>16-. <fis cis>-. <g d>-. <fis cis>-.
+ <e b>(\> <d a>) <a fis>-. <fis d>-.\!
+ <d bes>4--\sf \acciaccatura {<d' bes>8} <cis a>4--\mf
+ }
+ \new Staff \relative c' {
+ \set Staff.instrumentName = "Flauto III"
+ \key d \major
+ \time 2/4
+ \compressFullBarRests
+ R2*2_\markup{Gr.Fl.}
+ fis16-.\p e-. fis-. e-. fis8-. e-.
+ g8-.\< fis32( a d fis a4--)\mf
+ b16-. a-. b-. a-. g(\> fis) d-. a-.\!
+ g4--\sf \acciaccatura fis'8 g4--\mf
+ }
+ >>
+}
+
depth = ..
-SUBDIRS = regression tutorial mutopia manual
+SUBDIRS = regression tutorial mutopia
examples = typography-demo les-nereides wilhelmus proportional bach-schenker cary
+++ /dev/null
-depth = ../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES= README
-EXTRA_DIST_FILES+=$(call src-wildcard,*.ly)
-EXTRA_DIST_FILES+=$(call src-wildcard,*.ily)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-This is for large examples that are included in the manual. Most of these
-examples are distinct snippets; files that are also included in the
-regression tests should be copied from input/regression/ into this
-direction and listed here.
-
+++ /dev/null
-\version "2.12.0"
-
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-\include "gregorian.ly"
-
-\score {
- <<
- \new VaticanaVoice = "cantus" {
- \clef "vaticana-do3"
- % Verse 1 — Salve, Regína
- a\melisma \[ a \flexa g \pes a\melismaEnd \] d
- \divisioMinima
- \[ a\melisma \flexa g\melismaEnd \]
- \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
- \[ e\melisma \flexa d\melismaEnd \]
- \divisioMaior
- c d \[d\melisma \flexa c\melismaEnd \] d
- \[ e\melisma \pes f\melismaEnd\] g
- \[d\melisma \pes e \flexa c\melismaEnd \] d
- \finalis
- % Verse 2 — Vita, dulcédo
- % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
- % \divisioMinima
- % \[ a\melisma \flexa g\melismaEnd \]
- % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
- % \[ e\melisma \flexa d\melismaEnd \]
- % \divisioMaior
- % c d \[e\melisma \pes f\melismaEnd \] g
- % \[d\melisma \pes e \flexa c\melismaEnd \] d
- % \finalis
- % Verse 3 — Ad te clamámus
- \[ d\melisma \pes f\melismaEnd\] a g
- \[ g\melisma \flexa f \pes a\melismaEnd\] e
- \divisioMaior
- g f \[ e\melisma \flexa d \pes g\melismaEnd \]
- \divisioMinima
- c d \[ e\melisma \flexa d \pes g\melismaEnd \]
- \[ f\melisma \flexa e\melismaEnd \] d
- \finalis
- % Verse 4 — Ad te suspirámus
- \[ d\melisma \pes f\melismaEnd \] a c' g
- \[ g\melisma \flexa f \pes g\melismaEnd \] a
- \divisioMaior
- d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
- \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
- c \divisioMaior
- d \[ d\melisma \flexa c \pes f\melismaEnd \]
- \[ g\melisma \pes a\melismaEnd \]
- g \[ f\melisma \flexa e\melismaEnd \] g
- \[ f\melisma \flexa \deminutum e\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \]
- \finalis
- % Verse 5 — Eia ergo, Advocáta nostra
- f\melisma \[ f \pes g\melismaEnd \] f
- \[ g\melisma \pes \deminutum a\melismaEnd \] a
- \divisioMinima
- c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
- \divisioMaior
- d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
- \divisioMinima
- d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
- \[ d\melisma \pes e\melismaEnd \] f
- \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
- \divisioMaior
- \[ c\melisma \pes d\melismaEnd \]
- f \[ g\melisma \flexa \deminutum f\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \] d
- \finalis
- % Verse 6 — Et Jesum
- d a, \[ c\melisma \pes d\melismaEnd \]
- \divisioMinima
- d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
- c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
- \[ f\melisma \flexa e\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \]
- \[ d\melisma \pes a \] \virga bes\melismaEnd a
- \divisioMinima
- \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
- \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
- \divisioMinima
- \[ e\melisma \pes f \flexa e\melismaEnd \] d d
- \finalis
- % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
- a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
- \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
- \finalis
- \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
- \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
- \finalis
- \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
- \divisioMinima
- \[ d \pes e f \pes g\melismaEnd \]
- \[ g\melisma \flexa \deminutum f\melismaEnd \]
- \[ g\melisma \pes a\melismaEnd \]
- d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
- \[ e\melisma \flexa d\melismaEnd \]
- \finalis
- }
- \new Lyrics \lyricsto "cantus" {
- Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
- % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
- Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
- Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
- val- le.
- E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
- ó- cu- los ad nos con- vér- te.
- Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
- ex- sí- li- um os- tén- de.
- O cle- mens:
- O pi- a:
- O dul- cis Vir- go Ma- rí- a.
- }
- >>
-}
-
-\layout {
- \context {
- \Staff
- \consists Custos_engraver
- }
-}
-
+++ /dev/null
-\version "2.12.0"
-\header {
-
-texidoc = " Chord names are generated from a list pitches. The
-functions which construct these names can be customised. Here are shown
-Jazz chords, following Ignatzek (pp. 17-18, 1995) and
-an alternative Jazz chord notation.
-
-Chords following Banter (1987) can also be printed from this file, but
-are turned off for brevity.
-
-"
-
-}
-
-chs = \transpose c' c'
-{
- <c e g>1
- <c es g>% m = minor triad
- <c e gis>
- <c es ges> \break
- <c e g bes>
- <c es g bes>
- <c e g b> % triangle = maj
- <c es ges beses>
- <c es ges b> \break
- <c e gis bes>
- <c es g b>
- <c e gis b>
- <c es ges bes>\break
- <c e g a> % 6 = major triad with added sixth
- <c es g a> % m6 = minor triad with added sixth
- <c e g bes d'>
- <c es g bes d'> \break
- <c es g bes d' f' a' >
- <c es g bes d' f' >
- <c es ges bes d' >
- <c e g bes des' > \break
- <c e g bes dis'>
- <c e g bes d' f'>
- <c e g bes d' fis'>
- <c e g bes d' f' a'>\break
- <c e g bes d' fis' as'>
- <c e gis bes dis'>
- <c e g bes dis' fis'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes d' fis'>
- <c e g b d'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes des' f' a'>
- <c e g b d'>
- <c e g b d' f' a'>\break
- <c e g b d' fis'>
- <c e g bes des' f ' a'>
- <c f g>
- <c f g bes>\break
- <c f g bes d'>
- <c e g d'> % add9
- <c es g f'>
-}
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% alternate Jazz notation
-
-efullmusicJazzAlt =
-{
- <c e gis>1-\markup { "+" }
- <c e g b>-\markup { \normal-size-super
- % \override #'(font-family . math) "N" }
- \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \normal-size-super "maj7" }
-
- <c es ges>-\markup { \super "o" } % should be $\circ$ ?
- <c es ges bes>-\markup { \super \combine "o" "/" }
- <c es ges beses>-\markup { \super "o7" }
-}
-
-efullJazzAlt = #(sequential-music-to-chord-exceptions efullmusicJazzAlt #f)
-
-epartialmusicJazzAlt = {
- <c d>1-\markup { \normal-size-super "2" }
- <c es>-\markup { "m" }
- <c f>-\markup { \normal-size-super "sus4" }
- <c g>-\markup { \normal-size-super "5" }
-
- %% TODO, partial exceptions
- <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
- <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
-}
-
-epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
-
-jazzAltProperties = \sequential {
- \set majorSevenSymbol = #whiteTriangleMarkup
- \set chordNameSeparator = #(make-simple-markup "/")
- \set chordNameExceptionsFull = #efullJazzAlt
- \set chordNameExceptionsPartial = #epartialJazzAlt
- \set chordNameFunction = #jazz-chord-names
-}
-
-banterProperties = \sequential {
- \set chordNameFunction = #banter-chord-names
-}
-
-\score{
- <<
- \new ChordNames {
- \set instrumentName = #"Ignatzek (default)"
- \set shortInstrumentName = #"Def"
- \chs
- }
-
- \new ChordNames {
- \jazzAltProperties
- \set instrumentName = #"Alternative"
- \set shortInstrumentName = #"Alt"
- \chs
- }
-
-%{
-
- %% This is the Banter (1987) style. It gives exceedingly
- %% verbose (wide) names, making the output file take up to 4 pages.
- %% (FIXME: how big is is now?)
- %% Turned off by default.
-
- %% FIXME: use smaller font for Banter (or remove some esoteric
- %% chords).
-
- \new ChordNames {
- \banterProperties
- \set instrumentName = #"Banter"
- \set shortInstrumentName = #"Ban"
- \chs
- }
-%}
-
- \new Staff \transpose c c' { \chs }
- >>
- \layout {
- indent = 3.\cm
- \context {
- \ChordNames
- \consists Instrument_name_engraver
- }
- }
-}
-
+++ /dev/null
-\version "2.12.0"
-\header {
- texidoc = "@cindex Chord Names German
-The english naming of chords (default) can be changed to german
-(@code{\germanChords} replaces B and Bes to H and B), semi-german
-(@code{\semiGermanChords} replaces B and Bes to H and Bb), italian
-(@code{\italianChords} uses Do Re Mi Fa Sol La Si), or french
-(@code{\frenchChords} replaces Re to Ré).
-
-" }
-
-scm = \chordmode {
- e1/d c:m
- % c/c cis/cis
- % yeah, we get the idea. -hwn
-
- % cisis/cisis ces/ces ceses/ceses
- b/b bis/bis bes/bes
- % beses/beses
-}
-
-
-\layout {
- ragged-right = ##t
- \context {\ChordNames \consists Instrument_name_engraver }
-}
-
-<<
- \new ChordNames {
- \set instrumentName = #"default"
- \scm
- }
- \new ChordNames {
- \set instrumentName = #"german"
- \germanChords \scm }
- \new ChordNames {
- \set instrumentName = #"semi-german"
- \semiGermanChords \scm }
- \new ChordNames {
- \set instrumentName = #"italian"
- \italianChords \scm }
- \new ChordNames {
- \set instrumentName = #"french"
- \frenchChords \scm }
-
- \context Voice { \scm }
->>
+++ /dev/null
-\version "2.12.0"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##f
- line-width=15\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-theChords = \chordmode {
- \time 2/2
- f1 | c2 f2 | f1 | c2 f2| %\break
- f2 bes2 | f1 | c2:7 f | c1 | \break
-}
-
-verseOne = \lyricmode{
- \set stanza = "1. "
- Fair is the sun - shine,
- Fair - er the moon - light
- And all the stars __ _ in heav'n a -- bove;
-}
-
-verseTwo = \lyricmode{
- \set stanza = "2. "
- Fair are the mead - ows,
- Fair - er the wood - land,
- Robed in the flow -- ers of bloom -- ing spring;
-}
-
-Soprano = {
- \time 2/2
- \key f \major
- \stemUp
- f'2 f'4 f' | g'4 e' f'2 | a'4. a'8 a'4 a' | bes'4 g' a'2 |
-c''2 f''4 d'' | c''2 bes'4 a' | bes'2 a' | g'1 |
-}
-
-Alto = {
- \key f \major
- c'2 c'4 c' | d'4 c' c'2 | f'4. f'8 f'4 fis' | g'4 e' f'2 |
- f'2 f'4 f' | f'2 g'4 f' | e'2 f' | e'1 |
-}
-
-Tenor = {
- \key f \major
- \stemDown
- a2 a4 a | bes4 g a2 | c'4. c'8 d'4 d' | d'4 c' c'2 |
- a2 d'4 bes | a2 c'4 c' | c'2 c' | c'1 |
-}
-
-Bass = {
- \key f \major
- f2 f4 f | bes,4 c f2 | f4. e8 d4 c | bes,4 c f2 |
- f2 bes,4 d | f2 e4 f | g2 f | c1 |
-}
-
-
-\score {
- <<
- \new ChordNames { \theChords }
- \context Staff = upper {
- \context Voice = sop {
- <<
- \Soprano
- \Alto
- >>
- }
- }
- \context Lyrics="LyrOne" \lyricsto "sop" {\verseOne}
- \context Lyrics="LyrTwo" \lyricsto "sop" {\verseTwo}
- \context Staff = lower {
- \new Voice {
- \clef bass
- #(set-accidental-style 'modern-cautionary)
- <<
- \Tenor
- \Bass
- >>
- }
- }
- >>
-
-\layout {
- %between-system-space = 1\mm
- indent = 0
- \context {
- \Score
- \remove "Bar_number_engraver"
- }
- \context { \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
- }
- }
-}
-\paper { }
+++ /dev/null
-\include "predefined-guitar-fretboards.ly"
-\version "2.12.0"
-
-
-mychords = \chordmode {c1 c:m c:aug c:dim c:7 c:maj7 c:m7 \break }
-
-chordsline = {
- \mychords
- \transpose c cis {
- \mychords
- }
- \transpose c des {
- \mychords
- }
- \transpose c d {
- \mychords
- }
- \transpose c dis {
- \mychords
- }
- \transpose c ees {
- \mychords
- }
- \transpose c e {
- \mychords
- }
- \transpose c f {
- \mychords
- }
- \transpose c fis {
- \mychords
- }
- \transpose c ges {
- \mychords
- }
- \transpose c g {
- \mychords
- }
- \transpose c gis {
- \mychords
- }
- \transpose c aes {
- \mychords
- }
- \transpose c a {
- \mychords
- }
- \transpose c ais {
- \mychords
- }
- \transpose c bes {
- \mychords
- }
- \transpose c b {
- \mychords
- }
-}
-
-<<
- \context ChordNames {
- \chordsline
- }
- \context FretBoards {
- \chordsline
- }
- \context Staff {
- \chordsline
- }
->>
+++ /dev/null
-% possible rename to ancient- or gregorian- ?
-\header {
- texidoc = "@cindex Divisiones
-
-Divisiones are ancient variants of breathing signs.
-Choices are @code{divisioMinima}, @code{divisioMaior},
-@code{divisioMaxima} and @code{finalis}, @code{virgula} and
-@code{caesura}.
-
-" }
-
-\version "2.12.0"
-
-\include "gregorian.ly"
-
-\score {
- <<
- \context VaticanaVoice {
- \override TextScript #'padding = #3
- g a g
- s^\markup { "divisio minima" }
- \divisioMinima
- g a g
- s^\markup { "divisio maior" }
- \divisioMaior
- g a g
- s^\markup { "divisio maxima" }
- \divisioMaxima
- \break
- g a g
- s^\markup { "finalis" }
- \finalis
- g a g
- s^\markup { "virgula" }
- \virgula
- g a g
- s^\markup { "caesura" }
- \caesura
- g a g
- }
- >>
-}
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-% NR 1.7 Editorial annotations
-
-% Beethoven, Op. 31, No. 3
-% Piano sonata 18, Movt II, Scherzo
-% Measures 9 - 14
-
-\layout { }
-
-\new PianoStaff <<
-
- % RH Staff
- \new Staff {
- \clef treble
- \key af \major
- \time 2/4
- \set Staff.fingeringOrientations = #'(up up)
- \set Score.currentBarNumber = #9
- \partial 8
- <af''-4 c''>8 \staccato
- |
- \set doubleSlurs = ##t
- <bf''-5 df''-2>4 (
- <af''-4 c''>8 \staccato )
- \noBeam
- c''8-5 \staccato \pp
- |
- \set doubleSlurs = ##f
- bf'8.. (
- af'32
- g'8 ) \staccato
- f'8 \staccato
- |
- e'4-2
- r8
- \once \override Script #'script-priority = #-100
- \afterGrace
- f'8 ( \trill ^ \markup { \finger "3-2" }
- { e'16 [ f'16 ] }
- |
- g'8..-3
- f'32
- e'8-1 ) \staccato
- d'8-2 \staccato
- |
- c'4
- r4
- }
-
- % LH Staff
- \new Staff {
- \key af \major
- \clef treble
- \override Fingering #'direction = #down
- \set Staff.fingeringOrientations = #'(down down)
- \partial 8
- <af' af>8 \staccato
- \set doubleSlurs = ##t
- <g'-2 ef'-3>4 (
- <af' af>8 ) \staccato
- \noBeam
- \clef bass
- c'8-1 \staccato
- |
- \set doubleSlurs = ##f
- bf8.. (
- af32
- g8-1 ) \staccato
- f8 \staccato
- |
- e4
- r8
- \afterGrace
- f8 ( \trill _ \markup { \finger "2-1" }
- { e16 [ f16 ] }
- |
- g8..-1
- f32
- e8 ) \staccato
- d8 \staccato
- |
- c4
- r4
- }
-
->>
+++ /dev/null
-%% texidoc = "Include file for engraver example."
-\version "2.11.61"
-topVoice = \relative c' {
- \key d\major
- es8([ g] a[ fis])
- b4
- b16[-. b-. b-. cis-.]
- d4->
-}
-
-botVoice = \relative c' {
- \key d\major
- c8[( f] b[ a)]
- es4
- es16[-. es-. es-. fis-.]
- b4->
-}
-
-hoom = \relative c {
- \key d \major
- \clef bass
- g8-. r
- r4
- fis8-.
- r8
- r4
- b'4->
-}
-
-pah = \relative c' {
- r8 b-.
- r4
- r8 g8-.
- r16 g-. r8
- \clef treble
- fis'4->
-}
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper {
- line-width = 16\cm
- indent = 0\cm
-}
-
-% NR 1.3 Expressive marks
-
-% L. v. Beethoven, Op. 49 no. 1
-% Piano sonata 19 - "Leichte Sonate"
-% measures 1 - 12
-
-%\layout {
-% \context {
-% \Score
-% \override SpacingSpanner #'base-shortest-duration =
-% #(ly:make-moment 1 20)
-% }
-%}
-
-\new PianoStaff <<
-
- % RH Staff
- \new Staff {
- \clef treble
- \key g \major
- \time 6/8
- \partial 2
- \once \override TextScript #'staff-padding = #2
- d'8 \staccato
- ^ \markup { \column {
- RONDO
- \italic Allegro } }
- d'8 \staccato
- g'8 \staccato
- a'8 \staccato
-
- |
-
- b'8 [ (
- g'8 ] )
- e'8 \staccato
- e' \staccato
- a'8 \staccato
- b'8 \staccato
-
- |
-
- c''8 [ (
- a'8 ] )
- e''8 \staccato
- d''8 \staccato
- c''8 \staccato
- b'8 \staccato
-
- |
-
- a'8 \staccato
- g'8 \staccato
- a'8 \staccato
- \acciaccatura { g'16 [ a'16 ] }
- bf'8
- a'8 \staccato
- g'8 \staccato
-
- |
-
- fs'8 [ (
- d'8 ] )
- d'8 \staccato
- d'8 \staccato
- g'8 \staccato
- a'8 \staccato
-
- |
-
- b'8 [ (
- g'8 ] )
- e'8 \staccato
- e'8 \staccato
- a'8 \staccato
- b'8 \staccato
-
- |
-
- c''8 [ (
- a'8 ] )
- e''8 \staccato
- d''8 \staccato
- c''8 \staccato
- b'8 \staccato
-
- |
-
- a'8 \staccato
- g'8 \staccato
- a'8 \staccato
- <<
- {
- \voiceOne
- d'8
- g'8
- fs'8
- \oneVoice
- }
- \new Voice {
- \voiceTwo
- d'4
- c'8
- \oneVoice
- }
- >>
-
- |
-
- <b g'>4 \tenuto
- d'8 \staccato
- g'8 \staccato
- b'8 \staccato
- d''8 \staccato
-
- |
-
- d''8 (
- <c'' a'>8 \staccato )
- <c'' a'>8 \staccato
- d''8 (
- <b' g'>8 \staccato )
- <b' g'>8 \staccato
-
- |
-
- d''8 (
- <c'' a'>8 \staccato )
- <c'' a'>8 \staccato
- d''8 (
- <b' g'>8 \staccato )
- <b' g'>8 \staccato
-
- |
-
- d''8 \staccato
- <c'' a'>8 \staccato
- <b' g'>8 \staccato
- d'' \staccato
- <c'' a'>8 \staccato
- <b' g'>8 \staccato
-
- |
-
- <d'' c'' a'>4 \fermata
- r8 r4 r8
- }
-
- % LH Staff
- \new Staff {
- \clef bass
- \key g \major
- \time 6/8
- \partial 2
- r8
- r8
- <d' b>8 \staccato
- <c' a>8 \staccato
-
- |
-
- <b g>4
- r8
- r8
- <e' c'>8 \staccato
- <d' b>8 \staccato
-
- |
-
- <c' a>4
- r8
- r8
- <a fs>8 \staccato
- <b g>8 \staccato
-
- |
-
- <c' a>8 \staccato
- <b d'>8 \staccato
- <e' c'>8 \staccato
- <e' cs'>4. (
-
- |
-
- d'4 )
- r8
- r8
- <d' b!>8 \staccato
- <c'! a>8 \staccato
-
- |
-
- <b g>4
- r8
- r8
- <e' c'>8 \staccato
- <d' b>8 \staccato
-
- |
-
- <c' a>4
- r8
- r8
- <a fs>8 \staccato
- <b g>8 \staccato
-
- |
-
- <c' a>8 \staccato
- <d' b>8 \staccato
- <e' c'>8 \staccato
- <b d>4
- <a d>8 \staccato
-
- |
-
- <g g,>4 \tenuto
- r8
- r4
- r8
-
- |
-
- r8
- <d' fs>8 \staccato
- <d' fs>8 \staccato
- r8
- <d' g>8 \staccato
- <d' g>8 \staccato
-
- |
-
- r8
- <d' fs>8 \staccato
- <d' fs>8 \staccato
- r8
- <d' g>8 \staccato
- <d' g>8 \staccato
-
- |
-
- r8
- <d' fs>8 \staccato
- <d' g>8 \staccato
- r8
- <d' fs>8 \staccato
- <d' g>8 \staccato
-
- |
-
- <d' fs>4 \fermata
- r8 r4 r8
- }
-
->>
+++ /dev/null
-\version "2.12.0"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##f
- line-width=16\cm
- indent=1.5\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-% NR 2.7.3 Figured bass
-
-% Arcangelo Corelli, 12 Sonate da Camera, Op. 2
-% Sonata II, Allemanda
-% measures 1 - 88
-% Coded by Neil Puttock; modified by Carl Sorensen
-
-extendOn = \bassFigureExtendersOn
-extendOff = \bassFigureExtendersOff
-
-\score {
-
- \new StaffGroup <<
-
- \new GrandStaff <<
-
- \new Staff = "violinoI" {
- \set Staff.instrumentName = \markup {
- \hcenter-in #11
- \line { Violino I. }
- }
- \time 4/4
- \mark \markup { \italic Adagio. }
- \partial 8
- r16 a'16 |
- a'8. [ d''16 d''8. e''16 ] cis''8 a'4 a''16 bes''16 |
- cis''8 d''16 ( e'' ) e''8. d''16 d''4 r8 d''16 e''16 |
- f''8 f''4 g''16 ( f''16 ) e''8 e''4 f''16 ( e''16 ) |
- d''8. d''16 g''16 ( f''16 ) e''16 ( d''16 ) cis''8
- cis''4 cis''16 cis''16 |
- d''8 d''8 c''8. c''16 c''8 ( b'4 ) b'16 b'16 |
- c''8 c''8 bes'8. bes'16 bes'8 ( a'4 ) a''16 a''16 |
- a''8 g''8 g''8. g''16 g''8 ( f''8 ) r8 f''8 |
- }
-
- \new Staff = "violinoII" {
- \set Staff.instrumentName = \markup {
- \hcenter-in #11
- \line { Violino II. }
- }
- \time 4/4
- \partial 8
- r16 f'16 |
- f'8. g'16 g'4 a'4 r8 d''16 d''16 |
- e''8 a'8 cis''8. d''16 d''4 r8 f''16 g''16 |
- a''8 a''8 d''8. d''16 g'8 g'8 c''8. c''16 |
- f'8. f''16 bes''16 ( a''16 ) g''16 ( f''16 ) e''8 e''4 e''16 e''16 |
- a'8 fis''8 g''8 a''8 d''8 d''4 d''16 d''16 |
- g'8 e''8 f''8 g''8 c''8 c''4 cis''16 cis''16 |
- d''8 d''8 e''8. e''16 e''8 a'8 r8 d''8 |
- }
-
- >>
-
- \new Staff = "violone" {
- \set Staff.instrumentName = \markup {
- \hcenter-in #13 {
- \center-column {
- Violone,
- \line { e Cembalo. }
- }
- }
- }
- \time 4/4
- \clef bass
- \partial 8
- r16 d16 |
- d4 bes,4 a,4 f4 |
- g8 f16 g16 a8 a,8 d4 d'4 ~ |
- d'8 c'8 b4 c'8 c'16 bes16 a4 |
- bes8 bes16 a16 g4 a8 a,4 a16 g16 |
- fis8 d8 e8 fis8 g8 g,4 g16 f16 |
- e8 c8 d8 e8 f8 f,4 a,8 |
- b,4 cis4 d4 r8 d'8 |
- }
-
- \new FiguredBass \figuremode {
- \set figuredBassAlterationDirection = #RIGHT
- \set figuredBassPlusDirection = #RIGHT
- \override VerticalAxisGroup #'minimum-Y-extent = #'()
- \override BassFigureAlignment #'stacking-dir = #DOWN
- s8 |
- s4 <6>4 <_+>4 <6>4 |
- <6 4\+ 2>8 <6>8 <_+> s8 s2 |
- <5>8 <6 4>8 <6 5>4 s4 <5>8 <6>8 |
- s4 <6 5 _-> <_+>2 |
- <6>8 <_+>8 <6>8 <6 5>8 <5 4>8 \extendOn <5 _!>8 \extendOff s4 |
- <6>4 <6->8 <6 5->8 <5 4->8 \extendOn <5 3>4 \extendOff <5 _+>8 |
- <7>8 <6>8 <5>4 <9 4>8 <8 3>8 s4 |
- }
-
- >>
-
- \layout {
- \context {
- \Score
- \override RehearsalMark #'break-align-symbols = #'(time-signature)
- \override RehearsalMark #'self-alignment-X = #LEFT
- \override TimeSignature #'break-align-anchor-alignment = #LEFT
- }
- }
-}
+++ /dev/null
-#(set-global-staff-size 16)
-
-#(begin
-
- ;; some helper functions
-
- (define (filter-out pred lst)
- (filter (lambda (x) (not (pred x))) lst))
-
- (define (filter-out-group glyph-list substring)
- (filter-out (lambda (x) (string-contains x substring)) glyph-list))
-
- (define (filter-out-groups glyph-list . substrings)
- (let loop ((new glyph-list) (rem substrings))
- (if (null? rem)
- new
- (loop (filter-out-group new (car rem))
- (cdr rem)))))
-
- (define (get-group glyph-list substring)
- (filter (lambda (x) (string-contains x substring)) glyph-list))
-
- (define glyph-list
- (delete ".notdef"
- (ly:otf-glyph-list (ly:system-font-load "emmentaler-20"))))
-
- ;;;;;;;;;
-
- ;; define these 3 groups first since they're
- ;; harder to get with (get-groups ...)
- (define numbers
- '("plus" "comma" "hyphen" "period"
- "zero" "one" "two" "three" "four"
- "five" "six" "seven" "eight" "nine"))
-
- (define default-noteheads
- '("noteheads.uM2" "noteheads.dM2" "noteheads.sM1"
- "noteheads.s0" "noteheads.s1" "noteheads.s2"))
-
- (define dynamics
- '("space" "f" "m" "p" "r" "s" "z"))
-
- ;; remove them from the glyph-list
- (for-each
- (lambda (x) (set! glyph-list (delete x glyph-list)))
- (append numbers
- default-noteheads
- dynamics))
-
- ;;;;;;;;;
-
- ;; extract ancient-music groups before extracting default
- ;; accidentals, rests, etc. to prevent duplication.
- (define vaticana (get-group glyph-list "vaticana"))
- (define medicaea (get-group glyph-list "medicaea"))
- (define hufnagel (get-group glyph-list "hufnagel"))
- (define neomensural (get-group glyph-list "neomensural"))
-
- ;; remove neomensural before defining mensural; otherwise, searching
- ;; for "mensural" would return "neomensural" matches too.
- (set! glyph-list
- (filter-out-groups
- glyph-list
- "vaticana"
- "medicaea"
- "hufnagel"
- "neomensural"))
-
- ;; get the rest of the ancient-music groups
- (define mensural (get-group glyph-list "mensural"))
- (define petrucci (get-group glyph-list "petrucci"))
- (define solesmes (get-group glyph-list "solesmes"))
-
- ;; remove them from the glyph-list
- (set! glyph-list
- (filter-out-groups
- glyph-list
- "mensural"
- "petrucci"
- "solesmes"))
-
- ;; This would only get "rests.2classical".
- ;; We're leaving it with the other rests for now.
- ;; (define classical (get-group glyph-list "classical"))
- ;; (set! glyph-list (filter-out-groups glyph-list "classical"))
-
- ;;;;;;;;;
-
- ;; get everything else except noteheads.
- ;; * Some accidentals contain "slash" substring, so extract
- ;; "accidentals" before extracting "slash" (noteheads).
- ;; * Also use "pedal." not "pedal", for example, to prevent things
- ;; like "scripts.upedalheel" ending up in the "pedal." list.
- ;; * This doesn't apply to the ancient stuff because searching for
- ;; "vaticana." (as an example) would miss things like
- ;; "dots.dotvaticana"
- (define clefs (get-group glyph-list "clefs."))
- (define timesig (get-group glyph-list "timesig."))
- (define accidentals (get-group glyph-list "accidentals."))
- (define rests (get-group glyph-list "rests."))
- (define flags (get-group glyph-list "flags."))
- (define dots (get-group glyph-list "dots."))
- (define scripts (get-group glyph-list "scripts."))
- (define arrowheads (get-group glyph-list "arrowheads."))
- (define brackettips (get-group glyph-list "brackettips."))
- (define pedal (get-group glyph-list "pedal."))
- (define accordion (get-group glyph-list "accordion."))
-
- ;; remove them from the glyph-list
- (set! glyph-list
- (filter-out-groups
- glyph-list
- "clefs."
- "timesig."
- "accidentals."
- "rests."
- "flags."
- "dots."
- "scripts."
- "arrowheads."
- "brackettips."
- "pedal."
- "accordion."))
-
- ;;;;;;;;;
-
- ;; get special noteheads
- (define cross (get-group glyph-list "cross"))
- (define diamond (get-group glyph-list "diamond"))
- (define harmonic (get-group glyph-list "harmonic"))
- (define slash (get-group glyph-list "slash"))
- (define triangle (get-group glyph-list "triangle"))
- (define xcircle (get-group glyph-list "xcircle"))
-
- (define special-noteheads
- (append cross
- diamond
- harmonic
- slash
- triangle
- xcircle))
-
- ;; remove special noteheads from the glyph-list
- (set! glyph-list
- (filter-out-groups
- glyph-list
- "cross"
- "diamond"
- "harmonic"
- "slash"
- "triangle"
- "xcircle"))
-
- ;; (lazy solution)
- ;; any remaining glyphs containing "noteheads." should be shape-notes.
- (define shape-note-noteheads (get-group glyph-list "noteheads."))
-
- ;; remove shape-note-noteheads from the glyph-list
- (set! glyph-list (filter-out-group glyph-list "noteheads."))
-
- ;;;;;;;;;
-
- ;; simple debug test for any glyphs that didn't make it.
- (if #f
- (if (null? glyph-list)
- (format #t "No glyphs are missing from the table.\n")
- (format #t "You missed these glyphs: ~a\n" glyph-list)))
-
-) % end of (begin ...)
-
-\paper {
- %% ugh. text on toplevel is a bit broken...
-
- oddHeaderMarkup = \markup {}
- evenHeaderMarkup = \markup {}
- oddFooterMarkup = \markup {}
- evenFooterMarkup = \markup {}
- }
-
-\version "2.12.0"
-
-#(define-markup-command (doc-char layout props name) (string?)
- (interpret-markup layout props
- (let* ((n (string-length name)))
- (if (> n 24)
- ;; split long glyph names near the middle at dots
- (let* ((middle-pos (round (/ n 2)))
- (left-dot-pos (string-rindex name #\. 0 middle-pos))
- (right-dot-pos (string-index name #\. middle-pos))
- (left-distance (if (number? left-dot-pos)
- (- middle-pos left-dot-pos)
- middle-pos))
- (right-distance (if (number? right-dot-pos)
- (- right-dot-pos middle-pos)
- middle-pos))
- (split-pos (if (> left-distance right-distance)
- right-dot-pos
- left-dot-pos))
- (left (substring name 0 split-pos))
- (right (substring name split-pos)))
- (markup
- #:pad-to-box '(0 . 36) '(-2 . 2) #:column (#:typewriter left
- #:typewriter #:concat (" " right))
- #:pad-to-box '(-2 . 4) '(-3.5 . 3.5) #:huge #:musicglyph name))
- (markup
- #:pad-to-box '(0 . 36) '(-2 . 2) #:typewriter name
- #:pad-to-box '(-2 . 4) '(-3.5 . 3.5) #:huge #:musicglyph name)))))
-
-#(define-markup-list-command (doc-chars layout props names) (list?)
- (define (min-length lst n)
- "(min (length lst) n)"
- (if (or (null? lst) (<= n 0))
- 0
- (1+ (min-length (cdr lst) (1- n)))))
- (define (doc-chars-aux names acc)
- (let* ((n (min-length names 2))
- (head (take names n))
- (tail (drop names n)))
- (if (null? head)
- (reverse! acc)
- (doc-chars-aux tail
- (cons (make-line-markup (map make-doc-char-markup head))
- acc)))))
- (interpret-markup-list layout props (doc-chars-aux names (list))))
+++ /dev/null
-% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
-% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
-% on melodies from Bellini's "Norma" %
-%*****************************************************************%
-
-\version "2.12.0"
-
-#(set-global-staff-size 15)
-\paper {
- line-width = 17\cm
- indent = 0\cm
-}
-
-\layout {
- \context {
- \Score
- \remove "Bar_number_engraver"
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-%%%% shortcuts
-% fingering orientations
-sfol = \set fingeringOrientations = #'(left)
-sfor = \set fingeringOrientations = #'(right)
-sfod = \set fingeringOrientations = #'(down)
-sfou = \set fingeringOrientations = #'(up)
-
-% string number orientations
-ssnol = \set stringNumberOrientations = #'(left) %(down right up)
-ssnou = \set stringNumberOrientations = #'(up)
-ssnod = \set stringNumberOrientations = #'(down)
-ssnor = \set stringNumberOrientations = #'(right)
-
-% define fingering offset
-FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
-#{
- \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY)
-#})
-
-% markups
-rit = \markup \center-align { \bold { \italic { " rit." } } }
-dim = \markup \center-align { \italic { " dim." } }
-andantino = \markup \left-align { \italic { \bold { \fontsize #2.5 { "Andantino" } } } }
-benmarcato = \markup { \italic { \bold { "il canto ben marcato" } } }
-pdolce = #(make-dynamic-script (markup #:line (#:dynamic "p" #:normal-text #:italic "dol.")))
-
-%%% THE MUSIC %%%
-
-melody = \relative c {
- \clef "treble_8"
- \key d \major
- \time 4/4
- \voiceOne
- \sfol
- e,32 a' c e
- e, a c e
- e,, a' c e
- e, a c e
- f4\rest <e'-4>4-> | % m. 1
-
- e,,,32 gis' b e
- e, gis b e
- e,, gis' b e
- e, gis b e
- f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
-
- d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
- <gis b e>1 | % m. 4
-
- \bar "||"
- \key a \minor
- R1 % m. 5
-
- e'4^\benmarcato e8. d16-4
- d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
-
- \FO #'-0.3 #'0.3
- <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
-
- \FO #'-0.3 #'0.3
- <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
- \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
-
- b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
-
- e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
-
- \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
- \sfou \FO #'-0.3 #'0.3
- <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
-}
-
-bass = \relative c {
- \key d \major
- \time 4/4
- \voiceTwo
-
- e,8\fp[ e'] e,[ e'] e, \sfol <c''-1> <a'-2> c, | % m. 1
-
- e,,8\fp[ e'] e,[ e'] e, \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2
- \sfol \FO #'0.3 #'0.0 <e-1> b | % end m. 2
-
- e,,8 e' gis e e, e' gis_\dim e | % m. 3
-
- e,1 | % m. 4
-
- %% new section starts here in A minor
- \overrideBeamSettings #'Score #'(4 . 4) #'end
- #'((* . (1 1 1 1))
- ((1 . 12) . (3 3 3 3)))
- \once \override TextScript #'staff-padding = #1.7
- \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
-
- \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
- \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
-
- \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
-
- \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
-
- \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
- \sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
-
- \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
-
- \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
-}
-
-\score {
- \new Staff = "guitar" <<
- \context Voice = "upper" { \melody }
- \context Voice = "lower" { \bass }
- >>
- \layout {
- \context {
- \Score
- \override Fingering #'staff-padding = #'()
- \override TupletNumber #'stencil = ##f
- \override TupletBracket #'bracket-visibility = ##f
- }
- }
- \midi { }
-}
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-
-#(set-global-staff-size 15)
-\paper {
- line-width = 16\cm
- indent = 0\cm
-}
-
-% NR 2.2 Keyboard instruments
-
-% M. Ravel, Sonatine (1905)
-% First movement
-
-\layout {
- \context {
- \Score
- \remove "Bar_number_engraver"
- }
-}
-
-fermataLong = \markup {
- \override #'(direction . 1)
- \override #'(baseline-skip . 2) {
- \dir-column {
- \musicglyph #"scripts.ufermata"
- \text \italic \center-align long
- }
- }
-}
-
-\new PianoStaff <<
- \set PianoStaff.connectArpeggios = ##t
- \new Staff {
- \time 2/4
- \key fs \major
- <<
- \new Voice {
- \voiceOne
- fs''8 ( ^\markup {
- \override #'(baseline-skip . 2.4) \column {
- \line \bold { Un peu retenu }
- \line \italic { très expressif }
- }
- }
- es''16
- cs''16
- as'4 )
- |
- fs''8 (
- es''16
- cs''16
- as'4 )
- |
- fs''8 (
- es''16
- cs''16
- as'8
- cs''8 )
- |
- }
- \new Voice {
- \voiceTwo
- gs'8\rest \ppp
- fs'4 (
- es'8 )
- |
- gs'8\rest
- fs'4 (
- es'8 )
- |
- gs'8\rest
- fs'4 (
- es'8 )
- |
- }
- >>
- \clef bass
- <ds b! es'>4 ( ^ \markup \bold { Rall. }
- \override Script #'stencil = #(lambda (grob)
- ly:script::print (grob-interpret-markup grob fermataLong))
- <ds' as'>8 ) \fermata
- \noBeam
- \clef treble
- \slurUp
- \once \override Hairpin #'to-barline = ##f
- <as fs'>8 ( \pp \>
- |
- <gs b cs'>4. \! ) ^\markup \bold { a Tempo }
- \slurUp
- <as fs'>8 ^\( \>
- |
- <gs b cs'>4. \! \)
- <<
- \new Voice {
- \voiceOne
- <as fs'>8 (
- |
- cs'8 ^\markup \bold { Rallentando }
- b16
- cs'16
- d'8
- e'16
- fs'16
- |
- <as! cs' gs'>4. )
- s8
- |
- r8
- <cs'' as'' cs'''>4 \arpeggio
- e''16 ( ^\markup \bold { Lent }
- fs''16
- |
- \voiceTwo
- <as'! cs'' gs''>2 )
- |
- }
- \new Voice {
- \voiceTwo
- s8
- |
- <gs b>4 \<
- <fs bs>4 \>
- |
- s4. \!
- \slurUp
- \once \override Script #'direction = #UP
- <a bs e'>8 ( \accent
- |
- <as! cs' gs'>4. )
- \once \override Hairpin #'to-barline = ##f
- <a' bs'>8 \ppp \>
- |
- s8 \!
- \stemDown
- \once \override Script #'direction = #UP
- \ottava #1
- \voiceOne
- \once \override PianoStaff.Arpeggio #'padding = #0.8
- <cs''' as''' cs''''>4. \arpeggio \fermata
- \ottava #0
- \bar "|."
- }
- >>
- }
- \new Staff <<
- \set Staff.pedalSustainStyle = #'bracket
- \key fs \major
- \clef bass
- \new Voice {
- \voiceOne
- ds'4 \tenuto
- cs'4 \tenuto
- |
- ds'4 \tenuto
- cs'4 \tenuto
- |
- ds'4 \tenuto
- cs'4 \tenuto
- |
- s8
- \clef treble
- <b' cs''>8 [
- \clef bass
- <es b cs'>8 \fermata ]
- s8
- |
- fs8\rest
- \clef treble
- <b' cs''>4 \tenuto
- s8
- |
- fs8\rest
- \clef treble
- <b' cs''>4 \tenuto
- s8
- |
- s2
- |
- ds8\rest
- \clef treble
- <as' cs''>4
- \clef bass
- s8
- |
- s8
- \clef treble
- <as'>4 \arpeggio
- \clef bass
- s8
- |
- s8
- \clef treble
- <as''>4. \arpeggio \fermata
- |
- }
- \new Voice {
- \voiceTwo
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
- |
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
- |
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
- |
- \once \override Script #'outside-staff-priority = #100
- \once \override TextScript #'outside-staff-priority = #500
- <cs, gs,>4. \fermata _\markup \italic { ped. }
- <fs, cs>8 (
- |
- <e, b,>4. ) \sustainOn
- \clef bass
- <fs, cs>8 \( \sustainOff
- |
- <e, b,>4. \) \sustainOn
- \clef bass
- <fs, cs>8 ( \sustainOff
- |
- <e, b,>4
- <d, a,>4
- |
- <fs,, cs,>4. ) \sustainOn
- <a, e>8 ( \sustainOff
- |
- <fs, cs>4. ) \sustainOn
- \slurUp
- <a e'>8 ( \sustainOff \sustainOn
- |
- <fs cs'>2 ) \sustainOff \sustainOn
- |
- }
- >>
->>
+++ /dev/null
-\version "2.12.0"
-\header{
- texidoc="
-Note head shapes may be set from several choices.
-The stem endings should be adjusted according to the note head.
-If you want different note head styles on one stem,
-you must create a special context.
-
-Harmonic notes have a different shape and different
-dimensions.
-"
-}
-
-\layout {
- indent = 0.0
- ragged-right = ##t
-}
-
-pattern = <<
- \new Voice {
- \override Stem #'direction = #UP
- e'4 e'2. e'1 e'\breve*1/2 e'\longa*1/4
- }
- \new Voice {
- \override Stem #'direction = #DOWN
- a4 a2. a1 a\breve*1/2 a\longa*1/4
- }
->>
-
-
-\transpose c c {
- \clef C
-
- \override Staff.NoteHead #'style = #'default
- s1*0^\markup { "default" }
- \pattern
-
- \override Staff.NoteHead #'style = #'altdefault
- s1*0^\markup { "altdefault" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'baroque
- s1*0^\markup { "baroque" }
- \pattern
-
- \override Staff.NoteHead #'style = #'neomensural
- s1*0^\markup { "neomensural" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'mensural
- s1*0^\markup { "mensural" }
- \pattern
-
- \override Staff.NoteHead #'style = #'petrucci
- s1*0^\markup { "petrucci" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'harmonic
- s1*0^\markup { "harmonic" }
- \pattern
-
- \override Staff.NoteHead #'style = #'harmonic-black
- s1*0^\markup { "harmonic-black" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'harmonic-mixed
- s1*0^\markup { "harmonic-mixed" }
- \pattern
-
- \override Staff.NoteHead #'style = #'diamond
- s1*0^\markup { "diamond" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'cross
- s1*0^\markup { "cross" }
- \pattern
-
- \override Staff.NoteHead #'style = #'xcircle
- s1*0^\markup { "xcircle" }
- \pattern
-
- \break
-
- \override Staff.NoteHead #'style = #'triangle
- s1*0^\markup { "triangle" }
- \pattern
-
- \override Staff.NoteHead #'style = #'slash
- s1*0^\markup { "slash" }
- \pattern
-}
-
-
-
+++ /dev/null
-\version "2.12.0"
-
-% yes, I know this is a mess. But I'm not going to fuss with
-% it one day before I leave. -gp
-
-% this chart is used in the manual too.
-
-\header {
- texidoc ="@cindex Percussion notes
-
-This chart shows all percussion and drum notes."
-}
-
-myBreak = { \bar " " \break }
-
-\new Score \with {
- \remove "Bar_number_engraver"
-} \new DrumStaff \with {
- \remove "Time_signature_engraver"
-} \context DrumVoice {
-
-%% this stuff set up nice || bar lines to divide percussion notes
-%% into related fields, but it should be placed in the actual
-%% music, not as a separate voice. -gp
-%{
-barlines = {
-\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
-\repeat "unfold" 2 { s 1 \bar" " s 1 \bar" " s 1 \bar "||" }
-\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
-\repeat "unfold" 7 {s 1 \bar" " } s 1 \bar "||"
-s 1 \bar" " s 1 \bar "||"
-\repeat "unfold" 2 { \repeat "unfold" 5 {s 1 \bar" " } s 1 \bar "||" }
-\repeat "unfold" 2 { s 1 \bar" " s 1 \bar "||" }
-\repeat "unfold" 2 {s 1 \bar" " } s 1 \bar "||"
-\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||"
-s 1 \bar" " s 1 \bar "||"
-\repeat "unfold" 3 {s 1 \bar" " } s 1 \bar "||"
-\repeat "unfold" 2 {s 1 \bar" " } s 1 \bar "||"
-\repeat "unfold" 3 {\repeat "unfold" 4 {s 1 \bar" " } s 1 \bar "||" }
-}
-%}
-
-\drummode {
-\textLengthOn
-\cadenzaOn
-bda1 ^"acousticbassdrum: bda" bd ^"bassdrum: bd" sn ^"snare: sn" sne ^"electricsnare: sne" sna ^"acousticsnare: sna" \myBreak
-tomfl ^"lowfloortom: tomfl" tomfh ^"highfloortom: tomfh" toml ^"lowtom: toml" tomh ^"hightom: tomh"
-tomml ^"lowmidtom: tomml" tommh ^"himidtom: tommh" \myBreak
-hhc ^"closedhihat: hhc" hh ^"hihat: hh" hhp ^"pedalhihat: hhp" hho ^"openhihat: hho" hhho ^"halfopenhihat: hhho" \myBreak
-cymca ^"crashcymbala: cymca" cymc ^"crashcymbal: cymc" cymra ^"ridecymbala: cymra" cymr ^"ridecymbal: cymr" \myBreak cymch ^"chinesecymbal: cymch" cyms ^"splashcymbal: cyms"
-cymcb ^"crashcymbalb: cymcb" cymrb ^"ridecymbalb: cymrb"
-rb ^"ridebell: rb" cb ^"cowbell: cb" \myBreak
-bohm ^"mutehibongo: bohm" boh ^"hibongo: boh" boho ^"openhibongo: boho" bolm ^"mutelobongo: bolm" bol ^"lobongo: bol" bolo ^"openlobongo: bolo"\myBreak
-cghm ^"mutehiconga: cghm" cglm ^"muteloconga: cglm" cgho ^"openhiconga: cgho" cgh ^"hiconga: cgh" cglo ^"openloconga: cglo" cgl ^"loconga: cgl" \myBreak
-timh ^"hitimbale: timh" timl ^"lotimbale: timl"
-agh ^"hiagogo: agh" agl ^"loagogo: agl" \myBreak
-ssh ^"hisidestick: ssh" ss ^"sidestick: ss" ssl ^"losidestick: ssl" \myBreak
-guis ^"shortguiro: guis" guil ^"longguiro: guil" gui ^"guiro: gui" cab ^"cabasa: cab" mar ^"maracas: mar" \myBreak
-whs ^"shortwhistle: whs" whl ^"longwhistle: whl" \myBreak
-hc ^"handclap: hc" tamb ^"tambourine: tamb" vibs ^"vibraslap: vibs" tt ^"tamtam: tt" \myBreak
-cl ^"claves: cl" wbh ^"hiwoodblock: wbh" wbl ^"lowoodblock: wbl" \myBreak
-cuim ^"mutecuica: cuim" cuio ^"opencuica: cuio"
-trim ^"mutetriangle: trim" tri ^"triangle: tri" trio ^"opentriangle: trio" \myBreak
-ua ^"oneup: ua" ub ^"twoup: ub" uc ^"threeup: uc" ud ^"fourup: ud" ue ^"fiveup: ue" \myBreak
-da ^"onedown: da" db ^"twodown: db" dc ^"threedown: dc" dd ^"fourdown: dd" de ^"fivedown: de" \myBreak
-}
-}
-
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-% NR 1.1 Pitches
-
-% L. v. Beethoven
-% Piano sonata 21 - Dem Grafen von Waldstein Gewidmet
-% chorale at measures 34 - 40+
-
-\new PianoStaff <<
-
- % RH Staff
- \new Staff <<
-
- % RH Voice 1
- \new Voice {
- \set Score.currentBarNumber = #34
- \voiceOne
- gs''2 ( ^ \markup \italic { dolce e molto ligato }
- fs''4
- e''4
- |
- ds''2
- cs''2 )
- |
- ds''2 (
- e''4
- fs''4
- |
- <gs'' e''>2
- <fs'' ds''>2 )
- |
- \oneVoice
- \clef bass
- <gs' e' b>2 (
- <fs' ds' a>4
- <e' cs' gs>4
- |
- <ds' bs fs>2
- <cs' a e>2 )
- |
- \voiceOne
- b2 %(
- cs'4
- ds'4
- |
- \clef treble
- <e' gs>4 %)
- r4 r2
- }
-
- % RH Voice 2
- \new Voice {
- \voiceTwo
- \override Staff.DynamicLineSpanner #'staff-padding = #2.5
- <e'' b'>2 \p
- <ds'' a'>4
- <cs'' gs'>4
- |
- <bs' fs'>2
- e'2
- |
- \once \override TextScript #'staff-padding = #2.5
- <b'! a'>2 _ \markup \italic { cresc. }
- b'4
- <e'' cs''>4
- |
- b'2. ( \sf \>
- a'4 )
- \clef bass
- | \break
- s1 \p
- |
- s1
- |
- <gs e>4 (
- <a fs>2. )
- |
- s4
- r4 r2
- }
-
- >>
-
- % LH Staff
- \new Staff {
- \override Staff.SustainPedalLineSpanner #'staff-padding = #5
- <gs' e'>2 ( \sustainOn
- <fs' ds' b>4 \sustainOff
- <e' cs'>4
- |
- <ds' bs gs>2
- <cs' a>2 ) \sustainOn
- |
- \clef bass
- \slurDown
- <ds' b! a fs>2 ( \sustainOff
- <e' b gs>4
- <fs' cs' a>4 \sustainOn
- |
- \clef treble
- \voiceOne
- <<
- {
- <gs' e'>2
- <fs' ds'>2 )
- }
- \new Voice {
- \voiceTwo
- b1 \sustainOff
- }
- >>
- \oneVoice
- |
- %\break
- \clef bass
- <gs e>2 (
- <fs ds b,>4
- <e cs>4
- |
- <ds bs, gs,>2
- <cs a,>2 ) \sustainOn
- |
- <b,! b,,!>1 ( \sustainOff
- |
- <e e,>4 )
- r4 r2
- }
-
->>
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper {
- line-width = 16\cm
- indent = 0\cm
-}
-
-% NR 1.7 Repeats
-
-% Beethoven, Op. 57
-% Piano sonata 23 - Dem Grafen Franz von Brunswick Gewidmet
-% Movt II, Andante con moto
-% Measures 9 - 16
-
-\new PianoStaff <<
-
- \new Staff = RH {
- \clef bass
- \key df \major
- \time 2/4
- \set Score.currentBarNumber = #9
- \bar "|:"
- <af ef c>4 (
- <af gf c>8..
- <af ef c>32
- |
- <af f df>8. )
- <df' af f>16 (
- <c' af gf>8
- <df' af f>8 )
- |
- <af ef c>4 (
- <af gf c>8..
- <af ef c>32
- |
- <af f df>8. )
- \slurDown
- <f' af f>16 (
- <<
- {
- \voiceTwo
- gf8
- f8 )
- }
- \new Voice {
- \voiceOne
- <f' af>16
- ef'16
- <df' af>8
- }
- >>
- \oneVoice
- |
- <af ef c>4 (
- <af gf c>8..
- <af ef c>32
- \clef treble
- |
- <af' df' af>8. )
- <af' f' df'>16 (
- <af' ef' c'>16
- gf'16
- <f' df' af>8 )
- |
- \slurUp
- <ef' bf gf>4
- \change Staff = LH
- \voiceOne
- <af ef c>4
- |
- <df' f df>4.
- \change Staff = RH
- \oneVoice
- r8
- \clef bass
- \bar ":|"
- }
-
- \new Staff = LH {
- \clef bass
- \key df \major
- \time 2/4
- <af, gf,>4 (
- <af, ef,>8..
- <af, gf,>32
- |
- <af, f,>8. )
- <af, df,>16 (
- <af, ef,>8
- <af, df,>8 )
- |
- <af, gf,>4 (
- <af, ef,>8..
- <af, gf,>32
- |
- <af, f,>8. )
- <af, df,>16 (
- <af, c,>8
- <af, df,> )
- |
- <af, gf,>4 (
- <af, ef,>8..
- <af, gf,>32
- |
- <f f,>8. )
- <df df,>16 (
- <ef ef,>8
- <f f,>8 )
- |
- \voiceTwo
- gf,4 (
- af,4 ~ )
- |
- af,16. [ (
- gf,32
- f,16.
- ef,32 ]
- df,8 )
- \oneVoice
- r8
- }
-
->>
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper {
- line-width = 16\cm
- indent = 0\cm
-}
-
-% NR 1.2 Rhythms
-
-% Beethoven, Op. 81a
-% Piano sonata 26 - Das Lebewohl
-% Movt II - Abwesenheit
-% Measures 31 - 34
-
-\layout {
- \context {
- \Score
- \override SpacingSpanner #'base-shortest-duration =
- #(ly:make-moment 1 40)
- %\override SpacingSpanner #'strict-grace-spacing = ##t
- }
-}
-
-\new PianoStaff <<
-
- % RH Staff
- \new Staff {
- \clef treble
- \key c \minor
- \time 2/4
- \set Score.currentBarNumber = #31
-
- <c''' c''>8 ( -\markup {
- \override #'(baseline-skip . 2) \italic \column {
- \line { a tempo }
- cantabile
- }
- }
- <g'' g'>8 )
- ~
- <g'' g'>8 (
- <a'' a'>16
- <f'' f'>16 )
-
- |
-
- \afterGrace
- <f'' f'>8 [ (
- {
- e''16 [
- f''16
- e''16
- d''16 ]
- }
- <e''! e'>16
- <f'' f'>16 ] )
- \once \override TextScript #'padding = #3.8
- <g'' g'>16 ( \staccato -\markup { \italic cresc. }
- <a'' a'>16 ) \staccato
- <bf'' bf'>32 (
- <b'' b'>32 )
- <b'' b'>32 (
- <c''' c''>32 )
-
- |
-
- \once \override DynamicLineSpanner #'padding = #2
- b''32 ( \p \>
- c'''32
- d'''32
- c'''32 ) \!
- g''8 (
- ~
- g''32 [
- a''64
- g''64 ) ]
-
- a''64 ( [
- g''64 )
- bf''64 (
- a''64 ) ]
-
- bf''64 ( [
- a''64 )
- c'''64 (
- b''64 ) ]
-
- c'''128 ( [
- b''128
- d'''128
- c'''128
- f'''64
- f''64 ) ]
-
- |
-
- \afterGrace
- <f'' f'>8 [ (
- {
- e''16 [
- f''16
- e''16
- d''16 ]
- }
- <e''! e'>16
- <f'' f'>16 ] )
- <g'' g'>16 ( \staccato -\markup { \italic cresc. }
- <af''! af'!>16 ) \staccato
- <bf'' bf'>32 (
- <b'' b'>32 )
- <b'' b'>32 (
- <c''' c''>32 )
- }
-
- % LH Staff
- \new Staff {
- \clef bass
- \key c \minor
- \time 2/4
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <a f>32
- c'32
- <a f>32
- c'32
-
- |
-
- <bf g>32
- c'32
- <bf g>32
- c'32
-
- <bf g>32
- c'32
- <bf g>32
- c'32
-
- <bf g>32
- c'32
- <a f>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- |
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
-
- <a f>32
- c'32
- <a f>32
- c'32
-
- |
-
- <bf! g>32
- c'32
- <bf g>32
- c'32
-
- <bf g>32
- c'32
- <bf g>32
- c'32
-
- <bf g>32
- c'32
- <af! f>32
- c'32
-
- <g e>32
- c'32
- <g e>32
- c'32
- }
-
->>
+++ /dev/null
-\version "2.12.0"
-\header {
- title = "Screech and boink"
- subtitle = "Random complex notation"
- composer = "Han-Wen Nienhuys"
-}
-
-\score {
- \context PianoStaff <<
- \new Staff = "up" {
- \time 4/8
- \key c \minor
-
-
- << {
- \revert Stem #'direction
- \change Staff = down
- \set subdivideBeams = ##t
- g16.[
- \change Staff = up
- c'''32 \change Staff = down
- g32 \change Staff = up
- c'''32 \change Staff = down
- g16]
- \change Staff = up
- \stemUp
- \set followVoice = ##t
- c'''32([ b''16 a''16 gis''16 g''32)] } \\
- { s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d''] } \\
- { s4 \autoBeamOff d''8.. f''32 } \\
- { s4 es''4 }
- >>
- }
-
- \new Staff = "down" {
- \clef bass
- \key c \minor
- \set subdivideBeams = ##f
- \override Stem #'french-beaming = ##t
- \override Beam #'thickness = #0.3
- \override Stem #'thickness = #4.0
- g'16[ b16 fis16 g16]
- << \makeClusters {
- as16 <as b>
- <g b>
- <g cis>
- } \\
- {
- \override Staff.Arpeggio #'arpeggio-direction =#down
- <cis, e, gis, b, cis>4\arpeggio }
- >>
- }
- >>
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 60 8)
- }
- }
-
-
-
- \layout {
- ragged-right = ##t
-
- \context {
- \Staff
- \consists Horizontal_bracket_engraver
- }
-
- }
-}
+++ /dev/null
-\version "2.12.0"
-
-\header {
- texidoc ="@cindex Feta scripts
-This chart shows all articulations, or scripts, that the feta font contains.
-"
-}
-
-\score {
- <<
- \new Voice = "scripts" {
- c''\accent c''\marcato c''\staccatissimo c''\espressivo
- c''\staccato c''\tenuto c''\portato
- c''\upbow c''\downbow c''\flageolet
- c''\thumb c''^\lheel c''\rheel
- c''^\ltoe c''\rtoe c''\open
- c''\stopped c''\snappizzicato c''\turn c''\reverseturn
- c''\trill c''\prall c''\mordent
- c''\prallprall c''\prallmordent c''\upprall
- c''\downprall c''\upmordent c''\downmordent
- c''\pralldown c''\prallup c''\lineprall
- c''\signumcongruentiae c''\shortfermata c''\fermata
- c''\longfermata c''\verylongfermata c''\segno
- c''\coda c''\varcoda
- }
- \new Lyrics \lyricsto "scripts" {
- accent marcato staccatissimo espressivo
- staccato tenuto portato
- upbow downbow flageolet
- thumb lheel rheel
- ltoe rtoe open
- stopped snappizzicato turn reverseturn
- trill prall mordent
- prallprall prallmordent upprall
- downprall upmordent downmordent
- pralldown prallup lineprall
- signumcongruentiae shortfermata fermata
- longfermata verylongfermata segno
- coda varcoda
- }
- >>
- \layout {
- line-width = 5.1\in
- indent = 0.0\mm
- \context {
- \Score
- timing = ##f
- barAlways = ##t
- \override NonMusicalPaperColumn #'padding = #2.5
- }
- \context {
- \Staff
- \remove "Time_signature_engraver"
- \override BarLine #'transparent = ##t
- }
- \context {
- \Lyrics
- \override LyricText #'font-family = #'typewriter
- \override LyricText #'font-shape = #'upright
- }
- }
-}
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-% NR 1.5 Simultaneous notes
-
-% L. v. Beethoven, Op. 111
-% Piano sonata 32
-% Movt II - Arietta - Adagio molto semplice e cantabile
-% measures 108 - 118
-
-\layout {
- \context {
- \Score
- \override SpacingSpanner #'base-shortest-duration =
- #(ly:make-moment 1 18)
- \override NonMusicalPaperColumn #'line-break-system-details =
- #'((alignment-offsets . (0 -12)))
- }
-}
-
-trillflat =
- \once \override TrillSpanner #'(bound-details left text) =
- #(markup #:translate-scaled '(-0.05 . -1)
- #:concat (#:musicglyph "scripts.trill"
- #:translate '(-0.5 . 1.9) #:fontsize -7 #:flat))
-
-
-\new PianoStaff <<
-
- % RH
- \new Staff <<
- \clef treble
- \key c \major
- \time 9/16
- \set Score.currentBarNumber = #108
-
- % RH voice 1
- \new Voice {
-
- \voiceOne
- s4.
- s8.
-
- |
-
- s4.
- a''8 \p \> [ (
- g''16 ] )
-
- |
-
- g''4.
- af''8 [ (
- g''16 ] )
-
- |
-
- g''8. [
- g''8.
- g''8. \pp ]
-
- |
-
- g''8. [
- af''8.
- af''8. ]
-
- |
-
- af''8. [
- af''8.
- af''8. ]
-
- |
- \break
-
- \trillflat
- af''4. \startTrillSpan
- ~
- af''8.
- ~
-
- |
-
- af''4.
- ~
- af''8.
- ~
-
- |
-
- \oneVoice
- <af'' d''>8. [
- a''8. \p \<
- bf''8. ]
- ~
-
- |
-
- bf''8. [
- b''8.
- c'''8. ]
- ~
-
- \bar "||"
-
- \key ef \major
- c'''8. [
- cs'''8. \f ] \stopTrillSpan
- r8.
-
- }
-
- % RH voice 2
- \new Voice {
- \voiceTwo
- \override Voice.TrillSpanner #'direction = #down
- d''4. \f \startTrillSpan
- ~
- d''8.
- ~
-
- |
-
- d''4.
- ~
- d''8.
- ~
-
- |
-
- d''8. \stopTrillSpan
- \trillflat
- d''4. \startTrillSpan
- ~
-
- |
-
- d''4.
- ~
- d''8.
- ~
-
- |
-
- d''4.
- ~
- d''8.
- ~
-
- |
-
- d''4.
- ~
- d''8. \stopTrillSpan
- ~
-
- |
-
- \trillflat
- d''4. \startTrillSpan
- ~
- d''8.
- ~
-
- |
-
- d''4.
- ~
- d''8.
- ~
-
- |
-
- \once \override NoteColumn #'ignore-collision = ##t
- \once \override NoteHead #'transparent = ##t
- \once \override Dots #'transparent = ##t
- \once \override Stem #'transparent = ##t
- d''8. \stopTrillSpan
- s4.
-
- |
-
- s8.
- s8.
-
- }
-
- >>
-
- % LH staff
- \new Staff {
- \clef bass
- \key c \major
- \time 9/16
-
- r8.
- r8.
- <c! c,!>8 [ (
- <g, g,,>16 ] )
-
- |
-
- <g, g,,>4.
- \clef treble
- c''8 [ (
- b'16 ] )
-
- |
-
- b'4.
- c''8 [ (
- b'16 ] )
-
- |
-
- b'8. [
- b'8.
- b'8. ]
-
- |
-
- b'8. [
- bf'8. ]
- \clef bass
- <f f,>8 [ (
- <bf, bf,,>16 ] )
-
- |
-
- <bf, bf,,>4.
- \clef treble
- f'8 [ (
- bf16 ] )
-
- |
-
- <<
-
- \new Voice {
- \voiceOne
- \override Voice.TrillSpanner #'direction = #up
- f'4. \startTrillSpan
- ~
- f'8.
- ~
-
- |
-
- f'4.
- ~
- f'8.
- ~
-
- |
-
- f'8. \stopTrillSpan
- }
-
- \new Voice {
- \voiceTwo
- \override Voice.TrillSpanner #'direction = #down
- bf8. [
- bf8.
- bf8. ]
-
- |
-
- bf8. [
- bf8.
- bf8. ]
-
- |
-
- bf8.
- }
-
- >>
-
- \oneVoice
- r8.
- r8.
-
- |
-
- r8.
- r8.
- r8.
- \clef bass
-
- |
-
- \key ef \major
- r8.
- r8.
- r8.
-
- }
-
->>
+++ /dev/null
-\version "2.12.0"
-\include "catalan.ly"
-#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\header {
- mutopiatitle = "Napolitan Dance (Swan Lake)"
- mutopiacomposer = "TchaikovskyPI"
- mutopiainstrument = "Piano, Trumpet, Percussion"
- source = "New arrangement"
- style = "Classical"
- copyright = "Public Domain"
- maintainer = "Laurence Sardain"
- lastupdated = "2006/Dec/21"
-% title = "Le Lac des Cygnes"
-% subtitle = "Danse Napolitaine"
-% composer = "Piotr Ilitch Tchaïkovski"
-% arranger = "arr. Laurence Sardain"
-% footer = "Mutopia-2006/12/22-896"
-}
-
-trompette = \relative do'' {
- \clef treble
- \key mib \major
- \time 2/4
- R2^\markup { \italic Comodo } |
- r8 \once \override TextScript #'padding = #2.0
- sib16-.^\markup {\dynamic p \italic grazioso} do-. mib( re)-. do-. sib-. |
- re8-. r8 re4->( |
- re8) do16-. re-. mib( re) do-. re-. |
- do8-. r8 sib4-> |
-}
-
-tambourin = \relative do' {
- \time 2/4
- r8 do16 do do8 do |
- r8 do16 do do8 do |
- r8 do r do |
- r8 do16 do do8 do |
- r8 do r do |
-}
-
-tambourinMidi = \drummode {
- \time 2/4
- r8 tamb16 tamb tamb8 tamb |
- r8 tamb16 tamb tamb8 tamb |
- r8 tamb r tamb |
- r8 tamb16 tamb tamb8 tamb |
- r8 tamb r tamb |
-}
-
-upper = \relative do' {
- \clef treble
- \key mib \major
- \time 2/4
- r8\p <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
- r8 <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
- r8 <lab sib re>16-. <lab sib re>-. <lab sib re>8-. <lab sib re>-. |
- r8 <lab sib re>16-. <lab sib re>-. <lab sib re>8-. <lab sib re>-. |
- r8 <sol sib mib>16-. <sol sib mib>-. <sol sib mib>8-. <sol sib mib>-. |
-}
-
-lower = \relative do {
- \clef bass
- \key mib \major
- \time 2/4
- mib4-. r4 |
- sib-. r |
- fa'-. r |
- sib, r |
- mib4-. r4 |
-}
-
-
-\score {
- <<
- \context Staff = "trumpet" <<
- \set Staff.instrumentName = \markup { "Trumpet" \concat{ B \teeny \raise #0.4 \flat } }
- \transpose sib do'
- \trompette
- >>
- \context RhythmicStaff = "tambourin" <<
- \set Staff.instrumentName = "Tambourine"
- \tambourin
- >>
- \context PianoStaff = "prima" <<
- \set PianoStaff.instrumentName = "Piano "
- \context Staff = "uppera" \upper
- \context Staff = "lowera" \lower
- >>
- >>
- \layout { }
-}
-\score {
- <<
- \context Staff = "trumpet" {
- \set Staff.midiInstrument = "trumpet"
- \trompette
- }
- \context DrumStaff = "tambourin" {
- \tambourinMidi
- }
- \context Staff = "piano" <<
- \upper
- \lower
- >>
- >>
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 72 4)
- }
- }
-}
-
+++ /dev/null
-\version "2.12.0"
-\include "english.ly"
-#(set-global-staff-size 15)
-\paper{
- line-width = 16\cm
- indent = 0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
-}
-
-% NR 1.8 Text
-
-% L. v. Beethoven, Op. 110
-% Piano sonata 31
-% measures 1 - 7
-
-\layout {
- \context {
- \Score
- \override SpacingSpanner #'base-shortest-duration =
- #(ly:make-moment 1 20)
- %\override NonMusicalPaperColumn #'line-break-system-details =
- %#'((alignment-offsets . (0 -12)))
- }
-}
-
-\new PianoStaff <<
-
- % RH staff
- \new Staff {
- \clef treble
- \key af \major
- \time 3/4
-
- \once \override TextScript #'staff-padding = #4
- <c'' af'>4. (
- _ \markup { \dynamic p \italic { con amabilità } }
- <af' ef'>8 )
- <af' ef'>8. [
- <af' ef'>16 ]
-
- |
-
- <df'' g'>4
- <bf' g'>2
- _ \markup { \italic { ten. } }
-
- |
-
- <<
-
- \new Voice {
- \voiceOne
- ef''4. (
- df''8 [ )
- ef'' (
- f'' ) ]
-
- |
-
- \once \override TextScript #'staff-padding = #4
- ef''8. (
- _ \markup { \italic { tranqu. } }
- d''16 )
- df''8 \trill \fermata
- _ \markup { \italic { ten. } }
- }
-
- \new Voice {
- \voiceTwo
- af'4.
- af'8 [
- af'8
- af'8 ]
-
- |
-
- g'4
- g'8
- }
-
- >>
-
- \oneVoice
- \once \override TextScript #'staff-padding = #4
- df''32
- _ \markup { \italic dolce }
- c''32
- df''32
- ef''32
- \acciaccatura { df''[ ef'' ] }
- f''8
- ef''16
- df''16
-
- |
- \break
- \overrideProperty "Score.NonMusicalPaperColumn"
- #'line-break-system-details #'((alignment-offsets . (0 -12)))
-
- c''4. (
- ^ \markup \italic { cantabile, con intimissimo sentimento,
- ma sempre molto dolce e semplice }
- ef''4
- af''8 )
-
- |
-
- af''4 (
- g''2 )
-
- |
-
- bf''4. (
- g''4
- ef''8 )
-
- |
- }
-
- % LH
- \new Staff {
- \clef bass
- \key af \major
- \time 3/4
-
- <ef af,>4. (
- <ef c>8 )
- <ef c>8. [
- <ef c>16 ]
-
- |
-
- <ef bf,>4
- <ef df>2 ^ \markup { \italic ten. }
-
- |
-
- <<
-
- \new Voice {
- \voiceOne
- ef8 [ (
- af8
- c'8
- bf8 )
- c'8 ( \staccato
- df'8 ] ) \staccato
-
- |
-
- bf4
- bf8 ^ \markup { \italic ten. }
- }
-
- \new Voice {
- \voiceTwo
- c4. (
- f8 [ )
- ef8 ( \staccato
- df8 ] ) \staccato
-
- |
-
- ef4
- ef8 \fermata
- }
-
- >>
-
- \oneVoice
- r8
- r4
- \clef treble
-
- |
-
- \override Staff.SustainPedalLineSpanner #'outside-staff-priority = #1000
- \override Staff.SustainPedalLineSpanner #'staff-padding = #7
- \once \override TextScript #'padding = #2
- af16 \sustainOn
- ^ \markup \italic { non staccato }
- _ \markup \italic { molto \concat {\dynamic {p},} sempre tranquillo
- ed egualmente, non rubato }
- <ef' c'>16
- <ef' c'>16
- <ef' c'>16
- af16
- <ef' c'>16
- <ef' c'>16
- <ef' c'>16
- af16 \sustainOn
- <ef' c'>16
- <ef' c'>16
- <ef' c'>16
-
- |
-
- bf16 \sustainOn
- <ef' df'>16
- <ef' df'>16
- <ef' df'>16
- bf16 \sustainOn
- <ef' df'>16
- <ef' df'>16
- <ef' df'>16
- bf16
- <ef' df'>16
- <ef' df'>16
- <ef' df'>16
-
- |
-
- \override Staff.SustainPedalLineSpanner #'staff-padding = #4
- df'16 \sustainOn
- <bf' g' ef'>16
- <bf' g' ef'>16
- <bf' g' ef'>16
- df'16
- <bf' g' ef'>16
- <bf' g' ef'>16
- <bf' g' ef'>16
- df'16 \sustainOn
- <bf' g' ef'>16
- <bf' g' ef'>16
- <bf' g' ef'>16
-
- |
- }
-
->>
+++ /dev/null
-% #!lilypond lcp-extract.ly -*- coding: utf-8; -*-
-
-%%%
-%%% les-cinq-pieds:
-%%% extract for the lilypond documentaton project
-%%%
-
-%% Title: Les cinq pieds
-%% Composer: David Séverin
-%% Date: Juillet 2007
-%% Instrument: Violon Solo
-%% Dedication: A mon épouse Lívia De Souza Vidal
-%% Additional: avec l'aide de Krzysztof Wagenaar
-
-%% Statement:
-
-%% Here by, I, the composer, agree that this extract of my composition
-%% be in the public domain and can be part of, used and presented in
-%% the LilyPond Documention Project.
-
-%% Statement Date: Octber the 9th, 2008
-
-
-\version "2.12.0"
-#(set-global-staff-size 15)
-
-%%%
-%%% Abreviations
-%%%
-
-db = \markup { \musicglyph #"scripts.downbow" }
-dub = \markup { \line { \musicglyph #"scripts.downbow" " " \musicglyph #"scripts.upbow" } }
-dubetc = \markup { \line { \musicglyph #"scripts.downbow" " " \musicglyph #"scripts.upbow" "..." } }
-
-ub = \markup { \musicglyph #"scripts.upbow" }
-udb = \markup { \line { \musicglyph #"scripts.upbow" " " \musicglyph #"scripts.downbow" } }
-udbetc = \markup { \line { \musicglyph #"scripts.upbow" " " \musicglyph #"scripts.downbow" "..." } }
-
-fermaTa = \markup \musicglyph #"scripts.ufermata"
-
-accel = \markup \tiny \italic \bold "accel..."
-ritar = \markup \tiny \italic \bold "ritar..."
-
-ignore = \override NoteColumn #'ignore-collision = ##t
-
-
-%%
-%% Strings
-%%
-
-svib = \markup \small "s. vib."
-pvib = \markup \small "p. vib."
-mvib = \markup \small "m. vib."
-sulp = \markup \small "s.p."
-norm = \markup \small "n."
-
-quatre = \markup \teeny "IV"
-
-
-%%
-%% Shifting Notes
-%%
-
-shift = \once \override NoteColumn #'force-hshift = #0.9
-shifta = \once \override NoteColumn #'force-hshift = #1.2
-shiftb = \once \override NoteColumn #'force-hshift = #1.4
-
-
-%%
-%% Hairpin
-%%
-
-% aniente = "a niente"
-aniente = \once \override Hairpin #'circled-tip = ##t
-
-
-%%
-%% Tuplets
-%%
-
-tupletbp = \once \override Staff.TupletBracket #'padding = #2.25
-
-
-%%
-%% Flag [Note Head - Stem]
-%%
-
-noflag = \once \override Stem #'flag-style = #'no-flag
-
-%%%
-%%% Functions
-%%%
-
-#(define-markup-command (colmark layout props args)
- (markup-list?)
- (let ((entries (cons (list '(baseline-skip . 2.3)) props)
- ))
- (interpret-markup layout entries
- (make-column-markup
- (map (lambda (arg)
- (markup arg))
- (reverse args))))))
-
-
-%%%
-%%% Instruments
-%%%
-
-ViolinSolo = \relative c' {
-
- \voiceOne
-
- \set Score.markFormatter = #format-mark-box-numbers
- \override Score.VoltaBracket #'font-name = #"sans"
- \override Score.VoltaBracket #'extra-offset = #'(0 . 1)
- \override SpacingSpanner #'uniform-stretching = ##t
-
-
- %% Measure 1
- \time 25/8
- \mark \default
- r2 ^\markup \colmark { \italic "fatigué" " " \bold "lentement"} r4 r r8
- <<
- { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \svib } \shifta e1 } \\
- { d2 \open \mf \< ~ \aniente d1 \! \> r4 r ^\markup \colmark { " " \fermaTa } \! }
- >>
-
-
- %% Measure 2
- \time 7/4
- \set Score.repeatCommands = #'((volta "1) n. 2) s.p."))
- <<
- { \shift d2 \glissando ^\markup \colmark { \quatre \udbetc } \shifta e1 } \\
- { d2 \open \mf \< ~ d1 \! \> ~ d4 ^\markup \colmark { " " \fermaTa } \! }
- >>
- \set Score.repeatCommands = #'((volta #f))
-
-
- %% Measure 3
- \time 15/4
- <<
- { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
- { d2 \open \mf \< ~ d1 ~ d2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
- >>
- \break
-
- %% Measure 4
- \time 4/4
- \stemUp
- \tupletDown
- \times 2/3 { d4 ^\markup \colmark { \quatre \db \accel } d d }
- \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d }
-
-
-
- %% Measure 5
- \time 5/4
- \tupletbp \times 2/3 { d8 \mf \< ^\markup \colmark { \quatre \db \norm } d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db \sulp } d _\open d }
- \tupletbp \times 2/3 { d16 ^\markup \colmark { " " \db \norm } d _\open d d d _\open d }
- d2 \ff ^\markup \colmark { " " \pvib } \>
-
-
- %% Measure 6
- \time 5/8
- \once \override Beam #'grow-direction = #RIGHT % \featherDurations #(ly:make-moment 2 3)
- { d16 \staccato
- [ d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato d \staccato]
- }
- \break
-
-
- %% Measure 7
- \time 7/4
- \tupletbp \times 2/3 { d16 ^\markup \colmark { \quatre } d _\open d d d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db } d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db " " \sulp } d _\open d }
- \times 2/3 { d4 ^\markup \colmark { \quatre \db \ritar \norm } d d }
- \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d \ppp ~ }
-
-
- %% Measure 8
- d4 ^\markup \colmark { " " " " \pvib \norm }
- deh2 d dih \<
-
-
- %% Measure 9
- <<
- { \shift d2 \glissando ^\markup \colmark { \quatre } \shifta e1 } \\
- { d2 \open ~ d1 ^\markup \colmark { " " " " \mvib } }
- >>
- \breathe r4 \!
-
-}
-
-
-%%%
-%%% Score
-%%%
-
-\score {
-
- <<
- \relative <<
- \new Staff \ViolinSolo
- >>
-
- \override Score.Rest #'transparent = ##t
- \set Score.defaultBarType = "empty"
- >>
-
- \layout {
- indent = 0.0
- \context {
- \Staff
- \remove "Time_signature_engraver"
- }
- \context {
- \Score
- \remove "Bar_number_engraver"
- }
- }
-}
+++ /dev/null
-\version "2.12.0"
-#(set-global-staff-size 15)
-\paper {
- line-width = 16\cm
- indent = 0\cm
-}
-
-% NR 2.whatever Wind
-
-% Tchaikovsky
-% Nutcracker Suite, VII Dance of the Merlitons
-\score {
- \new StaffGroup <<
- \new Staff \relative c'' {
- \set Staff.instrumentName = "Flauto I,II"
- \once \override Score.RehearsalMark #'self-alignment-X = #-1
- \once \override Score.RehearsalMark #'break-align-symbols =
-#'(time-signature)
- \once \override Score.TimeSignature
-#'break-align-anchor-alignment = #LEFT
- \once \override Score.RehearsalMark #'padding = #4
- \mark \markup \large \bold {Moderato assai}
- \key d \major
- \time 2/4
- \compressFullBarRests
- R2*2
- <d a>16-.\p <cis g>-. <d a>-. <cis g>-. <d a>8-. <cis g>-.
- <e a,>-.\< <d a>32( <fis d> <a fis> <d a> <fis d>4--)\mf
- <g d>16-. <fis cis>-. <g d>-. <fis cis>-.
- <e b>(\> <d a>) <a fis>-. <fis d>-.\!
- <d bes>4--\sf \acciaccatura {<d' bes>8} <cis a>4--\mf
- }
- \new Staff \relative c' {
- \set Staff.instrumentName = "Flauto III"
- \key d \major
- \time 2/4
- \compressFullBarRests
- R2*2_\markup{Gr.Fl.}
- fis16-.\p e-. fis-. e-. fis8-. e-.
- g8-.\< fis32( a d fis a4--)\mf
- b16-. a-. b-. a-. g(\> fis) d-. a-.\!
- g4--\sf \acciaccatura fis'8 g4--\mf
- }
- >>
-}
-
LILYPOND_BOOK_INCLUDES = -I $(src-dir)/ -I $(outdir) -I $(input-dir) \
-I $(top-src-dir)/Documentation -I $(top-src-dir)/Documentation/snippets \
- -I $(input-dir)/regression/ -I $(input-dir)/manual/ \
+ -I $(input-dir)/regression/ -I $(top-src-dir)/Documentation/included/ \
-I $(input-dir)/tutorial/ -I $(top-build-dir)/mf/$(outconfbase)/ \
- -I $(top-build-dir)/mf/out/ -I $(top-src-dir)/input/manual \
+ -I $(top-build-dir)/mf/out/ \
-I $(top-src-dir)/Documentation/pictures \
-I $(top-build-dir)/Documentation/pictures/$(outdir)
echo -e '\n\n\n' ; \
(cd $(top-src-dir) && git diff ) ; \
fi > $(outdir)/tree.gittxt
- $(MAKE) LILYPOND_BOOK_LILYPOND_FLAGS="-dbackend=eps --formats=ps $(LILYPOND_JOBS) -dseparate-log-files -dinclude-eps-fonts -dgs-load-lily-fonts --header=texidoc -I $(top-src-dir)/input/manual -ddump-profile -dcheck-internal-types -ddump-signatures -danti-alias-factor=1" LILYPOND_BOOK_VERBOSE= $(outdir)/collated-files.html LYS_OUTPUT_DIR=$(top-build-dir)/out/lybook-testdb
+ $(MAKE) LILYPOND_BOOK_LILYPOND_FLAGS="-dbackend=eps --formats=ps $(LILYPOND_JOBS) -dseparate-log-files -dinclude-eps-fonts -dgs-load-lily-fonts --header=texidoc -I $(top-src-dir)/Documentation/included/ -ddump-profile -dcheck-internal-types -ddump-signatures -danti-alias-factor=1" LILYPOND_BOOK_VERBOSE= $(outdir)/collated-files.html LYS_OUTPUT_DIR=$(top-build-dir)/out/lybook-testdb
rsync -L -a --exclude 'out-*' --exclude 'out' --exclude mf --exclude source --exclude mf $(top-build-dir)/out/share $(outdir)
projects / lilypond.git / commitdiff