@lilypond[quote,verbatim,relative=1]
<c e g> ~ <c e g>
-<c ~ e g ~ b> <c e g b>
+<c~ e g~ b> <c e g b>
@end lilypond
@cindex repeating ties
@c \time 16/1 is used to avoid spurious bar lines
@c and long tracts of empty measures
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
\new Staff {
% These two lines are just to prettify this example
\time 16/1
contexts to be created if none exist, just like notes and rests
do:
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
s1 s s
@end lilypond
@code{\skip} simply skips musical time; it creates no output of
any kind.
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
% This is valid input, but does nothing
\skip 1 \skip1 \skip 1
@end lilypond
always be an integral number of measure-lengths, so augmentation dots
or fractions must often be used:
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
\compressFullBarRests
\time 2/4
R1 | R2 |
A full-measure rest is printed as either a whole or breve rest,
centered in the measure, depending on the time signature.
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
\time 4/4
R1 |
\time 6/4
rest can be shown as a single measure containing a multi-measure rest
symbol, with the number of measures of rest printed above the measure:
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
% Default behavior
\time 3/4 r2. | R2.*2 |
\time 2/4 R2 |
The predefined command @code{\fermataMarkup}
is provided for adding fermatas.
-@lilypond[quote,verbatim]
+@lilypond[quote,verbatim,relative=2]
\compressFullBarRests
\time 3/4
R2.*10^\markup { \italic "ad lib." }
be directed to the correct object, or they will be ignored. See the
following example:}
-@lilypond[quote,verbatim,fragment]
+@lilypond[quote,verbatim,relative=2]
% This fails, as the wrong object name is specified
\override TextScript #'padding = #5
R1^"wrong"