@end ignore
+@item
+@code{stringTunings} property values have changed from a list of
+semitones above middle C to a list of LilyPond pitch values.
+convert-ly will handle the change automatically where the value
+of @code{stringTunings} is set to a Scheme constant value.
+
+New commands @code{makeStringTuning} and @code{contextStringTuning}
+allow the creation of string tunings in the form of a Lilypond
+chord construct.
+
@item
By using @code{\cueDuringWithClef}, cue notes can now also have their own
clef, which is correctly reset at the end of the cue notes. At the begin
@lilypond[verbatim,quote,relative=1]
\new TabStaff
\with {
- stringTunings = #'(17 14 9 5 2 -3)
+ stringTunings = #`(,(ly:make-pitch 1 3 NATURAL)
+ ,(ly:make-pitch 1 1 NATURAL)
+ ,(ly:make-pitch 0 5 NATURAL)
+ ,(ly:make-pitch 0 3 NATURAL)
+ ,(ly:make-pitch 0 1 NATURAL)
+ ,(ly:make-pitch -1 5 NATURAL))
tablatureFormat = #fret-letter-tablature-format
}
\new TabVoice {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.13.36"
+@c \version "2.13.46"
@c Translators: Till Paala
\mynotes
}
\new TabStaff {
- \set TabStaff.stringTunings = #'(21 14 7 0)
+ \set TabStaff.stringTunings = #`(,(ly:make-pitch 1 5 0)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 4 0)
+ ,(ly:make-pitch 0 0 0))
\mynotes
}
>>
@lilypond[verbatim,quote,relative=1]
\new TabStaff
\with {
- stringTunings = #'(17 14 9 5 2 -3)
+ stringTunings = #`(,(ly:make-pitch 1 3 NATURAL)
+ ,(ly:make-pitch 1 1 NATURAL)
+ ,(ly:make-pitch 0 5 NATURAL)
+ ,(ly:make-pitch 0 3 NATURAL)
+ ,(ly:make-pitch 0 1 NATURAL)
+ ,(ly:make-pitch -1 5 NATURAL))
tablatureFormat = #fret-letter-tablature-format
}
\new TabVoice {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.36"
+@c \version "2.13.46"
@node Instrumentos de cuerda con trastes
@section Instrumentos de cuerda con trastes
\mynotes
}
\new TabStaff {
- \set TabStaff.stringTunings = #'(21 14 7 0)
+ \set TabStaff.stringTunings = #`(,(ly:make-pitch 1 5 0)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 4 0)
+ ,(ly:make-pitch 0 0 0))
\mynotes
}
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.36"
+@c \version "2.13.46"
@c Translators: Matthieu Jacquot
@c Translation checkers: Jean-Charles Malahieude
\mynotes
}
\new TabStaff {
- \set TabStaff.stringTunings = #'(21 14 7 0)
+ \set TabStaff.stringTunings = #`(,(ly:make-pitch 1 5 0)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 4 0)
+ ,(ly:make-pitch 0 0 0))
\mynotes
}
>>
--- /dev/null
+\version "2.13.46"
+
+#(define (filter-instrument instrument-name tuning-alist)
+ (filter (lambda (entry)
+ (string-prefix? instrument-name
+ (symbol->string (car entry))))
+ tuning-alist))
+
+#(define (chord-display tuning-alist-entry)
+ (let* ((ch-mus (cdr tuning-alist-entry))
+ (tuning-symbol (car tuning-alist-entry))
+ (ev-chord (car (extract-named-music
+ ch-mus
+ 'EventChord)))
+ (elts (ly:music-property ev-chord 'elements)))
+ (music-map (lambda (m)
+ (begin
+ (if (not (null? (ly:music-property m 'duration)))
+ (ly:music-set-property!
+ m
+ 'duration
+ (ly:make-duration 0 0 1 1)))
+ m))
+ ev-chord)
+ (let ((elts (ly:music-property ev-chord 'elements))
+ (script (make-music 'TextScriptEvent
+ 'direction 1
+ 'text (symbol->string tuning-symbol))))
+ (ly:music-set-property!
+ ev-chord
+ 'elements
+ (cons script elts)))
+ ev-chord))
+
+displayInstrumentDefaultTunings =
+#(define-music-function (parser location instrument) (string?)
+ (let* ((filtered-instruments (filter-instrument instrument defaultStringTunings))
+ (display-elements (map chord-display filtered-instruments)))
+ (make-music 'SequentialMusic 'elements display-elements)))
+
+
+\score {
+ {
+ \new Staff {
+ \textLengthOn
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+
+ \mark \markup {\left-align "Guitar tunings"}
+ \clef "treble_8"
+ \displayInstrumentDefaultTunings #"guitar"
+ \break
+
+ \mark \markup {\left-align "Bass tunings"}
+ \clef "bass_8"
+ \displayInstrumentDefaultTunings #"bass"
+ \break
+
+ \mark \markup {\left-align "Mandolin tunings"}
+ \clef "treble"
+ \displayInstrumentDefaultTunings #"mandolin"
+ \break
+
+ \mark \markup {\left-align "Banjo tunings"}
+ \clef "treble_8"
+ \displayInstrumentDefaultTunings #"banjo"
+ \break
+
+ \mark \markup {\left-align "Ukulele tunings"}
+ \clef "treble"
+ \displayInstrumentDefaultTunings #"ukulele"
+ \clef "alto"
+ \displayInstrumentDefaultTunings #"tenor-ukulele"
+ \displayInstrumentDefaultTunings #"baritone-ukulele"
+ \break
+
+ \mark \markup {\left-align "Orchestral string tunings"}
+ \clef "treble"
+ \displayInstrumentDefaultTunings #"violin"
+ \clef "alto"
+ \displayInstrumentDefaultTunings #"viola"
+ \clef "bass"
+ \displayInstrumentDefaultTunings #"cello"
+ \clef "bass_8"
+ \displayInstrumentDefaultTunings #"double-bass"
+ }
+ }
+}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.36"
+@c \version "2.13.46"
@node Fretted string instruments
@section Fretted string instruments
@cindex tablature, predefined string tunings
@cindex fretted instruments, predefined string tunings
@cindex predefined string tunings for fretted instruments
+@cindex tablature, violin
+@cindex tablature, viola
+@cindex tablature, cello
+@cindex tablature, bass
+@cindex tablature, double bass
@funindex StringTunings
@code{stringTunings} property.
LilyPond comes with predefined string tunings for banjo, mandolin,
-guitar, bass guitar and ukulele. LilyPond automatically sets
+guitar, bass guitar, ukulele, violin, viola, cello, and double bass.
+LilyPond automatically sets
the correct transposition for predefined tunings. The following
example is for bass guitar, which sounds an octave lower than
written.
is the standard EADGBE tuning. Some other predefined tunings are
@code{guitar-open-g-tuning}, @code{mandolin-tuning} and
@code{banjo-open-g-tuning}. The predefined string tunings
-are found in @file{scm/tablature.scm}.
+are found in @file{ly/string-tuning-init.ly}.
+
+@funindex contextStringTunings
+@funindex \contextStringTunings
+@cindex tablature, custom string tunings
+@cindex custom string tunings
+
+Any desired string tuning can be created. The
+@code{\contextStringTuning} function can be
+used to define a string tuning and set it as the
+@code{stringTunings} for the current context.
+@code{\contextStringTuning} takes two arguments: the
+symbol in which the string tuning, and a chord construct
+that defines the pitches of each string in the tuning.
+The chord construct must be in absolute octave mode,
+see @ref{Absolute octave entry}. The string
+with the highest number (generally the lowest string) must
+come first in the chord. For example, we can
+define a string tuning for a four-string instrument with pitches
+of @code{a''}, @code{d''}, @code{g'}, and @code{c'}:
+
+@lilypond[quote,verbatim]
+
+mynotes = {
+ c'4 e' g' c'' |
+ e''4 g'' b'' c'''
+}
+
+<<
+ \new Staff {
+ \clef treble
+ \mynotes
+ }
+ \new TabStaff {
+ \contextStringTuning #'custom-tuning <c' g' d'' a''>
+ \mynotes
+ }
+>>
+@end lilypond
+
+The @code{stringTunings} property is also used by
+@code{FretBoards} to calculate automatic fret diagrams.
+
+@funindex makeStringTuning
+@funindex \makeStringTuning
+
+String tunings are used as part of the hash key
+for predefined fret diagrams
+(see @ref{Predefined fret diagrams}). The @code{\makeStringTuning}
+function is used to create a string tuning without setting the
+@code{stringTunings} property in the current context. The
+arguments to @code{\makeStringTuning} are the symbol to be
+used for the new string tuning and a chord construct used
+to define the tuning.
+The previous example could also be written as follows:
+
+@lilypond[quote,verbatim]
+\makeStringTuning #'custom-tuning <c' g' d'' a''>
-A string tuning is a Scheme list of string pitches,
+mynotes = {
+ c'4 e' g' c'' |
+ e''4 g'' b'' c'''
+}
+
+<<
+ \new Staff {
+ \clef treble
+ \mynotes
+ }
+ \new TabStaff {
+ \set TabStaff.stringTunings = #custom-tuning
+ \mynotes
+ }
+>>
+@end lilypond
+
+Internally, a string tuning is a Scheme list of string pitches,
one for each string, ordered by string number from 1 to N,
where string 1 is at the top of the tablature staff and
string N is at the bottom. This ordinarily results in ordering
from highest pitch to lowest pitch, but some instruments
(e.g. ukulele) do not have strings ordered by pitch.
-A string pitch in a string tuning list is the pitch difference
-of the open string from middle C measured in semitones. The
-string pitch must be an integer. LilyPond calculates the actual
-pitch of the string by adding the string tuning pitch to the
-actual pitch for middle C.
-
-LilyPond automatically calculates the number of strings in the
-@code{TabStaff} as the number of elements in @code{stringTunings}.
-
-Any desired string tuning can be created. For example, we can
-define a string tuning for a four-string instrument with pitches
-of @code{a''}, @code{d''}, @code{g'}, and @code{c'}:
+A string pitch in a string tuning list is a LilyPond pitch
+object. Pitch objects are created with the Scheme function
+@code{ly:make-pitch} (see @ref{Scheme functions}).
+If desired, a string tuning can be created as a Scheme
+literal. The example below recreates the examples above,
+but the string tuning is not saved as a separate object:
@lilypond[quote,verbatim]
mynotes = {
\mynotes
}
\new TabStaff {
- \set TabStaff.stringTunings = #'(21 14 7 0)
+ \set TabStaff.stringTunings = #`(,(ly:make-pitch 1 5 0)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 4 0)
+ ,(ly:make-pitch 0 0 0))
\mynotes
}
>>
@end lilypond
+LilyPond automatically calculates the number of strings in the
+@code{TabStaff} and the number of strings in an automatically
+calculated @code{FretBoard} as the number of elements
+in @code{stringTunings}.
+
@cindex moderntab clef
@cindex clef, moderntab
@cindex clef, tab
The modern tab clef supports tablatures from 4 to 7 strings.
@seealso
+Notation Reference:
+@ref{Absolute octave entry},
+@ref{Predefined fret diagrams},
+@ref{Scheme functions}.
+
Installed Files:
+@file{ly/string-tuning-init.ly}
@file{scm/tablature.scm}.
Snippets:
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.36"
+@c \version "2.13.46"
@node Notation manual tables
@appendix Notation manual tables
@menu
* Chord name chart::
* Common chord modifiers::
+* Predefined string tunings::
* Predefined fretboard diagrams::
* MIDI instruments::
* List of colors::
@end multitable
+@node Predefined string tunings
+@appendixsec Predefined string tunings
+
+The chart below shows the predefined string tunings.
+
+@lilypondfile{display-predefined-string-tunings.ly}
+
@node Predefined fretboard diagrams
@appendixsec Predefined fretboard diagrams
\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los símbolos específicos de acordeón discanto se escriben mediante
@code{\\markup}. Se puede trucar la colocación vertical de los
\header {
lsrtags = "chords, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al escribir un bajo cifrado, podemos situar las cifras encima o debajo
\header {
lsrtags = "pitches, staff-notation, vocal-music"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Añadir un ámbito por voz"
texidoces = "
Se puede añadir un ámbito por cada voz. En este caso, el ámbito se
\header {
lsrtags = "staff-notation, contexts-and-engravers, breaks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al añadir un pentagrama nuevo en un salto de línea, por desgracia
se añade un espacio adicional al final de la línea antes del salto
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede añadir (posiblemente de forma temporal) un pentagrama
nuevo una vez que la pieza ha comenzado.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para añadir indicaciones de línea divisoria dentro del contexto de
los nombres de acorde @code{ChordNames}, incluya el grabador
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La sintaxis de LilyPond puede implicar muchas colocaciones poco
comunes para los paréntesis, corchetes, etc, que a veces se tienen
\header {
lsrtags = "rhythms, percussion"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Mediante la utilización de las potentes herramientas preconfiguradas
como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para añadir digitaciones a las tablaturas, utilice una combinación de
@code{\\markup} y @code{\\finger}.
\header {
lsrtags = "staff-notation, vocal-music"
-%% Translation of GIT committish: 4c1aa3b16f7b94ca32b0c022f60ed66826d031b0
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este ejemplo muestra una forma de simplificar la adición de muchas
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La función @code{\\parenthesize} es un truco especial que encierra
objetos entre paréntesis. El grob asociado es @code{ParenthesesItem}.
\header {
lsrtags = "text, titles"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Con algo de código de Scheme, se puede añadir fácilmente la fecha
actual a una partitura.
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El grabador @code{Volta_engraver} reside de forma predeterminada
dentro del contexto de @code{Score}, y los corchetes de la repetición
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Voces adicionales para evitar colisiones"
texidoces = "
En ciertos casos de polifonía compleja, se necesitan voces adicionales
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede ajustar la separación entre las notas de adorno utilizando la
propiedad @code{spacing-increment} de @code{Score.GraceSpacing}.
% Do not edit this file; it is automatically
% generated from Documentation/snippets/new
% This file is in the public domain.
-%% Note: this file works from version 2.13.39
-\version "2.13.42"
+%% Note: this file works from version 2.13.42
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 0b3f8eb5000541aacdb027a93db57c199fd8ba04
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este fragmento de código muestra cómo situar la línea de base de la
letra más cerca del pentagrama.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Puede ser necesario trucar la propiedad
@code{shortest-duration-space} para poder ajustar el tamaño de las
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La alineación horizontal de los nombres de instrumento se puede
trucar modificando la propiedad @code{Staff.InstrumentName
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los números de compás se alinean de forma predeterminada por la
\header {
lsrtags = "text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si están especificadas, las marcas de texto se pueden alinear con
objetos de notación distintos a las líneas divisorias. Entre estos
\header {
lsrtags = "editorial-annotations, fretted-strings, spacing"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las cifras de digitación orientadas verticalmente se colocan de forma
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede variar la longitud de las plicas de las figuras unidas por
una barra mediante la sobreescritura de la propiedad
\header {
lsrtags = "pitches, vocal-music"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Ámbitos con varias voces"
texidoces = "
La adición del grabador @code{Ambitus_engraver} al contexto de
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
De forma predeterminada se añaden corchetes de análisis sencillos
debajo del pentagrama. El ejemplo siguiente muestra una manera de
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Aquí se muestran muchos de (¿o quizá todos?) los símbolos que
están contemplados por la capacidad de LilyPond para la música
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "vocal-music, ancient-notation, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este ejemplo muestra cómo hacer una transcripción moderna de canto
gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
\header {
lsrtags = "ancient-notation, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al transcribir música mensural, es útil un «incipit» al compienzo
de la pieza para indicar la tonalidad y el tempo
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las indicaciones de compás también se pueden grabar en estilo antiguo.
\header {
lsrtags = "pitches, editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Aplicar estilos de cabeza según la nota de la escala"
texidoces = "
La propiedad @code{shapeNoteStyles} se puede usar para definir varios
\header {
lsrtags = "world-music"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para las improvisaciones o @emph{taqasim} que son libres durante unos
momentos, se puede omitir la indicación de compás y se puede usar
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede hacer que una ligadura de expresión sea asimétrica para
adaptarse mejor a un patrón asimétrico de notas.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden subdividir las barras automáticamente. Estableciendo la
propiedad @code{subdivideBeams}, las barras se subdividen en
\header {
lsrtags = "rhythms, editorial-annotations, chords, tweaks-and-overrides"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: cde045f4e833aa491fb63f2222e14bef49507577
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las reglas de final de barra especificadas en el contexto
@code{Score} se aplican a todos los pentagramas, pero se pueden
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
No está especificada ninguna agrupación predeterminada automática
de las barras para el compás de 7/8, de forma que si se requieren
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Normalmente están prohibidos los saltos de línea si las barras
atraviesan las líneas divisorias. Se puede cambiar este
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La instrucción @code{\\whiteout} intercala un rectángulo blanco
debajo de un elemento de marcado. Este rectángulo blanco no tapa
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para hacer invisibles partes de un regulador de crescendo, se usa
el método de dibujar un rectángulo blanco encima de la parte
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
A veces se denota una «cesura» mediante una doble marca de respiración
parecida a las vías del tren, con un calderón encima. Este fragmento
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este ejemplo proporciona una función para tipografiar un regulador con
texto por debajo, como @qq{molto} o @qq{poco}. El ejemplo ilustra
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
lsrtags = "text, tweaks-and-overrides, contexts-and-engravers"
\header {
lsrtags = "expressive-marks, unfretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para hacer más pequeño el círculo de @code{\\flageolet} (armónico)
utilice la siguiente función de Scheme.
\header {
lsrtags = "simultaneous-notes, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden modificar notas individuales de un acorde con la instrucción
@code{\\tweak}, alterando la propiedad @code{font-size}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se insertan automáticamente barras en ángulo cuando se detecta un
intervalo muy grande entre las notas. Se puede hacer un ajuste
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede establecer el separador entre las distintas partes del
nombre de un acorde para que sea cualquier elemento de marcado.
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Cambiar la forma de los silencios multicompás"
texidoces = "
Si hay diez compases de silencio o menos, se imprime en el pentagrama
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\version "2.13.39"
\header {
+%% Translation of GIT committish: d7cf09411ee80eaf0092af0aa532de64c0c6248e
+ texidocfr = "
+Lorsque LilyPond génère un fichier MIDI, chaque portée sera par défaut
+affectée à un canal, quel que soit le nombre de voix qu'elle contient.
+Ceci permet d'éviter de se retrouver à court de canaux, sachant qu'il
+n'y en a que seize de disponibles.
+
+Le fait de déplacer le @code{Staff_performer} dans le contexte
+@code{Voice} permet d'affecter à chaque voix d'une même portée un canal
+MIDI spécifique. Dans l'exemple suivant, la même portée donnera lieu à
+deux canaux MIDI différents, chacun étant affecté de son propre
+@code{midiInstrument}.
+
+"
+ doctitlefr = "Affectation d'un canal MIDI par voix"
+
lsrtags = "contexts-and-engravers, midi"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+
+
+
+
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al producir una salida MIDI, el comportamiento predeterminado es
que cada pentagrama representa un canal MIDI, con todas las voces
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al utilizar la posibilidad de combinación automática de partes, se
puede modificar el texto que se imprime para las secciones de solo
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede modificar el texto empleado para los crescendos y
decrescendos modificando las propiedades de contexto
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Es posible ajustar la separación en las indicaciones de tesitura.
\header {
lsrtags = "expressive-marks, editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede cambiar el aspecto de las ligaduras de expresión de
continuas a punteadas o intermitentes.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El glifo de la marca de respiración se puede ajustar
sobreescribiendo la propiedad de texto del objeto de presentación
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La nomenclatura inglesa (predeterminada) para los acordes del cifrado
americano se puede cambiar por la alemana (@code{\\germanChords}
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este código muestra cómo cambiar la cantidad de puntillos de una nota.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las alteraciones y los signos «más» pueden aparecer antes o
después de los números, según el valor de las propiedades
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "rhythms, tweaks-and-overrides, midi"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para cambiar el tempo en la salida MIDI sin
imprimir nada, hacemos invisible la indicación metronómica:
\header {
lsrtags = "keyboards, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede usar @code{Staff.pedalSustainStrings} para fijar el texto de
las indicaciones de pisar pedal y levantar pedal. Observe que las
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La instrucción @code{\\time} establece las propiedades
@code{timeSignatureFraction}, @code{beatLength}, @code{beatGrouping} y
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Cambiar el número del grupo especial"
texidoces = "
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La propiedad @code{measureLength}, junto con
@code{measurePosition}, determina cuándo es necesario dibujar una
\header {
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este tipo de notación se utiliza para el canto de los Salmos, en
que las estrofas no siempre tienen la misma longitud.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede usar la propiedad @code{chordNameExceptions} para
almacenar una lista de notaciones espaciales para acordes
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La presentación del acorde de séptima mayor se
puede ajustar mediante majorSevenSymbol.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede hacer que los diagramas de posiciones se muestren sólo
cuando el acorde cambia o al comienzo de una nueva línea.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
\paper {
ragged-right = ##f
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este código muestra cómo recortar (extraer) fragmentos a partir de una
partitura completa.
\header {
lsrtags = "simultaneous-notes, chords, keyboards"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los «clusters» o racimos son un mecanismo para indicar la
interpretación de un ámbito de notas al mismo tiempo.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Ciertas indicaciones dinámicas pueden llevar textos (como @qq{più
forte} o @qq{piano subito}). Se pueden producir usando un bloque
\header {
lsrtags = "simultaneous-notes, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La herramienta de combinación de partes (instrucción
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Indicaciones de compases compuestos"
texidoces = "
Las indicaciones de compás poco frecuentes como @qq{5/8} se pueden
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La agrupación de pulsos dentro de un compás está controlada por la
propiedad de contexto @code{beatStructure}. Hay establecidos valores
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede tipografiar un gissando contemporáneo sin nota final
utilizando una nota oculta y temporalización de cadenza.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La visibilidad de los objetos de extensión que acaban en la primera
\header {
lsrtags = "editorial-annotations, chords, keyboards, fretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede controlar con precisión la colocación de los números de
digitación. Para que se tenga en cuenta la orientación de las
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El orden vertical que ocupan las inscripciones gráficas está
controlado con la propiedad @code{'script-priority}. Cuanto más
\version "2.13.39"
\header {
-%% Translation of GIT committish: 67e7cb93611fa389c7e86c6e47e894ff30a8395c
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El comportamiento predeterminado de la visibilidad de los corchetes de
+
+
+
+
%% Translation of GIT committish: 190a067275167c6dc9dd0afef683d14d392b7033
texidocfr = "
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La creación de un grupeto circular de anticipación entre dos notas,
donde la nota inferior del grupeto utiliza una alteración, requiere
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
En una música que tenga muchas apariciones de la
misma secuencia de notas a distintas alturas, podría ser de
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede trazar un símbolo de arpegio entre notas de distintas
voces que están sobre el mismo pentagrama si el grabador
\header {
lsrtags = "staff-notation, editorial-annotations, contexts-and-engravers, paper-and-layout"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para crear pentagramas en blanco, genere compases vacíos y después
elimine el grabador de números de compás @code{Bar_number_engraver}
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
cruce entre los pentagramas ajustando la propiedad
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden crear arpegios que se cruzan entre pentagramas dentro de
contextos distintos a @code{GrandStaff}, @code{PianoStaff} y
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden crear indicaciones metronómicas nuevas en modo de
marcado, pero no cambian el tempo en la salida MIDI.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Aunque la manera más fácil de añadir paréntesis a una indicación
de dinámica es utilizar un bloque @code{\\markup}, este método
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
A diferencia de las inscripciones de texto, las lestras de ensayo
no se pueden apilar en un punto concreto de la partitura: sólo se
\header {
lsrtags = "expressive-marks, keyboards, unfretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
En determinadas situaciones es necesario crear ligaduras de
expresión entre notas que están en voces distintas.
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las instrucciones @code{\\startTextSpan} y @code{\\stopTextSpan}
permiten la creación de elementos de extensión textuales tan
\header {
lsrtags = "repeats, keyboards"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden tipografiar «custos» en diferentes estilos.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 47c3d16c5044555afa49637310a7ee324b06af51
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones de acordes por medio de @code{'fret-diagram-details}.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones a través de @code{'fret-diagram-details}. Para los
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La dirección predeterminada de las plicas sobre la tercera línea
del pentagrama está determinada por la propiedad
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este ejemplo demuestra cómo se puede definir el grabador de ámbito en
-%% Do not edit this file; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.39"
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.46
+\version "2.13.46"
\header {
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
+ texidoces = "
+
+Se pueden añadir diagramas de posiciones predefinidas para
+instrumentos nuevos además de los estándar que se usan para la
+guitarra. Este archivo muestra cómo se hace, definiendo una afinación
+nueva y unas cuantas posiciones para el cuatro venezolano.
+
+Este archivo también muestra cómo se pueden incluir las digitaciones
+en los acordes que se usan como puntos de referencia para la búsqueda
+de acordes en la tabla, y mostrarse en el diagrama de posiciones y la
+tablatura @code{TabStaff}, pero no en la música.
+
+Estas posiciones no se pueden transportar porque contienen información
+de las cuerdas. Hay planes para corregir esto en un futuro.
+
+"
+ doctitlees = "Definición de posiciones predefinidas para otros instrumentos"
+
+
+%% Translation of GIT committish: f23429bc5cfa9d141ef7b4509afc46c140308a1e
+ texidocde = "
+Vordefinierte Bunddiagramme können für neue Instrumente hinzugefügt werden
+neben denen, die schon für die Gitarre definiert sind. Dieses Schnipsel
+zeigt, wie man eine neue Saitenstimmung definiert und dann eigene vordefinierte
+Bunddiagramme bestimmt. Das Beispiel ist für das venezualische Cuatro.
+
+Dieses Schnipsel zeigt auch, wie Fingersatz in die Akkorde eingebunden
+werden kann, um als Referenzpunkt für die Akkordauswahl benutzt werden
+kann. Dieser Fingersatz wird im Bunddiagramm und in der Tabulatur,
+aber nicht in den Noten angezeigt.
+
+Diese Bunddiagramme sind nicht transponierbar, weil sie Saiteninformationen
+enthalten. Das soll in der Zukunft verbessert werden.
+
+"
+ doctitlede = "Eigene vordefinierte Bunddiagramme für andere Instrumente erstellen"
+
+%% Translation of GIT committish: 4ab2514496ac3d88a9f3121a76f890c97cedcf4e
+
+ texidocfr = "
+La liste des diagrammes standards prédéfinis pour la guitare peut être
+augmentée d'autres définitions spécifiques à d'autres instruments.
+Voici comment définir un nouvel accordage ainsi que quelques diagrammes
+prédéfinis pour le @qq{cuatro vénézuélien}.
+
+Cet exemple illustre aussi la manière d'ajouter des doigtés aux
+accords ; ils serviront de référence pour la boucle d'accord et seront
+indiqués dans les diagrammes et le @code{TabStaff}, mais pas dans la musique.
+
+Ces diagrammes ne peuvent pas être transposés, dans la mesure où ils
+contiennent des informations sur les cordes. Ceci est amené à évoluer.
+
+"
+ doctitlefr = "Création de diagrammes de fret prédéfinis pour d'autres instruments"
+
+
lsrtags = "fretted-strings"
%% Translation of GIT committish: cde045f4e833aa491fb63f2222e14bef49507577
doctitle = "Defining predefined fretboards for other instruments"
} % begin verbatim
+
% add FretBoards for the Cuatro
% Note: This section could be put into a separate file
% predefined-cuatro-fretboards.ly
% and \included into each of your compositions
-cuatroTuning = #'(11 18 14 9)
+cuatroTuning = #`(,(ly:make-pitch 0 6 0)
+ ,(ly:make-pitch 1 3 SHARP)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 5 0))
dSix = { <a\4 b\1 d\3 fis\2> }
dMajor = { <a\4 d\1 d\3 fis \2> }
\new FretBoards {
\set stringTunings = #cuatroTuning
- \override FretBoard
- #'(fret-diagram-details string-count) = #'4
+% \override FretBoard
+% #'(fret-diagram-details string-count) = #'4
\override FretBoard
#'(fret-diagram-details finger-code) = #'in-dot
\primeros
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si hay un solo pentagrama en un de los tipos de sistema
@code{ChoirStaff} o @code{StaffGroup}, el comportamiento
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
He aquí una forma de imprimir un acorde en el que suena la misma nota
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al trabajar con los callbacks de un grob, puede ser de mucha ayuda
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
texidoces = "
En las obras de principios del s.XX, empezando por Schoenberg, Berg y
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Funciones postfijas para la creación de objetos de extensión de texto
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los objetos de extensión \cresc, \dim y \decresc ahora se pueden
lsrtags = "expressive-marks, tweaks-and-overrides"
- texidoc = "The \cresc, \dim and \decresc spanners can now be redefined as
-postfix operators and produce one text spanner. Defining custom spanners is
-also easy. Hairpin and text crescendi can be easily mixed. \< and \> produce
-hairpins by default, \cresc etc. produce text spanners by default.
-"
+ texidoc = "Custom text spanners can be defined and used with hairpin
+ and text crescendos. @code{\<} and @code{\>} produce hairpins by
+ default, @code{\\cresc} etc. produce text spanners by default."
doctitle = "Dynamics text spanner postfix"
} % begin verbatim
'span-direction START
'span-type 'text
'span-text "cresc. poco a poco")
-% Redefine the existing \cresc, \dim and \decresc commands to use postfix syntax
-cresc =
-#(make-music 'CrescendoEvent
- 'span-direction START
- 'span-type 'text
- 'span-text "cresc.")
-dim =
-#(make-music 'DecrescendoEvent
- 'span-direction START
- 'span-type 'text
- 'span-text "dim.")
-decresc =
-#(make-music 'DecrescendoEvent
- 'span-direction START
- 'span-type 'text
- 'span-text "decresc.")
\relative c' {
c4\cresc d4 e4 f4 |
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede insertar códico PostScript directamente dentro de un
bloque @code{\\markup}.
\header {
lsrtags = "contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Del problema central de la notación, esto es, crear un determinado
símbolo, se encargan los «plugins» o complementos añadidos. Cada
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Grabado manual de las ligaduras"
texidoces = "
Se pueden grabar a mano las ligaduras modificando la propiedad
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Escribir varios grupos especiales usando una sola instrucción \\times"
texidoces = "
La propiedad @code{tupletSpannerDuration} establece cuánto debe durar
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede simular un @qq{hammer} o ligado ascendente con ligaduras de
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
\paper {
ragged-right = ##f
\header {
lsrtags = "winds"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden conseguir símbolos especiales combinando glifos existentes,
lo que es de utilidad para la notación de instrumentos de viento.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
En este ejemplo se combinan las digitaciones de la mano izquierda,
indicaciones del número de cuerda y digitaciones de la mano
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Son posibles tanto los corchetes rectos sobre notas sueltas como
extremos de barra sueltos en figuras unidas, con una combinación de
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Forzar el desplazamiento horizontal de las notas"
\header {
lsrtags = "vocal-music"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si LilyPond no cree que haya sitio suficiente para un guión separador
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 67e7cb93611fa389c7e86c6e47e894ff30a8395c
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden crear tablas alternativas de diagramas de posiciones. Se
% on melodies from Bellini's "Norma" %
%*****************************************************************%
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este fragmento de código basado en Scheme genera
24 notas aleatorias (o tantas como se necesiten), basándose en la
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
En muchos casos, las llaves que no están en la columna central se
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede cambiar el aspecto de las líneas de rejilla
sobreescribiendo algunas de sus propiedades.
%% Translation of GIT committish: 9ccf7f0f5e52e074f3b7852416ad5b78718395c8
texidocfr = "
-Modifier certaines des propriétés du cadrillage temporel aura pour effet
+Modifier certaines des propriétés du quadrillage temporel aura pour effet
d'en changer l'apparence.
"
- doctitlefr = "Apparence du cadrillage temporel"
+ doctitlefr = "Apparence du quadrillage temporel"
texidoc = "
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden trazar líneas verticales normales entre pentagramas para
mostrar la relación entre notas; sin embargo, en caso de música
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los patrones de barrado se pueden alterar con la propiedad
@code{beatGrouping}:
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "rhythms, fretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
además de las notas de la melodía, acordes y diagramas de posiciones.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los reguladores pueden imprimirse en uno cualquiera de los estilos de
@code{line-interface}: discontinuo, punteado, línea, trino o zig-zag.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Aquí se muestra la manera de ocultar las alteraciones de las notas
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los cambios de dinámica con estilo de texto (como cresc. y dim.)
se imprimen con una línea intermitente que muestra su alcance.
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 8b9a694a483632437fb5110b3531074ddb31c04a
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este fragmento de código muestra una forma de preparar un himno cuando
cada línea comienza con un compás parcial. También muestra cómo
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los «incipit» se pueden escribir utilizando el grob del nombre del
instruemento, pero manteniendo independientes las definiciones del
\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Un corchete de arpegio puede indicar que se tienen que tocar con la
misma mano notas que están en dos pentagramas distintos. Para hacerlo,
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las marcas de cesura se pueden crear sobreescribiendo la propiedad
@code{'text} del objeto @code{BreathingSign}. También está disponible
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
También se pueden imprimir símbolos de porcentaje sueltos.
\header {
lsrtags = "keyboards, percussion, fretted-strings, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Ésta es una plantilla bastante avanzada, para un conjunto de
jazz. Observe que la notación de todos los instrumentos está en
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Cuando se produce un cambio de clave, el símbolo de clave se imprime a
un tamaño menor que la clave inicial. Esto se puede ajustar con
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La tablatura se puede formatear utilizando letras en lugar de números.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden aplicar puntas de flecha a los elementos de extensión de
texto y de línea (como el Glissando).
\header {
lsrtags = "text, vocal-music"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La alineación horizontal de la letra se puede ajustar sobreescribiendo
la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
utiliza alteraciones microtonales de 1/9 de tono. Consulte el
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las ligaduras de expresión se pueden construir con patrones de
\header {
lsrtags = "staff-notation, editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede engrosar una línea del pentagrama con fines pedagógicos
(p.ej. la tercera línea o la de la clave de Sol). Esto se puede
\header {
lsrtags = "repeats, staff-notation, editorial-annotations"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este fragmento de código proporciona una solución alternativa a la
producción de contadores de compás utilizando repeticiones
\header {
lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La disposición «mensurstriche» en que las líneas divisorias no
están dibujadas sobre los pentagramas, sino entre ellos, se puede
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Utilice un texto de marcado para sustituir el glifo de clave (TAB) con
una fuente tipográfica moderna.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las abreviaturas se encuentran definidas dentro del archivo
@file{ly/script-init.ly}, donde las variables @code{dashHat},
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Cuando se puede una nota en la voz superior para evitar la colisión
con una nota de otra voz, el comportamiento predeterminado es
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede ajustar la posición vertical de una ligadura de
expresiónutilizando la propiedad @code{positions} del objeto
\header {
lsrtags = "rhythms, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los elementos de marcado aplicados a un silencio multicompás se
centran encima o debajo de éste. Los elementos de marcado extensos
\header {
lsrtags = "staff-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede utilizar la propiedad
@code{systemStartDelimiterHierarchy} para crear grupos de
--- /dev/null
+\version "2.13.46"
+
+\header {
+ lsrtags = "fretted-strings"
+
+%% Translation of GIT committish: cde045f4e833aa491fb63f2222e14bef49507577
+ texidoces = "
+
+Se pueden añadir diagramas de posiciones predefinidas para
+instrumentos nuevos además de los estándar que se usan para la
+guitarra. Este archivo muestra cómo se hace, definiendo una afinación
+nueva y unas cuantas posiciones para el cuatro venezolano.
+
+Este archivo también muestra cómo se pueden incluir las digitaciones
+en los acordes que se usan como puntos de referencia para la búsqueda
+de acordes en la tabla, y mostrarse en el diagrama de posiciones y la
+tablatura @code{TabStaff}, pero no en la música.
+
+Estas posiciones no se pueden transportar porque contienen información
+de las cuerdas. Hay planes para corregir esto en un futuro.
+
+"
+ doctitlees = "Definición de posiciones predefinidas para otros instrumentos"
+
+
+%% Translation of GIT committish: f23429bc5cfa9d141ef7b4509afc46c140308a1e
+ texidocde = "
+Vordefinierte Bunddiagramme können für neue Instrumente hinzugefügt werden
+neben denen, die schon für die Gitarre definiert sind. Dieses Schnipsel
+zeigt, wie man eine neue Saitenstimmung definiert und dann eigene vordefinierte
+Bunddiagramme bestimmt. Das Beispiel ist für das venezualische Cuatro.
+
+Dieses Schnipsel zeigt auch, wie Fingersatz in die Akkorde eingebunden
+werden kann, um als Referenzpunkt für die Akkordauswahl benutzt werden
+kann. Dieser Fingersatz wird im Bunddiagramm und in der Tabulatur,
+aber nicht in den Noten angezeigt.
+
+Diese Bunddiagramme sind nicht transponierbar, weil sie Saiteninformationen
+enthalten. Das soll in der Zukunft verbessert werden.
+
+"
+ doctitlede = "Eigene vordefinierte Bunddiagramme für andere Instrumente erstellen"
+
+%% Translation of GIT committish: 4ab2514496ac3d88a9f3121a76f890c97cedcf4e
+
+ texidocfr = "
+La liste des diagrammes standards prédéfinis pour la guitare peut être
+augmentée d'autres définitions spécifiques à d'autres instruments.
+Voici comment définir un nouvel accordage ainsi que quelques diagrammes
+prédéfinis pour le @qq{cuatro vénézuélien}.
+
+Cet exemple illustre aussi la manière d'ajouter des doigtés aux
+accords ; ils serviront de référence pour la boucle d'accord et seront
+indiqués dans les diagrammes et le @code{TabStaff}, mais pas dans la musique.
+
+Ces diagrammes ne peuvent pas être transposés, dans la mesure où ils
+contiennent des informations sur les cordes. Ceci est amené à évoluer.
+
+"
+ doctitlefr = "Création de diagrammes de fret prédéfinis pour d'autres instruments"
+
+
+ texidoc = "
+Predefined fret diagrams can be added for new instruments in addition
+to the standards used for guitar. This file shows how this is done by
+defining a new string-tuning and a few predefined fretboards for the
+Venezuelan cuatro.
+
+This file also shows how fingerings can be included in the chords used
+as reference points for the chord lookup, and displayed in the fret
+diagram and the @code{TabStaff}, but not the music.
+
+
+These fretboards are not transposable because they contain string
+information. This is planned to be corrected in the future.
+
+"
+ doctitle = "Defining predefined fretboards for other instruments"
+}
+
+% add FretBoards for the Cuatro
+% Note: This section could be put into a separate file
+% predefined-cuatro-fretboards.ly
+% and \included into each of your compositions
+
+cuatroTuning = #`(,(ly:make-pitch 0 6 0)
+ ,(ly:make-pitch 1 3 SHARP)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 5 0))
+
+dSix = { <a\4 b\1 d\3 fis\2> }
+dMajor = { <a\4 d\1 d\3 fis \2> }
+aMajSeven = { <a\4 cis\1 e\3 g\2> }
+dMajSeven = { <a\4 c\1 d\3 fis\2> }
+gMajor = { <b\4 b\1 d\3 g\2> }
+
+\storePredefinedDiagram #default-fret-table \dSix
+ #cuatroTuning
+ #"o;o;o;o;"
+\storePredefinedDiagram #default-fret-table \dMajor
+ #cuatroTuning
+ #"o;o;o;3-3;"
+\storePredefinedDiagram #default-fret-table \aMajSeven
+ #cuatroTuning
+ #"o;2-2;1-1;2-3;"
+\storePredefinedDiagram #default-fret-table \dMajSeven
+ #cuatroTuning
+ #"o;o;o;1-1;"
+\storePredefinedDiagram #default-fret-table \gMajor
+ #cuatroTuning
+ #"2-2;o;1-1;o;"
+
+% end of potential include file /predefined-cuatro-fretboards.ly
+
+
+#(set-global-staff-size 16)
+
+primerosNames = \chordmode {
+ d:6 d a:maj7 d:maj7
+ g
+}
+primeros = {
+ \dSix \dMajor \aMajSeven \dMajSeven
+ \gMajor
+}
+
+\score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \primerosNames
+ }
+
+ \new Staff {
+ \new Voice \with {
+ \remove "New_fingering_engraver"
+ }
+ \relative c'' {
+ \primeros
+ }
+ }
+
+ \new FretBoards {
+ \set stringTunings = #cuatroTuning
+% \override FretBoard
+% #'(fret-diagram-details string-count) = #'4
+ \override FretBoard
+ #'(fret-diagram-details finger-code) = #'in-dot
+ \primeros
+ }
+
+ \new TabStaff \relative c'' {
+ \set TabStaff.stringTunings = #cuatroTuning
+ \primeros
+ }
+
+ >>
+
+ \layout {
+ \context {
+ \Score
+ \override SpacingSpanner
+ #'base-shortest-duration = #(ly:make-moment 1 16)
+ }
+ }
+ \midi { }
+}
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
LilyPond también proporciona funciones de formato para imprimir
números de grupo especial diferentes a la propia fracción, así
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Armaduras de tonalidad no tradicionales"
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 67e7cb93611fa389c7e86c6e47e894ff30a8395c
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las cabezas de nota de notación fácil utilizan la propiedad
\header {
lsrtags = "pitches, staff-notation, vocal-music, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla muestra el uso de contextos @code{StaffGroup} y
@code{GrandStaff} anidados para sub-agrupar instrumentos del mismo
\header {
lsrtags = "pitches, text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Internamente, @code{\\ottava} establece las propiedades
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden mostrar los contadores de las repeticiones del tipo
porcentaje a intervalos regulares mediante el establecimiento de
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las repeticiones de compases completos de más de dos repeticiones
pueden llevar un contador si se activa la propiedad adecuada, como se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Permitir saltos de línea dentro de grupos especiales con barra"
texidoces = "
Este ejemplo artificial muestra cómo se pueden permitir tanto los
\header {
lsrtags = "keyboards, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Presentamos a continuación una plantilla de piano sencilla con algunas
notas.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Muchas partituras de piano tienen las indicaciones dinámicas centradas
entre los dos pentagramas. El contexto @code{Dynamics}, si se sitúa
\header {
lsrtags = "text, keyboards, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
En lugar de tener un pentagrama dedicado a la melodía y la letra, ésta
se puede centrar entre los pentagramas de un sistema de piano.
\header {
lsrtags = "vocal-music, keyboards, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
He aquí el típico formato dde una canción: un pentagrama con la
melodía y la letra, y el acompañamiento de piano por debajo.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Es posible ejercer un mayor control sobre la colocación de las
digitaciones de la mano derecha estableciendo el valor de una
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La polifonía se crea de la misma forma en un @code{TabStaff} que
en una pauta normal.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si necesitamos alargar o acortar un símbolo de arpegio, podemos
modificar independientemente los extremos superior e inferior.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Cuando se colocan figuras sobre líneas adicionales, sus barras se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al establecer la propiedad @code{'strict-grace-spacing} hacemos que
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
A diferencia de los silencios normales, no existe una instrucción
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los elementos de marcado de texto deben tener la propiedad
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
texidoces = "
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Evitar que se impriman becuadros cuando cambia la armadura"
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede imprimir una línea divisoria de la forma @code{|:} al
principio de la pieza, sobreescribiendo la propiedad correspondiente:
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden imprimir los números de compás a intervalos regulares
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los números de compás también se pueden imprimir dentro de rectángulos o de circunferencias.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden imprimir reguladores con un círculo en la punta (notación
«al niente») estableciendo la propiedad @code{circled-tip} del objeto
\header {
lsrtags = "text"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Aunque normalmente las marcas de texto sólo se imprimen sobre el
pentagrama superior, también se pueden imprimir en otro pentagrama
\header {
lsrtags = "rhythms, expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
De forma predeterminada, las indicaciones metronómicas y las
letras de ensayo se imprimen encima del pentagrama. Para
\header {
lsrtags = "tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede usar el contexto @code{NoteNames} para imprimir el valor
textual de las notas. La propiedad @code{printOctaveNames} activa o
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
De forma predeterminada se suprime el número del primer compás de una
\header {
lsrtags = "pitches, staff-notation"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los pasajes citados tienen en cuenta la transposición de la fuente
tanto como la del destino. En este ejemplo, todos los
\header {
lsrtags = "staff-notation"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La propiedad @code{quotedEventTypes} determina los tipos de eventos
\version "2.13.39"
\header {
-%% Translation of GIT committish: 67e7cb93611fa389c7e86c6e47e894ff30a8395c
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El ejemplo siguiente muestra cómo se pueden realizar diagramas de
+
+
+
+
%% Translation of GIT committish: 496c48f1f2e4d345ae3637b2c38ec748a55cda1d
texidocfr = "
Cet exemple illustre la manière de créer et afficher des indications de
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los valores predeterminados para las notas de adorno están
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden eliminar completamente los números de compás quitando el
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
De forma predeterminada, las líneas divisorias en los grupos
StaffGroup, PianoStaff o GrandStaff se conectan entre los pentagramas.
\header {
lsrtags = "staff-notation, tweaks-and-overrides, breaks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El primer pentagrama vacío también se puede suprimir de la
partitura estableciendo la propiedad @code{remove-first} de
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "rhythms, ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Estilos de silencios"
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Para tipografiar las barras agrupadas en la forma @code{3-4-3-2} sólo
es necesario modificar la estructura de pulsos:
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
lsrtags = "headwords"
texidoc = "Random complex notation"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si la nota que da fin a un regulador cae sobre la primera parte de
un compás, el regulador se detiene en la línea divisoria
\header {
lsrtags = "staff-notation, tweaks-and-overrides, paper-and-layout"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden insertar separadores sistema entre los sistemas de una
página. Se puede usar cualquier elemento de marcado, pero
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Si los reguladores son demasiado cortos, se pueden alargar
modificando la propiedad @code{minimum-length} del objeto
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 67e7cb93611fa389c7e86c6e47e894ff30a8395c
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
De forma predeterminada, los corchetes de primera y segunda vez se
trazan encima de los finales alternativos completos, pero es posible
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden imprimir los acordes exclusivamente al comienzo de las
líneas y cuando cambia el acorde.
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Al juntar nombres de acorde en cifrado americano, melodía y letra,
obtenemos una hoja guía de acordes o «lead sheet»:
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla facilita la preparación de una canción con melodía,
letra y acordes.
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Presentamos a continuación un ejemplo de plantilla para una hoja
guía de acordes con melodía, letra, acordes y diagramas de
\header {
lsrtags = "chords, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
¿Quiere preparar una hoja guía de acordes (o «lead sheet») con
melodía y acordes? ¡No busque más!
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta pequeña plantilla muestra una melodía sencilla con letra. Córtela
y péguela, escriba las notas y luego la letra. Este ejemplo desactiva
\header {
lsrtags = "template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla simple prepara un pentagrama con notas, adecuado para
un instrumento solista o un fragmento melódico. Córtelo y péguelo en
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Marca de pizzicato de chasquido (`pizzicato de Bartók')"
texidoces = "
El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "catalan.ly"
#(set-global-staff-size 15)
\paper{
\header {
lsrtags = "text"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Los textos independientes se pueden disponer en varias columnas
utilizando instrucciones @code{\\markup}:
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La dirección de las plicas se contola de la misma forma en la
tablatura que en la notación tradicional. Las barras se pueden
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla muestra un cuarteto de cuerda normal. También utiliza
una sección @code{\\global} para el compás y la armadura
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El fragmento de código @qq{Plantilla de cuarteto de cuerda} produce un
resultado satisfactorio para el cuarteto, pero ¿y si tenemos que
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\include "english.ly"
#(set-global-staff-size 15)
\paper {
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
A veces, la indicación de compás no debe imprimir la fracción completa
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
A modo de alternativa para obtener auténticos «incipit»
independientes de la partitura principal, se incluyen como
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Transportar música con el menor número de alteraciones"
texidoces = "
Este ejemplo utiliza código de Scheme para forzar las
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Trucaje de las propiedades de clave"
texidoces = "
La instrucción @code{\\clef \"treble_8\"} equivale a un ajuste de
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
La disposición de las expresiones de adorno se puede cambiar a lo
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
%%%
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se puede usar el delimitador de comienzo de un sistema
@code{SystemStartSquare} estableciéndolo explícitamente dentro de
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Se pueden imprimir estilos alternativos del corchete o gancho de las
\header {
lsrtags = "expressive-marks, vocal-music"
-%% Translation of GIT committish: 8b9a694a483632437fb5110b3531074ddb31c04a
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El corchete de arpegios @code{arpeggioBracket} se puede usar para
indicar la división de voces cuando no hay plicas que puedan ofrecer
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Algunos compositores escriben dos ligaduras cuando quieren acordes
legato. Esto se puede conseguir estableciendo @code{doubleSlurs}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Es posible aplicar la barrita que cruza la barra de las
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
doctitlees = "Uso de ligaduras en los arpegios"
texidoces = "
En ocasiones se usan ligaduras de unión para escribir los arpegios.
\header {
lsrtags = "tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Mediante el establecimiento de la propiedad @code{'Y-extent} a un valor
adecuado, todos los objetos @code{DynamicLineSpanner} (reguladores e
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Las expresiones dinámicas que se comienzan, terminan o se producen
en la misma nota se alinean verticalmente. Para asegurar que las
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Este fragmento de código muestra el uso de las propiedades de
contexto @code{alignBelowContext} y @code{alignAboveContext} para
\header {
lsrtags = "chords, tweaks-and-overrides"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Allí donde se utilicen líneas extensoras para el bajo cifrado mediante
el establecimiento de @code{useBassFigureExtenders} al valor
\header {
lsrtags = "vocal-music, keyboards, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla añade una reducción de piano automática a la partitura
\header {
lsrtags = "text, vocal-music, contexts-and-engravers, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla es, básicamente, la misma que la sencilla plantilla
@qq{Conjunto vocal}, excepto que aquí todas las líneas de letra se
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Esta plantilla crea una partitura que comienza con una estrofa para
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
\header {
lsrtags = "repeats, staff-notation, chords"
-%% Translation of GIT committish: 5160eccb26cee0bfd802d844233e4a8d795a1e94
+%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
Mediante la adición del grabador @code{Volta_engraver} al
pentagrama pertinente, se pueden poner los corchetes de primera y
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
#(set-global-staff-size 15)
\paper {
line-width = 16\cm
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.36
-\version "2.13.40"
+\version "2.13.46"
\header {
-%%% Translation of GIT committish: 298a2c322d7e4f437f3dd1a24db2839e3f35acce
+%%% Translation of GIT committish: a874fda3641c9e02f61be5c41b215b8304b8ed00
texidoces = "
El fragmento de música que aparece a continuación presenta todos los
diagramas de viento madera que se encuentran definidos en LilyPond por
-\version "2.13.10"
+\version "2.13.46"
-\header { texidoc = "A sample tablature with lettered tab,
+\header {
+ texidoc = "
+A sample tablature with lettered tab,
using fretLabels to modify the fret letters.
By default, letters are drawn sequentially from the alphabet,
\score {
\new TabStaff
\with {
- stringTunings = #'(17 14 9 5 2 -3)
+ stringTunings = #`(,(ly:make-pitch 1 3 0)
+ ,(ly:make-pitch 1 1 0)
+ ,(ly:make-pitch 0 5 0)
+ ,(ly:make-pitch 0 3 0)
+ ,(ly:make-pitch 0 1 0)
+ ,(ly:make-pitch -1 5 0))
tablatureFormat = #fret-letter-tablature-format
}
\new TabVoice {
\notes
}
}
-
-
-
+\version "2.13.46"
+
\header {
texidoc = "For other tunings, it is sufficient to set
}
-\version "2.12.0"
-
\new TabStaff {
- \set TabStaff.stringTunings = #'(5 10 15 20)
+ \set TabStaff.stringTunings = #`(,(ly:make-pitch 0 3 0)
+ ,(ly:make-pitch 0 5 SHARP)
+ ,(ly:make-pitch 1 1 SHARP)
+ ,(ly:make-pitch 1 4 SHARP))
\relative c'' { c4 d e f }
}
-
+
laissezVibrer = #(make-music 'LaissezVibrerEvent)
repeatTie = #(make-music 'RepeatTieEvent)
+\include "dynamic-scripts-init.ly"
+\include "spanners-init.ly"
+
+%% MAKE-HASH-TABLE in GUILE 1.6 takes mandatory size parameter.
+#(define musicQuotes (make-hash-table 29))
+
+#(define toplevel-book-handler print-book-with-defaults)
+#(define toplevel-bookpart-handler collect-bookpart-for-book)
+#(define toplevel-music-handler collect-music-for-book)
+#(define toplevel-score-handler collect-scores-for-book)
+#(define toplevel-text-handler collect-scores-for-book)
+
+#(define book-bookpart-handler ly:book-add-bookpart!)
+#(define book-music-handler collect-book-music-for-book)
+#(define book-score-handler ly:book-add-score!)
+#(define book-text-handler ly:book-add-score!)
+
+#(define bookpart-score-handler ly:book-add-score!)
+#(define bookpart-text-handler ly:book-add-score!)
+#(define bookpart-music-handler collect-book-music-for-book)
+
+\include "predefined-fretboards-init.ly"
+\include "string-tunings-init.ly"
+\include "property-init.ly"
+
\include "grace-init.ly"
\include "midi-init.ly"
\include "paper-defaults-init.ly"
}
#(set-default-paper-size (ly:get-option 'paper-size))
-
partCombineListener = \layout {
\context {
\Score
}
}
-\include "dynamic-scripts-init.ly"
-\include "spanners-init.ly"
-\include "property-init.ly"
-
setDefaultDurationToQuarter = { c4 }
-%% MAKE-HASH-TABLE in GUILE 1.6 takes mandatory size parameter.
-#(define musicQuotes (make-hash-table 29))
-#(define toplevel-book-handler print-book-with-defaults)
-#(define toplevel-bookpart-handler collect-bookpart-for-book)
-#(define toplevel-music-handler collect-music-for-book)
-#(define toplevel-score-handler collect-scores-for-book)
-#(define toplevel-text-handler collect-scores-for-book)
-
-#(define book-bookpart-handler ly:book-add-bookpart!)
-#(define book-music-handler collect-book-music-for-book)
-#(define book-score-handler ly:book-add-score!)
-#(define book-text-handler ly:book-add-score!)
-#(define bookpart-score-handler ly:book-add-score!)
-#(define bookpart-text-handler ly:book-add-score!)
-#(define bookpart-music-handler collect-book-music-for-book)
-
-\include "predefined-fretboards-init.ly"
--- /dev/null
+%%%% This file is part of LilyPond, the GNU music typesetter.
+%%%%
+%%%% Copyright (C) 2010 Carl D. Sorensen <c_sorensen@byu.edu>
+%%%%
+%%%% LilyPond is free software: you can redistribute it and/or modify
+%%%% it under the terms of the GNU General Public License as published by
+%%%% the Free Software Foundation, either version 3 of the License, or
+%%%% (at your option) any later version.
+%%%%
+%%%% LilyPond is distributed in the hope that it will be useful,
+%%%% but WITHOUT ANY WARRANTY; without even the implied warranty of
+%%%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+%%%% GNU General Public License for more details.
+%%%%
+%%%% You should have received a copy of the GNU General Public License
+%%%% along with LilyPond. If not, see <http://www.gnu.org/licenses/>.
+
+\version "2.13.46"
+
+%% A stringTuning is a list of pitches ordered by string number
+%% from 1 to N.
+%% Here we define a number of default string tunings.
+
+%% A scheme function for converting a chord to a string tuning
+#(define (chord->tuning parser tuning-symbol chord)
+ (let* ((ev-chord (car (extract-named-music chord 'EventChord)))
+ (pitches (event-chord-pitches ev-chord)))
+ (ly:parser-define! parser tuning-symbol (reverse pitches))))
+
+%% A music function for converting a chord to a string tuning.
+%% The music argument for \makeStringTuning must be a chord in
+%% absolute mode ordered from the highest string number to the
+%% lowest string number
+
+makeStringTuning =
+#(define-music-function (parser location tuning chord)
+ (symbol? ly:music?)
+ (_ "Convert @{chord} to a string tuning stored in @code{tuning}.
+@{chord} must be in absolute pitches and should have the highest
+string number (generally the lowest pitch) first. @code{tuning}
+should be a string that will be converted to a symbol.")
+ (begin
+ (chord->tuning parser tuning chord)
+ (make-music 'SequentialMusic 'void #t)))
+
+
+%% A music function for converting a chord to a string tuning
+%% and setting the current context stringTunings property to
+%% the newly-defined-string tuning.
+
+contextStringTuning =
+#(define-music-function (parser location tuning chord)
+ (symbol? ly:music?)
+ (_ "Convert @{chord} to a string tuning stored in @code{tuning},
+and set @code{stringTunings} of the current context to the
+newly-defined tuning.
+@{chord} must be in absolute pitches and should have the highest
+string number (generally the lowest pitch) first. @code{tuning}
+should be a string that will be converted to a symbol.")
+ (begin
+ (chord->tuning parser tuning chord)
+ #{
+ \set TabStaff.stringTunings = $(ly:parser-lookup parser tuning)
+ \set FretBoards.stringTunings = $(ly:parser-lookup parser tuning)
+ #}))
+
+%% A music function for converting an alist to string-tunings
+makeDefaultStringTunings =
+#(define-music-function (parser location default-tuning-alist)
+ (cheap-list?)
+ (_ "Define default string tunings for each element of
+@code{default-tuning-alist}.")
+ (begin
+ (for-each (lambda (alist-entry)
+ (chord->tuning parser (car alist-entry) (cdr alist-entry)))
+ default-tuning-alist)
+ (make-music 'SequentialMusic 'void #t)))
+
+% tuning definitions require default pitchnames
+\languageSaveAndChange #default-language
+
+%% Define alist of default string tunings
+defaultStringTunings =
+#`(
+ ;; guitar tunings
+ (guitar-tuning . ,#{<e, a, d g b e'>#})
+ (guitar-seven-string-tuning . ,#{<b,, e, a, d g b e'>#})
+ (guitar-drop-d-tuning . ,#{<d, a, d g b e'>#})
+ (guitar-open-g-tuning . ,#{<d, g, d g b d'>#})
+ (guitar-open-d-tuning . ,#{<d, a, d fis a d'>#})
+ (guitar-dadgad-tuning . ,#{<d, a, d g a d'>#})
+ (guitar-lute-tuning . ,#{<e, a, d fis b e'>#})
+ (guitar-asus4-tuning . ,#{<e, a, d e a e'>#})
+
+ ;; bass tunings
+ (bass-tuning . ,#{<e,, a,, d, g,>#})
+ (bass-four-string-tuning . ,#{<e,, a,, d, g,>#})
+ (bass-drop-d-tuning . ,#{<d,, a,, d, g,>#})
+ (bass-five-string-tuning . ,#{<b,,, e,, a,, d, g,>#})
+ (bass-six-string-tuning . ,#{<b,,, e,, a,, d, g, c>#})
+
+ ;; mandolin tunings
+ (mandolin-tuning . ,#{<g d' a' e''>#})
+
+ ;; tunings for 5-string banjo
+ (banjo-open-g-tuning . ,#{<g' d g b d'>#})
+ (banjo-c-tuning . ,#{<g' c g b d'>#})
+ (banjo-modal-tuning . ,#{<g' d g c' d'>#})
+ (banjo-open-d-tuning . ,#{<a' d fis a d'>#})
+ (banjo-open-dm-tuning . ,#{<a' d fis a d'>#})
+
+ ;; ukulele tunings
+ (ukulele-tuning . ,#{<g' c' e' a'>#})
+ (ukulele-d-tuning . ,#{<a' d' fis' b'>#})
+ (tenor-ukulele-tuning . ,#{<a' e' c' g>#})
+ (baritone-ukulele-tuning . ,#{<e' b g d>#})
+
+ ;; orchestral strings
+ (violin-tuning . ,#{<g d' a' e''>#})
+ (viola-tuning . ,#{<c g d' a'>#})
+ (cello-tuning . ,#{<c, g, d a>#})
+ (double-bass-tuning . ,#{<e,, a,, d, g,>#})
+ )
+
+%% convert 5-string banjo tuning to 4-string by removing the 5th string
+#(define-public (four-string-banjo tuning)
+ (reverse (cdr (reverse tuning))))
+
+%% make all of the default string tunings
+
+\makeDefaultStringTunings #defaultStringTunings
+
+% restore the language
+\languageRestore
+
return str
@rule ((2, 13, 44),
- _ ("Remove context from overrideTimeSignatureSettings and revertTimeSignatureSettings."))
+ _ ("Remove context from overrideTimeSignatureSettings and revertTimeSignatureSettings.\n"))
+
def conv(str):
str = re.sub (r"\\(override|revert)TimeSignatureSettings(\s+[^#]*)(#[^#]*)#", r"\\\1TimeSignatureSettings\2#", str)
return str
+@rule ((2, 13, 46),
+ _ ("Change stringTunings from a list of semitones to a list of pitches.\n"\
+ "Change tenor and baritone ukulele names in string tunings."))
+
+def conv(str):
+ def semitones2pitch(semitones):
+ steps = [0, 0, 1, 1, 2, 3, 3, 4, 4, 5, 5, 6]
+ alterations = ["NATURAL", "SHARP", "NATURAL", "SHARP", "NATURAL", "NATURAL", "SHARP", "NATURAL", "SHARP", "NATURAL", "SHARP", "NATURAL"]
+ octave = 0
+ while semitones > 11:
+ octave += 1
+ semitones -=12
+ while semitones < 0:
+ octave -= 1
+ semitones += 12
+ pitchArgs = "%d %d %s" % (octave, steps[semitones], alterations[semitones])
+ return pitchArgs
+
+ def convert_tones (semitone_list):
+ tones = semitone_list.split ()
+ res = ""
+ for tone in tones:
+ args = semitones2pitch(int(tone))
+ res += ",(ly:make-pitch " + args + ") "
+ return res
+
+ def new_tunings (matchobj):
+ return "stringTunings = #`(" + convert_tones(matchobj.group(1)) + ")"
+ str = re.sub (r"stringTunings\s*=\s*#'\(([\d\s-]*)\)", \
+ new_tunings , str)
+
+ str = re.sub (r"ukulele-(tenor|baritone)-tuning", r"\1-ukulele-tuning", str)
+ return str
# Guidelines to write rules (please keep this at the end of this file)
#
if self.string_tunings or self.tablature_format:
printer.dump ("\\with {")
if self.string_tunings:
- printer.dump ("stringTunings = #'(")
+ printer.dump ("stringTunings = #`(")
for i in self.string_tunings:
- printer.dump ("%s" % i.semitones ())
+ printer.dump (",%s" % i.lisp_expression ())
printer.dump (")")
if self.tablature_format:
printer.dump ("tablatureFormat = #%s" % self.tablature_format)
;;;; You should have received a copy of the GNU General Public License
;;;; along with LilyPond. If not, see <http://www.gnu.org/licenses/>.
-;; default tunings for common string instruments
-;; guitar tunings
-(define-public guitar-tuning '(4 -1 -5 -10 -15 -20))
-(define-public guitar-seven-string-tuning '(4 -1 -5 -10 -15 -20 -25))
-(define-public guitar-drop-d-tuning '(4 -1 -5 -10 -15 -22))
-(define-public guitar-open-g-tuning '(2 -1 -5 -10 -17 -22))
-(define-public guitar-open-d-tuning '(2 -3 -6 -10 -15 -22))
-(define-public guitar-dadgad-tuning '(2 -3 -5 -10 -15 -22))
-(define-public guitar-lute-tuning '(4 -1 -6 -10 -15 -20))
-(define-public guitar-asus4-tuning '(4 -3 -8 -10 -15 -20))
-;; bass tunings
-(define-public bass-tuning '(-17 -22 -27 -32))
-(define-public bass-four-string-tuning '(-17 -22 -27 -32))
-(define-public bass-drop-d-tuning '(-17 -22 -27 -34))
-(define-public bass-five-string-tuning '(-17 -22 -27 -32 -37))
-(define-public bass-six-string-tuning '(-12 -17 -22 -27 -32 -37))
-;; mandolin
-(define-public mandolin-tuning '(16 9 2 -5))
-;; tunings for 5-string banjo
-(define-public banjo-open-g-tuning '(2 -1 -5 -10 7))
-(define-public banjo-c-tuning '(2 -1 -5 -12 7))
-(define-public banjo-modal-tuning '(2 0 -5 -10 7))
-(define-public banjo-open-d-tuning '(2 -3 -6 -10 9))
-(define-public banjo-open-dm-tuning '(2 -3 -6 -10 9))
-;; convert 5-string banjo tuning to 4-string by removing the 5th string
-(define-public (four-string-banjo tuning)
- (reverse (cdr (reverse tuning))))
-;; ukulele tunings
-(define-public ukulele-tuning '(9 4 0 7)) ;ukulele a' e' c' g'
-(define-public ukulele-d-tuning '(11 6 2 9)) ;ukulele d tuning, b' fis' d' a'
-(define-public ukulele-tenor-tuning '(-5 0 4 9)) ;tenor ukulele, g c' e' a'
-(define-public ukulele-baritone-tuning '(-10 -5 -1 4)) ;baritone ukulele, d g b e'
-
;; for more control over glyph-name calculations,
;; we use a custom callback for tab note heads
tuning)
(define (calc-fret pitch string tuning)
- (- (ly:pitch-semitones pitch) (list-ref tuning (1- string))))
+ (- (ly:pitch-semitones pitch) (ly:pitch-semitones (list-ref tuning (1- string)))))
(define (note-pitch a)
(ly:event-property a 'pitch))
projects / lilypond.git / commitdiff