*** NOTE
This license applies to all files except the included example
-input files (which are in the subdirectory input/ and mutopia/ )
+input files (which are in the subdirectory input/ )
*** END NOTE
2002-07-14 Han-Wen <hanwen@cs.uu.nl>
+ * input/mutopia/GNUmakefile: move mutopia/ to input/mutopia/
+
* lily/beam.cc (quanting): add explicit support for cross-staff
beaming: make slope penalty larger.
@unnumberedsec Want to know more?
If you want to know more, visit the
-@uref{Documentation/out-www/index.html, documentation page}. If you want
-to see some sheet music, then have a look at the examples: we have
-@uref{short-examples.html,short examples} and
-@uref{long-examples.html,longer examples}. For even more sheet music,
-head over to @uref{http://www.mutopiaproject.org, the mutopia project}.
-
-
+@uref{Documentation/out-www/index.html, documentation page}. If you
+want to see some sheet music, then have a look at the
+@uref{examples.html, examples}. For even more sheet music, head over
+to @uref{http://www.mutopiaproject.org, the mutopia project}.
@bye
and @code{indent}, both set in the @code{\paper} block. They control
the indentation of the first line of music, and the lengths of the
lines. If @code{linewidth} set to a negative value, a single
-unjustified line is produced. The shorthand @code{\singleLine}
-defines a default paper block that produces a single line. A similar
-effect for scores that are longer than one line, can be produced by
-setting @code{raggedright} to true in the @code{\paper} block.
+unjustified line is produced. A similar effect for scores that are
+longer than one line, can be produced by setting @code{raggedright} to
+true in the @code{\paper} block.
@cindex page layout
endif
-TOP_HTMLS = index.html short-examples.html long-examples.html
+TOP_HTMLS = index.html examples.html
-short-examples: web-reqs
+examples: web-reqs
$(MAKE) out=www -C input WWW
$(PYTHON) $(buildscript-dir)/mutopia-index.py -o $(builddir)/$@.html input/
-long-examples: web-reqs
- $(MAKE) out=www -C mutopia WWW
- $(PYTHON) $(buildscript-dir)/mutopia-index.py -o $(builddir)/$@.html mutopia/
-
lily: lily/$(outdir)/lilypond
lily/$(outdir)/lilypond:
web-ext = gz html midi pdf png txt
top-web:
cd $(builddir) && rm -f `find . -name \*.html~ -print`
- cd $(builddir) && find Documentation input mutopia \
+ cd $(builddir) && find Documentation input \
$(web-ext:%=-path '*/out-www/*.%' -or) -false \
> $(outdir)/weblist
cd $(builddir) && ls *.png *.html >> $(outdir)/weblist
* Figured bass support.
-* Improved beam formatting.
+* Completely rewritten beam formatting: provides much better output
+now.
* Improved grace notes.
* Improved accidental handling and formatting.
-* Better spacing. Includes subtle details like optical stem spacing.
+* Better spacing: both globally and locally. It includes subtle
+details like optical stem spacing.
* More ancient notation support: mensural ligatures, porrectuses,
ambituses, more shapes.
-* Bracket piano pedals.
+* Piano notation: bracket pedals, directed arpeggios, arpeggio
+brackets.
* Some music entry optimizations.
MAJOR_VERSION=1
MINOR_VERSION=5
PATCH_LEVEL=67
-MY_PATCH_LEVEL=
+MY_PATCH_LEVEL=hwn1
# Use the above to send patches: MY_PATCH_LEVEL is always empty for a
# released version.
#!/bin/sh
+# WARNING WARNING WARNING
+# do not edit! this is autogen.sh, generated from stepmake/autogen.sh
+#!/bin/sh
# Run this to generate configure and initial GNUmakefiles
srcdir=`dirname $0`
*** NOTE
This license applies to all files except the included example
- input files (which are in the subdirectory input/ and mutopia/ )
+ input files (which are in the subdirectory input/ )
*** END NOTE
# cp -a Documentation/misc/[ACN]* $(r)/$(d)/misc/
# dh_installexamples input
- cp -aP `find input mutopia \( -name '*.*ly' -o -name '*.abc' -o -name '*.tex' -o -name 'TODO' \)` \
+ cp -aP `find input \( -name '*.*ly' -o -name '*.abc' -o -name '*.tex' -o -name 'TODO' \)` \
$(r)/$(d)/examples
for i in `find $(r)/$(d)/examples/ -type d -name out`; do \
mv -fv $$i/* $$i/..; rmdir $$i; done
depth = ..
-SUBDIRS=bugs test regression tutorial no-notation ascii-art template
+SUBDIRS=bugs test regression tutorial no-notation ascii-art template mutopia
# nereides is tweaked a lot, can't do (read webpage)
-examples=trip star-spangled-banner paddy twinkle baerenreiter-sarabande mozart-hrn-3
+examples=trip star-spangled-banner paddy twinkle
LOCALSTEPMAKE_TEMPLATES=ly mutopia
EXTRA_DIST_FILES=paddy.abc
+++ /dev/null
-
-%% #(set! point-and-click line-column-location)
-
-\header {
- title = "Solo Cello Suite II"
- piece ="Sarabande"
- composer = "J.S.Bach"
- editor = "August Wenzinger"
- source= "B\\\"arenreiter Urtext"
-
- texidoc = "The B\\\"arenreiter edition of the Cello Suites is the
-most beautifully typeset piece of music in our collection of music (we
-both own one. It is also lovely on French Horn). This piece does not
-include articulation, but it does follows the same beaming and
-linebreaking as the printed edition. This is done in order to
-benchmark the quality of the LilyPond output.
-
-As of lilypond 1.5.42, the spacing and beam quanting is almost
-identical.
-
-There are two tweaks in this file: a line-break was forced before
-measure 25, we get back the linebreaking of Baerenreiter. The stem
-direction is forced in measure 24. The last beam of that measure is up
-in Baerenreiter because of context. We don't detect that yet.
-
-Note that the Barenreiter edition contains a few engraving
-mistakes. The second line begins with measure 6 (but prints 5). The |:
-half way in measure 13 has been forgotten.
- "
-}
-
-
-\version "1.5.49"
-
-
-sarabandeA = \context Voice \notes \relative c {
- \property Staff.NoteCollision \set #'merge-differently-dotted = ##t
- < { d8. e16 e4.-\trill d16 e } \\
- { d4 a2 } >
- f4. [e8 d c] |
- [bes g'] [f e16(f] [g a bes)d,] |
- cis4.-\trill [b8 a g] |
-
- %% check spacing without accs:
- %% c4.-\trill [bes8 a g] |
-
- < { d'8. e16 f4.-\trill d16 e |
- f4. [d8 e f] }
- \\
- { <a,4 f> a2 <a4. d,4.> } > |
- %%5
-
- g8 bes16()a c()bes a()g d'8 f, |
- < e4.-\trill
- \\ <c,4 g'> >
- [d8 c bes]
- %%8
- < { f'8 g16()a a4. g16()f |
- g8 a16()bes bes4. c16()d }
- \\
- { a,4 <bes4. d4. > r8 bes4 <g2 f'2> }
- > |
-
- %% 11
- [e,8 f] [c, g'] [f' e] |
- f4 f,2 |
- < { a'4 a4.-\trill bes8
- c bes16 a } \\
- { [f8 es] es4. r8 d4 } >
-
- fis8.-\trill es16 d8 c |
- [bes g']
- [a, fis']
- [es' d] |
- %%16
- < bes4.-\trill d, g, > [a8 g f!] |
- e bes a f' g a |
- d, as g es' f g |
- [cis, bes'] [a g16 f] [e!8 f16 d] |
- cis8 e16 a a,8. g'16 f8()e |
- %%21
- < { d e16()f f4. e16()d |
- e8 f16()g g4. a16()bes |
- a8 cis16 d d,8 e16 f32 g f8-\trill e16()d } \\
- { bes4 g2 |
- g4 <bes4. cis,> s8 |
- <d8 a f> r r g, a4 } >
- |
- \stemUp
- d4 d,16 a'( b cis d e f )g |
- \stemBoth
- \break
- %%25
- < { a16(b c)b c4. b16()a |
- b cis d cis d4. e16()f | }
- \\
- { f,4 fis4. s8 |
- <d4 g,> gis4. } >
- \voiceOne
- d16(cis)d f,
- [a,8 e']
- \oneVoice
- [d' cis] |
- d4 d,,2 |
-}
-
-
-sarabande = \context Staff \notes<
- \apply #voicify-music \sarabandeA
-
->
-
-\version "1.5.49"
-
-sarabandeCelloGlobal = \notes{
- \time 3/4
- \key f \major
- \clef bass
- \repeat "volta" 2 {
- s2.*12
- } \repeat "volta" 2 {
- s2.*16
- }
-}
-
-sarabandeCelloScripts = \notes{
-}
-
-sarabandeCelloStaff = \context Staff <
- \sarabande
- \sarabandeCelloGlobal
- \sarabandeCelloScripts
->
-
-% size perversions
-smallerPaper = \paper {
- \translator { \StaffContext
- fontSize = #-1
- StaffSymbol \override #'staff-space = #0.8
- }
- \translator { \ScoreContext
- SpacingSpanner \override #'spacing-increment = #0.96
- }
-
- indent = 5.6 \mm
- linewidth = 146.8 \mm
-}
-
-baerPaper = \paper {
- indent = 7. \mm
- linewidth =183.5 \mm
- interscoreline=4.0\mm
- \translator {
- \ScoreContext
-% System \override #'molecule-callback = #box-grob-molecule
- }
-}
-
-
-\score{
- \sarabandeCelloStaff
- \paper{
- \baerPaper
- }
- \midi{ \tempo 4 = 40 }
- \header{
- opus= ""
- piece ="Sarabande" }
-}
-
-%%% Local variables:
-%%% LilyPond-indent-level:2
-%%% End:
+++ /dev/null
-\version "1.5.49"
-\include "mozart-hrn3-defs.ly"
-
-allegro =
- \notes
- \relative c'
-{
- \time 4/4
- \key c \major
- \partial 4
- r4
- |
- R1*4
- c'2^"Tutti" g
- c, r
- R1*1
- r8 [g' g g] [g g e c]
- g'4 g, r2
- R1*18
- r2 r4^"Solo" g'4 |
- \mark "A"
- e'4. () c8 [f (d c )b ]
- [b()c] g4 r8 [g c e]
- g2. [g16( f e )f]
- dis4 () e4 r8 [c8-. c-. c-.]
- c4.( [d16 e] f4 ) e
- a,( d g,) c
- d-. d-. \grace e16( [)d8. c16 d8. e16]
- c4 r r2
- R1*3
- c,2 ~ [c8 e g c]
- [c b ] b4 r2
- [c,8 () e g c] [e()g e c]
- [c()b] b4 r2
- c4.( g8 e'4.) c8
- [g'()d ] d4 r4 d
- [d8 () c] c4.( [d16 e] [d8 )c]
- [c8(-\trill )b] b4 r2 |
- d2( ~ [d8 e16 d] [c8 )b] |
- [b()a] a4 r8 [a a a]
- a4( cis e )g
- \grace { \longgrace g16( \endlonggrace }
- [ )fis8( e16 )d] d4-. r2 |
- \mark "B"
- R1*3
- r2 r4 [d8(_#`(,italic-bf "con espressione") )b ]
- [a( )g d'( )b] [a( )g e'( )c ]
- [b8( )a] a4 r4 [a8 a]
- [a( \< b c \!cis\> ] d4 \! )c
- [ais8() b] r8 \cresc b [b()c] r c
- [cis ()d] r4 r2
- \endcresc g,1\f ~ g2 ~ [g8 a16 b] [c()d e c]
- %% 64
- f4-. d-. b-. g-.
- R1
-
- c,2\p e4 g c \cresc e g4. e8 |
- \endcresc d4.-\f [e16 fis] [g () fis e d] [c() b a g]
-
- < a1(-\trill
- { s2 \grace{ [g16 a] } } >
- \mark "C"
- )g4 r r2
- R1*15
- \mark "D"
- bes2-\mf d4 f
- g,2~ [g8 g' es c]|
- bes4( )a4. [c8( d )es]
- cis4()d r8 [bes (c )d]
- es2 () d4 r
- es2 () d4 r
- [c8( g' es )c] bes4()c
- c4.( cis8 )d4 r
- R1*2
- es1~es1|
- e!
- d
- c
- c,
- e'
- e,
- c'2 [b8( a gis )a]
- [gis8 e gis b ] e4 r |
- r8 [e, a c] dis4 r
- r8 [e, a c] dis4 r
- r8 [e, g b] e4 r
- r8 [fis, b dis] fis4 r
- r8 [gis, b d] f4 r
- r8 [g, b d_\ritenuto ] f4 r
- \mark "E"
- R1*8
- r2 r8 [g, g g]
- e'4.() c8 [f( d c )b]
- [b()c] g4 r8 [g c e] |
- g2. [g16( f e )f]
- dis4()e r8 [c-. c-. c-.]
- c4.( [d16 e] f4 )e
- a, ( d g, )c
- d d
- \grace { e8( }
- [)d8. c16 d8. e16]
- c4 r r2
- \mark "F"
- R1*3
- c,2~[c8 e g c]
- [c8()b] b4 r2
- [c,8 e g c ] [e ()g e c]
- [c()b] b4 r2
- c2 (bes )a [a8(b c )cis]
- d2( ~ [d8 e16 d] \grace { \longgrace d16( \endlonggrace } [)c8 b16 )c]
- \grace { \longgrace c16 \endlonggrace }[ b8( a16 )g] g4 r2 |
- R1*3
- r2 r4 [g'8()e]
- \mark "G"
- [d()c g'()e] [d()c a'()f]
- [e()d] d4 r [d8 d]
- d4(~ [d16 e d )e] [g8() f e d] |
- c4 r r2
- R1
- c1 ~
- c |
- [c8-. c-.] r c-. [cis()d] r\cresc d-. |
- [dis()e] r e-. [e()f] r f-. |
- g4-.-\f\endcresc e-. c-. bes-. |
- g-.\ff e-. c-. r |
- a'2 ~ [a8_""_#`(,italic-bf "sempre " (dynamic "f")) b16 c] [d( e d )e]
-
-
- f4. () d8 [f8 ()d f d]
- [c (e] )g2 \grace { \longgrace f16( \endlonggrace } [)e8( d16 )c]
-
- < d1-\trill (
- { s2 \grace { [c16 d] } } >
-
- ) c4 r r2
- R1 |
- \mark "H"
- \times 2/3 { [ c8 b a ] } \times 2/3 { [ g a b] }
- \times 2/3 { [ c d e] } \times 2/3 { [ f e d] } |
- \times 2/3 { [ c b a ] } \times 2/3 { [ g a b] }
- \times 2/3 { [ c d e] } \times 2/3 { [ f e d] }|
- c4 \times 2/3 { r8 [g'()e]} c4 \times 2/3 { r8 [e () c]} |
- g4 \times 2/3 { r8 [c8() g] } \times 2/3 { [ e ()g e-. ] } \times 2/3 { [c () e c-.] }|
- g4 r8 g'\f [a b c d]|
-
- < d1(-\trill
- { s2 \grace { [c16 d] } } >
- )c4 r r2
- R1*3
-
- c4.^\fermata_"Cadenza ad lib." () d8 d4.-\trill^\fermata ( [c16 )d]
- c4 r r2
- R1*8
- r4 [c8.^"tutti"-\f c16] c4 c
- c [c,8. c16] c4 c|
- c2 r2 \bar "|."
-
-}
-
-
-\score
-{
- \notes { \transpose bes \allegro }
- \paper{ }
- \header { piece = "allegro" opus = "" }
- \midi{ \tempo 4=90 }
-}
+++ /dev/null
-
-
-% #(set! point-and-click line-column-location)
-
-longgrace = \property Voice.Stem \override #'flag-style = #'()
-endlonggrace = \property Voice.Stem \revert #'flag-style
-ritenuto = \textscript #'(italic "rit.")
-
-\version "1.5.49"
-
-#(define italic-bf '((font-shape . italic) (font-series . bold)))
-
-%% burp
-%% the very idea of a style sheet, is that it's easy to override
-#(define (set-style! sheet name style)
- (set-cdr! (assoc 'mark-letter (cdr (assoc 'style-alist sheet))) style))
-
-#(define my-sheet (make-style-sheet 'paper20))
-#(set-style! my-sheet 'mark-letter '((font-family . roman)
- (font-series . bold)
- (font-shape . upright)
- (font-relative-size . 3)))
-
-cresc = \notes {
- \commandspanrequest \start "crescendo"
- \property Voice.crescendoText = #`(,italic-bf "cresc.")
- \property Voice.crescendoSpanner = #'dashed-line
-}
-
-%%
-%% TODO: a better mechanism for tweaking Grace settings.
-%%
-
-startGraceMusic = \sequential {
- \startGraceMusic
- \property Voice.Beam \override #'space-function
- = #(lambda (beam mult) (* 0.8 0.8))
- \property Voice.Beam \override #'thickness = #(* 0.384 (/ 0.6 0.48))
-}
-
-stopGraceMusic= \sequential {
- \property Voice.Beam \revert #'thickness
- \property Voice.Beam \revert #'space-function
- \stopGraceMusic
-}
-
-\paper{
- \stylesheet #my-sheet
- \translator {
- \ScoreContext
- skipBars = ##t
- midiInstrument = #"french horn"
- %% try to mimic Breitkopf
- RehearsalMark \override #'padding = #1
- MultiMeasureRest \override #'padding = #0.5
- MultiMeasureRest \override #'number-threshold = #1
-
- Beam \override #'thickness = #0.6
- Beam \override #'space-function = #(lambda (beam mult) 0.8)
- Slur \override #'beautiful = #0.3
- }
- \translator {
- \StaffContext
- MinimumVerticalExtent = #'(-4.5 . 4.5)
- }
- indent = 10. \mm
- linewidth = 189. \mm
-
-}
+++ /dev/null
-
-\version "1.5.49"
-\include "mozart-hrn3-defs.ly"
-
-romanze = \notes \relative c' {
- \key f \major
- \time 2/2
- \property Score.skipBars = ##t
-
- c'4.( _#'(italic (dynamic "p") " con molto espressione")
- )f8 a,4 a
- [bes8( c d bes] )g4 r8 g
- a r bes r c r [d()bes]
- a2( [)g8 a( bes )b]
- c4. () f8 a,4 a |
- % 6
- [bes8 (c d) bes] g4 r8 c,
- [c8( e g )bes] [a( c f ) d]
- c r e r f r r4
- \mark "A"
- R1*8
- g4.\mf f8 [e d c bes]
- % 18
- [bes( a d )c] c4 r
- R1*2
- g'4. f8 [e d c bes]
- [bes (a d ) c] c4 r
- R1
- % 25
- [c16 ( d c )d] [e ( f e )f] [g()e c-. c-.] [f()d b-. b-.]
- [c16\p () d c )d] [e ( f e )f] [g()e c-. c-.] [f()d b-. b-.]
- [c8 \< c, c c] [c c c \! c ]
- \mark "B"
- c1\f
- R1*9
- f'4.(\p )d8 b4 r8 g
- g'4.() e8 c4 r8 cis |
- % 39
- d4(~ [d16 e d )e] [f8 () d f() d]
- c2()b4 r
- R1*4
- e4. ()g8 c,4 ()cis
- [d8( e f )d] b4 r8 g
- [c ()e g g] [g( f e )d]
- c4(
- \grace { \longgrace e16 \endlonggrace }
- [d8. )c16 \< ] [c8 c-.( c-. \! )c-.]
- \mark "C"
-
- %% this is a trick to get the sfp-s to align.
- \property Voice.Hairpin \override #'transparent = ##t
- des1\sfp \> \!
- g,1\sfp \> \!
- c\sfp \> \!
- c,\sfp
- \property Voice.Hairpin \revert #'transparent
- R1*3
- r8 [c-\p c c] c2~
- [c8 c' c c] c2~
- [c8 \< e( g f] [e \! d \> c bes]
- \mark "D"
- \! )a4 r r2
- R1*3
- c4.-\p () f8 a,4 a |
- [bes8 (c d) bes] g4 r8 c,
- [c8( e g )bes] [a( c f ) d]
- c r e r f4 r4
- R1*3
- r2 r4 r8 c,8
- [c8( e g )bes] [a( c f ) d]
- c r e r f4 r4
- g,1
- c,2 c4. c8
- [c8( e g )bes] [a( c f ) d]
- c r e r f4 r4 % -. ?
-
- R1
- c8-. r e-. r f4 r4
-
- % Finish with F if played separately
- c8-.( r c,-. r ) c4 r4|
- \bar "|."
-}
-
-
-
-\score
-{
- \notes { \transpose bes \romanze }
- \header { piece = "romanze" opus = "" }
- \midi{ \tempo 4 = 70 }
- \paper{}
-}
+++ /dev/null
-\version "1.5.49"
-
-% \include "mozart-hrn3-defs.ly"
-
-rondotheme = \notes \relative c' {
- [c'8 c c] [c c c]
- c4( cis8 )d r g,
- [d'8 d d] [d d d]
- d4( dis8 )e r c |
- [c()d e] [f g a]
- [g ()e c] c4 d8
- e4()d8 e4()f8
- e4.()d8 r r |
-}
-
-lipbreaker = \notes \relative c'
-{
- r8 [g'-. g-.] [c()e g,-.]
- [c()e g,-.] [c()e g,-.]
- [c c, c] [c c c]
- [c c c] [c c c]
-}
-
-rightsixteenth = { \property Voice.stemLeftBeamCount = 1
- \property Voice.stemRightBeamCount = 2 }
-leftsixteenth = { \property Voice.stemLeftBeamCount = 2
- \property Voice.stemRightBeamCount = 1 }
-bothsixteenth = { \property Voice.stemLeftBeamCount = 2
- \property Voice.stemRightBeamCount = 2 }
-
-rondo = \notes \relative c'
-{
- \partial 8
- \time 6/8
- \key c \major
-
- g'8-\p |
-
- \rondotheme
-
- R2.*13 |
- r8 r^\fermata d [d e f]
- [g ()e c-.] [d()e d-.]
- c4 c8 [d e f]
- [g()e c-.] [d()e d-.]
- c4 r8 r4 r8 |
- R2.*7
- \mark "A"
- c4.\p \grace { e16( } [)d8 c d]
- c4 r8 r4 r8
- e4. \grace g16( [)f8 e f]
- e4 r8 r4 r8
- g4. e4 c8
- g2.~
- [g8 a b] [c d e ]
- e4.()d8 r r
- R2.*4
- e2.~ |
- [e8 d c] [c b a]
- d2.~
- [d8 c b] [b a g]
- g'4()e8 b4()cis8
- \mark "B"
- d4 r8 r4 r8
- R2.*3 |
- r8 [d-. d-.] [d()g d-.]
- [d()g d-.] [d d d]
- [d()g] r r4 r8
- R2.*1
- \lipbreaker
- c4 r8 [c' d e]
- d4()g8 [c, d e]
- d4 r8 r4 r8
- R2. |
- r4 r8 [c-. d-. e-.]
- d4()g8 [c, d e]
- [d()g fis] [e d c]
- [b () e d] [c b a]
- \mark "C"
- g4 r8 r4 r8
- R2. |
- %
- r8 [g-\f g] [g( )b b-.]
- [b()d d-.] [d()g g-.]
- g2.~
- [g8 \> a g] [f e d]
- < \rondotheme
- { \! s8-\p } >
-
- R2.*12
- r4 r8 r4 c8
- \mark "D"
- c4 f8 c4 a8
- a4.~a4 a8
- bes4 c8 d4 bes8
- g4. ~ g8 r r
- R2.*3
- r4 r8 r4 c8
- a4. c
- f ~ [f8. \rightsixteenth e16( \bothsixteenth d )c]
- bes4 g8 e4 g8
- c,4. ~ c8 r r
- R2.*3|
- r4 r8 r4 c'8
- b4()c8 b4()c8
- bes4. ~ bes4 g8
- a4 () c8 f4 () b,8
- d4. () c8 r r
- R2.*3|
- r4 r8 r4 c'8
- b4()c8 b4()c8
- bes4. ~ bes4 g8
- a4 c8 [f () d b!]
- d4. () c8 r r
- \mark "E"
- R2.*9 |
- \lipbreaker
- [c8 c' c] c4.~
- [c8 c d] [e e fis]
- g4 r8 r4 r8
- R2.
- r8 [g, g] [g g g] |
- es'4. ~ [es8 d c]
- b4 r8 r4 r8
- R2. |
- r8 [g g] [g g g]
- es'4. ~ [es8 d c]
- \cresc b4. c4. d4. e4.
- \mark "F"
- \endcresc
-
- f2.\f ~ |
- f4 r8 r4 r8
- r8 [g,\> g] [g g g]
-
- % Edition breitkopf says a-flat (silly!)
- [fis g gis]
- [a bes \! b]
-
- %% EB does the slur in the Rondo differently from the 1st adn 2nd time.
- %% why. Should check with MS.
- < \rondotheme
- { s8-\p } >
- R2.*7
- \mark "G"
- R2.*4
- c,4.\mf c4 c8
- c4. e4 c8
- g'4. g4 g8
- g4. g,4 g8
- c4 r8 r4 r8
- r4 r8 r4 g'8
- [c ()e g,-.] [c ()e g,-.]
- [c ()e g,-.] [c ()e g,-.]
- \mark "H"
- \cresc g'2. bes,2.
- a4. [b16 c d e f g]
- a4. f4 d8
- [\endcresc c8\f g' e] [c g e]
- [ c e' c] [g e c]
- g4 r8 [g''8 e c]
-
-
- < d2.(-\trill
- { s2 \grace { [c16 d] } } >
-
-
- )c4 r8 r4 r8
- R2.*5
- r8 r8^\fermata d8\p [d e f]
- [g ()e c] [d()e d]
- \cresc [c c c] [d e f]
- [g()e c] [d()e d]
- \endcresc c4\f r8 r4 r8
- R2.*5
- [c8\f c, c] [c c c]
- c4 r8 c4 r8
-
- %This is technically incorrect, since we started with an 8th
- % upstep, but both eulenburg and EB do this as well.
- c4 r8 r4 r8 \bar "|."
-}
-
-
-
-
-
-\score
-{
- \notes { \transpose bes \rondo }
- \header { piece = "rondo" opus = "" }
- \midi{ \tempo 4 = 100 }
- \paper { }
-}
# mutopia/J.S.Bach/Petites-Preludes/Makefile
-depth = ../../..
+depth = ../../../..
EXTRA_DIST_FILES=
#
-depth = ../..
+depth = ../../..
examples=mozart-hrn-3
LOCALSTEPMAKE_TEMPLATES=ly mutopia
\include "engraver-init.ly"
\include "grace-init.ly"
-singleLine = \paper { linewidth = 1. }
-
% ugh
\include "midi-init.ly"
Documentation/tex/*.bib\
Documentation/pictures/out/lelie_logo.gif\
input\
- mutopia\
INSTALLED_EXTRA_DOC_FILES = $(addprefix $(prefix:/%=%)/doc/lilypond/, $(EXTRA_DOC_FILES))
tar -C $RPM_DOC_ROOT/HTML -xzf out/web.tar.gz
ln -s HTML/input $RPM_DOC_ROOT/Examples
ln -s HTML/input/test $RPM_DOC_ROOT/Tricks
-ln -s HTML/mutopia $RPM_DOC_ROOT/Mutopia
+
mkdir -p $RPM_DOC_ROOT/Printable
ln -s ../HTML/Documentation/user/out-www/lilypond.ps.gz $RPM_DOC_ROOT/Printable/Manual.ps.gz
ln -s ../HTML/Documentation/user/out-www/glossary.ps.gz $RPM_DOC_ROOT/Printable/Glossary.ps.gz
%doc web/
%doc input/
-%doc mutopia/
+
%files doc
# this gets too messy...
-%doc mutopia/
+
%doc input/
%doc web/
# verbatim include of input: list the directory without issuing a %dir
,Beam::check_concave
,Beam::slope_damping
,Beam::shift_region_to_valid
-; ,Beam::quanting
+ ,Beam::quanting
))
;; TODO: should be in SLT.
projects / lilypond.git / commitdiff