voices, and could just as easily be printed as unison. Combining notes
into a chord, or showing one voice as solo is, therefore, not ideal as
the @code{\partcombine} function considers each note separately. In this
-case the @code{\partcombine} function can be overriden with the
-following commands:
-
-Commands ending in @code{@dots{}Once} apply only to the next note in the
-music expression.
+case the @code{\partcombine} function can be overridden with one of the
+following commands. All of the commands may be preceded with
+@code{\once} in order to have them only apply to the next note in
+the music expression.
@itemize
@item
-@code{\partcombineApart} and @code{\once \partcombineApart} keep the
+@code{\partcombineApart} keeps the
notes as two separate voices, even if they can be combined into a chord
or unison.
@item
-@code{\partcombineChords} and @code{\once \partcombineChords} combine the
+@code{\partcombineChords} combines the
notes into a chord.
@item
-@code{\partcombineUnisono} and @code{\once \partcombineUnisono} combine
+@code{\partcombineUnisono} combines
both voices as @qq{unison}.
@item
-@code{\partcombineSoloI} and @code{\once \partcombineSoloI} print only
-voice one, and mark it as a @qq{Solo}.
+@code{\partcombineSoloI} prints only
+voice one, and marks it as a @qq{Solo}.
@item
-@code{\partcombineSoloII} or @code{\once \partcombineSoloII} print only
-voice two and mark it as a @qq{Solo}.
+@code{\partcombineSoloII} prints only
+voice two and marks it as a @qq{Solo}.
@item
-@code{\partcombineAutomatic} and @code{\once \partcombineAutomatic} end
-the functions of the commands above, and revert back to the standard
+@code{\partcombineAutomatic} ends
+the functions of the commands above, and reverts back to the standard
@code{\partcombine} functionality.
@end itemize