2 % belongs together with -cello.ly and -viola.ly
3 % (who is going to make a -violin.ly?)
6 Well, there are still some scripts in this "urtext".
7 But merging melodic and scripts doen't work too well yet (see viola_scripts).
14 % ugh, the non-shortened beamstems of voice in forced direction
16 sarabande_a = \notes \relative c {
17 \voiceone \d[d8.()e16] e4.-\trill([d16 )e] |
18 f4. \onevoice [e8(d)c] |
19 [bes g']\n[f e16(f][g a bes)d,] |
20 cis4.-\trill\d[b8(a)g] |
21 % copy bar 1, half bar 2
22 \voiceone \d[d'8.()e16] f4.-\trill([d16 )e] |
24 f4. \onevoice [d8(e)f] |
25 \n[g bes16()a][c()bes a()g][d'8 f,] |
26 \voiceone e4.-\trill \onevoice \d[d8(c)bes] |
28 \voiceone \n[f' g16()a] a4. [g16()f] |
29 [g8 a16()bes]bes4. [c16()d]|
31 \onevoice \d [e,8()f][c, g'][f'()e] |
33 \voiceone a'4 \d a4.-\trill()bes8 |
34 [c bes16()a] \onevoice [fis8.-\trill()es16][d8()c] |
35 [bes g'][a, fis'][es'()d] |
37 \voiceone bes4.-\trill \onevoice [a8(g)f!] |
40 [cis, bes'][a g16()f][e!8 f16()d] |
41 [cis8 e16()a][a,8. g'16]\n[f8()e] |
43 \voiceone [d e16()f]f4. [e16()d] |
44 [e8 f16()g]g4. [a16()bes] |
45 \d[a8 cis16()d][d,8 e16(f32)g][f8-\trill \n e16()d] |
46 d4 [d,16 a'( b cis][d e f )g] |
48 [a(b c)b] c4. [b16()a] |
49 \d[b(cis d )cis] d4. \n[e16()f] |
50 \onevoice [d(cis)d f,] [a,8 e']\d[d'()cis] |
54 sarabande_b = \notes \relative c {
58 % this avoids the clash bug
90 sarabande = \type Staff \notes<