Documentation/tex/colorado.bib

   1 %
   2 % TITLE=University of Colorado Engraving music bibliography
   3 % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
   4 %
   5
   6
   7 % TODO: fix the labelling.
   8
   9 @Book {6,
  10         author ={Jacob, Archibald},
  11         year={1947},
  12         title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
  13         address ={London},
  14         publisher ={Oxford University Press},
  15         note = {subject: Musical notation},
  16 }
  17
  18 @Book {15,
  19         author ={Carl Brandt and Clinton Roemer},
  20         title = {Standardized Chord Symbol Notation},
  21         address={Sherman Oaks, CA},
  22         publisher={Roerick Music Co.},
  23         note ={subject: musical notation},
  24 }
  25
  26 @Book {22,
  27         author = {Johnson, Harold M},
  28         year = {1946},
  29         title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
  30         publisher={Carl Fischer, Inc.},
  31         address= {New York},
  32         note = {subject: Musical notation --Handbooks, manuals},
  33 }
  34
  35 @Book {31,
  36         title = {Music Printing & Publishing},
  37         author ={Donald W. Krummel \& Stanley Sadie},
  38         year = {1990},
  39         publisher= {Macmillan Press},
  40         note ={subject: musical notation},
  41 }
  42
  43 %series={The Norton/Grove Handbooks in Music.},
  44 % publisher={W.W. Norton},
  45
  46 @Book {40,
  47         author={Foss, Hubert},
  48         title = {Music Printing},
  49         series = {Practical Printing and Binding},
  50         address={London},
  51         publisher={Oldhams Press Ltd., Long Acre},
  52         note ={subject: musical notation},
  53 }
  54
  55 @Book {48,
  56         author = {Steele, Robert},
  57         year = {1903},
  58         title = {The Earliest English Music Printing},
  59         address={London},
  60         note= {subject: history of music printing and engraving},
  61 }
  62
  63 @Book {54,
  64         author={Austin, Ernest},
  65         title = {The Story of Music Printing},
  66         address={London},
  67         publisher={Lowe and Brydone Printers, Ltd.},
  68         note= {subject: history of music printing and engraving},
  69
  70 }
  71
  72
  73
  74 @Book {63,
  75         author={?},
  76         title = {Pictoral History of Music Printing},
  77         address={Elhardt, Indiana},
  78         publisher={H. and A. Selmer, Inc.},
  79         note= {subject: history of music printing and engraving},
  80
  81 }
  82
  83 @Book {77,
  84         author = {Wintermitz, Emmanuel},
  85         year = {1955},
  86         title = {Musical Autographs from Monteverdi to Hindemith},
  87         address={Princeton},
  88         publisher={Princeton University Press},
  89         note= {subject: history of music printing and engraving},
  90
  91 }
  92
  93
  94 @Book {92,
  95
  96         author = {Novello, A},
  97         year = {1847},
  98         title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
  99         address={London},
 100         note={ subject: history of music printing and engraving},
 101 }
 102
 103 @Book {100,
 104         author={Chrsander, F.},
 105         year={18??},
 106         title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
 107         note={ subject: history of music printing and engraving},
 108 }
 109
 110 @Article {squire1897,
 111         author = {Squire, W},
 112         year = {1897},
 113         title = {Notes on Early Music Printing},
 114         journal = {Bibliographica},
 115         volume={iii},
 116         number={99},
 117         note={ subject: history of music printing and engraving},
 118
 119 }
 120
 121 @Article{113,
 122         author = {Meyer, K. and O'Meara, J},
 123         year = {1935},
 124         title = {The Printing of Music, 1473-1934},
 125         journal = {The Dolphin},
 126         volume={ ii},
 127         pages={ 171--207},
 128         note={ subject: history of music printing and engraving},
 129
 130 }
 131 %% 4th ver.,
 132 @Article {120,
 133         author = {Pattison, B},
 134         year = {1939},
 135         title = {Notes on Early Music Printing},
 136         journal = {The Library},
 137         note={subject: history of music printing and engraving},
 138         volume={xix},
 139         pages={389-421},
 140 }
 141
 142 @Book {136,
 143         author = {King, H},
 144         year = {1964},
 145         title = {Four Hundred Years of Music Printing},
 146         address={London},
 147         note={ subject: history of music printing and engraving},
 148 }
 149
 150
 151 %(Rev.1961).
 152 @Book{150,
 153         author={Deutsch, O.F.},
 154         year ={1946},
 155         title = {Music Publishers' Numbers},
 156         address={London},
 157         note={ subject: history of music printing and engraving},
 158 }
 159
 160 @Book {151,
 161         author = {Marco, G.A},
 162         year = {1962},
 163         title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
 164         address={Charlottesville, Virginia},
 165         note={ subject: history of music printing and engraving},
 166 }
 167
 168 @Article {158,
 169         author = {Kinkeldey, O},
 170         year = {1932},
 171         title = {Music And Music Printing in Incunabula},
 172         journal = {Papers of the Bibliographical Society of America},
 173         volume={ xxvi},
 174         pages={89-118},
 175         note={ subject: history of music printing and engraving},
 176 }
 177
 178 @Book {166,
 179         author = {Oldman, C.B},
 180         year = {1934},
 181         title = {Collecting Musical First Editions},
 182         address={London},
 183         note={ subject: history of music printing and engraving},
 184 }
 185
 186 @Book{170,
 187         author={Carter, J},
 188         year={1934},
 189         title = {New Paths in Book Collecting},
 190         address={London},
 191         note={ subject: history of music printing and engraving},
 192 }
 193
 194 @Book {179,
 195         author={Krummel, D.W.},
 196         year={1958},
 197         month={9},
 198         title = {Graphic Analysis in Application to Early American Engraved Music},
 199         journal = {Notes},
 200         volume={xvi},
 201         pages={213},
 202         note={ subject: history of music printing and engraving},
 203 }
 204
 205 @Book {189,
 206         author = {Krummel, D.W},
 207         year = {1971},
 208         title = {Oblong Format in Early Music Books},
 209         journal = {The Library},
 210         volume={5th ser., xxvi},
 211         pages={312},
 212         note={ subject: history of music printing and engraving},
 213 }
 214
 215 @Book {198,
 216         author = {King, A.H},
 217         year = {1973},
 218         title = {The 50th Anniversary of Music Printing},
 219 }
 220
 221 @Book {204,
 222         author={Rastall, Richard},
 223         year={1982},
 224  title = {The notation of Western music : an introduction},
 225         address={New York, N.Y.},
 226         publisher={St. Martin's Press},
 227         note = {Musical notation},
 228
 229
 230 }
 231
 232 @Book {215,
 233         author = {Tappolet, Willy},
 234         year = {1947},
 235         title = {La Notation Musicale},
 236         address={Paris},
 237         note={subject: general notation},
 238         publisher={Neuch\^atel},
 239 }
 240
 241 @Book {223,
 242         author = {Williams, C.F. Abdy},
 243         year = {1903},
 244         title = {The Story of Notation},
 245         address={New York},
 246         publisher={Charles Scribner's Sons},
 247         note={subject: general notation},
 248 }
 249
 250 @Book {239,
 251         author={Apel, Willi},
 252         year={1953},
 253         title = {The notation of polyphonic music, 900-1600},
 254         address={Cambridge, Mass},
 255         institution={Mediaeval Academy of America},
 256         note = {Musical notation},
 257 }
 258
 259 @Book {248,
 260         author={Berger, Anna Maria Busse},
 261         year={1993},
 262         title = {Mensuration and proportion signs : origins and evolution},
 263         address={Oxford, England},
 264         publisher={Clarendon Press},
 265         scnd_address={New York},
 266         scnd_publisher={Oxford University Press },
 267         note={subject: early notation},
 268 }
 269
 270 @Book {258,
 271         author={Parrish, Carl},
 272         year={1957},
 273  title = {The notation of medieval music},
 274         address={New York},
 275         publisher={Norton},
 276         note = {Musical notation},
 277
 278
 279 }
 280
 281 @Book {269,
 282         author = {Parrish, Carl},
 283         year = {1946},
 284         title = {The Notation of Medieval Music},
 285         address={New York},
 286         publisher={Carl Fischer, Inc.},
 287         note={subject: early notation},
 288 }
 289
 290 @Book {277,
 291         author = {Patch, Harry},
 292         year = {1949},
 293         title = {Genesis of a Music},
 294         address={Madison},
 295         publisher={University of Wisconsin Press},
 296         note={subject: early notation},
 297 }
 298
 299 @Book {285,
 300         author={Cage, John},
 301         year={1969},
 302   title = {Notations},
 303         address={New York},
 304         publisher={Something Else Press},
 305         note = {Music, Manuscripts, Facsimiles.
 306
 307         Facsimiles of holographs from the Foundation for Contemporary
 308         Performance Arts, with text by 269 composers, but rearranged using
 309         chance operations.,V)} },
 310
 311 @Book {295,
 312         author = {Gaburo, Virginia},
 313         year = {1977},
 314         title = {Notation},
 315         address={publisher= {Lingua Press},
 316         publisher={La Jolla, California}},
 317         note = {A Lecture about notation, new ideas about},
 318 }
 319
 320 @Book {306,
 321         author = {Risatti, Howard},
 322         year = {1975},
 323         title = {New Music Vocabulary},
 324         address={Urbana, Illinois},
 325         publisher={University of Illinois Press},
 326         note = {A Guide to Notational Signs for Contemporary Music},
 327 }
 328
 329
 330
 331 @Book {325,
 332         author = {Cowell, Henry},
 333         year = {1930},
 334         title = {New Musical Resources},
 335         address={New York},
 336         publisher={Alfred A. Knopf, Inc.},
 337         note={subject: 20th century notation},
 338 }
 339
 340 @Article {333,
 341         author = {Cowell, Henry},
 342         year = {1927},
 343         title = {Our Inadequate Notation},
 344         journal = {Modern Music},
 345         volume={4},
 346         number={3},
 347         note={subject: 20th century notation},
 348
 349 }
 350
 351 @Book {342,
 352         author = {Bowers, Roger},
 353         year = {1992},
 354         title = {Music & Letters},
 355         volume={73},
 356         number={3},
 357         month={August},
 358         pages={347(52)},
 359         note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
 360 }
 361
 362 @Book {353,
 363         author = {Brainard, Paul},
 364         year = {1992},
 365         title = {Current Musicology},
 366         number={50},
 367         month={July-Dec},
 368         pages={21(26)},
 369         note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
 370 }
 371
 372 @Book {362,
 373         author = {Monelle, Raymond},
 374         year = {1989},
 375         title = {Comparative Literature},
 376         volume={41}, number={3},
 377         month={Summer},
 378         pages={252(18)},
 379
 380         note={Music notation and the poetic foot},
 381 }
 382
 383 @Book {373,
 384         author = {Pinegar, Sandra},
 385         year = {1993},
 386         title = {Current Musicology},
 387         number={53},
 388         month={July},
 389         pages={99(10)},
 390         note={The seeds of notation and music paleography.},
 391 }
 392
 393 @Book {382,
 394         author = {Smith, Norman E},
 395         year = {1990},
 396         title = {Current Musicology},
 397         number={45-47},
 398         month={Jan-Dec},
 399         pages={283(22)},
 400         note={The notation of fractio modi.},
 401 }
 402
 403 @Book {392,
 404         author = {Treitler, Leo},
 405         year = {1992},
 406         title = {The Journal of Musicology},
 407         volume={10},
 408         number={2},
 409         month={Spring},
 410         pages={131(61)},
 411
 412         note={ The unwritten and written transmission, of medieval chant
 413         and the start-up of musical notation.
 414
 415         Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
 416 }
 417
 418 @Book {407,
 419         author = {West, M.L},
 420         year = {1994},
 421         title = {Music & Letters},
 422         volume={75},
 423         number={2},
 424         month={May},
 425         pages={161(19)},
 426         note={The Babylonian musical notation and the Hurrian melodic texts.
 427
 428         A new way of deciphering the ancient Babylonian musical notation.
 429 }
 430 }
 431
 432 @Book {418,
 433         author = {Brown, Earle},
 434         year = {1986},
 435         title = {Musical Quarterly},
 436         volume={72},
 437         month={Spring},
 438         pages={180(22)},
 439         note={The notation and performance of new music.},
 440 }
 441
 442 @Book {426,
 443         author = {Eggleston, Suzanne},
 444         year = {1994},
 445         title = {Notes},
 446         volume={51},
 447         number={2},
 448         month={Dec},
 449         pages={657(7)},
 450         journal={New periodicals},
 451         note={A list of new music periodicals covering the period
 452         Jun.-Dec. 1994. Includes aims, formats and a description of the
 453         contents of each listed periodical. Includes Music Notation News},
 454
 455 }
 456
 457 @Book {441,
 458
 459         author = {Fuller, David},
 460         year = {1989},
 461         title = {The Journal of Musicology},
 462         volume={7},
 463         number={1},
 464         month={Winter},
 465         pages={21(8)},
 466         note={
 467         Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
 468 }},
 469
 470 @Book {454,
 471
 472         author = {Jones, David Evan},
 473         year = {1990},
 474         title = {Perspectives of New Music},
 475         note={Speech extrapolated. (includes notation)}
 476 }
 477
 478 @Book {464,
 479         author = {Lependorf, Jeffrey},
 480         year = {1989},
 481         journal={Perspectives of New Music},
 482         volume={27},
 483  number={2},
 484         month={Summer},
 485         pages={232(20)},
 486         note={
 487         Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
 488
 489 }
 490
 491 @Book {478,
 492         author = {Rastall, Richard},
 493         year = {1993},
 494         title = {Music & Letters},
 495         volume={74}, number={4},
 496         month={November},
 497         pages={639(2)},
 498
 499         note={Equal Temperament Music Notation: The Ailler-Brennink
 500         Chromatic Notation. Results and Conclusions of the Music Notation
 501         Refor by the Chroma Foundation (book reviews).  },
 502 }
 503
 504 @Article {Francois92,
 505         author={Francois, Jean-Charles},
 506         journal = {Perspectives of New Music},
 507         volume={30},
 508         number={1}, month={Winter},
 509         pages={6(15)},
 510         year={1992},
 511
 512         note={subject: Modern music has outgrown notation. While the
 513              computer is used to write down music with accuracy never
 514              before achieved, the range of modern sounds has surpassed
 515              the relevance of the computer...},
 516         title={Writing without representation, and unreadable notation.},
 517 }
 518
 519 @Book {501,
 520         author = {Hamel, Keith A},
 521         year = {1989},
 522         journal = {Perspectives of New Music},
 523         volume={27},
 524         number={1},
 525         month={Winter},
 526         pages={70(14)},
 527         title={A design for music editing and printing software based on notational syntax},
 528 }
 529