From f58a6bce52d3dbd167b654e17c222fa1a450b996 Mon Sep 17 00:00:00 2001 From: John Mandereau Date: Mon, 5 Jan 2009 11:30:23 +0100 Subject: [PATCH] Typos --- Documentation/user/music-glossary.tely | 6 +++--- 1 file changed, 3 insertions(+), 3 deletions(-) diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index 33ed1d902e..4c70e2f6a1 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -2943,7 +2943,7 @@ with conjunct movement. @lilypond[quote,relative=1] \key a \major -\time 4/4 +\time 4/4 { \partial 8 e8 | a4. gis8 b a e cis | fis2 d4. @@ -4697,7 +4697,7 @@ called because of its strong tendency to @q{lead up} (resolve upwards) to the tonic scale degree. @seealso -@ref{scale degree, @ref{semitone}. +@ref{scale degree}, @ref{semitone}. @node ledger line @@ -4987,7 +4987,7 @@ respectively). By the late 15th century, most composers used the smaller proportion by default. @seealso -@ref{Duration names notes and rests}, @ref{longa}, @ref{note values}. +@ref{Duration names notes and rests}, @ref{longa}, @ref{note value}. @node meantone temperament -- 2.39.2