From dc5343d7467c78cc6983dadc53c0ea67f10e869f Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Thu, 10 Jul 2008 15:55:57 -0700 Subject: [PATCH] Update from Jonathan. --- Documentation/user/fretted-strings.itely | 106 +++++++++++++++++------ 1 file changed, 80 insertions(+), 26 deletions(-) diff --git a/Documentation/user/fretted-strings.itely b/Documentation/user/fretted-strings.itely index 8fabf0ab7c..97a4666238 100644 --- a/Documentation/user/fretted-strings.itely +++ b/Documentation/user/fretted-strings.itely @@ -35,8 +35,28 @@ @node References for fretted strings @subsubsection References for fretted strings -@c TODO Add refs -TBC +@itemize +@item Fingerings are indicated with @ref{Fingering instructions}. + +@item Instructions for @notation{Laissez vibrer} ties +as well as ties on arpeggios and tremolos is described in +@ref{Ties}. + +@item Instructions on handling multiple voices is described +in @ref{Collision resolution}. + +@end itemize + +@seealso + +Notation Reference: +@ref{Instrument names}, +@ref{Writing music in parallel}, +@ref{Fingering instructions}, +@ref{Ties}, +@ref{Arpeggio}, +@ref{List of articulations}, +@ref{Clef}. @node String number indications @subsubsection String number indications @@ -55,12 +75,9 @@ construct even if there is only a single note.} 1 @end lilypond -Although @ref{Fingering instructions} are covered in detail elsewhere, -it is worth noting here how fingerings and string indications behave -together, since guitar music often incorporates both at once. The -usual convention is to place the fingering closest to the note, then -the string indication outside the fingering. This is controlled by -the order in which the two items appear: +When fingerings and string indications are used together, their +placement is controlled by the order in which the two items appear +in the code: @lilypond[verbatim,quote,relative=2] 2 @@ -68,15 +85,20 @@ the order in which the two items appear: @end lilypond @snippets - @lilypondfile[verbatim,lilyquote,texidoc,doctitle] {controlling-the-placement-of-chord-fingerings.ly} +@lilypondfile[verbatim,lilyquote,texidoc,doctitle] +{allowing-fingerings-to-be-printed-inside-the-staff.ly} + @seealso Snippets: @rlsr{Fretted strings}. +Notation Reference: +@ref{Fingering instructions}. + Internals Reference: @rinternals{StringNumber}, @rinternals{Fingering}. @@ -93,11 +115,10 @@ instruments. Pitches are not denoted with note heads, but by numbers indicating on which string and fret a note must be played. LilyPond offers limited support for tablature. -The string number associated to a note is given as a backslash -followed by a number, e.g., @code{c4\3} for a C quarter on the third -string. By default, string 1 is the highest one, and the tuning -defaults to the standard guitar tuning (with 6 strings). The notes -are printed as tablature, by using @code{TabStaff} and +The string number associated with a note is given as a backslash +followed by a number. By default, string 1 is the highest, +and the tuning defaults to the standard guitar tuning (with 6 strings). +The notes are printed as tablature, by using @code{TabStaff} and @code{TabVoice} contexts @lilypond[quote,ragged-right,fragment,verbatim] @@ -132,17 +153,38 @@ that can generate the note with a fret number greater than or equal to @snippets -To print tablatures with stems down and horizontal beams, -initialize the @code{TabStaff} with this code: +The direction of stems is controlled the same way in tablature as +in traditional notation. Beams can be made horizontal: -@example -\stemDown -\override Beam #'damping = #100000 -@end example +@lilypond[quote,ragged-right,verbatim] +\new TabStaff { + \relative c { + g16 b d g + b d g b + \stemDown + \override Beam #'damping = #100000 + g,,16 b d g + b d g b + } +} +@end lilypond @seealso -Internals Reference: @rinternals{TabNoteHead}, @rinternals{TabStaff}, @rinternals{TabVoice}. +Snippets: +@rlsr{Fretted strings}. + +Notation Reference: +@ref{Stems} + +Internals Reference: +@rinternals{TabNoteHead}, + +@rinternals{TabStaff}, + +@rinternals{TabVoice}, + +@rinternals{Beam}. @knownissues @@ -205,6 +247,9 @@ Some other predefined tunings are @code{guitar-open-g-tuning}, @seealso +Snippets: +@rlsr{Fretted strings}. + The file @file{scm/@/output@/-lib@/.scm} contains the predefined string tunings. Internals Reference: @rinternals{Tab_note_heads_engraver}. @@ -266,7 +311,8 @@ Details about the property interface to fret diagrams are found at @seealso - +Snippets: +@rlsr{Fretted strings}. @node Right hand fingerings @subsubsection Right hand fingerings @@ -345,7 +391,11 @@ right-hand fingering @seealso -Internals Reference: @rinternals{StrokeFinger} +Snippets: +@rlsr{Fretted strings}. + +Internals Reference: +@rinternals{StrokeFinger}. @node Guitar @@ -390,6 +440,10 @@ percussive noise-like sound that still maintains part of the original pitch. It is notated with cross note heads; this is demonstrated in @ref{Special note heads}. +@seealso + +Snippets: +@rlsr{Fretted strings}. @node Banjo @subsection Banjo @@ -434,9 +488,9 @@ These tunings may be converted to four string banjo tunings using the @seealso -The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings. - - +Snippets: +@rlsr{Fretted strings}. +The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings. -- 2.39.2