From: David Kastrup <dak@gnu.org>
Date: Sun, 20 Sep 2015 15:44:47 +0000 (+0200)
Subject: Run scripts/auxiliar/update-with-convert-ly.sh
X-Git-Tag: release/2.19.28-1~5^2~1^2~4
X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=f7dfb61e546cb03d61d92271839288c44abf8aed;hp=2bfeb6186a202b5e228c491ea7e44040ae75589f;p=lilypond.git

Run scripts/auxiliar/update-with-convert-ly.sh
---

diff --git a/Documentation/de/notation/chords.itely b/Documentation/de/notation/chords.itely
index 60d05574a9..224ce8f536 100644
--- a/Documentation/de/notation/chords.itely
+++ b/Documentation/de/notation/chords.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Till Paala
 
@@ -326,7 +326,7 @@ die große.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c1:5.6 c:3.7.8 c:3.6.13
+  c1:3.5.6 c:3.7.8 c:3.6.13
 }
 @end lilypond
 
@@ -335,7 +335,7 @@ Hinzugefügte Stufen können beliebig groß sein:
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c4:5.15 c:5.20 c:5.25 c:5.30
+  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
 }
 @end lilypond
 
@@ -380,7 +380,7 @@ einer @code{4} die vierte Stufe hinzugefügt.  @code{sus} entspricht
 
 @lilypond[quote,ragged-right,verbatim]
 \chordmode {
-  c1:sus c:sus2 c:sus4 c:5.4^3
+  c1:5 c:sus2 c:sus4 c:5.4
 }
 @end lilypond
 
@@ -430,7 +430,7 @@ weil @code{5+} zuletzt gelesen wird.
 
 @cindex Cluster
 @lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
 @end lilypond
 
 Nur die zweite Umkehrung kann erstellt werden, indem eine
diff --git a/Documentation/de/notation/fretted-strings.itely b/Documentation/de/notation/fretted-strings.itely
index c95560d0e6..c421085d9a 100644
--- a/Documentation/de/notation/fretted-strings.itely
+++ b/Documentation/de/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Till Paala
 
@@ -1833,11 +1833,11 @@ gesetzt werden:
 ChordsAndSymbols = {
   \chordmode {
     \powerChords
-    e,,1:1.5
-    a,,1:1.5.8
+    e,,1:5
+    a,,1:5.8
     \set minimumFret = #8
-    c,1:1.5
-    f,1:1.5.8
+    c,1:5
+    f,1:5.8
   }
   \set minimumFret = #5
   <a, e>1
@@ -1866,8 +1866,8 @@ normalen Akkord-Modifikatoren verwendet wird:
 mixedChords = \chordmode {
   c,1
   \powerChords
-  b,,1:1.5
-  fis,,1:1.5.8
+  b,,1:5
+  fis,,1:5.8
   g,,1:m
 }
 \score {
diff --git a/Documentation/de/notation/notation-appendices.itely b/Documentation/de/notation/notation-appendices.itely
index 1a14675ecb..b5b4109c47 100644
--- a/Documentation/de/notation/notation-appendices.itely
+++ b/Documentation/de/notation/notation-appendices.itely
@@ -10,7 +10,7 @@
 
 @c Translators: Till Paala
 
-@c \version "2.16.0"
+@c \version "2.19.28"
 
 @node Notationsübersicht
 @appendix Notationsübersicht
@@ -405,7 +405,7 @@ Perfekte Quinte
 @lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   \powerChords
-  c1:1.5
+  c1:5
 }
 @end lilypond
 
@@ -419,7 +419,7 @@ Perfekte Quinte, Oktave
 @lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   \powerChords
-  c1:1.5.8
+  c1:5.8
 }
 @end lilypond
 
diff --git a/Documentation/es/notation/chords.itely b/Documentation/es/notation/chords.itely
index 480b590f8b..3d26feb860 100644
--- a/Documentation/es/notation/chords.itely
+++ b/Documentation/es/notation/chords.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @node Notación de acordes
 @section Notación de acordes
@@ -314,7 +314,7 @@ que se añade a un acorde es la séptima menor, no mayor.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c1:5.6 c:3.7.8 c:3.6.13
+  c1:3.5.6 c:3.7.8 c:3.6.13
 }
 @end lilypond
 
@@ -322,7 +322,7 @@ Las notas añadidas pueden ser tan agudas como se desee.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c4:5.15 c:5.20 c:5.25 c:5.30
+  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
 }
 @end lilypond
 
@@ -364,7 +364,7 @@ al acorde, respectivamente.  @code{sus} equivale a @code{^3};
 
 @lilypond[quote,ragged-right,verbatim]
 \chordmode {
-  c1:sus c:sus2 c:sus4 c:5.4^3
+  c1:5 c:sus2 c:sus4 c:5.4
 }
 @end lilypond
 
@@ -411,7 +411,7 @@ sigue produce simplemente el acorde aumentado, porque @code{5+} se
 interpreta en último lugar.
 
 @lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
 @end lilypond
 
 Sólo se puede crear la segunda inversión mediante la adición de un
diff --git a/Documentation/es/notation/fretted-strings.itely b/Documentation/es/notation/fretted-strings.itely
index 1db5f7a9f7..34b7532601 100644
--- a/Documentation/es/notation/fretted-strings.itely
+++ b/Documentation/es/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @node Instrumentos de cuerda con trastes
 @section Instrumentos de cuerda con trastes
@@ -1849,11 +1849,11 @@ en el modo de acordes o como construcciones de acorde normales:
 ChordsAndSymbols = {
   \chordmode {
     \powerChords
-    e,,1:1.5
-    a,,1:1.5.8
+    e,,1:5
+    a,,1:5.8
     \set minimumFret = #8
-    c,1:1.5
-    f,1:1.5.8
+    c,1:5
+    f,1:5.8
   }
   \set minimumFret = #5
   <a, e>1
@@ -1883,8 +1883,8 @@ acorde:
 mixedChords = \chordmode {
   c,1
   \powerChords
-  b,,1:1.5
-  fis,,1:1.5.8
+  b,,1:5
+  fis,,1:5.8
   g,,1:m
 }
 \score {
diff --git a/Documentation/es/notation/notation-appendices.itely b/Documentation/es/notation/notation-appendices.itely
index 89bf583569..3611fc38ab 100644
--- a/Documentation/es/notation/notation-appendices.itely
+++ b/Documentation/es/notation/notation-appendices.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.19.28"
 
 @node Tablas del manual sobre notación
 @appendix Tablas del manual sobre notación
@@ -478,10 +478,10 @@ Quinta justa
 @tab
 @code{1.5}
 @tab
-@code{\powerChords c1:1.5}
+@code{\powerChords c1:5}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-\chordmode { \powerChords c1:1.5 }
+\chordmode { \powerChords c1:5 }
 @end lilypond
 
 @item
@@ -491,10 +491,10 @@ Quinta justa, @*octava
 @tab
 @code{1.5.8}
 @tab
-@code{\powerChords c1:1.5.8}
+@code{\powerChords c1:5.8}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-  \chordmode { \powerChords c1:1.5.8 }
+  \chordmode { \powerChords c1:5.8 }
 @end lilypond
 
 @end multitable
diff --git a/Documentation/fr/notation/chords.itely b/Documentation/fr/notation/chords.itely
index b6665d5625..fc79bfd75c 100644
--- a/Documentation/fr/notation/chords.itely
+++ b/Documentation/fr/notation/chords.itely
@@ -8,7 +8,7 @@
    Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Valentin Villenave,Jean-Charles Malahieude
 @c Translation checkers: Jean-Charles Malahieude, John Mandereau
@@ -293,7 +293,7 @@ que si l'on y ajoute une septième, celle-ci sera minorée et non majeure.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c1:5.6 c:3.7.8 c:3.6.13
+  c1:3.5.6 c:3.7.8 c:3.6.13
 }
 @end lilypond
 
@@ -301,7 +301,7 @@ Les notes ajoutées peuvent monter aussi haut que de besoin.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c4:5.15 c:5.20 c:5.25 c:5.30
+  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
 }
 @end lilypond
 
@@ -342,7 +342,7 @@ quarte.  @code{sus} est équivalent à @code{^3} ; @code{sus4} est
 
 @lilypond[quote,ragged-right,verbatim]
 \chordmode {
-  c1:sus c:sus2 c:sus4 c:5.4^3
+  c1:5 c:sus2 c:sus4 c:5.4
 }
 @end lilypond
 
@@ -388,7 +388,7 @@ dans l'accord suivant, seule la quinte augmentée est prise en compte,
 parce qu'elle est indiquée en dernier :
 
 @lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
 @end lilypond
 
 
diff --git a/Documentation/fr/notation/fretted-strings.itely b/Documentation/fr/notation/fretted-strings.itely
index c72b696cb7..5b679de75b 100644
--- a/Documentation/fr/notation/fretted-strings.itely
+++ b/Documentation/fr/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
    Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Matthieu Jacquot
 @c Translation checkers: Jean-Charles Malahieude
@@ -1867,11 +1867,11 @@ dans une construction en accord :
 ChordsAndSymbols = {
   \chordmode {
     \powerChords
-    e,,1:1.5
-    a,,1:1.5.8
+    e,,1:5
+    a,,1:5.8
     \set minimumFret = #8
-    c,1:1.5
-    f,1:1.5.8
+    c,1:5
+    f,1:5.8
   }
   \set minimumFret = #5
   <a, e>1
@@ -1900,8 +1900,8 @@ accord traditionnel :
 mixedChords = \chordmode {
   c,1
   \powerChords
-  b,,1:1.5
-  fis,,1:1.5.8
+  b,,1:5
+  fis,,1:5.8
   g,,1:m
 }
 \score {
diff --git a/Documentation/fr/notation/notation-appendices.itely b/Documentation/fr/notation/notation-appendices.itely
index 90cf236fde..48c6fb176d 100644
--- a/Documentation/fr/notation/notation-appendices.itely
+++ b/Documentation/fr/notation/notation-appendices.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.19.28"
 
 @c Translators: Frédéric Chiasson, Jean-Charles Malahieude
 
@@ -480,10 +480,10 @@ Quinte juste
 @tab
 @code{1.5}
 @tab
-@code{\powerChords c1:1.5}
+@code{\powerChords c1:5}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-\chordmode { \powerChords c1:1.5 }
+\chordmode { \powerChords c1:5 }
 @end lilypond
 
 @item
@@ -493,10 +493,10 @@ Quinte juste @*et octave
 @tab
 @code{1.5.8}
 @tab
-@code{\powerChords c1:1.5.8}
+@code{\powerChords c1:5.8}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-  \chordmode { \powerChords c1:1.5.8 }
+  \chordmode { \powerChords c1:5.8 }
 @end lilypond
 
 @end multitable
diff --git a/Documentation/ja/notation/chords.itely b/Documentation/ja/notation/chords.itely
index ca86cbeff5..1af7a8bd7a 100644
--- a/Documentation/ja/notation/chords.itely
+++ b/Documentation/ja/notation/chords.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -313,7 +313,7 @@ C の長三和音を作り出すということに注意してください。
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c1:5.6 c:3.7.8 c:3.6.13
+  c1:3.5.6 c:3.7.8 c:3.6.13
 }
 @end lilypond
 
@@ -321,7 +321,7 @@ C の長三和音を作り出すということに注意してください。
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c4:5.15 c:5.20 c:5.25 c:5.30
+  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
 }
 @end lilypond
 
@@ -365,7 +365,7 @@ C の長三和音を作り出すということに注意してください。
 
 @lilypond[quote,ragged-right,verbatim]
 \chordmode {
-  c1:sus c:sus2 c:sus4 c:5.4^3
+  c1:5 c:sus2 c:sus4 c:5.4
 }
 @end lilypond
 
@@ -409,7 +409,7 @@ C の長三和音を作り出すということに注意してください。
 増和音が作り出されます。
 
 @lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
 @end lilypond
 
 第二転回和音を作り出すには、低音を追加するしかありません。@c
diff --git a/Documentation/ja/notation/fretted-strings.itely b/Documentation/ja/notation/fretted-strings.itely
index 1e3dddddfe..f4b7d0abf9 100644
--- a/Documentation/ja/notation/fretted-strings.itely
+++ b/Documentation/ja/notation/fretted-strings.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -1814,11 +1814,11 @@ LilyPond は、符頭を三角形に変更することで、@c
 ChordsAndSymbols = {
   \chordmode {
     \powerChords
-    e,,1:1.5
-    a,,1:1.5.8
+    e,,1:5
+    a,,1:5.8
     \set minimumFret = #8
-    c,1:1.5
-    f,1:1.5.8
+    c,1:5
+    f,1:5.8
   }
   \set minimumFret = #5
   <a, e>1
@@ -1847,8 +1847,8 @@ ChordsAndSymbols = {
 mixedChords = \chordmode {
   c,1
   \powerChords
-  b,,1:1.5
-  fis,,1:1.5.8
+  b,,1:5
+  fis,,1:5.8
   g,,1:m
 }
 \score {
diff --git a/Documentation/learning/templates.itely b/Documentation/learning/templates.itely
index a874d97e27..ee148cc23f 100644
--- a/Documentation/learning/templates.itely
+++ b/Documentation/learning/templates.itely
@@ -553,7 +553,7 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print
 
 @ The `line-width' is for \header.
 @li lypond[quote,verbatim,ragged-right,line-width]
-\version "2.19.2"
+\version "2.19.25"
 \header {
   dedication = "dedication"
   title = "Title"
diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index bd396425a4..3005e88b44 100644
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 
 @node Chord notation
@@ -279,7 +279,7 @@ the major seventh.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c1:5.6 c:3.7.8 c:3.6.13
+  c1:3.5.6 c:3.7.8 c:3.6.13
 }
 @end lilypond
 
@@ -287,7 +287,7 @@ Added steps can be as high as desired.
 
 @lilypond[quote,verbatim]
 \chordmode {
-  c4:5.15 c:5.20 c:5.25 c:5.30
+  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
 }
 @end lilypond
 
@@ -329,7 +329,7 @@ equivalent to @code{.4^3}.
 
 @lilypond[quote,ragged-right,verbatim]
 \chordmode {
-  c1:sus c:sus2 c:sus4 c:5.4^3
+  c1:5 c:sus2 c:sus4 c:5.4
 }
 @end lilypond
 
@@ -375,7 +375,7 @@ simply produces the augmented chord, since @code{5+} is
 interpreted last.
 
 @lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
 @end lilypond
 
 
diff --git a/Documentation/notation/fretted-strings.itely b/Documentation/notation/fretted-strings.itely
index 7e2d18725b..3e0a52ae40 100644
--- a/Documentation/notation/fretted-strings.itely
+++ b/Documentation/notation/fretted-strings.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.21"
+@c \version "2.19.28"
 
 @node Fretted string instruments
 @section Fretted string instruments
@@ -1843,11 +1843,11 @@ constructs:
 ChordsAndSymbols = {
   \chordmode {
     \powerChords
-    e,,1:1.5
-    a,,1:1.5.8
+    e,,1:5
+    a,,1:5.8
     \set minimumFret = #8
-    c,1:1.5
-    f,1:1.5.8
+    c,1:5
+    f,1:5.8
   }
   \set minimumFret = #5
   <a, e>1
@@ -1876,8 +1876,8 @@ other common chord modifier is used:
 mixedChords = \chordmode {
   c,1
   \powerChords
-  b,,1:1.5
-  fis,,1:1.5.8
+  b,,1:5
+  fis,,1:5.8
   g,,1:m
 }
 \score {
diff --git a/Documentation/notation/notation-appendices.itely b/Documentation/notation/notation-appendices.itely
index ae2e671b5b..68f5cb7179 100644
--- a/Documentation/notation/notation-appendices.itely
+++ b/Documentation/notation/notation-appendices.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.19.28"
 
 @node Notation manual tables
 @appendix Notation manual tables
@@ -476,10 +476,10 @@ Perfect fifth
 @tab
 @code{1.5}
 @tab
-@code{\powerChords c1:1.5}
+@code{\powerChords c1:5}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-\chordmode { \powerChords c1:1.5 }
+\chordmode { \powerChords c1:5 }
 @end lilypond
 
 @item
@@ -489,10 +489,10 @@ Perfect fifth, @*octave
 @tab
 @code{1.5.8}
 @tab
-@code{\powerChords c1:1.5.8}
+@code{\powerChords c1:5.8}
 @tab
 @lilypond[line-width=2.1\cm,noragged-right,notime]
-  \chordmode { \powerChords c1:1.5.8 }
+  \chordmode { \powerChords c1:5.8 }
 @end lilypond
 
 @end multitable
diff --git a/Documentation/snippets/single-staff-template-with-notes-and-chords.ly b/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
index d63414442e..dceb940291 100644
--- a/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
+++ b/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.18.0"
+\version "2.19.28"
 
 \header {
   lsrtags = "chords, really-simple, template"
@@ -28,7 +28,7 @@ melody = \relative c' {
 
 harmonies = \chordmode {
   c4:m f:min7 g:maj c:aug
-  d2:dim b:sus
+  d2:dim b:5
 }
 
 \score {