From: Patrick McCarty Date: Sat, 12 Jul 2008 04:38:06 +0000 (-0700) Subject: Update for expressive.itely X-Git-Tag: release/2.11.53-1~16 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=c1f91c8ab042e37140f187a6cb030b36bfe60986;p=lilypond.git Update for expressive.itely * some more fixes Signed-off-by: Patrick McCarty --- diff --git a/Documentation/user/expressive.itely b/Documentation/user/expressive.itely index d8d000c728..b179fffcd0 100644 --- a/Documentation/user/expressive.itely +++ b/Documentation/user/expressive.itely @@ -91,16 +91,15 @@ c1\fermata Some of these articulations have shorthands for easier entry. Shorthands are appended to the note name, and their syntax -consists of a dash (@tie{}@code{-}) followed by a symbol -signifying the articulation. Predefined shorthands exist for -@notation{marcato}, @notation{stopped}, @notation{tenuto}, -@notation{staccatissimo}, @notation{accent}, @notation{staccato}, -and @notation{portato}. Their corresponding output appears as -follows: +consists of a dash @code{-} followed by a symbol signifying the +articulation. Predefined shorthands exist for @notation{marcato}, +@notation{stopped}, @notation{tenuto}, @notation{staccatissimo}, +@notation{accent}, @notation{staccato}, and @notation{portato}. +Their corresponding output appears as follows: @lilypond[verbatim,quote,relative=2] c4-^ c-+ c-- c-| -c4-> c-. c-_ +c4-> c-. c2-_ @end lilypond The rules for the default placement of articulations are defined @@ -141,12 +140,6 @@ Internals Reference: @rinternals{TextScript}. -@knownissues - -These signs appear in the printed output but have no effect on the -MIDI rendering of the music. - - @node Dynamics @unnumberedsubsubsec Dynamics @@ -619,7 +612,7 @@ c2-\bendAfter #+8 c2-\bendAfter #-8 @end lilypond -The dash (@tie{-}) immediately preceding the @code{\bendAfter} +The dash @code{-} immediately preceding the @code{\bendAfter} command is @emph{required} when writing falls and doits. @@ -714,42 +707,29 @@ is denoted by appending @code{\arpeggio} to the chord construct: 1\arpeggio @end lilypond -The direction of an arpeggio is indicated by adding an arrowhead -to the wiggly line. The commands @code{\arpeggioArrowUp} and -@code{\arpeggioArrowDown} are used for this task. -@code{\arpeggioNormal} reverts back to an arrow-less arpeggio: +Different types of arpeggios may be written. +@code{\arpeggioNormal} reverts to a normal arpeggio: @lilypond[verbatim,quote,relative=1] +2\arpeggio \arpeggioArrowUp 2\arpeggio \arpeggioArrowDown 2\arpeggio \arpeggioNormal -1\arpeggio +2\arpeggio @end lilypond -The command @code{\arpeggioBracket} can be used to create a square -bracket on the left of a chord, indicating that the chord should -@emph{not} be arpeggiated. @code{\arpeggioNormal} reverts back -to a regular arpeggio: +Special @emph{bracketed} arpeggio symbols can be created: @lilypond[verbatim,quote,relative=1] 2 \arpeggioBracket 2\arpeggio -\arpeggioNormal -1\arpeggio -@end lilypond - -A @emph{parenthesis} style bracket may be attached to a chord -construct instead of a square bracket. - -@lilypond[verbatim,quote,relative=1] -2 \arpeggioParenthesis 2\arpeggio \arpeggioNormal -1\arpeggio +2\arpeggio @end lilypond Arpeggios can be explicitly written out with ties. For more @@ -826,8 +806,8 @@ achieve precise control over the placement of the grace notes, see @lilypond[verbatim,quote,relative=2] c1 \afterGrace -d1\startTrillSpan { c16[\stopTrillSpan d] } -c4 +d1\startTrillSpan { c32[ d]\stopTrillSpan } +e2 r2 @end lilypond @cindex pitched trills