global unconverted
dest = os.path.join (DEST, name)
f = open (dest, 'w')
+ tags = ', '.join (tags)
if in_dir in srcdir:
h = LY_HEADER_LSR
else:
h = LY_HEADER_NEW
- f.write (h % ', '.join (tags))
+ f.write (h % vars ())
f.write (mark_verbatim_section (open (os.path.join (srcdir, name)).read ()))
f.close ()
e = os.system('convert-ly -e ' + dest)
s = {}
l = dict ([(tag, set()) for tag in TAGS])
for f in glob.glob (os.path.join (src, '*.ly')):
+ basename = os.path.basename (f)
m = tags_re.search (open (f, 'r').read ())
if m:
file_tags = [tag.strip() for tag in m.group (1). split(',')]
- s[f] = (src, file_tags)
- [l[tag].add (f) for tag in file_tags if tag in TAGS]
+ s[basename] = (src, file_tags)
+ [l[tag].add (basename) for tag in file_tags if tag in TAGS]
else:
notags_files.append (f)
return s, l
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: chords, ancient-notation, contexts-and-engravers
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches, staff-notation, vocal-music
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation, contexts-and-engravers
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation, contexts-and-engravers, breaks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, expressive-marks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, percussion
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: guitar
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: titles
\version "2.11.35"
to enter the date manually to the @code{.ly} file. But that's very
error prone. It's easy to forget updating the date. So i thought it
would be useful if you can add the date on which the PDF file is
-generated automatically. I did't figure it out myself, but I asked on
+generated automatically. I did't figure it out myself, but I asked on
lilypond-user@@gnu.org. And guess what? Someone came with an excellent
solution! So thank you very much Toine Schreurs for sending this
solution to the user mailing list. I post it here for future reference.
@code{localtime}, as shown in the snippet. It is a very flexible
solution, you can format the date just as you like it by adapting the
@code{\"%d-%m-%Y\"} string. See the Guile documentation for more
-details on this format string: Formatting Calendar Time.
+details on this format string: Formatting Calendar Time.
" }
% begin verbatim
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: text, vocal-music, spacing
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: text, paper-and-layout, titles
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: text, vocal-music
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: tweaks-and-overrides, paper-and-layout, spacing
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: ancient-notation
\version "2.11.35"
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: ancient-notation, template
+\version "2.11.35"
+
+\header { texidoc = "
+This example demonstrates how to do modern transcription of Gregorian
+music. Gregorian music has no measure, no stems; it uses only half and
+quarter noteheads, and special marks, indicating rests of different
+length.
+" }
+% begin verbatim
+\include "gregorian-init.ly"
+
+ chant = \relative c' {
+ \set Score.timing = ##f
+ f4 a2 \divisioMinima
+ g4 b a2 f2 \divisioMaior
+ g4( f) f( g) a2 \finalis
+ }
+
+ verba = \lyricmode {
+ Lo -- rem ip -- sum do -- lor sit a -- met
+ }
+
+ \score {
+ \new Staff <<
+ \new Voice = "melody" {
+ \chant
+ }
+ \new Lyrics = "one" \lyricsto melody \verba
+ >>
+
+ \layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \remove "Bar_engraver"
+ \override Stem #'transparent = ##t
+ }
+ \context {
+ \Voice
+ \override Stem #'length = #0
+ }
+ \context {
+ \Score
+ barAlways = ##t
+ }
+ }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: ancient-notation, template
+\version "2.11.35"
+
+\header { texidoc = "
+When transcribing mensural music, an incipit at the beginning of the
+piece is useful to indicate the original key and tempo. While today
+musicians are used to bar lines in order to faster recognize rhythmic
+patterns, bar lines were not yet invented during the period of mensural
+music; in fact, the meter often changed after every few notes. As a
+compromise, bar lines are often printed between the staves rather than
+on the staves.
+" }
+% begin verbatim
+global = {
+ \set Score.skipBars = ##t
+
+ % incipit
+ \once \override Score.SystemStartBracket #'transparent = ##t
+ \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+ \key f \major
+ \time 2/2
+ \once \override Staff.TimeSignature #'style = #'neomensural
+ \override Voice.NoteHead #'style = #'neomensural
+ \override Voice.Rest #'style = #'neomensural
+ \set Staff.printKeyCancellation = ##f
+ \cadenzaOn % turn off bar lines
+ \skip 1*10
+ \once \override Staff.BarLine #'transparent = ##f
+ \bar "||"
+ \skip 1*1 % need this extra \skip such that clef change comes
+ % after bar line
+ \bar ""
+
+ % main
+ \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
+ \cadenzaOff % turn bar lines on again
+ \once \override Staff.Clef #'full-size-change = ##t
+ \set Staff.forceClef = ##t
+ \key g \major
+ \time 4/4
+ \override Voice.NoteHead #'style = #'default
+ \override Voice.Rest #'style = #'default
+
+ % FIXME: setting printKeyCancellation back to #t must not
+ % occur in the first bar after the incipit. Dto. for forceClef.
+ % Therefore, we need an extra \skip.
+ \skip 1*1
+ \set Staff.printKeyCancellation = ##t
+ \set Staff.forceClef = ##f
+
+ \skip 1*7 % the actual music
+
+ % let finis bar go through all staves
+ \override Staff.BarLine #'transparent = ##f
+
+ % finis bar
+ \bar "|."
+}
+
+discantusNotes = {
+ \transpose c' c'' {
+ \set Staff.instrumentName = "Discantus "
+
+ % incipit
+ \clef "neomensural-c1"
+ c'1. s2 % two bars
+ \skip 1*8 % eight bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble"
+ d'2. d'4 |
+ b e' d'2 |
+ c'4 e'4.( d'8 c' b |
+ a4) b a2 |
+ b4.( c'8 d'4) c'4 |
+ \once \override NoteHead #'transparent = ##t c'1 |
+ b\breve |
+ }
+}
+
+discantusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- |
+ la -- te De -- |
+ o, om --
+ nis ter -- |
+ ra, __ om- |
+ "..." |
+ -us. |
+}
+
+altusNotes = {
+ \transpose c' c'' {
+ \set Staff.instrumentName = "Altus "
+
+ % incipit
+ \clef "neomensural-c3"
+ r1 % one bar
+ f1. s2 % two bars
+ \skip 1*7 % seven bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble"
+ r2 g2. e4 fis g | % two bars
+ a2 g4 e |
+ fis g4.( fis16 e fis4) |
+ g1 |
+ \once \override NoteHead #'transparent = ##t g1 |
+ g\breve |
+ }
+}
+
+altusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- la -- te | % two bars
+ De -- o, om -- |
+ nis ter -- ra, |
+ "..." |
+ -us. |
+}
+
+tenorNotes = {
+ \transpose c' c' {
+ \set Staff.instrumentName = "Tenor "
+
+ % incipit
+ \clef "neomensural-c4"
+ r\longa % four bars
+ r\breve % two bars
+ r1 % one bar
+ c'1. s2 % two bars
+ \skip 1*1 % one bar
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble_8"
+ R1 |
+ R1 |
+ R1 |
+ r2 d'2. d'4 b e' | % two bars
+ \once \override NoteHead #'transparent = ##t e'1 |
+ d'\breve |
+ }
+}
+
+tenorLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- la -- te | % two bars
+ "..." |
+ -us. |
+}
+
+bassusNotes = {
+ \transpose c' c' {
+ \set Staff.instrumentName = "Bassus "
+
+ % incipit
+ \clef "bass"
+ r\maxima % eight bars
+ f1. s2 % two bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "bass"
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ g2. e4 |
+ \once \override NoteHead #'transparent = ##t e1 |
+ g\breve |
+ }
+}
+
+bassusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi- |
+ "..." |
+ -us. |
+}
+
+\score {
+ \new StaffGroup = choirStaff <<
+ \new Voice =
+ "discantusNotes" << \global \discantusNotes >>
+ \new Lyrics =
+ "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
+ \new Voice =
+ "altusNotes" << \global \altusNotes >>
+ \new Lyrics =
+ "altusLyrics" \lyricsto altusNotes { \altusLyrics }
+ \new Voice =
+ "tenorNotes" << \global \tenorNotes >>
+ \new Lyrics =
+ "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
+ \new Voice =
+ "bassusNotes" << \global \bassusNotes >>
+ \new Lyrics =
+ "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ >>
+ \layout {
+ \context {
+ \Score
+
+ % no bars in staves
+ \override BarLine #'transparent = ##t
+
+ % incipit should not start with a start delimiter
+ \remove "System_start_delimiter_engraver"
+ }
+ \context {
+ \Voice
+
+ % no slurs
+ \override Slur #'transparent = ##t
+
+ % Comment in the below "\remove" command to allow line
+ % breaking also at those barlines where a note overlaps
+ % into the next bar. The command is commented out in this
+ % short example score, but especially for large scores, you
+ % will typically yield better line breaking and thus improve
+ % overall spacing if you comment in the following command.
+ %\remove "Forbid_line_break_engraver"
+ }
+ }
+}
+
+
+
-ancient-fonts.ly
-adding-a-figured-bass-above-or-below-the-notes.ly
+transcription-of-ancient-music-with-incipit.ly
chant-or-psalms-notation.ly
+adding-a-figured-bass-above-or-below-the-notes.ly
+ancient-notation-template----modern-transcription-of-mensural-music.ly
+ancient-fonts.ly
ancient-time-signatures.ly
custodes.ly
+ancient-notation-template----modern-transcription-of-gregorian-music.ly
+rest-styles.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: ancient-notation
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: pitches, editorial-and-educational-use
\version "2.11.35"
\header { texidoc = "
That said, if you're trying to imitate old American song books, you may
also want to try LilyPond's predefined note heads styles, through
-shortcut commands such as \aikenHeads or \sacredHarpHeads.
+shortcut commands such as \\aikenHeads or \\sacredHarpHeads.
This exemple shows different ways to obtain shape note heads, and
demonstrates the ability to transpose a melody without losing the
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, breaks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: editorial-and-educational-use, text
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks, text
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: simultaneous-notes, editorial-and-educational-use, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks, editorial-and-educational-use
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: chords
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: editorial-and-educational-use, text, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation, tweaks-and-overrides, paper-and-layout
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, contexts-and-engravers
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, vocal-music, ancient-notation, contexts-and-engravers
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: chords
\version "2.11.35"
-chord-name-exceptions.ly
changing-the-chord-names-to-german-or-semi-german-notation.ly
adding-a-figured-bass-above-or-below-the-notes.ly
+single-staff-template-with-notes-and-chords.ly
clusters.ly
+single-staff-template-with-notes,-lyrics,-and-chords.ly
+chord-name-exceptions.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches, staff-notation, editorial-and-educational-use, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: paper-and-layout
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
\header {
- texidoc = "Clipping snippets from a finished score
+ doctitle = "Clip systems"
+ lsrtags = "paper-and-layout" % a new tag like "Mixing text and music" or
+% "Special output" might be more adequate -jm
+ texidoc = "
+This code shows how to clip (extracts) snippets from a full score.
-Notes:
+This file needs to be run separately with @code{-dclip-systems}; the
+snippets page may not adequately show the results.
+
+The result will be files named
+@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
@itemize @bullet
@item If system starts and ends are included, they include extents of the System grob, eg. instrument names.
-@item Grace notes at the end point of the region are not included
+@item Grace notes at the end point of the region are not included.
@item Regions can span multiple systems. In this case, multiple EPS files are generated.
@end itemize
-
-This file needs to be run separately with @code{-dclip-systems}; the
-collated-files.html of the regression test does not adequately show
-the results.
-
-The result will be files named
-@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
"
-
}
% begin verbatim
-\version "2.11.35"
-
#(ly:set-option 'clip-systems)
#(set! output-count 1)
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: simultaneous-notes, chords, piano-music
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: editorial-and-educational-use, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks, text
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: simultaneous-notes, text
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms
\version "2.11.35"
chant-or-psalms-notation.ly
adding-a-figured-bass-above-or-below-the-notes.ly
adding-an-extra-staff.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
engravers-one-by-one.ly
adding-and-extra-staff-at-a-line-break.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation, editorial-and-educational-use, contexts-and-engravers, paper-and-layout
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: pitches
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-
-\header { texidoc = "
+\header {
+ doctitle = "Creating music with Scheme music box"
+ lsrtags = "pitches"
+ texidoc = "
This example shows prelude in C major of Bach's Well-Tempered Klavier
1, but coded using Scheme functions to avoid typing work.
BROKEN (?) IN 2.11, COMMENTED OUT.
-" }
+"
+}
% begin verbatim
{ c'4 }
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: expressive-marks, text, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: ancient-notation, tweaks-and-overrides
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: vocal-music, piano-music, strings, midi
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: text, paper-and-layout, titles
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-
-\header { texidoc = "
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Drawing boxes around grobs"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
The @code{print-function} can be overridden to draw a box around an
-arbitrary grob.
-" }
+arbitrary grob.
+"
+}
% begin verbatim
-\relative c'' {
-
+\relative c'' {
\override TextScript #'stencil =
#(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
b8
\revert Stem #'stencil
-
c4. c4 \mark "F" c1
}
-
-
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-
-\header { texidoc = "
-The \circle command allows you to draw circles around various objects
-(for example fingering indications). However, some objects require
-specific tweaks: rehearsal marks depend on the Score.markFormatter
-context, bar numbers on the Score.BarNumber context, and so on.
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Drawing circles around various objects"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
+The @code{\circle} command allows you to draw circles around various objects,
+for example fingering indications. However, some objects require
+specific tweaks: rehearsal marks depend on the @code{Score.markFormatter}
+context, bar numbers on the @code{Score.BarNumber} context, and so on.
You can tweak the printing of your circles by setting some properties
-such as #'thickness, #'circle-padding or #'font-size.
+such as @code{#'thickness}, @code{#'circle-padding} or @code{#'font-size}.
" }
% begin verbatim
\relative c'{
inserting-score-fragments-above-the-staff,-as-markups.ly
rhythmic-slashes.ly
changing-the-default-text-font-family.ly
+three-sided-box.ly
clefs-commonly-tweaked-properties.ly
blanking-staff-lines-using-the--whiteout-command.ly
changing-an-individual-notes-size-in-a-chord.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: contexts-and-engravers
\version "2.11.35"
adding-parentheses-around-an-expressive-mark.ly
line-arrows.ly
changing--flageolet-mark-size.ly
+piano-template-with-centered-dynamics.ly
creating-text-spanners.ly
broken-crescendo-hairpin.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches, expressive-marks
\version "2.11.35"
letter-tablature-formatting.ly
+jazz-combo-template.ly
adding-fingerings-to-tablatures.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, percussion
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: text, vocal-music
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: staff-notation, editorial-and-educational-use
\version "2.11.35"
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: pitches, piano-music, percussion, guitar, template
+\version "2.11.35"
+
+\header { texidoc = "
+This is quite an advanced template, for a jazz ensemble. Note that all
+instruments are notated in \\key c \\major. This refers to the key in
+concert pitch; LilyPond will automatically transpose the key if the
+music is within a \\transpose section.
+" }
+% begin verbatim
+\header {
+ title = "Song"
+ subtitle = "(tune)"
+ composer = "Me"
+ meter = "moderato"
+ piece = "Swing"
+ tagline = \markup {
+ \column {
+ "LilyPond example file by Amelie Zapf,"
+ "Berlin 07/07/2003"
+ }
+ }
+ texidoc = "Jazz tune for combo
+ (horns, guitar, piano, bass, drums)."
+ }
+
+ #(set-global-staff-size 16)
+ \include "english.ly"
+
+ %%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
+
+ sl = {
+ \override NoteHead #'style = #'slash
+ \override Stem #'transparent = ##t
+ }
+ nsl = {
+ \revert NoteHead #'style
+ \revert Stem #'transparent
+ }
+ cr = \override NoteHead #'style = #'cross
+ ncr = \revert NoteHead #'style
+
+ %% insert chord name style stuff here.
+
+ jzchords = { }
+
+
+ %%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
+
+ global = {
+ \time 4/4
+ }
+
+ Key = { \key c \major }
+
+ % ############ Horns ############
+
+ % ------ Trumpet ------
+ trpt = \transpose c d \relative c'' {
+ \Key
+ c1 c c
+ }
+ trpharmony = \transpose c' d {
+ \jzchords
+ }
+ trumpet = {
+ \global
+ \set Staff.instrumentName = #"Trumpet"
+ \clef treble
+ <<
+ \trpt
+ >>
+ }
+
+ % ------ Alto Saxophone ------
+ alto = \transpose c a \relative c' {
+ \Key
+ c1 c c
+ }
+ altoharmony = \transpose c' a {
+ \jzchords
+ }
+ altosax = {
+ \global
+ \set Staff.instrumentName = #"Alto Sax"
+ \clef treble
+ <<
+ \alto
+ >>
+ }
+
+ % ------ Baritone Saxophone ------
+ bari = \transpose c a' \relative c {
+ \Key
+ c1 c \sl d4^"Solo" d d d \nsl
+ }
+ bariharmony = \transpose c' a \chordmode {
+ \jzchords s1 s d2:maj e:m7
+ }
+ barisax = {
+ \global
+ \set Staff.instrumentName = #"Bari Sax"
+ \clef treble
+ <<
+ \bari
+ >>
+ }
+
+ % ------ Trombone ------
+ tbone = \relative c {
+ \Key
+ c1 c c
+ }
+ tboneharmony = \chordmode {
+ \jzchords
+ }
+ trombone = {
+ \global
+ \set Staff.instrumentName = #"Trombone"
+ \clef bass
+ <<
+ \tbone
+ >>
+ }
+
+ % ############ Rhythm Section #############
+
+ % ------ Guitar ------
+ gtr = \relative c'' {
+ \Key
+ c1 \sl b4 b b b \nsl c1
+ }
+ gtrharmony = \chordmode {
+ \jzchords
+ s1 c2:min7+ d2:maj9
+ }
+ guitar = {
+ \global
+ \set Staff.instrumentName = #"Guitar"
+ \clef treble
+ <<
+ \gtr
+ >>
+ }
+
+ %% ------ Piano ------
+ rhUpper = \relative c'' {
+ \voiceOne
+ \Key
+ c1 c c
+ }
+ rhLower = \relative c' {
+ \voiceTwo
+ \Key
+ e1 e e
+ }
+
+ lhUpper = \relative c' {
+ \voiceOne
+ \Key
+ g1 g g
+ }
+ lhLower = \relative c {
+ \voiceTwo
+ \Key
+ c1 c c
+ }
+
+ PianoRH = {
+ \clef treble
+ \global
+ \set Staff.midiInstrument = "acoustic grand"
+ <<
+ \new Voice = "one" \rhUpper
+ \new Voice = "two" \rhLower
+ >>
+ }
+ PianoLH = {
+ \clef bass
+ \global
+ \set Staff.midiInstrument = "acoustic grand"
+ <<
+ \new Voice = "one" \lhUpper
+ \new Voice = "two" \lhLower
+ >>
+ }
+
+ piano = {
+ <<
+ \set PianoStaff.instrumentName = #"Piano"
+ \new Staff = "upper" \PianoRH
+ \new Staff = "lower" \PianoLH
+ >>
+ }
+
+ % ------ Bass Guitar ------
+ Bass = \relative c {
+ \Key
+ c1 c c
+ }
+ bass = {
+ \global
+ \set Staff.instrumentName = #"Bass"
+ \clef bass
+ <<
+ \Bass
+ >>
+ }
+
+ % ------ Drums ------
+ up = \drummode {
+ hh4 <hh sn>4 hh <hh sn> hh <hh sn>4
+ hh4 <hh sn>4
+ hh4 <hh sn>4
+ hh4 <hh sn>4
+ }
+
+ down = \drummode {
+ bd4 s bd s bd s bd s bd s bd s
+ }
+
+ drumContents = {
+ \global
+ <<
+ \set DrumStaff.instrumentName = #"Drums"
+ \new DrumVoice { \voiceOne \up }
+ \new DrumVoice { \voiceTwo \down }
+ >>
+ }
+
+ %%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
+
+ \score {
+ <<
+ \new StaffGroup = "horns" <<
+ \new Staff = "trumpet" \trumpet
+ \new Staff = "altosax" \altosax
+ \new ChordNames = "barichords" \bariharmony
+ \new Staff = "barisax" \barisax
+ \new Staff = "trombone" \trombone
+ >>
+
+ \new StaffGroup = "rhythm" <<
+ \new ChordNames = "chords" \gtrharmony
+ \new Staff = "guitar" \guitar
+ \new PianoStaff = "piano" \piano
+ \new Staff = "bass" \bass
+ \new DrumStaff { \drumContents }
+ >>
+ >>
+
+ \layout {
+ \context { \RemoveEmptyStaffContext }
+ \context {
+ \Score
+ \override BarNumber #'padding = #3
+ \override RehearsalMark #'padding = #2
+ skipBars = ##t
+ }
+ }
+
+ \midi { }
+ }
+% begin verbatim
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: guitar
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-\header { texidoc = "
+\header {
+ doctitle = "Letter tablature formatting"
+ lsrtags = "guitar"
+ texidoc = "
You can format a tablature with letters instead of numbers - so that
0->a, 1->b, 2->c, etc.
-BROKEN IN 2.11, COMMENTED OUT.
-" }
+BROKEN IN 2.11, COMMENTED OUT."
+}
{ c'4 }
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: expressive-marks
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
\header {
+ doctitle = "Line arrows"
+ lsrtags = "expressive-marks"
texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
}
% begin verbatim
-\version "2.11.35"
-
-\paper {
- ragged-right = ##t
-}
-
\relative c'' {
\override TextSpanner #'bound-padding = #1.0
\override TextSpanner #'dash-fraction = #'()
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: pitches
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
\header {
-
+ doctitle = "Makam"
+ lsrtags = "pitches"
texidoc = "Makam is Turkish type of melody that uses 1/9 tone
microtonal alterations."
-
}
% begin verbatim
-
-\version "2.11.35"
-
-%{
-
-Define 1/9 alterations.
-
-%}
-
+% Define 1/9 alterations.
#(define-public KOMA 1/9)
#(define-public BAKIYE 4/9)
#(define-public KUCUK 5/9)
#(define-public BUYUKMUCENNEB 8/9)
-%{
-
-Define pitch names
-%}
+% Define pitch names
makamPitchNames = #`(
(c . ,(ly:make-pitch -1 0 NATURAL))
)
-
%% set pitch names.
pitchnames = \makamPitchNames
#(ly:parser-set-note-names parser makamPitchNames)
-\paper
-{
- ragged-right = ##t
-}
-
-
makamGlyphs = #'((1 . "accidentals.doublesharp")
(8/9 . "accidentals.sharp.slashslashslash.stemstem")
(5/9 . "accidentals.sharp.slashslashslash.stem")
\relative {
%{ define alteration <-> symbol mapping. The following glyphs are available.
-
accidentals.sharp
accidentals.sharp.slashslash.stem
accidentals.sharp.slashslashslash.stemstem
accidentals.flatflat
accidentals.flatflat.slash
accidentals.doublesharp
-
%}
\override Accidental #'glyph-name-alist = \makamGlyphs
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
-\version "2.11.35"
-
-\header { texidoc = "
-Setting the @code{transparent} property will cause an object to be
-printed in `invisible ink': the object is not printed, but all its
-other behavior is retained. The object still takes up space, it takes
-part in collisions, and slurs, and ties and beams can be attached to it.
-
-
-The snippet demonstrates how to connect different voices using ties.
-Normally, ties only connect two notes in the same voice. By
-introducing a tie in a different voice, and blanking the first up-stem
-in that voice, the tie appears to cross voices.
-" }
-% begin verbatim
-\relative c'' {
-<< {
- \once \override Stem #'transparent = ##t
- b8~ b8\noBeam
-} \\ {
- b[ g8]
-} >>
-}
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Making an object invisible with the transparent property"
+ lsrtags = "rhythms,tweaks-and-overrides"
+ texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in `invisible ink': the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, and ties and beams can be attached to it.
+
+
+The snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices.
+" }
+% begin verbatim
+\relative c'' <<
+ {
+ \once \override Stem #'transparent = ##t
+ b8~ b8\noBeam
+ } \\ {
+ b[ g8]
+ }
+>>
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: text
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
\header {
+ doctitle = "Markup lines"
+ lsrtags = "text"
texidoc = "Text that can spread over pages is entered with the
@code{\\markuplines} command."
}
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+% possible rename to scheme- or something like that. -gp
+\header {
+ doctitle = "Move specific text"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "@cindex Scheme Move Text
+Objects of the same type, like text, can be moved around by using some Scheme code.
+" }
+% begin verbatim
+#(define (make-text-checker text)
+ (lambda (grob) (equal? text (ly:grob-property grob 'text))))
+
+\score {
+ \relative c''' {
+ \stemUp
+ \applyOutput #'Voice
+ #(outputproperty-compatibility
+ (make-text-checker (make-simple-markup "m.d."))
+ 'extra-offset '(-3.5 . -4.5))
+ a^2^"m.d."
+ }
+ \layout { ragged-right = ##t}
+}
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches, staff-notation
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-\header { texidoc = "
-By putting the output of
- @code{lilypond-version} into a lyric, it is possible to print the
- version number of LilyPond in a score, or in a document generated
- with @code{lilypond-book}. Another possibility is to append the
- version number to the doc-string, in this manner:
-" }
+\header {
+ doctitle = "Outputting the version number"
+ lsrtags = "text"
+ texidoc = "
+By putting the output of @code{lilypond-version} into a lyric or a
+text markup, it is possible to print the version number of LilyPond in
+a score, or in a document generated with @code{lilypond-book}.
+"
+}
% begin verbatim
\score { \context Lyrics {
\override Score.RehearsalMark #'self-alignment-X = #LEFT
s2
}
}
-
-
-
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: spacing
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-
+\layout { ragged-right= ##t }
\header {
+ doctitle = "Page label"
+ lsrtags = "spacing"
texidoc = "Page labels may be placed inside music or at top-level,
and refered to in markups."
}
creating-blank-staves.ly
aligning-and-centering-instrument-names.ly
-toc.ly
alignment-vertical-spacing.ly
demonstrating-all-headers.ly
changing-the-staff-size.ly
+table-of-contents.ly
clip-systems.ly
+jazz-combo-template.ly
adding-drum-parts.ly
heavily-customized-polymetric-time-signatures.ly
+piano-template-with-centered-dynamics.ly
clusters.ly
+piano-template-with-centered-lyrics.ly
+vocal-ensemble-template-with-automatic-piano-reduction.ly
+piano-template-simple.ly
+piano-template-with-melody-and-lyrics.ly
+jazz-combo-template.ly
demo-midiinstruments.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: piano-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+Here is a simple piano staff with some notes.
+" }
+% begin verbatim
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+ }
+
+ \score {
+ \new PianoStaff <<
+ \set PianoStaff.instrumentName = "Piano "
+ \new Staff = "upper" \upper
+ \new Staff = "lower" \lower
+ >>
+ \layout { }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: expressive-marks, piano-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+Many piano scores have the dynamics centered between the two staves.
+This requires a bit of tweaking to implement, but since the template is
+right here, you don't have to do the tweaking yourself.
+" }
+% begin verbatim
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+ }
+
+ dynamics = {
+ s2\fff\> s4
+ s\!\pp
+ }
+
+ pedal = {
+ s2\sustainDown s2\sustainUp
+ }
+
+ \score {
+ \new PianoStaff <<
+ \new Staff = "upper" \upper
+ \new Dynamics = "dynamics" \dynamics
+ \new Staff = "lower" <<
+ \clef bass
+ \lower
+ >>
+ \new Dynamics = "pedal" \pedal
+ >>
+ \layout {
+ \context {
+ \type "Engraver_group"
+ \name Dynamics
+ \alias Voice % So that \cresc works, for example.
+ \consists "Output_property_engraver"
+
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ pedalSustainStrings = #'("Ped." "*Ped." "*")
+ pedalUnaCordaStrings = #'("una corda" "" "tre corde")
+
+ \consists "Piano_pedal_engraver"
+ \consists "Script_engraver"
+ \consists "Dynamic_engraver"
+ \consists "Text_engraver"
+
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override DynamicText #'extra-offset = #'(0 . 2.5)
+ \override Hairpin #'extra-offset = #'(0 . 2.5)
+
+ \consists "Skip_event_swallow_translator"
+
+ \consists "Axis_group_engraver"
+ }
+ \context {
+ \PianoStaff
+ \accepts Dynamics
+ \override VerticalAlignment #'forced-distance = #7
+ }
+ }
+ }
+ \score {
+ \new PianoStaff <<
+ \new Staff = "upper" << \upper \dynamics >>
+ \new Staff = "lower" << \lower \dynamics >>
+ \new Dynamics = "pedal" \pedal
+ >>
+ \midi {
+ \context {
+ \type "Performer_group"
+ \name Dynamics
+ \consists "Piano_pedal_performer"
+ }
+ \context {
+ \PianoStaff
+ \accepts Dynamics
+ }
+ }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: text, piano-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+Instead of having a full staff for the melody and lyrics, you can place
+the lyrics between the piano staff (and omit the separate melody
+staff).
+" }
+% begin verbatim
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+ }
+
+ text = \lyricmode {
+ Aaa Bee Cee Dee
+ }
+
+ \score {
+ \new GrandStaff <<
+ \new Staff = upper { \new Voice = "singer" \upper }
+ \new Lyrics \lyricsto "singer" \text
+ \new Staff = lower {
+ \clef bass
+ \lower
+ }
+ >>
+ \layout {
+ \context { \GrandStaff \accepts "Lyrics" }
+ \context { \Lyrics \consists "Bar_engraver" }
+ }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: vocal-music, piano-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+Here is a typical song format: one staff with the melody and lyrics,
+with piano accompaniment underneath.
+" }
+% begin verbatim
+melody = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ text = \lyricmode {
+ Aaa Bee Cee Dee
+ }
+
+ upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+ }
+
+ \score {
+ <<
+ \new Voice = "mel" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto mel \text
+
+ \new PianoStaff <<
+ \new Staff = "upper" \upper
+ \new Staff = "lower" \lower
+ >>
+ >>
+ \layout {
+ \context { \RemoveEmptyStaffContext }
+ }
+ \midi { }
+ }
+
applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
glissando-contempary.ly
ambiti-multiple-voices.ly
-volta-multi-staff.ly
-transposing-pitches-with-minimum-accidentals-smart-transpose.ly
makam.ly
+transposing-pitches-with-minimum-accidentals-smart-transpose.ly
+jazz-combo-template.ly
preventing-extra-naturals-from-being-automatically-added.ly
generating-random-notes.ly
+quoting-another-voice-with-transposition.ly
adding-ambiti-per-voice.ly
clefs-commonly-tweaked-properties.ly
dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: repeats, breaks
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: tweaks-and-overrides, spacing
+\version "2.11.35"
+
+\header { texidoc = "
+If @code{strict-note-spacing} is set spacing of notes is not influenced
+by bars or clefs part way along the system. Rather, they are put just
+before the note that occurs at the same time. This may cause
+collisions.
+" }
+% begin verbatim
+\paper {
+ ragged-right = ##t
+ indent = 0
+}
+\layout {
+ \context {
+ \Score
+ }
+}
+
+\relative c'' <<
+ \override Score.SpacingSpanner #'strict-note-spacing = ##t
+ \set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
+ \new Staff {
+ c8[ c \clef alto c c \grace { d16 } c8 c] c4 c2
+ \grace { c16[ c16] }
+ c2 }
+ \new Staff {
+ c2 \times 2/3 { c8 \clef bass cis,, c }
+ c4
+ c1
+ }
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\header {
+ doctitle = "Quoting another voice with transposition"
+ lsrtags = "pitches,staff-notation"
+ texidoc = "Quotations take into account the transposition of both
+source and target. In this example, all instruments play sounding
+central C, the target is a instrument in F. The target part may be
+@code{\\transpose}d. In this case, all the pitches (including the
+quoted ones) will transposed as well."
+}
+% begin verbatim
+\addQuote clarinet {
+ \transposition bes
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+}
+
+\addQuote sax {
+ \transposition es'
+ a8 a a a a a a a
+}
+
+quoteTest = {
+ \transposition f % french horn
+
+ g'4
+ << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
+ << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
+}
+
+<< \quoteTest
+ \new Staff
+ << \transpose c' d' \quoteTest
+ s4_"up 1 tone"
+ >>
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Quoting another voice"
+ lsrtags = "staff-notation"
+ texidoc = "With @code{\\quote}, fragments of previously entered
+music may be quoted. @code{quotedEventTypes} will determines what
+things are quoted. In this example, a 16th rest is not quoted, since
+@code{rest-event} is not in @code{quotedEventTypes}."
+}
+% begin verbatim
+quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+
+\addQuote quoteMe \quoteMe
+original = \relative c'' { c8 d s2 es8 gis8 }
+
+<<
+ \new Staff {
+ \set Staff.instrumentName = "quoteMe"
+ \quoteMe
+ }
+ \new Staff {
+ \set Staff.instrumentName = "orig"
+ \original
+ }
+ \new Staff \relative c'' <<
+ \set Staff.instrumentName = "orig+quote"
+ \set Staff.quotedEventTypes = #'(note-event articulation-event)
+ \original
+ \new Voice {
+ s4
+ \set fontSize = #-4
+ \override Stem #'length-fraction = #(magstep -4)
+ \quoteDuring #"quoteMe" { \skip 2. }
+ }
+ >>
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: rhythms, ancient-notation, tweaks-and-overrides
+\version "2.11.35"
+
+\header { texidoc = "
+Rests may be used in various styles.
+
+
+
+" }
+% begin verbatim
+\layout {
+ indent = 0.0
+ raggedright = ##t
+}
+
+\context Staff \relative c {
+ \set Score.timing = ##f
+ \override Staff.Rest #'style = #'mensural
+ r\maxima^\markup \typewriter { mensural }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'neomensural
+ r\maxima^\markup \typewriter { neomensural }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'classical
+ r\maxima^\markup \typewriter { classical }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+ \bar ""
+
+ \override Staff.Rest #'style = #'default
+ r\maxima^\markup \typewriter { default }
+ r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
+
+}
+
+
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: rhythms, editorial-and-educational-use, tweaks-and-overrides
\version "2.11.35"
altering-the-number-of-stems-in-a-beam.ly
chant-or-psalms-notation.ly
-conducting-signs,-measure-grouping-signs.ly
heavily-customized-polymetric-time-signatures.ly
+conducting-signs,-measure-grouping-signs.ly
+skips-in-lyric-mode-2.ly
rhythmic-slashes.ly
adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
+making-an-object-invisible-with-the-transparent-property.ly
automatic-beam-subdivisions.ly
controlling-tuplet-bracket-visibility.ly
beam-across-line-breaks.ly
-adding-drum-parts.ly
compound-time-signatures.ly
+adding-drum-parts.ly
+rest-styles.ly
+skips-in-lyric-mode.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: template
+\version "2.11.35"
+
+\header { texidoc = "
+A template to write score for a diatonic accordion.
+
+- There is a horizontal staff indicating if the accordion must be
+pushed (thick line) or pulled (thin line)
+
+- There is a small rhytmic staff with lyrics that describes the bass
+buttons to press. The bar-lines are made of gridlines ( Gridlines,
+not a really satisfying solution, but the best I found)
+
+- The tabulator staff for diatonic accordions shows the geographic
+position of the buttons and not (as for every other instrument) the
+pitch of the tones. The keys on the melody-side of the accordion are
+placed in three columns and about 12 rows. In the tabulator staff
+notation the - most outer column is described with notes between
+lines - most inner column is described with notes between lines with
+a cross as accidental - middle column is described with notes on a
+line, whereby the row in the middle is represented on the middle
+line in the staff.
+
+
+
+Some words to transpose piano note to the diatonic accordion.
+------------------------------------------------------------ 1. Every
+diatonic accordion is built for some keys only. For example for the
+key of C-major and F-major. So it is important to transpose a piano
+melody to match one of these keys. Transpose the source code, not
+only the output because you need this code later on to translate it
+once more to the tabulator staff. This can be done with the command
+'displayLilyMusic'.
+
+2. You have to alternate the push and pull-direction of the accordion
+regularely. If the player has a too long part to pull the accordion
+gets broken. At the other hand some harmonies are only available in
+one direction (push or pull) Considering this decide which parts of
+the melody are the push-parts and whic the pull-parts.
+
+3. For each pull- / or push-part translate the piano notes to the
+according tabulatur representation.
+
+This snippet comes with a useful optional macro for the jEdit text
+editor.
+" }
+% begin verbatim
+% Created on Sat Aug 17 2007 by ak
+
+verse= \lyricmode { Wie gross bist du! Wie gross bist du! }
+
+harmonies = \new ChordNames \chordmode {
+ \germanChords \set chordChanges = ##t
+ bes8 bes8 bes8 es2 f bes1
+}
+
+NoStem = \override Stem #'transparent = ##t
+NoNoteHead= \override NoteHead #'transparent = ##t
+ZeroBeam = \override Beam #'positions = #'(0 . 0)
+
+staffTabLine = \new Staff \with { \remove "Time_signature_engraver" \remove "Clef_engraver" } {
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
+% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
+ \set Staff.midiInstrument="choir aahs"
+ \key c \major
+ \relative c''
+ {
+ % disable the following line to see the the noteheads while writing the song
+ \NoNoteHead
+ \override NoteHead #'no-ledgers = ##t
+
+ % The beam between 8th-notes is used to draw the push-line
+ %How to fast write the push-lines:
+ % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
+ % 2. uncomment the line \NoNoteHead
+ % 3. compile
+ % 4. Mark the positions on which push/pull changes.
+ % In the score-picture click on the position the push- or pull-part starts
+ % (on the noteHead, the cursor will change to a hand-icon).
+ % The cursor in the source code will jump just at this position.
+ % a) If a push-part starts there, replace the 'c' by an 'e['
+ % b) If a pull-part starts there, replace the 'c' by an 's'
+ % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
+ % 6. For the pull-parts overwrite the 'c' with 's'
+ % 7. For every push-part replace the last 'c' with 'e]'
+ % 8. Switch into 'insert-mode' again
+ % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
+ % 10. re-enable the line \NoNoteHead
+ \autoBeamOff
+ \ZeroBeam
+ s8 s s | e[ c c c c c c e] | s s s s s
+ }
+}
+
+%{
+notePush= { e f fis g a c' c' d' ees' e' f' fis' g' a' bes' c'' c'' d'' ees'' e'' f'' fis'' g'' a'' c''' c''' ees''' e''' f''' g''' a''' }
+tabPush= { g f e b a d' c' bisis disis' f' e' aisis' a' g' fisis' b' c'' eisis'' cisis'' e'' d'' gisis'' g'' f'' a'' b'' bisis'' d''' c''' f''' e''' }
+
+notePull= { g aes bes b c' cis' d' ees' e' f' fis' g' aes' a' bes' b' c'' cis'' d'' ees'' e'' f'' g'' aes'' a'' bes'' b'' c''' cis''' d''' e''' }
+tabPull= { g e f b a disis' d' bisis c' f' fisis' e' aisis' a' g' c'' b' cisis'' e'' eisis'' d'' g'' f'' gisis'' b'' a'' d''' f''' bisis'' c''' e''' }
+%}
+
+% Accordion melody in tabulator score
+% 1. Place a copy of the piano melody below
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
+% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
+% Tips:
+% - In jEdit Search & Replace mark the Option 'Keep Dialog'
+
+AccordionTabTwoCBesDur= {
+ % pull 1
+ %<f' bes'>8 <f' a'>8 <d' bes'>8 |
+<g'' a''>8 <g'' b''>8 <e'' a''>8 |
+ % push 2
+ %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
+<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
+ % pull 3
+% <f' bes'>2 r8 }
+ <g'' a''>2 r8 }
+
+ AccordionTab= { \dynamicUp
+% 1. Place a copy of the piano melody above
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
+% change the second line using the transformation paper
+% Tips:
+% - In jEdit Search & Replace mark the Option 'Keep Dialog'
+% -
+\AccordionTabTwoCBesDur
+ }
+
+
+
+ \layout {
+ \context {
+ \Staff
+ \consists "Grid_point_engraver"
+
+ gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
+
+ % The following line has to be adjusted O-F-T-E-N.
+ \override GridPoint #'Y-extent = #'(-2 . -21)
+ }
+ \context {
+ \ChoirStaff
+ \remove "System_start_delimiter_engraver"
+ }
+}
+
+staffVoice = \new Staff=astaffvoice {
+ \time 4/4
+ \set Staff.instrumentName="Voice"
+ \set Staff.midiInstrument="voice oohs"
+ \key bes \major
+ \partial 8*3
+ \clef treble
+ {
+ \context Voice = "melodyVoi"
+ { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
+ \bar "|."
+ }
+}
+
+staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
+ #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
+ %do not remember them for the rest of the measure.
+ \time 4/4
+ \set Staff.instrumentName="Accordion"
+ \set Staff.midiInstrument="voice oohs"
+ \key c \major
+ \clef treble
+ { \AccordionTab \bar "|." }
+}
+
+ AltOn = #(define-music-function (parser location mag) (number?)
+ #{ \override Stem #'length = #$(* 7.0 mag)
+ \override NoteHead #'font-size =
+ #$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
+
+ AltOff = {
+ \revert Stem #'length
+ \revert NoteHead #'font-size
+ }
+
+BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
+LyricBassRhythmI= \lyricmode { c b | c }
+
+staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
+ % This is not a RhythmicStaff because it must be possible to append lyrics.
+
+ \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
+ % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
+ % Search for 'grid' in this page to find all related functions
+ \time 4/4
+ {
+ \context Voice = "VoiceBassRhytm"
+ \stemDown \AltOn #0.6
+ \relative c''
+ {
+ \BassRhytm
+ }
+ \AltOff
+ \bar "|."
+ }
+}
+
+\new Score
+\with {
+ \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
+}
+\new ChoirStaff
+ <<
+ \harmonies
+ \staffVoice
+ \context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
+ \staffAccordionMel
+ \staffTabLine
+ \staffBassRhytm
+ \context Lyrics = "lBassRhytmAboveI" \with {alignAboveContext=staffbass} \lyricsto VoiceBassRhytm \LyricBassRhythmI
+ >>
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% APPENDIX %
+% macro 'macro_conv2diaton_push.bsh' for jedit editor %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+%{
+// original saved in 'Handorg_Adria_Diaton_III.xls'
+// Save this buffer, to the other recorded macros in the jedit editor
+// and the macro should appear in the
+// Macros menu.
+
+// /ak 17.8.07 This macro from converts lilypond piano notation into
+// lilypond tabulator notation for the push-part (at the bottom the pull-part) of a diatonic accordion
+// It replaces the piano notes of the line where the cursor is by the accordion notation
+
+
+
+// Known issues: 1) A note at the end of line is not replaced
+
+textArea.goToEndOfWhiteSpace(false);
+textArea.goToStartOfWhiteSpace(true);
+
+
+String firstName, lastName;
+
+int ReplaceTextInSelection(String sfind, String sreplace)
+{
+//MsgConcat = new StringBuffer(512);
+//MsgConcat.append("Ha");
+
+//Macros.message(view, "On that line replace \"" + sfind + "\" by \"" + sreplace+ "\"");
+SearchAndReplace.setSearchString(sfind.toString());
+SearchAndReplace.setReplaceString(sreplace.toString());
+SearchAndReplace.setBeanShellReplace(false);
+SearchAndReplace.setIgnoreCase(true);
+SearchAndReplace.replace(view);
+SearchAndReplace.setRegexp(true);
+return 1;
+}
+
+
+String smainfind;
+String smainrepl;
+
+
+// Push-part tmp
+smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpr$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(as\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+
+smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
+*/
+
+/*
+// Pull-part tmp
+smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpa-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpc\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpd\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpc\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpc\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpb\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpg\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpb\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
+smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
+
+smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
+*/
+
+
+%}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: vocal-music, chords, template
+\version "2.11.35"
+
+\header { texidoc = "
+This template allows you to prepare a song with melody, words, and
+chords.
+" }
+% begin verbatim
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+ }
+
+ text = \lyricmode {
+ Aaa Bee Cee Dee
+ }
+
+ harmonies = \chordmode {
+ a2 c2
+ }
+
+ \score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \harmonies
+ }
+ \new Voice = "one" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto "one" \text
+ >>
+ \layout { }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: chords, template
+\version "2.11.35"
+
+\header { texidoc = "
+Want to prepare a lead sheet with a melody and chords? Look no further!
+
+" }
+% begin verbatim
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ f4 e8[ c] d4 g |
+ a2 ~ a2 |
+ }
+
+ harmonies = \chordmode {
+ c4:m f:min7 g:maj c:aug d2:dim b:sus
+ }
+
+ \score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \harmonies
+ }
+ \new Staff \melody
+ >>
+
+ \layout{ }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: vocal-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+This small template demonstrates a simple melody with lyrics. Cut and
+paste, add notes, then words for the lyrics. This example turns off
+automatic beaming, which is common for vocal parts. If you want to use
+automatic beaming, you'll have to change or comment out the relevant
+line.
+" }
+% begin verbatim
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+ }
+
+ text = \lyricmode {
+ Aaa Bee Cee Dee
+ }
+
+ \score{
+ <<
+ \new Voice = "one" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto "one" \text
+ >>
+ \layout { }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: template
+\version "2.11.35"
+
+\header { texidoc = "
+This very simple template gives you a staff with notes, suitable for a
+solo instrument or a melodic fragment. Cut and paste this into a file,
+add notes, and you're finished!
+" }
+% begin verbatim
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+ }
+
+ \score {
+ \new Staff \melody
+ \layout { }
+ \midi {}
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: rhythms, vocal-music
+\version "2.11.35"
+
+\header { texidoc = "
+Although you can't use `s' in lyric mode (it's taken to be a literal s,
+not a space) you can use either \"\" or _.
+
+So for example:
+" }
+% begin verbatim
+<<
+ \relative c'' { a4 b c d }
+ \new Lyrics \lyricmode { a4 _2 gap4 }
+>>
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: rhythms, vocal-music
+\version "2.11.35"
+
+\header { texidoc = "
+The s syntax is only available in note mode and chord mode. In other
+situations, for example, when entering lyrics, you should use the
+\\skip command.
+" }
+% begin verbatim
+<<
+ \relative { a'2 a1 }
+ \new Lyrics \lyricmode { \skip 2 bla1 }
+>>
vertically-aligning-ossias-and-lyrics.ly
page-label.ly
adjusting-lyrics-vertical-spacing.ly
+proportional-strict-notespacing.ly
creating-blank-staves.ly
adding-and-extra-staff-at-a-line-break.ly
changing-the-number-of-lines-in-a-staff.ly
-inserting-score-fragments-above-the-staff,-as-markups.ly
+time-signature-in-parentheses.ly
adding-an-extra-staff.ly
changing-the-staff-size.ly
+quoting-another-voice-with-transposition.ly
adding-ambiti-per-voice.ly
clefs-commonly-tweaked-properties.ly
+quoting-another-voice.ly
+volta-multi-staff.ly
+inserting-score-fragments-above-the-staff,-as-markups.ly
non-traditional-key-signatures.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: strings, template
+\version "2.11.35"
+
+\header { texidoc = "
+This template demonstrates a simple string quartet. It also uses a
+\\global section for time and key signatures
+" }
+% begin verbatim
+global= {
+ \time 4/4
+ \key c \major
+ }
+
+ violinOne = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 1 "
+
+ c2 d e1
+
+ \bar "|." }}
+ violinTwo = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 2 "
+
+ g2 f e1
+
+ \bar "|." }}
+ viola = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Viola "
+ \clef alto
+
+ e2 d c1
+
+ \bar "|." }}
+ cello = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Cello "
+ \clef bass
+
+ c2 b a1
+
+ \bar "|."}}
+
+ \score {
+ \new StaffGroup <<
+ \new Staff << \global \violinOne >>
+ \new Staff << \global \violinTwo >>
+ \new Staff << \global \viola >>
+ \new Staff << \global \cello >>
+ >>
+ \layout { }
+ \midi { }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: strings, template
+\version "2.11.35"
+
+\header { texidoc = "
+The \"String quartet template\" snippet produces a nice string quartet,
+but what if you needed to print parts? This new template demonstrates
+how to use the \\tag feature to easily split a piece into individual
+parts.
+
+You need to split this template into separate files; the filenames are
+contained in comments at the beginning of each file. piece.ly contains
+all the music definitions. The other files – score.ly, vn1.ly, vn2.ly,
+vla.ly, and vlc.ly – produce the appropiate part.
+
+
+Do not forget to remove specified comments when using separate files!
+" }
+% begin verbatim
+%%%%% piece.ly
+%%%%% (This is the global definitions file)
+
+global= {
+ \time 4/4
+ \key c \major
+}
+
+Violinone = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 1 "
+
+ c2 d e1
+
+\bar "|." }} %*********************************
+Violintwo = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 2 "
+
+ g2 f e1
+
+\bar "|." }} %*********************************
+Viola = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Viola "
+ \clef alto
+
+ e2 d c1
+
+\bar "|." }} %*********************************
+Cello = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Cello "
+ \clef bass
+
+ c2 b a1
+
+\bar "|."}} %**********************************
+
+music = {
+ <<
+ \tag #'score \tag #'vn1 \new Staff { << \global \Violinone >> }
+ \tag #'score \tag #'vn2 \new Staff { << \global \Violintwo>> }
+ \tag #'score \tag #'vla \new Staff { << \global \Viola>> }
+ \tag #'score \tag #'vlc \new Staff { << \global \Cello>> }
+ >>
+}
+
+%%% These are the other files you need to save on your computer
+
+%%%%% score.ly
+%%%%% (This is the main file)
+
+
+%\include "piece.ly" %%% uncomment this line when using a separate file
+#(set-global-staff-size 14)
+\score {
+ \new StaffGroup \keepWithTag #'score \music
+ \layout { }
+ \midi { }
+}
+
+
+%{ Uncomment this block when using separate files
+
+%%%%% vn1.ly
+%%%%% (This is the Violin 1 part file)
+
+\include "piece.ly"
+\score {
+ \keepWithTag #'vn1 \music
+ \layout { }
+}
+
+
+%%%%% vn2.ly
+%%%%% (This is the Violin 2 part file)
+
+\include "piece.ly"
+\score {
+ \keepWithTag #'vn2 \music
+ \layout { }
+}
+
+
+%%%%% vla.ly
+%%%%% (This is the Viola part file)
+
+\include "piece.ly"
+\score {
+ \keepWithTag #'vla \music
+ \layout { }
+}
+
+
+%%%%% vlc.ly
+%%%%% (This is the Cello part file)
+
+\include "piece.ly"
+\score {
+ \keepWithTag #'vlc \music
+ \layout { }
+}
+
+%}
+string-quartet-template-simple.ly
+string-quartet-template-with-separate-parts.ly
demo-midiinstruments.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Table of contents"
+ lsrtags = "paper-and-layout"
+ texidoc = "A table of contents is included using
+@code{\\markuplines \\table-of-contents}. The TOC items are added with
+the @code{\\tocItem} command."
+}
+% begin verbatim
+#(set-default-paper-size "a6")
+
+\book {
+ \markuplines \table-of-contents
+ \pageBreak
+
+ \tocItem \markup "The first score"
+ \score {
+ {
+ c'1 \pageBreak
+ \mark "A" \tocItem \markup "Mark A"
+ d'
+ }
+ }
+ \pageBreak
+ \tocItem \markup "The second score"
+ \score {
+ { e' }
+ \header { piece = "Second score" }
+ }
+}
--- /dev/null
+piano-template-with-centered-dynamics.ly
+single-staff-template-with-notes-and-lyrics.ly
+single-staff-template-with-only-notes.ly
+piano-template-with-centered-lyrics.ly
+score-for-diatonic-accordion.ly
+piano-template-simple.ly
+string-quartet-template-with-separate-parts.ly
+ancient-notation-template----modern-transcription-of-gregorian-music.ly
+ancient-notation-template----modern-transcription-of-mensural-music.ly
+piano-template-with-melody-and-lyrics.ly
+string-quartet-template-simple.ly
+single-staff-template-with-notes,-lyrics,-and-chords.ly
+single-staff-template-with-notes-and-chords.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
+jazz-combo-template.ly
+vocal-ensemble-template.ly
+vocal-ensemble-template-with-automatic-piano-reduction.ly
combining-dynamics-with-markup-texts.ly
creating-text-spanners.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
center-text-below-hairpin-dynamics.ly
-markup-lines.ly
+piano-template-with-centered-lyrics.ly
demonstrating-all-headers.ly
changing-the-default-text-font-family.ly
how-to-put-ties-between-syllables-in-lyrics.ly
aligning-and-centering-instrument-names.ly
+utf-8.ly
+outputting-the-version-number.ly
blanking-staff-lines-using-the--whiteout-command.ly
combining-two-parts-on-the-same-staff.ly
+markup-lines.ly
adjusting-lyrics-vertical-spacing.ly
aligning-lyrics.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: editorial-and-educational-use
+\version "2.11.35"
+
+\header { texidoc = "
+This example shows how to add a markup command to get a three sided box
+around some text (or other markup).
+" }
+% begin verbatim
+% New command to add a three sided box, with sides north, west and south
+% Based on the box-stencil command defined in scm/stencil.scm
+% Note that you use ";" to comment a line in Scheme
+#(define-public (NWS-box-stencil stencil thickness padding)
+ "Add a box around STENCIL, producing a new stencil."
+ (let* ((x-ext (interval-widen (ly:stencil-extent stencil 0) padding))
+ (y-ext (interval-widen (ly:stencil-extent stencil 1) padding))
+ (y-rule (make-filled-box-stencil (cons 0 thickness) y-ext))
+ (x-rule (make-filled-box-stencil
+ (interval-widen x-ext thickness) (cons 0 thickness))))
+; (set! stencil (ly:stencil-combine-at-edge stencil X 1 y-rule padding))
+ (set! stencil (ly:stencil-combine-at-edge stencil X -1 y-rule padding))
+ (set! stencil (ly:stencil-combine-at-edge stencil Y 1 x-rule 0.0))
+ (set! stencil (ly:stencil-combine-at-edge stencil Y -1 x-rule 0.0))
+ stencil))
+
+% The corresponding markup command, based on the \box command defined
+% in scm/define-markup-commands.scm
+#(define-markup-command (NWS-box layout props arg) (markup?)
+ "Draw a box round @var{arg}. Looks at @code{thickness},
+@code{box-padding} and @code{font-size} properties to determine line
+thickness and padding around the markup."
+
+ (let* ((th (chain-assoc-get 'thickness props 0.1))
+ (size (chain-assoc-get 'font-size props 0))
+ (pad (* (magstep size)
+ (chain-assoc-get 'box-padding props 0.2)))
+ (m (interpret-markup layout props arg)))
+ (NWS-box-stencil m th pad)))
+
+
+% Test it:
+
+\relative c'{
+ c^\markup{ \NWS-box ABCD }
+ c^\markup{\NWS-box \note #"4" #1.0 }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: staff-notation, tweaks-and-overrides
+\version "2.11.35"
+
+\header { texidoc = "
+You may put the time signature in parentheses.
+" }
+% begin verbatim
+tsMarkup = \markup {
+ \number {
+ \bracket \column { "2" "4" }
+ }
+}
+
+\score {
+ \relative c'' {
+
+% FIXME: Gee, it doesn't work with 2.10 -vv
+
+%{
+
+ \override Staff.TimeSignature #'print-function = #Text_interface::print
+ \override Staff.TimeSignature #'text = #tsMarkup
+
+%}
+
+ \time 2/4
+
+ a4 b8 c |
+ }
+}
+
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: paper-and-layout
-\version "2.11.35"
-
-\header {
- texidoc = "A table of contents is included using
-@code{\\markuplines \\table-of-contents}. The toc items are added with
-the @code{\\tocItem} command."
-}
-% begin verbatim
-#(set-default-paper-size "a6")
-
-\book {
- \markuplines \table-of-contents
- \pageBreak
-
- \tocItem \markup "The first score"
- \score {
- {
- c'1 \pageBreak
- \mark "A" \tocItem \markup "Mark A"
- d'
- }
- }
- \pageBreak
- \tocItem \markup "The second score"
- \score {
- { e' }
- \header { piece = "Second score" }
- }
-}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: ancient-notation, tweaks-and-overrides
+\version "2.11.35"
+
+\header { texidoc = "
+As a workaround to get real incipits which are independent from the
+main score these are included as a markup into the field normally used
+for the instrument name. As for now lyrics can only be added as a
+direct markup. It doesn't unfortunately conform with the spacing of the
+main lyrics.
+" }
+% begin verbatim
+global = {
+ \set Score.skipBars = ##t
+ \key g \major
+ \time 4/4
+
+ %make the staff lines invisible on staves
+ \override Staff.BarLine #'transparent = ##t
+ \skip 1*8 % the actual music
+
+ % let finis bar go through all staves
+ \override Staff.BarLine #'transparent = ##f
+
+ % finis bar
+ \bar "|."
+}
+
+
+discantusNotes = {
+ \transpose c' c'' {
+ \clef "treble"
+ d'2. d'4 |
+ b e' d'2 |
+ c'4 e'4.( d'8 c' b |
+ a4) b a2 |
+ b4.( c'8 d'4) c'4 |
+ \once \override NoteHead #'transparent = ##t c'1 |
+ b\breve |
+ }
+}
+
+discantusLyrics = \lyricmode {
+ Ju -- bi -- |
+ la -- te De -- |
+ o, om --
+ nis ter -- |
+ ra, __ om- |
+ "..." |
+ -us. |
+}
+
+altusNotes = {
+ \transpose c' c'' {
+ \clef "treble"
+ r2 g2. e4 fis g | % two bars
+ a2 g4 e |
+ fis g4.( fis16 e fis4) |
+ g1 |
+ \once \override NoteHead #'transparent = ##t g1 |
+ g\breve |
+ }
+}
+
+altusLyrics = \lyricmode {
+ Ju -- bi -- la -- te | % two bars
+ De -- o, om -- |
+ nis ter -- ra, |
+ "..." |
+ -us. |
+}
+
+tenorNotes = {
+ \transpose c' c' {
+ \clef "treble_8"
+ R1 |
+ R1 |
+ R1 |
+ r2 d'2. d'4 b e' | % two bars
+ \once \override NoteHead #'transparent = ##t e'1 |
+ d'\breve |
+ }
+}
+
+tenorLyrics = \lyricmode {
+ Ju -- bi -- la -- te | % two bars
+ "..." |
+ -us.
+}
+
+bassusNotes = {
+ \transpose c' c' {
+ \clef "bass"
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ g2. e4 |
+ \once \override NoteHead #'transparent = ##t e1 |
+ g\breve |
+ }
+}
+
+bassusLyrics = \lyricmode {
+ Ju -- bi- |
+ "..." |
+ -us.
+}
+
+incipitDiscantus = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Discantus "
+ \override NoteHead #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "neomensural-c1"
+ \key f \major
+ \time 2/2
+ c''1._"IV-" s2 %two bars
+ \skip 1*8 % eight bars
+ }
+ \layout {
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=4.5\cm
+ }
+ }
+}
+
+incipitAltus = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Altus "
+ \override NoteHead #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "neomensural-c3"
+ \key f \major
+ \time 2/2
+ r1 % one bar
+ f'1._"IV-" s2 % two bars
+ \skip 1*7 % seven bars
+ }
+ \layout {
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=4.5\cm
+ }
+ }
+}
+
+incipitTenor = \markup{
+ \score{ {
+ \set Staff.instrumentName = "Tenor "
+ \override NoteHead #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "neomensural-c4"
+ \key f \major
+ \time 2/2
+ r\longa % four bars
+ r\breve % two bars
+ r1 % one bar
+ c'1._"IV-" s2 % two bars
+ \skip 1 % one bar
+ }
+ \layout {
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=4.5\cm
+}
+}
+}
+
+incipitBassus = \markup{
+ \score{ {
+ \set Staff.instrumentName = "Bassus "
+ \override NoteHead #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "bass"
+ \key f \major
+ \time 2/2
+ % incipit
+ r\maxima % eight bars
+ f1._"IV-" s2 % two bars
+ }
+ \layout {
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=4.5\cm
+ }
+ }
+}
+
+%StaffGroup is used instead of ChoirStaff to get bar lines between systems
+\score {
+ <<
+ \new StaffGroup = choirStaff <<
+ \new Voice =
+ "discantusNotes" << \global
+ \set Staff.instrumentName=\incipitDiscantus
+ \discantusNotes >>
+ \new Lyrics =
+ "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
+
+ \new Voice =
+ "altusNotes" << \global
+ \set Staff.instrumentName=\incipitAltus
+ \altusNotes >>
+ \new Lyrics =
+ "altusLyrics" \lyricsto altusNotes { \altusLyrics }
+
+ \new Voice =
+ "tenorNotes" << \global
+ \set Staff.instrumentName=\incipitTenor
+ \tenorNotes >>
+ \new Lyrics =
+ "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
+
+ \new Voice =
+ "bassusNotes" << \global
+ \set Staff.instrumentName=\incipitBassus
+ \bassusNotes >>
+ >>
+ \new Lyrics =
+ "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ %Keep the bass lyrics outside of the staff group to avoid bar lines
+ %between the lyrics.
+ >>
+
+ \layout {
+ \context {
+ \Score
+
+ % no bars in staves
+ \override BarLine #'transparent = ##t
+ }
+ % the next three instructions keep the lyrics between the barlines
+ \context { \Lyrics
+ \consists "Bar_engraver"
+ \override BarLine #'transparent = ##t }
+ \context { \StaffGroup \consists "Separating_line_group_engraver" }
+ \context {
+ \Voice
+
+ % no slurs
+ \override Slur #'transparent = ##t
+
+ % Comment in the below "\remove" command to allow line
+ % breaking also at those barlines where a note overlaps
+ % into the next bar. The command is commented out in this
+ % short example score, but especially for large scores, you
+ % will typically yield better line breaking and thus improve
+ % overall spacing if you comment in the following command.
+ %\remove "Forbid_line_break_engraver"
+ }
+ indent=5\cm
+ }
+}
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: pitches
\version "2.11.35"
-creating-text-spanners.ly
altering-the-number-of-stems-in-a-beam.ly
+time-signature-in-parentheses.ly
+changing-the-default-text-font-family.ly
+proportional-strict-notespacing.ly
+making-an-object-invisible-with-the-transparent-property.ly
+transcription-of-ancient-music-with-incipit.ly
+alignment-vertical-spacing.ly
+custodes.ly
+drawing-boxes-around-grobs.ly
+move-specific-text.ly
+drawing-circles-around-various-objects.ly
+rest-styles.ly
+creating-text-spanners.ly
+using-the--tweak-command-to-tweak-individual-grobs.ly
controlling-tuplet-bracket-visibility.ly
caesura-railtracks-with-fermata.ly
-coloring-objects.ly
rhythmic-slashes.ly
changing-the-staff-size.ly
-changing-the-default-text-font-family.ly
-vertically-aligning-ossias-and-lyrics.ly
+coloring-objects.ly
clefs-commonly-tweaked-properties.ly
-custodes.ly
-alignment-vertical-spacing.ly
+vertically-aligning-ossias-and-lyrics.ly
changing-an-individual-notes-size-in-a-chord.ly
changing-properties-for-individual-grobs.ly
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: other
+%% Do not edit this file; it is auto-generated from input/new
\version "2.11.35"
-
-\header { texidoc = "
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Using the @code{\tweak} command to tweak individual grobs"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
With the @code{\tweak} command, you can tune every grob directly. Here
are some examples of available tweaks.
-
-
-" }
-% begin verbatim
-\paper {
- ragged-right = ##t
+"
}
-
+% begin verbatim
{
\set fingeringOrientations = #'(right)
<
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.35"
+
+%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
+
+%{
+
+You may have to install additional fonts.
+
+Red Hat Fedora
+
+ taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
+ ttfonts-zh_CN fonts-ja fonts-hebrew
+
+Debian GNU/Linux
+
+ apt-get install emacs-intl-fonts xfonts-intl-.* \
+ ttf-kochi-gothic ttf-kochi-mincho \
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+%}
+
+\header {
+ doctitle = "UTF-8"
+ lsrtags = "text"
+ texidoc = "Various scripts may be used for texts (like titles and
+lyrics) introduced by entering them in UTF-8 encoding, and using a
+Pango based backend. Depending on the fonts installed, this fragment
+will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
+
+"
+
+}
+% begin verbatim
+% end verbatim - this comment is a hack to prevent texinfo.tex
+% from choking on non-European UTF-8 subsets
+% Cyrillic font
+bulgarian = \lyricmode {
+ Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
+}
+
+hebrew = \lyricmode {
+ זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
+}
+
+japanese = \lyricmode {
+ いろはにほへど ちりぬるを
+ わがよたれぞ つねならむ
+ うゐのおくや まけふこえて
+ あさきゆめみじ ゑひもせず
+}
+
+% "a legal song to you"
+portuguese = \lyricmode {
+ à vo -- cê uma can -- ção legal
+}
+
+\paper {
+ ragged-right = ##t
+}
+
+\relative {
+ c2 d e f g f e
+}
+\addlyrics { \bulgarian }
+\addlyrics { \hebrew }
+\addlyrics { \japanese }
+\addlyrics { \portuguese }
-%% Do not edit this file; it is auto-generated from LSR!
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
%% Tags: vocal-music, tweaks-and-overrides, spacing
\version "2.11.35"
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: vocal-music, piano-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+This template adds an automatic piano reduction to the standard SATB
+vocal score demonstrated in \"Vocal ensemble template\". This
+demonstrates one of the strengths of LilyPond – you can use a music
+definition more than once. If you make any changes to the vocal notes
+(say, tenorMusic), then the changes will also apply to the piano
+reduction.
+" }
+% begin verbatim
+global = {
+ \key c \major
+ \time 4/4
+ }
+
+ sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+ }
+ sopWords = \lyricmode {
+ hi hi hi hi
+ }
+
+ altoMusic = \relative c' {
+ e4 f d e
+ }
+ altoWords =\lyricmode {
+ ha ha ha ha
+ }
+
+ tenorMusic = \relative c' {
+ g4 a f g
+ }
+ tenorWords = \lyricmode {
+ hu hu hu hu
+ }
+
+ bassMusic = \relative c {
+ c4 c g c
+ }
+ bassWords = \lyricmode {
+ ho ho ho ho
+ }
+
+ \score {
+ <<
+ \new ChoirStaff <<
+ \new Lyrics = sopranos { s1 }
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics = "altos" { s1 }
+ \new Lyrics = "tenors" { s1 }
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+ \new Lyrics = basses { s1 }
+
+ \context Lyrics = sopranos \lyricsto sopranos \sopWords
+ \context Lyrics = altos \lyricsto altos \altoWords
+ \context Lyrics = tenors \lyricsto tenors \tenorWords
+ \context Lyrics = basses \lyricsto basses \bassWords
+ >>
+ \new PianoStaff <<
+ \new Staff <<
+ \set Staff.printPartCombineTexts = ##f
+ \partcombine
+ << \global \sopMusic >>
+ << \global \altoMusic >>
+ >>
+ \new Staff <<
+ \clef bass
+ \set Staff.printPartCombineTexts = ##f
+ \partcombine
+ << \global \tenorMusic >>
+ << \global \bassMusic >>
+ >>
+ >>
+ >>
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: text, vocal-music, contexts-and-engravers, template
+\version "2.11.35"
+
+\header { texidoc = "
+This template is basically the same as the simple \"Vocal ensemble\"
+template, with the exception that here all the lyrics lines are placed
+using alignAboveContext and alignBelowContext.
+" }
+% begin verbatim
+global = {
+ \key c \major
+ \time 4/4
+ }
+
+ sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+ }
+ sopWords = \lyricmode {
+ hi hi hi hi
+ }
+
+ altoMusic = \relative c' {
+ e4 f d e
+ }
+ altoWords =\lyricmode {
+ ha ha ha ha
+ }
+
+ tenorMusic = \relative c' {
+ g4 a f g
+ }
+ tenorWords = \lyricmode {
+ hu hu hu hu
+ }
+
+ bassMusic = \relative c {
+ c4 c g c
+ }
+ bassWords = \lyricmode {
+ ho ho ho ho
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
+ \new Lyrics \with {alignBelowContext=women} \lyricsto altos \altoWords
+ % we could remove the line about this with the line below, since we want
+ % the alto lyrics to be below the alto Voice anyway.
+ % \new Lyrics \lyricsto altos \altoWords
+
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
+ \new Lyrics \with {alignBelowContext=men} \lyricsto basses \bassWords
+ % again, we could replace the line above this with the line below.
+ % \new Lyrics \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+ }
+
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
+ \new Lyrics \lyricsto altos \altoWords
+
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
+ \new Lyrics \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+ }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+%% Tags: vocal-music, template
+\version "2.11.35"
+
+\header { texidoc = "
+Here is a standard four-part SATB vocal score. With larger ensembles,
+it's often useful to include a section which is included in all parts.
+For example, the time signature and key signatures are almost always
+the same for all parts. Like in the \"Hymn\" template, the four voices
+are regrouped on only two staves.
+" }
+% begin verbatim
+global = {
+ \key c \major
+ \time 4/4
+ }
+
+ sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+ }
+ sopWords = \lyricmode {
+ hi hi hi hi
+ }
+
+ altoMusic = \relative c' {
+ e4 f d e
+ }
+ altoWords =\lyricmode {
+ ha ha ha ha
+ }
+
+ tenorMusic = \relative c' {
+ g4 a f g
+ }
+ tenorWords = \lyricmode {
+ hu hu hu hu
+ }
+
+ bassMusic = \relative c {
+ c4 c g c
+ }
+ bassWords = \lyricmode {
+ ho ho ho ho
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = sopranos { s1 }
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics = "altos" { s1 }
+ \new Lyrics = "tenors" { s1 }
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+ \new Lyrics = basses { s1 }
+
+ \context Lyrics = sopranos \lyricsto sopranos \sopWords
+ \context Lyrics = altos \lyricsto altos \altoWords
+ \context Lyrics = tenors \lyricsto tenors \tenorWords
+ \context Lyrics = basses \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+ }
+
chant-or-psalms-notation.ly
+single-staff-template-with-notes-and-lyrics.ly
+skips-in-lyric-mode-2.ly
+vocal-ensemble-template-with-automatic-piano-reduction.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
how-to-put-ties-between-syllables-in-lyrics.ly
adding-ambiti-per-voice.ly
-vertically-aligning-ossias-and-lyrics.ly
+piano-template-with-melody-and-lyrics.ly
+single-staff-template-with-notes,-lyrics,-and-chords.ly
demo-midiinstruments.ly
-adjusting-lyrics-vertical-spacing.ly
+vertically-aligning-ossias-and-lyrics.ly
aligning-lyrics.ly
+vocal-ensemble-template.ly
+adjusting-lyrics-vertical-spacing.ly
+skips-in-lyric-mode.ly
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: pitches, repeats
+%% Do not edit this file; it is auto-generated from input/new
+\version "2.11.36"
+\layout { ragged-right= ##t }
\header {
+ doctitle = "Volta multi-staff"
+ lsrtags = "repeats,staff-notation"
texidoc = "By adding @code{Volta_engraver}, repeat brackets
- can be put over staves other than the topmost one in a score."
+can be put over staves other than the topmost one in a score."
}
% begin verbatim
-\version "2.11.36"
-
-vmus = {
+vmus = \relative c'' {
\repeat volta 2 c1 \alternative { d e }
}
-\relative c'' <<
+<<
\new StaffGroup <<
\context Staff \vmus
\new Staff \vmus
projects / lilypond.git / commitdiff