(make_chord_step): more robust code, semitones.
* input/regression/breathing-sign.ly (texidoc): split ancient and
normal breathing signs.
* scm/define-grobs.scm (all-grob-descriptions): swap
beamed-extreme-minimum-free-lengths and
beamed-minimum-free-lengths; the 'extreme' case should allow
shorter stems. This fixes forced directions on beamed 32nd and
shorter notes.
* ly/engraver-init.ly (ScoreContext): keyAccidentalOrder is in
quartertones, not semitones.
(NoteNamesContext): swallow more event types
* Documentation/topdocs/NEWS.texi (Top): insert close brace.
+2003-09-24 Han-Wen Nienhuys <hanwen@cs.uu.nl>
+
+ * lily/parser.yy (step_number): semitones for chord entry too.
+ (make_chord_step): more robust code, semitones.
+
+ * input/regression/breathing-sign-ancient.ly (texidoc): new file.
+
+ * input/regression/breathing-sign.ly (texidoc): split ancient and
+ normal breathing signs.
+
+ * scm/define-grobs.scm (all-grob-descriptions): swap
+ beamed-extreme-minimum-free-lengths and
+ beamed-minimum-free-lengths; the 'extreme' case should allow
+ shorter stems. This fixes forced directions on beamed 32nd and
+ shorter notes.
+
+ * ly/engraver-init.ly (ScoreContext): keyAccidentalOrder is in
+ quartertones, not semitones.
+ (NoteNamesContext): swallow more event types
+
+
+ * Documentation/topdocs/NEWS.texi (Top): insert close brace.
+
+ * VERSION (PACKAGE_NAME): release 1.9.10
+
2003-09-23 Han-Wen Nienhuys <hanwen@cs.uu.nl>
* lily/rhythmic-column-engraver.cc (process_acknowledged_grobs):
set note head as cause of note-column. This gives a better error
- message
+ message.
2003-09-23 Jan Nieuwenhuizen <janneke@gnu.org>
@example
\markup @{ \center <@var{..list of markups..}> @}
- \figure @{ <@var{figures> @}
+ \figure @{ <@var{figures}> @}
@end example
As chords the more often used than simultaneous music, this change will
rest to the left.
@item
-The script previously known as @file{ly2dvi} has been renamed to
-@file{lilypond}. The binary itself is now installed as
-@file{lilypond-bin}.
+The script previously known as @code{ly2dvi} has been renamed to
+@code{lilypond}. The binary itself is now installed as
+@code{lilypond-bin}.
@item
Markup text (ie. general text formatting) may now be used for lyrics too.
cd out-www && mkdir web && tar -xzf web.tar.gz -C web
cd out-www/web && \
chgrp -R lilypond . && \
- chmod -R g+w && \
+ chmod -R g+w . && \
chmod 2775 `find -type d` . && \
rsync --delete --stats --progress -gorltvu -e ssh . x:/var/www/lilypond/doc/v1.9/
cd out-www && rm -rf web/
\score { \notes
<<
- \context Staff \transpose c c'' {
- \mel
-% \property Score.oneMeasureLazy = ##t
- \property Score.autoAccidentals = #'(Staff (same-octave . 0))
- << s1^"$\\backslash$property Score.autoAccidentals = \\#'((same-octave . 0))" \mel >>
- \property Score.autoAccidentals = #'(Staff (same-octave . 1))
- << s1^"$\\backslash$property Score.autoAccidentals = \\#'((same-octave . 1))" \mel >>
- \property Score.autoAccidentals = #'(Staff (any-octave . 0))
- << s1^"$\\backslash$property Score.autoAccidentals = \\#'((any-octave . 0))" \mel >>
- \property Score.autoAccidentals = #'(Staff (any-octave . 1))
- << s1^"$\\backslash$property Score.autoAccidentals = \\#'((any-octave . 1))" \mel >>
- \modernAccidentals
- << s1^"$\\backslash$modernAccidentals" \mel >>
- \modernCautionaries
- << s1^"$\\backslash$modernCautionaries" \mel >>
- \noResetKey
- << s1^"$\\backslash$noResetKey" \mel >>
- \forgetAccidentals
- << s1^"$\\backslash$forgetAccidentals" \mel >>
- }
- \context NoteNames \repeat unfold 9 \apply #no-octaves \mel
+ \context Staff \transpose c c'' \mel
+ \context NoteNames \apply #no-octaves \mel
>>
- \paper {
- indent = 0.0
- }
}
+++ /dev/null
-\version "1.9.8"
-\header {
-
-texidoc = "If the first and last outer notes of a beam are the same,
-the beam should be be horizontal. "
-
-}
-\score{
- \notes \transpose c' c'{
-
- a'8[ <a' g''>]
- a'16[ <a' g''>]
- a'32[ <a' g''>]
- a'8[ <f' c''>]
- a'16[ <f' c''>]
- a'32[ <f' c''>]
- a'16[ <f' c''>]
- c8[ <c e,>]
- c16[ <c e,>]
- c32[ <c e,>]
- }
- \paper{
- raggedright = ##t
- }
-}
-
\version "1.9.8"
\header{
- texidoc="Beamed stems have standard lengths if possible."
+ texidoc="Beamed stems have standard lengths if possible. Quantization is switched off in this example."
}
\score{
+++ /dev/null
-
-\version "1.9.8"
-
-\header {
-
- texidoc = "Beam positions may be set by hand by overriding
- positions. No processing (quanting, damping) whatsoever is done."
-
-}
-
-\score {
- \notes\relative c'{
- \property Voice.Beam \override #'auto-knee-gap = ##f
- \property Voice.Beam \override #'positions = #'(-10 . 10)
- \stemUp
- c16[ c'' a f]
-
- }
- \paper{
- raggedright = ##t
- }
-}
\version "1.9.8"
\header{
-texidoc="
-Beams should always reach the middle staff line. The second beam
-counting from the note head side, should never be lower than the
-second staff line. This does not hold for grace note beams.
-Override with @code{noStemExtend}.
-"
+
+texidoc=" Beams on ledgered notes should always reach the middle staff
+line. The second beam counting from the note head side, should never
+be lower than the second staff line. This does not hold for grace
+note beams. Override with @code{no-stem-extend}. "
+
}
\version "1.9.8"
\header{
texidoc="
-Breathing signs, also used for phrasing, do normally not influence
-global spacing -- only if space gets tight, notes are shifted to make
-room for the breathing sign. Breathing signs break beams running
-through their voice. In the following example, the notes in the first
-two measures all have the same distance from each other.
-
Breathing signs are available in different tastes: commas (default),
-ticks, vees and `railroad tracks' (caesura).
-
-Gregorian chant notation sometimes also uses commas and ticks, but in
-smaller font size (we call it 'virgula' and 'caesura'). However, the
-most common breathing signs are divisio minima/maior/maxima and
-finalis, the latter three looking similar to bar glyphs.
+ticks, vees and `railroad tracks' (caesura)."
+ }
-" }
-
-\include "gregorian-init.ly"
\score {
es2 r4 \bar "||" \break
}
}
-
- %
- % Gregorian notation:
- %
- \context VaticanaStaff {
- \notes \relative c' {
-
- % we turn bars and bar numbers off for Gregorian stuff
- \property Staff.BarLine \set #'transparent = ##t
- \property Score.BarNumber \set #'transparent = ##t
-
- % here is no \breathe
- c g c
-
- % \virgula applies rcomma, but in a smaller font
- c \virgula g c
-
- % \caesura applies rvarcomma, but in a smaller font
- c \caesura g c
-
- % \divisioMinima is a simple vertical stroke through the
- % uppermost staffline, just like the original implementation
- % of breathing signs.
- c \divisioMinima g c
-
- % \divisio{maior,maxima} and \finalis look like bars and are
- % vertically centered on the staff; the direction property has
- % no effect
- c \divisioMaior g c
- c \divisioMaxima g c
-
- % this one looks almost like a "||" type bar
- \finalis
- }
- }
- }
- \paper {
- \translator { \RemoveEmptyStaffContext }
}
}
make_chord_step (int step, int alter)
{
if (step == 7)
- alter--;
+ alter += FLAT;
- /* ugh: fucks up above 13 */
- Pitch m(step > 7 ? 1 : 0,(step - 1) % 7, alter);
+ while(step < 0)
+ step += 7;
+ Pitch m((step -1) / 7 , (step - 1) % 7, alter);
return m.smobbed_copy ();
}
$$ = make_chord_step ($1, 0);
}
| bare_unsigned '+' {
- $$ = make_chord_step ($1, 1);
+ $$ = make_chord_step ($1, SHARP);
}
| bare_unsigned CHORD_MINUS {
- $$ = make_chord_step ($1,-1);
+ $$ = make_chord_step ($1, FLAT);
}
;
verticalExtent = ##f
+ \consists "Rest_swallow_translator"
+ \consists "Skip_event_swallow_translator"
+ \consists "Tie_engraver"
+ \consists "Note_swallow_translator"
\consists "Note_name_engraver"
\consists "Separating_line_group_engraver"
}
autoAccidentals = #'(Staff (same-octave . 0))
autoCautionaries = #'()
- keyAccidentalOrder = #'(
- (6 . -1) (2 . -1) (5 . -1 ) (1 . -1) (4 . -1) (0 . -1) (3 . -1)
- (3 . 1) (0 . 1) (4 . 1) (1 . 1) (5 . 1) (2 . 1) (6 . 1)
- (6 . -2) (2 . -2) (5 . -2 ) (1 . -2) (4 . -2) (0 . -2) (3 . -2)
- (3 . 2) (0 . 2) (4 . 2) (2 . 2) (5 . 2) (2 . 2) (6 . 2)
+ keyAccidentalOrder = #`(
+ (6 . ,FLAT) (2 . ,FLAT) (5 . ,FLAT ) (1 . ,FLAT) (4 . ,FLAT) (0 . ,FLAT) (3 . ,FLAT)
+ (3 . ,SHARP) (0 . ,SHARP) (4 . ,SHARP) (1 . ,SHARP) (5 . ,SHARP) (2 . ,SHARP) (6 . ,SHARP)
+ (6 . ,DOUBLE-FLAT) (2 . ,DOUBLE-FLAT) (5 . ,DOUBLE-FLAT ) (1 . ,DOUBLE-FLAT) (4 . ,DOUBLE-FLAT) (0 . ,DOUBLE-FLAT) (3 . ,DOUBLE-FLAT)
+ (3 . ,DOUBLE-SHARP) (0 . ,DOUBLE-SHARP) (4 . ,DOUBLE-SHARP) (2 . ,DOUBLE-SHARP) (5 . ,DOUBLE-SHARP) (2 . ,DOUBLE-SHARP) (6 . ,DOUBLE-SHARP)
)
breakAlignOrder = #'(
instrument-name
(0 . 0)
(1 . 0)
(2 . 0)
- (3 . 1)
+ (3 . SHARP)
(4 . 0)
(5 . 0)
(6 . 0)
"
(let*
- (
- (flat-mods (flatten-list modifications))
+ ((flat-mods (flatten-list modifications))
(base-chord (stack-thirds (ly:make-pitch 0 4 0) the-canonical-chord))
(complete-chord '())
(bass #f)
(inversion #f)
(lead-mod #f)
(explicit-11 #f)
- (start-additions #t)
- )
+ (start-additions #t))
(define (interpret-inversion chord mods)
"Read /FOO part. Side effect: INVERSION is set."
(beamed-lengths . (3.26 3.26 1.5))
;; [Wanske] lists three sets of minimum lengths. One
- ;; set for the nomal case, and one set for beams with `der
- ;; Balkenendpunkt weiter "uber bzw. unter die Systemgrenze
- ;; hinaus (bei Gruppen mit grossem Tonumfang)' and the extreme
+ ;; set for the nomal case, and one set for beams with "der
+ ;; Balkenendpunkt weiter uber bzw. unter die Systemgrenze
+ ;; hinaus (bei Gruppen mit grossem Tonumfang)" and the extreme
;; case.
;; Note that Wanske lists numbers lengths starting from top of
;; and the extreme minima as abolute minimum length.
;; The 'normal' minima
- (beamed-minimum-free-lengths . (2.5 2.0 1.0))
+ (beamed-minimum-free-lengths . (1.83 1.5 1.25))
;; The 'extreme case' minima
- (beamed-extreme-minimum-free-lengths . (1.83 1.5 1.25))
+ (beamed-extreme-minimum-free-lengths . (2.5 2.0 1.0))
(X-offset-callbacks . (,Stem::off_callback))
(X-extent-callback . ,Stem::dim_callback)
projects / lilypond.git / commitdiff