depth = ..
-SUBDIRS = test regression tutorial mutopia manual lsr
+SUBDIRS = test regression tutorial mutopia manual lsr tolsr
examples = typography-demo les-nereides wilhelmus proportional bach-schenker cary
LOCALSTEPMAKE_TEMPLATES=ly mutopia
EXTRA_DIST_FILES=paddy.abc
-EXTRA_DIST_DIR = tolsr
-
include $(depth)/make/stepmake.make
--- /dev/null
+This directory contains examples generated automatically from LSR:
+http://lsr.dsi.unimi.it/
+
+Any changes made to .ly files (other than AAA-intro-*.ly) will be
+lost. Please make updates to the LSR database directly. You must
+be an editor to change "approved" snippets in LSR.
+
--- /dev/null
+depth = ../../
+
+STEPMAKE_TEMPLATES=documentation texinfo tex
+LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
+
+include $(depth)/make/stepmake.make
+
+TITLE=Stuff waiting for LSR -- you should not see this!
+
--- /dev/null
+# -*-python-*-
+
+Import ('env', 'collate')
+collate (title = 'Stuff waiting for LSR -- you should not see this!')
+++ /dev/null
-\header {
- texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
-}
-
-\version "2.10.0"
-
-\paper {
- ragged-right = ##t
-}
-
-\relative c'' {
- \override TextSpanner #'bound-padding = #1.0
- \override TextSpanner #'dash-fraction = #'()
- \override TextSpanner #'bound-details #'right #'arrow = ##t
- \override TextSpanner #'bound-details #'left #'text = #"fof"
- \override TextSpanner #'bound-details #'right #'text = #"gag"
- \override TextSpanner #'bound-details #'right #'padding = #0.6
-
- \override TextSpanner #'bound-details #'right #'stencil-align-dir-y = #CENTER
- \override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
-
- \override Glissando #'bound-details #'right #'arrow = ##t
- \override Glissando #'arrow-length = #0.5
- \override Glissando #'arrow-width = #0.25
-
- a8\startTextSpan gis8 a4 b4\glissando
- b,4 | g' c\stopTextSpan c
-}
--- /dev/null
+% contemporary
+
+\header {
+ texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
+}
+
+\version "2.10.0"
+
+\paper {
+ ragged-right = ##t
+}
+
+\relative c'' {
+ \override TextSpanner #'bound-padding = #1.0
+ \override TextSpanner #'dash-fraction = #'()
+ \override TextSpanner #'bound-details #'right #'arrow = ##t
+ \override TextSpanner #'bound-details #'left #'text = #"fof"
+ \override TextSpanner #'bound-details #'right #'text = #"gag"
+ \override TextSpanner #'bound-details #'right #'padding = #0.6
+
+ \override TextSpanner #'bound-details #'right #'stencil-align-dir-y = #CENTER
+ \override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
+
+ \override Glissando #'bound-details #'right #'arrow = ##t
+ \override Glissando #'arrow-length = #0.5
+ \override Glissando #'arrow-width = #0.25
+
+ a8\startTextSpan gis8 a4 b4\glissando
+ b,4 | g' c\stopTextSpan c
+}
+++ /dev/null
-
-\header
-{
-
- texidoc = "Quotations take into account the transposition of both
-source and target. In this example, all instruments play sounding
-central C, the target is a instrument in F. The target part may be
-@code{\\transpose}d. In this case, all the pitches (including the
-quoted ones) will transposed as well. "
-
-}
-
-\version "2.11.10"
-
-\layout { ragged-right = ##t }
-
-
-\addQuote clarinet {
- \transposition bes
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
-}
-
-\addQuote sax {
- \transposition es'
- a8 a a a a a a a
-}
-
-quoteTest = {
- \transposition f % french horn
-
- g'4
- << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
- << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
-}
-
-
-<< \quoteTest
- \new Staff
- << \transpose c' d' \quoteTest
- s4_"up 1 tone"
- >>
->>
+++ /dev/null
-\header
-{
-
- texidoc = "With @code{\\quote}, fragments of previously entered
-music may be quoted. @code{quotedEventTypes} will determines what
-things are quoted. In this example, a 16th rests is not quoted, since
-@code{rest-event} is not in @code{quotedEventTypes}."
-
-}
-\version "2.11.10"
-\layout {
- ragged-right = ##t
-}
-
-
-quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
-
-\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
-
-<<
- \new Staff {
- \set Staff.instrumentName = "quoteMe"
- \quoteMe
- }
- \new Staff {
- \set Staff.instrumentName = "orig"
- \original
- }
- \new Staff \relative c'' <<
- \set Staff.instrumentName = "orig+quote"
- \set Staff.quotedEventTypes = #'(note-event articulation-event)
- \original
- \new Voice {
- s4
- \set fontSize = #-4
- \override Stem #'length-fraction = #(magstep -4)
- \quoteDuring #"quoteMe" { \skip 2. }
- }
- >>
->>
--- /dev/null
+%preparing
+
+\header
+{
+
+ texidoc = "Quotations take into account the transposition of both
+source and target. In this example, all instruments play sounding
+central C, the target is a instrument in F. The target part may be
+@code{\\transpose}d. In this case, all the pitches (including the
+quoted ones) will transposed as well. "
+
+}
+
+\version "2.11.10"
+
+\layout { ragged-right = ##t }
+
+
+\addQuote clarinet {
+ \transposition bes
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+}
+
+\addQuote sax {
+ \transposition es'
+ a8 a a a a a a a
+}
+
+quoteTest = {
+ \transposition f % french horn
+
+ g'4
+ << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
+ << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
+}
+
+
+<< \quoteTest
+ \new Staff
+ << \transpose c' d' \quoteTest
+ s4_"up 1 tone"
+ >>
+>>
--- /dev/null
+%preparing
+
+\header
+{
+
+ texidoc = "With @code{\\quote}, fragments of previously entered
+music may be quoted. @code{quotedEventTypes} will determines what
+things are quoted. In this example, a 16th rests is not quoted, since
+@code{rest-event} is not in @code{quotedEventTypes}."
+
+}
+\version "2.11.10"
+\layout {
+ ragged-right = ##t
+}
+
+
+quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+
+\addQuote quoteMe \quoteMe
+original = \relative c'' { c8 d s2 es8 gis8 }
+
+<<
+ \new Staff {
+ \set Staff.instrumentName = "quoteMe"
+ \quoteMe
+ }
+ \new Staff {
+ \set Staff.instrumentName = "orig"
+ \original
+ }
+ \new Staff \relative c'' <<
+ \set Staff.instrumentName = "orig+quote"
+ \set Staff.quotedEventTypes = #'(note-event articulation-event)
+ \original
+ \new Voice {
+ s4
+ \set fontSize = #-4
+ \override Stem #'length-fraction = #(magstep -4)
+ \quoteDuring #"quoteMe" { \skip 2. }
+ }
+ >>
+>>
+++ /dev/null
-\version "2.10.0"
-
-%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
-
-%{
-
-You may have to install additional fonts.
-
-Red Hat Fedora
-
- taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
-
-Debian GNU/Linux
-
- apt-get install emacs-intl-fonts xfonts-intl-.* \
- ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
-%}
-
-\header {
-
- texidoc = "Various scripts may be used for texts (like titles and
-lyrics) introduced by entering them in UTF-8 encoding, and using a
-Pango based backend. Depending on the fonts installed, this fragment
-will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
-
-"
-
-}
-
-% Cyrillic font
-bulgarian = \lyricmode {
- Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
-}
-
-hebrew = \lyricmode {
- זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
-}
-
-japanese = \lyricmode {
- いろはにほへど ちりぬるを
- わがよたれぞ つねならむ
- うゐのおくや まけふこえて
- あさきゆめみじ ゑひもせず
-}
-
-% "a legal song to you"
-portuguese = \lyricmode {
- à vo -- cê uma can -- ção legal
-}
-
-\paper {
- ragged-right = ##T
-}
-
-\relative {
- c2 d e f g f e
-}
-\addlyrics { \bulgarian }
-\addlyrics { \hebrew }
-\addlyrics { \japanese }
-\addlyrics { \portuguese }
--- /dev/null
+% text
+
+\version "2.10.0"
+
+%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
+
+%{
+
+You may have to install additional fonts.
+
+Red Hat Fedora
+
+ taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
+ ttfonts-zh_CN fonts-ja fonts-hebrew
+
+Debian GNU/Linux
+
+ apt-get install emacs-intl-fonts xfonts-intl-.* \
+ ttf-kochi-gothic ttf-kochi-mincho \
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+%}
+
+\header {
+
+ texidoc = "Various scripts may be used for texts (like titles and
+lyrics) introduced by entering them in UTF-8 encoding, and using a
+Pango based backend. Depending on the fonts installed, this fragment
+will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
+
+"
+
+}
+
+% Cyrillic font
+bulgarian = \lyricmode {
+ Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
+}
+
+hebrew = \lyricmode {
+ זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
+}
+
+japanese = \lyricmode {
+ いろはにほへど ちりぬるを
+ わがよたれぞ つねならむ
+ うゐのおくや まけふこえて
+ あさきゆめみじ ゑひもせず
+}
+
+% "a legal song to you"
+portuguese = \lyricmode {
+ à vo -- cê uma can -- ção legal
+}
+
+\paper {
+ ragged-right = ##T
+}
+
+\relative {
+ c2 d e f g f e
+}
+\addlyrics { \bulgarian }
+\addlyrics { \hebrew }
+\addlyrics { \japanese }
+\addlyrics { \portuguese }
projects / lilypond.git / commitdiff