} >>
@end lilypond
-The following example is a comparison of the different commands for
-entering lyrics:
-
-@lilypond[quote,fragment,ragged-right,verbatim]
-<<
- \new Voice = "one" \relative c'' {
- \autoBeamOff
- \time 2/4
- c4 b8. a16 g4. f8 e4 d c2
- }
- \new Lyrics \lyricmode { Joy4 to8. the16 world!4. the8 Lord4 is come.2 }
- \new Lyrics \lyricmode { Joy to the earth! the Sa -- viour reigns. }
- \new Lyrics \lyricsto "one" { No more let sins and sor -- rows grow. }
- >>
-@end lilypond
-
-The second stanza is not properly aligned because the durations
-were not specified. A solution for that, as shown with the
-third stanza, would be to use @code{\lyricsto}.
-
@seealso
Program reference: @internalsref{Lyrics}.
@cindex melisma
@cindex melismata
+@cindex phrasing, in lyrics
Sometimes, particularly in Medieval music, several notes are to be sung on one
single syllable; such vocalises are called melismas, or melismata.
@node More about stanzas
@subsection More about stanzas
-@c what's this doing here?
-@cindex phrasing, in lyrics
-
@cindex stanza number
@subsubsection Adding stanza numbers
@ref{Figured bass}
@end itemize
-Here are all suptopics at a glance:
+Here are all subtopics at a glance:
@menu
* Ancient note heads::
@refbugs
Some articulations are vertically placed too closely to the
-correpsonding note heads.
+corresponding note heads.
The episem line is not displayed in many cases. If it is displayed,
the right end of the episem line is often too far to the right.