\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 08560a1b8076630c4fc6cb9b902614d8b74fd6fc
+ Translation of GIT committish: 47db9a3883d726ca53e2133a3b2298f78dd6a32e
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
dentro de LilyPond version @version{}.
@end macro
-@c `Essay' was born 2002-06-03 with git commit e38f5fc...
+@c `Essay' was born 2002-06-03 with this commit:
+@c tremolo segfault
+@c author: Han-Wen Nienhuys
+@c commit: 29262ca70c3d5209126150752fd3d804bef8e9a3
+@c file: Documentation/user/introduction.itely
+
@macro copyrightDeclare
Copyright @copyright{} 2002--2015 por los autores.
@end macro
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 7ec0c02a1520974682d2e3e3aa2dd59a1a05988d
+ Translation of GIT committish: 791d125bd2f98f1be6b7742bfedd981b5895c0c1
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
A tamaños más pequeños, LilyPond utiliza líneas proporcionalmente más
gruesas de manera que la música siga leyéndose con comodidad.
-@ignore
This also allows staves of different sizes to coexist peacefully when
used together on the same page:
-@c TODO: are the stems in this example the right thickness? How should
-@c line weights be scaled for small staves?
-
@c Grieg's Violin Sonata Op. 45
@lilypond[indent=1.5\cm]
global = {
\score {
<<
\new Staff \with {
- fontSize = #-4
- \override StaffSymbol.staff-space = #(magstep -4)
- \override StaffSymbol.thickness = #(magstep -3)
+ \magnifyStaff #2/3
}
\relative {
\global
>>
}
@end lilypond
-@end ignore
@node ¿Para qué tanto esfuerzo?
@unnumberedsubsec ¿Para qué tanto esfuerzo?
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 26a079ca2393d053315ef8dbef626c897dc9645a
+ Translation of GIT committish: d2a84c5798a7568cd3c73ca4f4a23bca704c8608
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
presentamos a continuación algunos títulos interesantes que puede
leer.
-
@table @cite
@item Ignatzek 1995
Klaus Ignatzek, Die Jazzmethode für Klavier. Schott's Söhne
capítulos contiene una panorámica de los acordes más comunes de la música de Jazz.
@item Gerou 1996
-
Tom Gerou and Linda Lusk, Essential Dictionary of Music
Notation. Alfred Publishing, Van Nuys CA ISBN 0-88284-768-6.
Una lista concisa y ordenada alfabéticamente de los problemas de la composición tipográfica y la notación
musical, que abarca la mayor parte de los casos más comunes.
+@item Gould 2011
+Elaine Gould, Behind Bars: the Definitive Guide to Music Notation.
+Faber Music Ltd. ISBN 0-571-51456-1.
+
+Hals über Kopf: Das Handbuch des Notensatzes.
+Edition Peters. ISBN 1843670488.
+
+Una completa guía de las reglas y convenciones de la notación musical
+que cubre todo desde los temas básicos hasta las técnicas más complejas y
+ofrece una fundamentación exhaustiva de los principios notacionales.
+
@item Read 1968
Gardner Read, Music Notation: A Manual of Modern Practice.
Taplinger Publishing, New York (2nd edition).