@subsection Common notation for keyboards
This section discusses notation issues that may arise for most
-many-stringed instruments.
+keyboard instruments.
@menu
* References for keyboards::
@end itemize
+@c @snippets
+@c @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@c {forcing-visibility-of-systems-with-multi-bar-rests-when-using-\RemoveEmptyStaffContext.ly}
+@c http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312
@seealso
Learning Manual:
If additional control is needed over the individual staves, they
can be created manually with the names @code{"up"} and
@code{"down"}. The @code{\autochange} command will then switch
-its voice between the existing staves. For example, this is
-necessary to place a key signature in the lower staff:
+its voice between the existing staves.
+
+@warning{If staves are created manually, they @emph{must} be named
+@code{"up"} and @code{"down"}.}
+
+For example, staves must be created manually in order to place a
+key signature in the lower staff:
@lilypond[quote,verbatim]
\new PianoStaff <<
@node Harp
@subsection Harp
+This section discusses notation issues that are unique to the harp.
+
@menu
-* Harp notation::
+* References for harps::
* Harp pedals::
@end menu
-@node Harp notation
-@unnumberedsubsubsec Harp notation
+@node References for harps
+@unnumberedsubsubsec References for harps
+@cindex harps
+@cindex bisbiglando
-TBC
+Some common characteristics of harp music are covered elsewhere:
-@ignore
-Some possibilities:
-- glissandi
-- tremolo (for bisbigliando)
-- natural harmonics
-- directional arpeggio and non-arpeggio
-- workaroung for keeping both staves visible in an orchestral
- score,
-http://lists.gnu.org/archive/html/lilypond-user/2007-08/msg00386.html
-and http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312
-
-An LSR snippet could be used to demonstrate the main items; in the
-case of glissandi, it would be desirable to have a demonstration
-of different styles.
-@end ignore
+@itemize
+
+@item The glissando is the most characterisic harp technique,
+@ref{Glissando}.
+
+@item A @notation{bisbigliando} is written as a tremelo @ref{Tremolo
+repeats}
+
+@item Natural harmonics are covered under @ref{Harmonics}.
+
+@item For directional arpeggios and non-arpeggios, see @ref{Arpeggio}.
+
+@end itemize
+
+@seealso
+Notation Reference:
+@ruser{Tremolo repeats}
+@ruser{Glissando}
+@ruser{Arpeggio}
+@ruser{Harmonics}
@node Harp pedals
@unnumberedsubsubsec Harp pedals
@seealso
Notation Reference:
@ruser{Text scripts}
+@ruser{Instrument Specific Markup}
-<?xml version="1.0" encoding="UTF-8"?>\r
-<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.1 Partwise//EN"\r
- "http://www.musicxml.org/dtds/partwise.dtd">\r
-<score-partwise version="1.1">\r
- <identification>\r
- <miscellaneous>\r
- <miscellaneous-field name="description">Lyrics spanners: continued \r
- syllables and extenders, possibly spanning multiple notes. The \r
- intermediate notes do not have any <lyric> \r
- element.</miscellaneous-field>\r
- </miscellaneous>\r
- </identification>\r
- <part-list>\r
- <score-part id="P1">\r
- <part-name print-object="no">MusicXML Part</part-name>\r
- </score-part>\r
- </part-list>\r
- <!--=========================================================-->\r
- <part id="P1">\r
- <measure number="1">\r
- <attributes>\r
- <divisions>1</divisions>\r
- <key>\r
- <fifths>0</fifths>\r
- <mode>major</mode>\r
- </key>\r
- <time symbol="common">\r
- <beats>4</beats>\r
- <beat-type>4</beat-type>\r
- </time>\r
- <clef>\r
- <sign>G</sign>\r
- <line>2</line>\r
- </clef>\r
- </attributes>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- <lyric justify="left" number="1">\r
- <syllabic>single</syllabic>\r
- <text>A</text>\r
- <extend/>\r
- </lyric>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- <lyric number="1">\r
- <syllabic>begin</syllabic>\r
- <text>b</text>\r
- </lyric>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- </measure>\r
- <!--=======================================================-->\r
- <measure number="2">\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- <lyric justify="left" number="1">\r
- <syllabic>end</syllabic>\r
- <text>CC</text>\r
- <extend/>\r
- </lyric>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- </measure>\r
- <!--=======================================================-->\r
- <measure number="3">\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- <lyric justify="left" number="1">\r
- <syllabic>single</syllabic>\r
- <text>e</text>\r
- <extend/>\r
- </lyric>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <note>\r
- <pitch>\r
- <step>C</step>\r
- <octave>5</octave>\r
- </pitch>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <note>\r
- <rest/>\r
- <duration>1</duration>\r
- <voice>1</voice>\r
- <type>quarter</type>\r
- </note>\r
- <barline location="right">\r
- <bar-style>light-heavy</bar-style>\r
- </barline>\r
- </measure>\r
- </part>\r
- <!--=========================================================-->\r
-</score-partwise>\r
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.1 Partwise//EN"
+ "http://www.musicxml.org/dtds/partwise.dtd">
+<score-partwise version="1.1">
+ <identification>
+ <miscellaneous>
+ <miscellaneous-field name="description">Lyrics spanners: continued
+ syllables and extenders, possibly spanning multiple notes. The
+ intermediate notes do not have any <lyric>
+ element.</miscellaneous-field>
+ </miscellaneous>
+ </identification>
+ <part-list>
+ <score-part id="P1">
+ <part-name print-object="no">MusicXML Part</part-name>
+ </score-part>
+ </part-list>
+ <!--=========================================================-->
+ <part id="P1">
+ <measure number="1">
+ <attributes>
+ <divisions>1</divisions>
+ <key>
+ <fifths>0</fifths>
+ <mode>major</mode>
+ </key>
+ <time symbol="common">
+ <beats>4</beats>
+ <beat-type>4</beat-type>
+ </time>
+ <clef>
+ <sign>G</sign>
+ <line>2</line>
+ </clef>
+ </attributes>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ <lyric justify="left" number="1">
+ <syllabic>single</syllabic>
+ <text>A</text>
+ <extend/>
+ </lyric>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ <lyric number="1">
+ <syllabic>begin</syllabic>
+ <text>b</text>
+ </lyric>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ </measure>
+ <!--=======================================================-->
+ <measure number="2">
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ <lyric justify="left" number="1">
+ <syllabic>end</syllabic>
+ <text>CC</text>
+ <extend/>
+ </lyric>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ </measure>
+ <!--=======================================================-->
+ <measure number="3">
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ <lyric justify="left" number="1">
+ <syllabic>single</syllabic>
+ <text>e</text>
+ <extend/>
+ </lyric>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <note>
+ <pitch>
+ <step>C</step>
+ <octave>5</octave>
+ </pitch>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <note>
+ <rest/>
+ <duration>1</duration>
+ <voice>1</voice>
+ <type>quarter</type>
+ </note>
+ <barline location="right">
+ <bar-style>light-heavy</bar-style>
+ </barline>
+ </measure>
+ </part>
+ <!--=========================================================-->
+</score-partwise>