web. Remove exta spaces around '='.
* scripts/convert-ly.py (conv): Redundant space fixes.
2004-02-13 Jan Nieuwenhuizen <janneke@gnu.org>
+ * input/: Convert ly files that still had \property. Fixes make
+ web. Remove exta spaces around '='.
+
+ * scripts/convert-ly.py (conv): Redundant space fixes.
+
* scripts/lilypond-book.py (compile-ly): python2.1 fix.
2004-02-13 Han-Wen Nienhuys <hanwen@xs4all.nl>
@tab durations
@tab
@lilypond[relative=1,notime]
-\set Staff.autoBeaming = ##f
-\set Staff.Clef = \turnOff
+\set Staff.autoBeaming = ##f
+\set Staff.Clef = \turnOff
c1 c2 c8 c16
@end lilypond
@tab augmentation dots
@tab
@lilypond[relative=1,notime]
-\set Staff.Clef = \turnOff
+\set Staff.Clef = \turnOff
c4. c4..
@end lilypond
@tab rest
@tab
@lilypond[relative=1,notime]
-\set Staff.Clef = \turnOff
+\set Staff.Clef = \turnOff
r4 r8
@end lilypond
@tab tie
@tab
@lilypond[relative=1,notime]
-\set Score.timing = ##f
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.autoBeaming = ##f
d ~ d
@end lilypond
@tab raise octave
@tab
@lilypond[relative=1,notime]
-\set Score.timing = ##f
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.autoBeaming = ##f
a a'
@end lilypond
@tab lower octave
@tab
@lilypond[relative=1,notime]
-\set Score.timing = ##f
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.autoBeaming = ##f
c c,
@end lilypond
@tab slur
@tab
@lilypond[fragment,relative=1]
-\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.TimeSignature = \turnOff
+\set Staff.autoBeaming = ##f
c( d e)
@end lilypond
@tab phrasing slur
@tab
@lilypond[fragment,relative=1]
-\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.TimeSignature = \turnOff
+\set Staff.autoBeaming = ##f
c\( c( d) e\)
@end lilypond
@tab beam
@tab
@lilypond[fragment,relative=1]
-\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.TimeSignature = \turnOff
+\set Staff.autoBeaming = ##f
a8-[ b-]
@end lilypond
@tab articulations
@tab
@lilypond[fragment,relative=1]
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
c-> c-.
@end lilypond
@tab dynamics
@tab
@lilypond[fragment,relative=1]
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
c\mf c\sfz
@end lilypond
@tab crescendo
@tab
@lilypond[fragment,relative=1]
-\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.TimeSignature = \turnOff
+\set Staff.autoBeaming = ##f
a\< a \!a
@end lilypond
@tab decrescendo
@tab
@lilypond[fragment,relative=1]
-\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
-\set Staff.autoBeaming = ##f
+\set Score.timing = ##f
+\set Staff.TimeSignature = \turnOff
+\set Staff.autoBeaming = ##f
a\> a a\!
@end lilypond
These use mixed-caps naming: @code{autoBeamSettings},
@code{ignoreMelismata}. They are assigned as follows:
@example
- \set ignoreMelismata = ...
+ \set ignoreMelismata = ...
@end example
@item Layout properties
@cindex properties, context
@example
-\set @var{contextname}.@var{propname} = @var{value}
+\set @var{contextname}.@var{propname} = @var{value}
@end example
@noindent
@itemize @bullet
@item @code{\alias} @var{alternate-name}:
This specifies a different name. In the above example,
-@code{\set Staff.X = Y} will also work on @code{SimpleStaff}s.
+@code{\set Staff.X = Y} will also work on @code{SimpleStaff}s.
@item @code{\consistsend} @var{engravername}:
Analogous to @code{\consists}, but makes sure that
@code{#t} in Scheme, so for LilyPond @var{true} looks like @code{##t},
and can be used in property assignments:
@example
- \set Staff.autoBeaming = ##f
+ \set Staff.autoBeaming = ##f
@end example
@lilypond[noindent]
\score { \notes {
\override Staff.NoteSpacing #'stem-spacing-correction
- = #0.6
+ = #0.6
c'4 e''4 e'4 b'4 |
\stemDown b'4 e''4 a'4 e''4| \stemBoth
\bar "||"
\override Staff.NoteSpacing #'stem-spacing-correction
- = #0.0
+ = #0.0
\override Staff.StaffSpacing #'stem-spacing-correction
- = #0.0
+ = #0.0
c'4 e''4 e'4 b'4 |
\stemDown b'4 e''4 a'4 e''4|
}
this function by a more advanced one, we could issue
@example
\override DynamicLineSpanner #'Y-offset-callbacks
- = #(list gee-whiz-gadget)
+ = #(list gee-whiz-gadget)
@end example
@noindent
accidental.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override TextScript #'font-style = #'large
\addlyrics
\context Staff \notes\relative c'' {
N: ?.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' {
a1 b c d e f g a }
@end lilypond
The number of beams determine the note value of the connected notes.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override TextScript #'font-style = #'large
\notes\relative c'' {
g8_"1/8"[ g g g] s16
@lilypond
\context StaffGroup <<
-% \set StaffGroup.minVerticalAlign = #12
+% \set StaffGroup.minVerticalAlign = #12
\notes\relative c'' \context Staff = SA { \clef treble g4 e c2 }
\notes\relative c \context Staff = SB { \clef bass c1 \bar "|." } >>
@end lilypond
in pre-1650 music.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' { g\breve }
@end lilypond
lines.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\override Score.Clef #'full-size-change = ##t
%\override Score.LyricText #'font-style = #'large
\addlyrics
chords are denoted open chords
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override TextScript #'font-style = #'large
\addlyrics
\context Staff \notes\relative c'' {
A scale consisting of all 11 @aref{semitone}s.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c' { c1 cis d dis e f fis g gis a ais b c }
@end lilypond
also to some extent in newer jazz music.
@lilypond[notime,linewidth=110\mm]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
7th tone.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
but equal pitch.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\addlyrics
\context Staff \notes\relative c'' {
@aref{strings}).
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\override Staff.Clef #'full-size-change = ##t
%\override Score.LyricText #'font-style = #'large
\addlyrics
@aref{note value}.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\notes\relative c'' {
g8_"1/8" s8
variants of the base chords.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
scores are notated like that).
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\override Staff.Clef #'full-size-change = ##t
%\override Score.LyricText #'font-style = #'large
\addlyrics
Consonances:
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\context Voice \notes\relative c'' {
<g g>1_"unisone " s
Dissonances:
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\context Voice \notes\relative c'' {
<g a>1_"second " s s
of such two forms an octave.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
%\override Score.TextScript #'font-style = #'large
\addlyrics
The difference between an interval and an octave.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\context Staff \notes\relative c'' {
< g a >1_"second " s s < g' a, >_"seventh " s s \bar "||"
A ledger line is an extension of the staff.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' { a,1 s c'' }
@end lilypond
(d) @aref{staccato}.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\addlyrics
\context Staff \notes\relative c'' {
c4-( d e-) \bar "||"
@aref{note value}.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' {
\override NoteHead #'style = #'mensural
g\longa
First C below the 440 Hz A.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\override Staff.Clef #'full-size-change = ##t
\notes\relative c' {
\clef bass c1 s
@lilypond[notime]
%\override Score.TextScript #'font-style = #'large
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' {
\override NoteHead #'style = #'mensural
g\longa_"longa" g\breve_"breve"
@lilypond[notime]
%\override Score.TextScript #'font-style = #'large
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' {
r\longa_"longa" r\breve_"breve"
r1_"1/1" r2_"1/2" r4_"1/4" s16 r8_"1/8" s16
with the same @aref{key signature}.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\notes\relative c' {
\key es \major
@end lilypond
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\notes\relative c' {
\key es \major
sub@-do@-mi@-nant (S) and V = dominant (D).
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.LyricText #'font-style = #'large
-%\set minVerticalAlign = #8
+%\set minVerticalAlign = #8
\addlyrics
\context Staff \notes\relative c' {
c1 d e f g a b c
@aref{interval}, @aref{chromatic scale}.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' { g1 gis s a bes s b! c }
@end lilypond
whole note. @aref{beam}.
@lilypond[notime]
-\set Score.autoBeaming = ##f
-\set Score.automaticBars = ##f
+\set Score.autoBeaming = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\notes\relative c'' {
g2_"1/2" g' s16
uniting them into a single sound equal to the combined durations.
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
\notes\relative c'' { g2 ~ g4. }
@end lilypond
(@aref{interval}).
@lilypond[notime]
-\set Score.automaticBars = ##f
+\set Score.automaticBars = ##f
%\override Score.TextScript #'font-style = #'large
\notes\relative c' {
e2:32_"a"
used once:
@lilypond[fragment,relative,raggedright,verbatim]
-\set tupletSpannerDuration = #(ly:make-moment 1 4)
+\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c'8 c c c c c }
@end lilypond
@lilypond[fragment,raggedright,verbatim]
\relative c'' { c8 d
-\set Score.skipTypesetting = ##t
+\set Score.skipTypesetting = ##t
e f g a g c, f e d
-\set Score.skipTypesetting = ##f
+\set Score.skipTypesetting = ##f
c d b bes a g c2 }
@end lilypond
@example
#(set-octavation 1)
- \set Staff.ottavation = #"8"
+ \set Staff.ottavation = #"8"
@end example
@seealso
@end example
This is internally translated into
@example
- \set Timing.measurePosition = -@var{length of duration}
+ \set Timing.measurePosition = -@var{length of duration}
@end example
@cindex @code{|}
The property @code{measurePosition} contains a rational number
The command @code{\bar @var{bartype}} is a short cut for doing
-@code{\set Score.whichBar = @var{bartype}} Whenever
+@code{\set Score.whichBar = @var{bartype}} Whenever
@code{whichBar} is set to a string, a bar line of that type is
created. At the start of a measure it is set to
@code{defaultBarType}. The contents of @code{repeatCommands} are used
@lilypond[fragment,relative,verbatim]
\context Staff {
f8[ r16 f g a]
- f8[ r16 \set stemLeftBeamCount = #1 f g a]
+ f8[ r16 \set stemLeftBeamCount = #1 f g a]
}
@end lilypond
@cindex @code{stemRightBeamCount}
@lilypond[relative=1,verbatim,noindent]
c16[ c c c c c c c]
- \set subdivideBeams = ##t
+ \set subdivideBeams = ##t
c16[ c c c c c c c]
- \set Score.beatLength = #(ly:make-moment 1 8)
+ \set Score.beatLength = #(ly:make-moment 1 8)
c16[ c c c c c c c]
@end lilypond
@cindex subdivideBeams
rule for 6/8 time exclusively looks like
@example
\override autoBeamSettings
- #'(begin * * 6 8) = ...
+ #'(begin * * 6 8) = ...
@end example
If a rule should be to applied only to certain types of beams, use the
input file:
@lilypond[raggedright,fragment,verbatim]
-\set Staff.autoAccidentals = #'( Staff (any-octave . 0) )
+\set Staff.autoAccidentals = #'( Staff (any-octave . 0) )
cis'4 <c'' c'> r2 | cis'4 <c' c''> r2
| <cis' c''> r | <c'' cis'> r |
@end lilypond
to note heads:
@lilypond[verbatim,raggedright,fragment,relative=1]
- \set fingeringOrientations = #'(left down)
+ \set fingeringOrientations = #'(left down)
<c-1 es-2 g-4 bes-5 > 4
- \set fingeringOrientations = #'(up right down)
+ \set fingeringOrientations = #'(up right down)
<c-1 es-2 g-4 bes-5 > 4
@end lilypond
You can also supply your own texts:
@lilypond[fragment,relative,verbatim]
\context Voice {
- \set crescendoText = \markup { \italic "cresc. poco" }
- \set crescendoSpanner = #'dashed-line
+ \set crescendoText = \markup { \italic "cresc. poco" }
+ \set crescendoSpanner = #'dashed-line
a'2\< a a a\!\mf
}
@end lilypond
@lilypond[verbatim,fragment,relative=2]
c4
- \set Score.repeatCommands = #'((volta "93") end-repeat)
+ \set Score.repeatCommands = #'((volta "93") end-repeat)
c4 c4
- \set Score.repeatCommands = #'((volta #f))
+ \set Score.repeatCommands = #'((volta #f))
c4 c4
@end lilypond
<< \new DrumStaff\with {
\remove Bar_engraver
\remove Time_signature_engraver
- Stem \set #'transparent = ##t
- Stem \set #'Y-extent-callback = ##f
+ Stem \set #'transparent = ##t
+ Stem \set #'Y-extent-callback = ##f
minimumVerticalExtent = #'(-4.0 . 5.0)
} \mus
\context Lyrics \nam
\context DrumStaff \with {
\remove Bar_engraver
\remove Time_signature_engraver
- Stem \set #'transparent = ##t
- Stem \set #'Y-extent-callback = ##f
+ Stem \set #'transparent = ##t
+ Stem \set #'Y-extent-callback = ##f
StaffSymbol \override #'line-count = #2
StaffSymbol \override #'staff-space = #2
minimumVerticalExtent = #'(-3.0 . 4.0)
%% this sucks; it will lengthen stems.
StaffSymbol \override #'staff-space = #2
- Stem \set #'transparent = ##t
- Stem \set #'Y-extent-callback = ##f
+ Stem \set #'transparent = ##t
+ Stem \set #'Y-extent-callback = ##f
} \mus
\context Lyrics \nam
>>
%% this sucks; it will lengthen stems.
StaffSymbol \override #'staff-space = #2
- Stem \set #'transparent = ##t
- Stem \set #'Y-extent-callback = ##f
+ Stem \set #'transparent = ##t
+ Stem \set #'Y-extent-callback = ##f
} \mus
\context Lyrics \nam
>>
drumStyleTable = #percussion-style
StaffSymbol \override #'line-count = #1
\remove Time_signature_engraver
- Stem \set #'transparent = ##t
- Stem \set #'Y-extent-callback = ##f
+ Stem \set #'transparent = ##t
+ Stem \set #'Y-extent-callback = ##f
} \mus
\context Lyrics \nam
>>
\score {
\new DrumStaff <<
\set DrumStaff.drumStyleTable
- = #(alist->hash-table mydrums)
+ = #(alist->hash-table mydrums)
\new DrumVoice { \voiceOne \up }
\new DrumVoice { \voiceTwo \down }
>>
@code{pedalSustainStyle} property to @code{bracket} objects:
@lilypond[fragment,verbatim]
- \set Staff.pedalSustainStyle = #'bracket
+ \set Staff.pedalSustainStyle = #'bracket
c''4\sustainDown d''4 e''4
a'4\sustainUp\sustainDown
f'4 g'4 a'4\sustainUp
@code{mixed}:
@lilypond[fragment,verbatim]
- \set Staff.pedalSustainStyle = #'mixed
+ \set Staff.pedalSustainStyle = #'mixed
c''4\sustainDown d''4 e''4
c'4\sustainUp\sustainDown
f'4 g'4 a'4\sustainUp
@lilypond[fragment,relative,verbatim]
\context PianoStaff <<
- \set PianoStaff.connectArpeggios = ##t
+ \set PianoStaff.connectArpeggios = ##t
\new Staff { <c' e g c>\arpeggio }
\new Staff { \clef bass <c,, e g>\arpeggio }
>>
@lilypond[fragment,relative,verbatim]
\context PianoStaff <<
- \set PianoStaff.followVoice = ##t
+ \set PianoStaff.followVoice = ##t
\context Staff \context Voice {
c1
\change Staff=two
<< \notes \relative c'' \context Voice = duet { \time 3/4
g2 e4 a2 f4 g2. }
\lyrics << \lyricsto "duet" \new Lyrics {
- \set stanza = "1"
+ \set stanza = "1"
Hi, my name is bert. }
\lyricsto "duet" \new Lyrics {
- \set stanza = "2"
+ \set stanza = "2"
Ooooo, ch\'e -- ri, je t'aime. }
>> >>
}
Stanza numbers can be added by setting @code{stanza}, e.g.
@example
- \set stanza = "Bert"
+ \set stanza = "Bert"
@dots{}
- \set stanza = "Ernie"
+ \set stanza = "Ernie"
@end example
Notice how dots are surrounded with spaces in @code{\lyrics} mode, to
@example
e8 fis gis a b cis' dis' e'
-\set TabStaff.minimumFret = #8
+\set TabStaff.minimumFret = #8
e8 fis gis a b cis' dis' e'
@end example
@lilypond[noindent]
frag = \notes {
\key e \major
e8 fis gis a b cis' dis' e'
- \set TabStaff.minimumFret = #8
+ \set TabStaff.minimumFret = #8
e8 fis gis a b cis' dis' e'
}
\score {
@lilypond[fragment,verbatim]
\context TabStaff <<
- \set TabStaff.stringTunings = #'(-5 -10 -15 -20)
+ \set TabStaff.stringTunings = #'(-5 -10 -15 -20)
\notes {
a,4 c' a e' e c' a e'
\score {
\notes <<
\context ChordNames {
- \set chordChanges = ##t
+ \set chordChanges = ##t
\scheme }
\context Staff \transpose c c' \scheme
>>
\context ChordNames \chords {
c:7sus4
\set chordNameSeparator
- = \markup { \typewriter "|" }
+ = \markup { \typewriter "|" }
c:7sus4 }
@end lilypond
few measures, it is set to function that produces a boxed number.
@lilypond[verbatim,fragment,relative=1]
- \set Score.markFormatter = #format-mark-numbers
+ \set Score.markFormatter = #format-mark-numbers
c1 \mark \default
c1 \mark \default
\set Score.markFormatter
- = #(lambda (mark context)
+ = #(lambda (mark context)
(make-bold-markup (make-box-markup (number->string mark))))
c1 \mark \default
c1 \mark \default
@quotation
@lilypond[verbatim,raggedright]
- \set Staff.instrument = "ploink " { c''4 }
+ \set Staff.instrument = "ploink " { c''4 }
@end lilypond
@end quotation
@quotation
@lilypond[fragment,verbatim,raggedright]
\notes {
- \set Staff.instrument = \markup {
+ \set Staff.instrument = \markup {
\column < "Clarinetti"
{ "in B"
\smaller \musicglyph #"accidentals--1"
@lilypond[fragment,verbatim]
\time 4/4 r1 | R1 | R1*2
- \set Score.skipBars = ##t R1*17 R1*4
+ \set Score.skipBars = ##t R1*17 R1*4
@end lilypond
The @code{1} in @code{R1} is similar to the duration notation used for
durations. This can be done with augmentation dots or fractions:
@lilypond[fragment,verbatim]
- \set Score.skipBars = ##t
+ \set Score.skipBars = ##t
\time 3/4
R2. | R2.*2
\time 13/8
@lilypond[verbatim,raggedright,fragment]
\new Staff <<
- \set Staff.soloADue = ##f
+ \set Staff.soloADue = ##f
\partcombine
{
g a( b) r
\tag #'part <<
R1 \\
@{
- \set fontSize = #-1
+ \set fontSize = #-1
c4_"cue" f2 g4 @}
>>
\tag #'score R1
@cindex @code{transposing}
@example
- \set Staff.instrument = #"Cl. in B-flat"
- \set Staff.transposing = #-2
+ \set Staff.instrument = #"Cl. in B-flat"
+ \set Staff.transposing = #-2
@end example
Editio Vaticana style do clef @tab
@code{vaticana_do1}, @code{vaticana_do2}, @code{vaticana_do3} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "vaticana_do2" c
@end lilypond
Editio Vaticana style fa clef @tab
@code{vaticana_fa1}, @code{vaticana_fa2} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "vaticana_fa2" c
@end lilypond
Editio Medicaea style do clef @tab
@code{medicaea_do1}, @code{medicaea_do2}, @code{medicaea_do3} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "medicaea_do2" c
@end lilypond
Editio Medicaea style fa clef @tab
@code{medicaea_fa1}, @code{medicaea_fa2} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "medicaea_fa2" c
@end lilypond
historic style hufnagel do clef @tab
@code{hufnagel_do1}, @code{hufnagel_do2}, @code{hufnagel_do3} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "hufnagel_do2" c
@end lilypond
historic style hufnagel fa clef @tab
@code{hufnagel_fa1}, @code{hufnagel_fa2} @tab
@lilypond[relative,notime]
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\override Staff.TimeSignature #'transparent = ##t
\clef "hufnagel_fa2" c
@end lilypond
@lilypond
\score {
\notes {
- \set Score.timing = ##f
- \set Score.barAlways = ##t
+ \set Score.timing = ##f
+ \set Score.barAlways = ##t
s_\markup { "$\\backslash$time 4/4" }
^\markup { " " \musicglyph #"timesig-neo_mensural4/4" }
s
For example,
@example
- \set Score.timing = ##f
- \set Score.defaultBarType = "empty"
+ \set Score.timing = ##f
+ \set Score.defaultBarType = "empty"
\override NoteHead #'style = #'neo_mensural
\override Staff.TimeSignature #'style = #'neo_mensural
\clef "petrucci_g"
@lilypond[raggedright]
\score {
\notes \transpose c c' {
- \set Score.timing = ##f
- \set Score.defaultBarType = "empty"
+ \set Score.timing = ##f
+ \set Score.defaultBarType = "empty"
\override NoteHead #'style = #'neo_mensural
\override Staff.TimeSignature #'style = #'neo_mensural
\clef "petrucci_g"
@lilypond[raggedright]
\score {
\notes \transpose c c' {
- \set Score.timing = ##f
- \set Score.defaultBarType = "empty"
+ \set Score.timing = ##f
+ \set Score.defaultBarType = "empty"
\override NoteHead #'style = #'neo_mensural
\override Staff.TimeSignature #'style = #'neo_mensural
\clef "petrucci_g"
properties. Translation properties always use a mixed caps style
naming, and are manipulated using @code{\set} and @code{\unset}:
@example
- \set Context.propertyName = @var{value}
+ \set Context.propertyName = @var{value}
@end example
Layout properties are use Scheme style variable naming, i.e. lower
example is given below:
@c
@lilypond[fragment,relative=1,verbatim,quote]
- c4 c4 \set fontSize = #-1
+ c4 c4 \set fontSize = #-1
f4 g4
@end lilypond
This command will set @code{font-size} (see below), and does
@example
\override Lyrics .LyricText #'font-series = #'bold
\override Lyrics .LyricText #'font-family = #'typewriter
- \override Lyrics .LyricText #'font-shape = #'*
+ \override Lyrics .LyricText #'font-shape = #'*
@end example
@cindex @code{font-style}
of numbers, so if you want to make it smaller from its, then you could
set
@example
- \set Staff.minimumVerticalExtent = #'(-4 . 4)
+ \set Staff.minimumVerticalExtent = #'(-4 . 4)
@end example
This sets the vertical size of the current staff to 4 staff spaces on
either side of the center staff line. The argument of
c'4 e''4 e'4 b'4 |
b'4 e''4 b'4 e''4|
\override Staff.NoteSpacing #'stem-spacing-correction
- = #1.5
+ = #1.5
\override Staff.StaffSpacing #'stem-spacing-correction
- = #1.5
+ = #1.5
c'4 e''4 e'4 b'4 |
b'4 e''4 b'4 e''4|
}
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.Clef = \turnOff
-\set Staff.TimeSignature = \turnOff
+\set Staff.Clef = \turnOff
+\set Staff.TimeSignature = \turnOff
r2 r4 r8 r16
s16_" "
@end lilypond
@end example
@lilypond[fragment]
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\key d \major
g'1
\key c \minor
For example, in this example:
@lilypond[fragment]
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\key d \major
d' cis' fis'
@end lilypond
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
c'4 c'' c''' \clef bass c c,
@end lilypond
@end quotation
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\relative c'' {
c f c g c
}
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\relative c'' {
c f, f c' c g' c,
}
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\relative a {
\clef bass
a d a e d c' d'
@lilypond[fragment]
\set Score.timing = ##f
-\set Staff.TimeSignature = \turnOff
+\set Staff.TimeSignature = \turnOff
\clef bass
a d a e d c' d'
@end lilypond
variable substitution:
@lilypond[raggedright,verbatim]
-seufzer = \notes {
+seufzer = \notes {
dis'8 e'8
}
\score { \notes {
\include "paper-as5.ly"
-melody = \notes \relative c'' {
+melody = \notes \relative c'' {
\time 2/4
c4 c | g' g | a a | g g |
%{
%}
}
-accompany = \notes \relative c {
+accompany = \notes \relative c {
\clef "bass"
\time 2/4
c4 c' | e c | f c | e c |
}
-text = \lyrics{
+text = \lyrics{
Twin -- kle, twin -- kle, lit -- tle star, " "
%{
How I won -- der what you " " are.
#(ly:set-option 'old-relative)
\version "2.1.22"
-one = \notes\relative c{
+one = \notes\relative c{
c'' d e f
}
-two = \notes\relative c{
+two = \notes\relative c{
\clef "bass"
c'2 g2
}
\version "2.1.22"
\header {
- composer = "ARTHUR GRAY"
- title = "LES NÉRÉIDES"
- subtitle = "THE NEREIDS"
- enteredby = "JCN"
- piece = "Allegretto scherzando"
- copyright = "public domain"
+ composer = "ARTHUR GRAY"
+ title = "LES NÉRÉIDES"
+ subtitle = "THE NEREIDS"
+ enteredby = "JCN"
+ piece = "Allegretto scherzando"
+ copyright = "public domain"
}
%{
\change Staff=treble
\slurUp
- \set PianoStaff.connectArpeggios = ##t
+ \set PianoStaff.connectArpeggios = ##t
#(set-octavation 1)
\bar "||"
}
-trebleTwo = \new Voice \notes\relative c''{
+trebleTwo = \new Voice \notes\relative c''{
\stemDown
\slurDown
% \fingerDown
<a cis,>)]
}
-bass = \new Voice \notes\relative c{
+bass = \new Voice \notes\relative c{
\partial 2
\key a \major
a)]
}
-bassTwo = \new Voice \notes\relative c{
+bassTwo = \new Voice \notes\relative c{
\skip 2
\skip 1*2
\skip 2
s2\sustainDown s8. s16\sustainUp s4
| %4
s4\sustainDown
- \set Dynamics.pedalSustainStrings = #'("Ped." "*Ped." "*")
+ \set Dynamics.pedalSustainStrings = #'("Ped." "*Ped." "*")
% grace destroys pedal-line-spanner?
% let's do manual tweak:
%
% that's what gray wants, anyway.
- \set Dynamics.pedalSustainStyle = #'mixed
+ \set Dynamics.pedalSustainStyle = #'mixed
s8\sustainDown s s
s s\sustainUp\sustainDown s
s
- \once \set Dynamics.pedalSustainStyle = #'text
+ \once \set Dynamics.pedalSustainStyle = #'text
s\sustainUp
| %6
- \set Dynamics.pedalSustainStyle = #'mixed
+ \set Dynamics.pedalSustainStyle = #'mixed
s8\sustainDown s s
s s\sustainUp\sustainDown s
s
- \once \set Dynamics.pedalSustainStyle = #'text
+ \once \set Dynamics.pedalSustainStyle = #'text
s\sustainUp
| %7
}
title = "Title"
subtitle = "Subtitle"
subsubtitle = "Subsubtitle"
- opus = "Opus 1"
+ opus = "Opus 1"
piece = "Piece"
composer = "Composer"
enteredby = "JCN"
\header {
- title = "Petite Ouverture à danser"
+ title = "Petite Ouverture à danser"
subtitle = "4"
- source = ""
- composer = "Erik Satie (1866-1925)"
- enteredby = "jcn"
- copyright = "Public Domain"
+ source = ""
+ composer = "Erik Satie (1866-1925)"
+ enteredby = "jcn"
+ copyright = "Public Domain"
}
\version "2.1.7"
\include "nederlands.ly"
-global = \notes {
+global = \notes {
\key a \minor
\time 2/4
s2*10
\bar "|."
}
-i = \context Staff \notes\relative c''{
+i = \context Staff \notes\relative c''{
\context Voice=i
\voiceOne
}
-ii = \context Staff \notes\relative c'{
+ii = \context Staff \notes\relative c'{
\context Voice=ii
\voiceTwo
}
-lower = \context Staff \notes \relative c{
+lower = \context Staff \notes \relative c{
\context Voice=iii
<as as'>4 <es es'> | r <as as'> | <des, des'> <f f'> | <c c'> r |
\header {
title = "Sängers Morgenlied"
- composer = "Franz Schubert"
+ composer = "Franz Schubert"
date = "27. Februar 1815"
source = "Edition Peters"
editor = "Paul Losse"
}
-\version "2.1.21"
+\version "2.1.22"
manuscriptBreak = { \break }
}
modernAccidentals = {
- \property Staff.extraNatural = ##f
- \property Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0))
- \property Staff.autoCautionaries = #'()
+ \set Staff.extraNatural = ##f
+ \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0))
+ \set Staff.autoCautionaries = #'()
}
}
-ignoreMelisma = \property Lyrics . ignoreMelismata = ##t
-ignoreMelismaOff = \property Lyrics . ignoreMelismata \unset
+ignoreMelisma = \set ignoreMelismata = ##t
+ignoreMelismaOff = \unset ignoreMelismata
firstVerse = \lyrics {
- \property Lyrics . stanza = "1."
+ \set stanza = "1."
Sü -- ßes Licht! Aus
\ignoreMelisma
}
secondVerse = \lyrics {
- \property Lyrics . stanza = "2."
+ \set stanza = "2."
Ach, der Lie -- be sanf
-- tes We -- hen schwellt mir |
das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich |
g16(_\p fis a g fis g f e d c b a ) |
<g e>8( <es fis a> <d f b> <c e c'>) r8 r |
r8 c'( e,) f r a |
- \once \property Voice.DynamicLineSpanner \set #'padding =#3
+ \once \override DynamicLineSpanner #'padding =#3
r8_\> << { s8 s8-\! } << { fis( g)
} \\ { c,4 } >> >> r8 <e c g> <e c g> |
<d c a>4. r8 \clef bass <d b f> <d b f> |
fis r4 <g b>8( |
<f c'>4.)
- \once \property Voice.Slur \set #'height-limit = #1.0
+ \once \override Slur #'height-limit = #1.0
<g c>4.( | <a c>4.) <g b,> |
c,4 r8 g4 r8 |
\lyricsto "singer" \new Lyrics \firstVerse
\lyricsto "singer" \new Lyrics \secondVerse
\new PianoStaff <<
- \property PianoStaff.instrument = \markup {
+ \set PianoStaff.instrument = \markup {
\bold
\bigger\bigger\bigger\bigger \huge "2. " }
\new Staff \pianoRH
footer = "Mutopia-2001/04/27-xx"
}
-\version "2.1.21"
+\version "2.1.22"
-dynamicUp = \property Voice.DynamicLineSpanner \override #'direction = #1
-dynamicRevert = \property Voice.DynamicLineSpanner \revert #'direction
+dynamicUp = \override DynamicLineSpanner #'direction = #1
+dynamicRevert = \revert DynamicLineSpanner #'direction
#(set-global-staff-size 16)
-vocalVerse = \notes\relative c''{
+vocalVerse = \notes\relative c''{
\dynamicUp
\times 2/3 { g8[( as)] g } c4. g8 |
\times 2/3 { f8[( g)] f } c'4 f,8 r |
g8. b16 es4. d8 |
c8. g16 es4. c8 |
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
as'32[( bes ]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
\times 2/3 { as8[)( g)] as } c4. as8 |
g2. |
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
f32[( g ]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
\times 2/3 { f8[)( e)] f } as4. f8 |
es!2. |
g8. b16 es4. d8 |
c8. g16 e4. c8 |
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
a'32[( b ]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
\times 2/3 { a!8[)( gis)] a } c4. a8 |
g!2. |
\times 2/3 { d'8[\f( cis)] d } f4. b,8 |
c!2. |
}
-vocalThrough = \notes\relative c{
+vocalThrough = \notes\relative c{
\dynamicUp
g''8. g16 b8. b16 d8. d16 |
c4 b r |
R2. |
R2. |
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
a32[( b ]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
\times 2/3 { a!8[)( gis)] a } c4. a8 |
g!2. |
\times 2/3 { d'8[\f( cis)] d } f4. b,8 |
e2 r4 |
}
-lyricVerseOne = \lyrics {
+lyricVerseOne = \lyrics {
Lei -- se fle -- hen mei -- ne Lie -- der
durch die Nacht zu dir;
in den stil -- len Hain her nie -- der,
fürch -- te, Hol -- de, nicht.
}
-lyricVerseTwo = \lyrics{
+lyricVerseTwo = \lyrics{
Hörst die Nach -- ti -- gal -- len schla -- gen?
ach! sie fle -- hen dich,
mit der Tö -- ne sü -- "\ss en" Kla -- gen
jed -- es wei -- che Herz.
}
-lyricThrough = \lyrics{
+lyricThrough = \lyrics{
La\ss auch dir die Brust be -- we -- gen
Lieb -- chen, hö -- re mich!
be -- bend harr' ich dir ent -- ge -- gen!
be -- glük -- ke mich!
}
-trebleIntro = \notes\relative c{
+trebleIntro = \notes\relative c{
r8^"\bf Mäßig"\pp <g' c>-. <c es>-. <g c>-. <c es>-. <g c>-. |
r8 <as c>-. <c es>-. <as c>-. <c es>-. <as c>-. |
r8 <as c>-. <c d>-. <as c>-. <c d>-. <as c>-. |
r8 <g b>-. <b d>-. <g b>-. <b d>-. <g b>-. |
}
-trebleVerseOne = \notes\relative c{
+trebleVerseOne = \notes\relative c{
%5
r8 <g' c> <c es> <g c> <c es> <g c> |
r8 <f c'> <c' d> <f, c'> <c' d> <f, c'> |
r8\pp <es as c> <as c es> <es as c> <as c es> <es as c> |
%20
r8 <es g bes> <g bes es> <es g bes> <g bes es> <es g bes> |
- \property Voice.Slur \override #'attachment = #'(stem . stem)
+ \override Slur #'attachment = #'(stem . stem)
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
as'32[( bes ]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
\times 2/3 { as8[)( g as] } c4.-> as8) |
- \property Voice.Slur \revert #'attachment
+ \revert Slur #'attachment
g2. |
r8 <f, g> <g b> <f g> <g b> <f g> |
r8 <e g> <g c> <e g> <g c> <e g> |
<a a'>4.-> <f f'>8) |
}
-trebleEentje = \notes \relative c' \context Voice {
+trebleEentje = \notes \relative c' \context Voice {
\stemBoth
<e e'>2 r4 |
<f as!>2\(\mf <as c>8.(-> <f as>16)\) |
<e g>2 r4 |
}
-trebleThrough = \notes \relative c'{
+trebleThrough = \notes \relative c'{
\stemBoth
<e e'>2. |
%61
<a a'>4.-> <f f'>8)
<e e'>2. |
<es! es'! >2. |
- \property Voice . TextScript \override #'font-shape = #'italic
+ \override TextScript #'font-shape = #'italic
<d d'>2._"decresc."
- \property Voice . TextScript \revert #'font-shape
+ \revert TextScript #'font-shape
%75
<b b'>2. |
<f g>4. <b, g'>8(-. <d g>-. <f g>)-. |
%80
- \property Voice . TextScript \override #'font-shape = #'italic
+ \override TextScript #'font-shape = #'italic
<e g>2._"dim."
- \property Voice . TextScript \revert #'font-shape
+ \revert TextScript #'font-shape
<g, e' g>2. |
<g e' g>2.\fermata |
}
-bassIntro = \notes\relative c{
+bassIntro = \notes\relative c{
\dynamicUp
%1
<c, c'>2 r4 |
<g g'>2 r4 |
}
-bassVerseOne = \notes\relative c{
+bassVerseOne = \notes\relative c{
% \clef bass
\dynamicUp
%5
c,8 <c' e g>[ <e g c> <c e g> <e g c> <c e g>] |
}
-bassEentje = \notes\relative c{
+bassEentje = \notes\relative c{
\dynamicUp
<c, c'>8 <c' f as!>[ <f as c> <c f as> <f as c> <c f as>] |
c,8 <c' e g>[ <e g c> <c e g> <e g c> <c e g>] |
c,8 <e' g>[ <g c> <e g> <g c> <e g>] |
}
-bassThrough = \notes\relative c{
+bassThrough = \notes\relative c{
\dynamicUp
%61
<g, g'>8^"cresc." <g' b d>[ <b d f> <g b d> <as! b d >-> <b d f>] |
<c, g' c>2._\fermata |
}
-global = \notes{
+global = \notes{
\time 3/4
\key es \major
\skip 1 * 3/4 * 4
\bar "|."
}
-allLyrics = {
+allLyrics = {
% maybe should be bigger by default, in grob-description.scm ?
\lyricsto "leise" \new Lyrics {
\lyricVerseOne
R1 * 3/4 * 6
}
-trebleStaff = \context Staff = treble<<
- \property Staff.midiInstrument = "acoustic grand"
+trebleStaff = \context Staff = treble<<
+ \set Staff.midiInstrument = "acoustic grand"
\global
{\clef treble
- \property Voice.autoBeamSettings \override #'(begin * * * *) = #(ly:make-moment 0 1)
+ \override autoBeamSettings #'(begin * * * *) = #(ly:make-moment 0 1)
\trebleIntro
\trebleVerseOne
\trebleEentje
\trebleThrough }
>>
-bassStaff = \context Staff = bass<<
- \property Staff.midiInstrument = "acoustic grand"
+bassStaff = \context Staff = bass<<
+ \set Staff.midiInstrument = "acoustic grand"
\global
\clef bass
{\bassIntro
\score{
<<
\new Staff <<
- \property Staff.midiInstrument = "synth voice"
+ \set Staff.midiInstrument = "synth voice"
%% insert \transpose if necessary, depending on voice range.
\global
\vocals
-\version "2.1.21"
+\version "2.1.22"
% #(ly:set-point-and-click 'line-column)
}
-sarabandeA = \context Voice \notes \relative c {
- \property Staff.NoteCollision \set #'merge-differently-dotted = ##t
+sarabandeA = \context Voice \notes \relative c {
+ \override Staff.NoteCollision #'merge-differently-dotted = ##t
<< { d8. e16 e4.\trill d16 e } \\
d'[ cis] |
%% d4 d,,2 |
d4
- \property Voice.NoteHead
- \override #'after-line-breaking-callback
- = #(lambda (smob) (assert-system-count smob 6))
+ \override NoteHead
+ #'after-line-breaking-callback
+ = #(lambda (smob) (assert-system-count smob 6))
d,,2 |
}
-sarabandeCelloGlobal = \notes{
+sarabandeCelloGlobal = \notes{
\time 3/4
\key f \major
\clef bass
}
}
-sarabandeCelloScripts = \notes{
+sarabandeCelloScripts = \notes{
}
-sarabandeCelloStaff = \context Staff <<
+sarabandeCelloStaff = \context Staff <<
\sarabandeA
\sarabandeCelloGlobal
\sarabandeCelloScripts
interscoreline=4.0\mm
\translator {
\ScoreContext
-% System \override #'print-function = #box-grob-molecule
+% System \override #'print-function = #box-grob-stencil
}
}
#(ly:set-option 'old-relative)
-\version "2.1.7"
+\version "2.1.22"
%{
Header for Petites Preludes.
footer = "Mutopia-2003/08/22-nr"
}
-one = \notes\relative c{
+one = \notes\relative c{
\skip 1 |
\stemUp
r4 d''2 cis4 |
\bar "|."
}
-two = \notes\relative c{
+two = \notes\relative c{
r16 d'' c bes a bes f g
a8.\mordent bes16 g8.\prall f16 |
\stemDown
\stemDown \tieDown
e4 ~ e16 f e d cis a b cis d e f d |
- \property Voice.TextScript \set #'font-style = #'finger
+ \override TextScript #'font-style = #'finger
bes2 a ~ |
a a |
d, cis' |
\bar "|."
}
-four = \notes\relative c{
+four = \notes\relative c{
\stemDown
d2 cis |
\skip 1*2 |
\skip 4*3
\change Staff=upper \stemUp
- \property Voice.NoteColumn \override #'horizontal-shift = #1
+ \override NoteColumn #'horizontal-shift = #1
c''4 |
%5
a gis ~ gis16 gis fis e
\skip 4*1
\change Staff=lower \stemDown
- \property Voice.NoteColumn \override #'horizontal-shift = #0
+ \override NoteColumn #'horizontal-shift = #0
\stemUp\tieUp
b2 a |
g a4. gis16 a |
>>
}
-global = \notes{
+global = \notes{
\time 4/4
\key f \major
}
\header {
- title = "Fuga a 3 voci"
- opus = "BWV 847-Fuga"
- source = "Henle's Urtext"
- composer = "Johann Sebastian Bach (1685-1750)"
- enteredby = "hwn, wl, jcn"
+ title = "Fuga a 3 voci"
+ opus = "BWV 847-Fuga"
+ source = "Henle's Urtext"
+ composer = "Johann Sebastian Bach (1685-1750)"
+ enteredby = "hwn, wl, jcn"
% mutopia headers.
mutopiatitle = "Das Wohltemperierte Clavier I, Fuga II (c-minor)"
%}
-\version "2.1.7"
+\version "2.1.22"
-dux = \context Voice=two \notes \relative c''{
+dux = \context Voice=two \notes \relative c''{
\voiceTwo
\clef violin
}
-comes = \context Voice=one \notes \relative c'' {
+comes = \context Voice=one \notes \relative c'' {
\voiceOne
- \property Voice.MultiMeasureRest \override #'staff-position = #6
+ \override MultiMeasureRest #'staff-position = #6
R1 |
R1 |
r8 g'16 fis g8 c, es g16 fis g8 a |
f,16 g as4 g16 f e2 |
}
-bassdux = \context Voice=three \notes \relative c' {
+bassdux = \context Voice=three \notes \relative c' {
\clef bass
R1 |
R |
\score {
\notes \context PianoStaff <<
- \property Score.TimeSignature \override #'style = #'C
+ \override Score.TimeSignature #'style = #'C
\context Staff = treble <<
\key c \minor
\dux
\include "deutsch.ly"
#(set-global-staff-size 16)
-\version "2.1.21"
+\version "2.1.22"
\header {
title = "Romanzen"
forcedBreak = \break
global = \notes { \key fis \major \time 6/8
- \property Score.beatLength = #(ly:make-moment 3 8)
+ \set Score.beatLength = #(ly:make-moment 3 8)
\repeat volta 2 { s2.*8 } s2.*26 \bar "|."
}
righta = \notes \transpose c cis' {
% \stemUp \slurUp \tieUp
\stemUp
- \property Voice.Slur \override #'attachment = #'(stem . stem)
+ \override Slur #'attachment = #'(stem . stem)
\repeat volta 2 {
- \property Voice.TextScript \override #'extra-offset = #'(-8.0 . 2.5)
+ \override TextScript #'extra-offset = #'(-8.0 . 2.5)
\m a,16[^\p( \u c^\markup {
\large "Einfach ("
\note #"8" #1
\large " = 100)" }
a c ] \m g,[ \u c^3 ] \m b,[ \u c^2 b c] \m a,[ \u c^3]) |
- \property Voice.TextScript \revert #'extra-offset
+ \revert TextScript #'extra-offset
\m f,[( \u c f c] \m g,[ \u c^4] \m a,[ \u c^2 a c8 c16)] |
\m c16[( \u f c' f] \m b,[ \u f] \m d[ \u f^3 d' f^2] \m c[ \u f)^4] |
\m f,16[( \u c16^3 f c] \m g,[ \u c^4] \m a,[ \u c^2 a c8 c16)] |
c_3 g,_2 es, g, h,_4 g, d, g, c g,8 f,16 |
c g, es, g, es c_3 as, c^2 d^3 c h, c |
e des b,\< des g e_3 ces_4 d_2 f^3 d cis d |
- \property Voice.PhrasingSlur \override #'extra-offset = #'(0 . 3)
- \property Voice.PhrasingSlur \override #'beautiful = #42
+ \override PhrasingSlur #'extra-offset = #'(0 . 3)
+ \override PhrasingSlur #'beautiful = #42
g\( fes des fes b g_3 es_1\! ges_2 a^3 ges f_1 ges_2 |
r ges_2 b des_1 ges b,_2 des ges,^1 b, \d des,^1 \stemDown \transpose c' c { b,[_1 as,] |
g,8 b,16[ g, e, cis,] d,\)_4 \< f, h, d_3 f_2 r16\! }
- \property Voice.PhrasingSlur \revert #'extra-offset
- \property Voice.PhrasingSlur \revert #'beautiful
+ \revert PhrasingSlur #'extra-offset
+ \revert PhrasingSlur #'beautiful
\change Staff=mid
\relative c { \stemDown \slurDown
f,8.. f32^1 g8^2 a4.) |
a4^1( c8^1_\accent~[c b)] g16^1([ b^2] |
c4)^1 es8^1~es d^1 f^1~ |
- \property PianoStaff.Arpeggio \override #'direction = #1
+ \override PianoStaff.Arpeggio #'direction = #1
f f8.. f32^1( as4.)^\fermata\arpeggio ~ |
- \property PianoStaff.Arpeggio \revert #'direction
+ \revert PianoStaff.Arpeggio #'direction
\stemUp \tieUp as r4 r8 |
}
s2. s
\u s4. \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
f8(
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
f4) e8 |
f g16_2 b_1 a_2 gis_1 c_2 h, c cis_1 d_2 b,_1 |
\tieDown c4.~<f, c >16\< \tieBoth <f h>~ < f^3 h >8[\>\! < e b^2> \!] |
c4) r8 f4-4( as8-5~ | as g-4 b)-5 as4-5( ces'8-4~ |
ces' b des'-4 c'4)-5( <es'-4 es''>8 |
\stemDown \tieDown des'4.)_5~des'~ |
- \property Voice.NoteColumn \override #'horizontal-shift = #-1 des' s
+ \override NoteColumn #'horizontal-shift = #-1 des' s
}
>>
\change Staff=down \stemUp \slurUp \tieUp \phrasingSlurUp
s2.*2
s8 r16 h\( c' d' es' as g8\arpeggio fis(
ges)\) f16-2( a-1 c'-3 f')-1 \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\stemDown \slurUp b,[( f] \stemUp
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
e')-1( d' c' b-1 a-2\prall g
f16)-4 f' <c' e'> d'-1 c'-2 h-1 s4.
s2.
\score { \notes
\context PianoStaff <<
\pianoCautionaries
- \property PianoStaff.NoteCollision \override #'merge-differently-dotted = ##t
- \property PianoStaff.connectArpeggios = ##t
- \property PianoStaff.Arpeggio \override #'print-function = \arpeggioBracket
+ \override PianoStaff.NoteCollision #'merge-differently-dotted = ##t
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio #'print-function = \arpeggioBracket
- \property PianoStaff.InstrumentName \set #'font-size = #6
- \property PianoStaff.InstrumentName \set #'font-shape = #'italic
- \property PianoStaff.InstrumentName \set #'font-magnification = #3
+ \override PianoStaff.InstrumentName #'font-size = #6
+ \override PianoStaff.InstrumentName #'font-shape = #'italic
+ \override PianoStaff.InstrumentName #'font-magnification = #3
- \property PianoStaff.instrument="2. "
+ \set PianoStaff.instrument = "2. "
\context Staff = up {
- \property Staff.DynamicLineSpanner \override #'direction = #-1
+ \override Staff.DynamicLineSpanner #'direction = #-1
\clef G <<\global \context Voice=upv \righta >>
}
\context Staff = mid {
- \property Staff.InstrumentName \set #'font-size = #0
- \property Staff.InstrumentName \set #'font-shape = #'upright
- \property Staff.InstrumentName \set #'font-magnification = #1
- \property Staff.InstrumentName \set #'extra-offset = #'(0 . 6)
- % \property Staff.instrument="\\begin{turn}{-90}{Rechte Hand}\\end{turn}"
- \property Staff.instrument= \markup { \column < Rechte Hand > }
+ \override Staff.InstrumentName #'font-size = #0
+ \override Staff.InstrumentName #'font-shape = #'upright
+ \override Staff.InstrumentName #'font-magnification = #1
+ \override Staff.InstrumentName #'extra-offset = #'(0 . 6)
+ % \set Staff.instrument = "\\begin{turn}{-90}{Rechte Hand}\\end{turn}"
+ \set Staff.instrument = \markup { \column < Rechte Hand > }
\clef F <<\global \context Voice=midv \rightb>>
}
\context Staff = down {
- \property Staff.DynamicLineSpanner \override #'direction = #1
+ \override Staff.DynamicLineSpanner #'direction = #1
\clef F
<< \global \context Voice=lva \lefta \context Voice=lvb \leftb >>
}
source = "Edition Breitkopf 2563"
footer = "Mutopia-2002/05/21-25"
- tagline = "\\parbox{\hsize}{\\thefooter\\quad\\small This music is part of the Mutopia project, \\texttt{http://sca.uwaterloo.ca/Mutopia/}. It has been typeset and placed in the public domain by " + \maintainer + ". Unrestricted modification and redistribution is permitted and encouraged---copy this music and share it!}"
+ tagline = "\\parbox{\hsize}{\\thefooter\\quad\\small This music is part of the Mutopia project, \\texttt{http://sca.uwaterloo.ca/Mutopia/}. It has been typeset and placed in the public domain by " + \maintainer + ". Unrestricted modification and redistribution is permitted and encouraged---copy this music and share it!}"
}
%{
#(ly:set-option 'old-relative)
-\version "2.1.7"
+\version "2.1.22"
\include "mozart-hrn3-defs.ly"
allegro =
c4.( d16[ e] f4 e)
a,( d g, c)
d-. d-. \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
e16(
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
d8.[) c16 d8. e16]
c4 r r2
R1*3
b[( a)] a4 r8 a[ a a]
a4( cis e g)
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\longgrace g16( \endlonggrace
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
fis8[)( e16 d)] d4-. r2 |
\mark "B"
<< a1(\trill
{ s2 \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
g16[ a]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
} >>
\mark "C"
g4) r r2
a, ( d g, c)
d d
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
e8(
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
d8.[) c16 d8. e16]
c4 r r2
c[( b)] b4 r2
c2 (bes a) a8[(b c cis)]
d2( ~ d8[ e16 d] \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\longgrace d16( \endlonggrace
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
c8[) b16 c)]
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\longgrace c16 \endlonggrace
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
b8[( a16 g)] g4 r2 |
R1*3
r2 r4 g'8[( e)]
f4. ( d8) f8[ ( d) f d]
c[ (e] g2) \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\longgrace f16( \endlonggrace
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
e8[)( d16 c)]
<< d1\trill (
{ s2 \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
c16[ d]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
} >>
c4) r r2
<< d1(\trill
{ s2 \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
c16[ d]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
} >>
c4) r r2
R1*3
% #(ly:set-point-and-click 'line-column)
-longgrace = \property Voice.Stem \override #'stroke-style = #'()
-endlonggrace = \property Voice.Stem \revert #'stroke-style
+longgrace = \override Stem #'stroke-style = #'()
+endlonggrace = \revert Stem #'stroke-style
ritenuto = \markup { \italic "rit." }
-\version "2.1.7"
+\version "2.1.22"
cresc = \notes {
#(ly:export (make-event-chord (list (make-span-event 'CrescendoEvent START))))
- \property Voice.crescendoText = \markup { \italic \bold "cresc." }
- \property Voice.crescendoSpanner = #'dashed-line
+ \set crescendoText = \markup { \italic \bold "cresc." }
+ \set crescendoSpanner = #'dashed-line
}
%%
startGraceMusic = \sequential {
\startGraceMusic
- \property Voice.Beam \override #'space-function
- = #(lambda (beam mult) (* 0.8 0.8))
- \property Voice.Beam \override #'thickness = #(* 0.384 (/ 0.6 0.48))
+ \override Beam #'space-function
+ = #(lambda (beam mult) (* 0.8 0.8))
+ \override Beam #'thickness = #(* 0.384 (/ 0.6 0.48))
}
stopGraceMusic= \sequential {
- \property Voice.Beam \revert #'thickness
- \property Voice.Beam \revert #'space-function
+ \revert Beam #'thickness
+ \revert Beam #'space-function
\stopGraceMusic
}
#(ly:set-option 'old-relative)
-\version "2.1.7"
+\version "2.1.22"
\include "mozart-hrn3-defs.ly"
romanze = \notes \relative c' {
\key f \major
\time 2/2
- \property Score.skipBars = ##t
+ \set Score.skipBars = ##t
c'4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
f8) a,4 a
c[ ( e) g g] g[( f e d)]
c4(
\grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
\longgrace e16 \endlonggrace
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
d8.[ c16) \< ] c8[ c-.( c-. c)-.]\!
\mark "C"
%% this is a trick to get the sfp-s to align.
- \property Voice.Hairpin \override #'transparent = ##t
+ \override Hairpin #'transparent = ##t
des1\sfp \>
g,1\sfp\! \>
c\sfp \! \>
c,\sfp\!
- \property Voice.Hairpin \revert #'transparent
+ \revert Hairpin #'transparent
R1*3
r8 c[\p c c] c2~
c8[ c' c c] c2~
#(ly:set-option 'old-relative)
-\version "2.1.7"
+\version "2.1.22"
% \include "mozart-hrn3-defs.ly"
c[ c c] c[ c c]
}
-rightsixteenth = { \property Voice.stemLeftBeamCount = 1
- \property Voice.stemRightBeamCount = 2 }
-leftsixteenth = { \property Voice.stemLeftBeamCount = 2
- \property Voice.stemRightBeamCount = 1 }
-bothsixteenth = { \property Voice.stemLeftBeamCount = 2
- \property Voice.stemRightBeamCount = 2 }
+rightsixteenth = { \set stemLeftBeamCount = 1
+ \set stemRightBeamCount = 2 }
+leftsixteenth = { \set stemLeftBeamCount = 2
+ \set stemRightBeamCount = 1 }
+bothsixteenth = { \set stemLeftBeamCount = 2
+ \set stemRightBeamCount = 2 }
rondo = \notes \relative c'
{
R2.*7
\mark "A"
c4.\p \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
e16(
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
d8[) c d]
c4 r8 r4 r8
e4. \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
g16(
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
f8[) e f]
e4 r8 r4 r8
g4. e4 c8
<< d2.(\trill
{ s2 \grace {
- \property Voice.Stem \override #'stroke-style = #"grace"
+ \override Stem #'stroke-style = #"grace"
c16[ d]
- \property Voice.Stem \revert #'stroke-style }
+ \revert Stem #'stroke-style }
} >>
}
\score { \notes {
- \set Score.skipTypesetting = ##t
+ \set Score.skipTypesetting = ##t
c4 c4
|
c4 c4 }}
\context Voice \notes\relative c {
% btw: this is not how transposing is done in lilypond
% this is a transposing performer, i.e. for midi-output only
- \set Staff.transposing = #0 c
- \set Staff.transposing = #2 c
- \set Staff.transposing = #4 c
- \set Staff.transposing = #5 c
- \set Staff.transposing = #7 c
- \set Staff.transposing = #9 c
- \set Staff.transposing = #11 c
- \set Staff.transposing = #12 c
+ \set Staff.transposing = #0 c
+ \set Staff.transposing = #2 c
+ \set Staff.transposing = #4 c
+ \set Staff.transposing = #5 c
+ \set Staff.transposing = #7 c
+ \set Staff.transposing = #9 c
+ \set Staff.transposing = #11 c
+ \set Staff.transposing = #12 c
}
\paper { raggedright = ##t }
%}
flauti = \notes \relative c' {
- \set Staff.midiInstrument = #"flute"
- \set Staff.instrument = #"2 Flauti"
- \set Staff.instr = #"Fl."
+ \set Staff.midiInstrument = #"flute"
+ \set Staff.instrument = #"2 Flauti"
+ \set Staff.instr = #"Fl."
c1\f R1*10
}
oboi = \notes \relative c' {
- \set Staff.midiInstrument = #"oboe"
- \set Staff.instrument = #"2 Oboi"
- \set Staff.instr = #"Ob."
+ \set Staff.midiInstrument = #"oboe"
+ \set Staff.instrument = #"2 Oboi"
+ \set Staff.instr = #"Ob."
R1*1 c1\f R1*9
}
clarinetti = \notes \relative c' {
- \set Staff.midiInstrument = #"clarinet"
- \set Staff.instrument = #"Clarinetti"
- \set Staff.instr = #"Cl"
+ \set Staff.midiInstrument = #"clarinet"
+ \set Staff.instrument = #"Clarinetti"
+ \set Staff.instr = #"Cl"
R1*2 c1\f R1*8
}
fagotti = \notes \relative c' {
- \set Staff.midiInstrument = #"bassoon"
- \set Staff.instrument = #"2 Fagotti"
- \set Staff.instr = #"Fg."
+ \set Staff.midiInstrument = #"bassoon"
+ \set Staff.instrument = #"2 Fagotti"
+ \set Staff.instr = #"Fg."
\clef bass
R1*3 c1\f R1*7
}
corni = \notes \relative c' {
- \set Staff.midiInstrument = #"french horn"
- \set Staff.instrument = #"Corni"
- \set Staff.instr = #"Cor"
+ \set Staff.midiInstrument = #"french horn"
+ \set Staff.instrument = #"Corni"
+ \set Staff.instr = #"Cor"
R1*4 c1\f R1*6
}
trombe = \notes \relative c' {
- \set Staff.midiInstrument = #"trumpet"
- \set Staff.instrument = #"Trombe"
- \set Staff.instr = #"Tp."
+ \set Staff.midiInstrument = #"trumpet"
+ \set Staff.instrument = #"Trombe"
+ \set Staff.instr = #"Tp."
\clef bass
R1*5 c1\f R1*5
}
timpani = \notes \relative c' {
- \set Staff.midiInstrument = #"timpani"
- \set Staff.instrument = #"Timpani"
- \set Staff.instr = #"Timp."
+ \set Staff.midiInstrument = #"timpani"
+ \set Staff.instrument = #"Timpani"
+ \set Staff.instr = #"Timp."
R1*6 c1\f R1*4
}
violinoI = \notes \relative c' {
- \set Staff.midiInstrument = #"violin"
- \set Staff.instrument = #"Violino I "
- \set Staff.instr = #"Vl. I "
+ \set Staff.midiInstrument = #"violin"
+ \set Staff.instrument = #"Violino I "
+ \set Staff.instr = #"Vl. I "
R1*7 c1\f R1*3
}
violinoII = \notes \relative c' {
- \set Staff.midiInstrument = #"violin"
- \set Staff.instrument = #"Violino II "
- \set Staff.instr = #"Vl. II "
+ \set Staff.midiInstrument = #"violin"
+ \set Staff.instrument = #"Violino II "
+ \set Staff.instr = #"Vl. II "
R1*8 c1\f R1*2
}
viola = \notes \relative c' {
- \set Staff.midiInstrument = #"viola"
- \set Staff.instrument = #"Viola"
- \set Staff.instr = #"Vla."
+ \set Staff.midiInstrument = #"viola"
+ \set Staff.instrument = #"Viola"
+ \set Staff.instr = #"Vla."
\clef alto
R1*9 c1\f R1*1
}
violoncello = \notes \relative c' {
- \set Staff.midiInstrument = #"cello"
- %\set Staff.midiInstrument = #"contrabass"
- \set Staff.instrument = #"Violoncello"
- \set Staff.instr = #"Vc."
+ \set Staff.midiInstrument = #"cello"
+ %\set Staff.midiInstrument = #"contrabass"
+ \set Staff.instrument = #"Violoncello"
+ \set Staff.instr = #"Vc."
\clef bass
R1*10 c1\f
\score { \notes {
\context Voice {
- \set crescendoText = "cresc."
- \set crescendoSpanner = #'dashed-line
+ \set crescendoText = "cresc."
+ \set crescendoSpanner = #'dashed-line
c2. r8 c8 \< \break \! c1
}
}
-thenotes = \notes \relative cis' { \time 4/4
+thenotes = \notes \relative cis' { \time 4/4
gisis'4 gis gisis ges |
}
\score { << \context Staff \thenotes
\context NoteNames {
- \override NoteNames.NoteName #'no-spacing-rods = ##f
+ \override NoteNames.NoteName #'no-spacing-rods = ##f
\thenotes
}
>>
\override Staff.Arpeggio #'arpeggio-direction = #1
<fis d a >\arpeggio
%%\override PianoStaff.SpanArpeggio #'connect = ##t
- \set PianoStaff.connectArpeggios = ##t
+ \set PianoStaff.connectArpeggios = ##t
<fis d a>\arpeggio
}
\new Staff\relative c{
}
\score { \notes \relative c' {
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
+ \set tupletSpannerDuration = #(ly:make-moment 1 4)
\override TupletBracket #'bracket-visibility = #'if-no-beam
\times 2/3 {
f8[ f f ] f8[ f f ] f f f f f f
\once\override Stem #'balloon-text = #"I'm a stem"
\once\override Stem #'balloon-text-offset = #'(3 . 4)
\once\override Stem #'balloon-text-props
- = #'((font-family . roman))
+ = #'((font-family . roman))
%% use predefd function.
\notes \relative c'' {
\partial 4 c4
c1 c c
- \set Score.currentBarNumber = #99999
+ \set Score.currentBarNumber = #99999
\override Score.BarNumber #'padding = #3
c1 c
}
\paper { raggedright = ##t }
-onestaff = \new Staff\notes\relative c'' {
- \set Staff.instr = instr
- \set Staff.instrument = instrument \mark "B"
+onestaff = \new Staff\notes\relative c'' {
+ \set Staff.instr = instr
+ \set Staff.instrument = instrument \mark "B"
c1 \mark "A" \break c2 c2 \break
}
-grstaff = \notes \relative c'' \context GrandStaff <<
+grstaff = \notes \relative c'' \context GrandStaff <<
\new Staff {
- \set Staff.instr = instr
+ \set Staff.instr = instr
\mark "B" \break c1 \mark "A" c2 }
\new Staff { c1 c2 }
\paper { raggedright= ##t }
\score { \notes \relative c'' {
- \set Score.forbidBeamBreak = ##f
+ \set Score.forbidBeamBreak = ##f
\time 3/16 c16-[ d e \break f-]
}}
\relative c'
{
\override Beam #'auto-knee-gap = #7
- \set subdivideBeams = ##t
+ \set subdivideBeams = ##t
\time 8/8
c,16[ g'''16
c,,,16 g'''16
\header {
-texidoc =
+texidoc =
"Beaming can be overidden for individual stems."
}
\score {
}
settings = {
- \set chordChanges = ##t
+ \set chordChanges = ##t
}
\score {
(sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
-theMusic = \chords {
+theMusic = \chords {
c:7sus4 c:dim7/+f
- \set Current.chordNameExceptions = #chExceptions
+ \set Current.chordNameExceptions = #chExceptions
c:7sus4 c:dim7/+f }
\score {\context ChordNames \chords {
c:7+
- \set majorSevenSymbol = \markup { "j7" }
+ \set majorSevenSymbol = \markup { "j7" }
c:7+ }
}
\clef "varbaritone"c'1^"{varbaritone}" \bar "||"
\clef "bass"c'1^"{bass}" \bar "||"
\clef "subbass"c'1^"{subbass}" \bar "||"
- \override Staff.Clef #'full-size-change = ##t
+ \override Staff.Clef #'full-size-change = ##t
\clef "treble" c'1^"full-size-change = \#t" \bar "|."
}
\paper{
\header {
- texidoc = "When merging heads, the dots are merged too."
+ texidoc = "When merging heads, the dots are merged too."
}
\version "2.1.22"
>>
-threevoice = \context Staff \notes <<
+threevoice = \context Staff \notes <<
{ g4 f e f g a g2 } \\
{ c4 d e d c d es } \\
{ e4 e e e e e e e }
>>
-hairyChord = \context Staff \notes \relative c''
+hairyChord = \context Staff \notes \relative c''
<< e \\
fis, \\
cis' \\
\notes\relative c''
{
\time 8/4
- \set Staff.autoBeaming = ##f
+ \set Staff.autoBeaming = ##f
a,16.
g''16.
a,4. a8 a8. a16. c,16. g16.
\version "2.1.22"
\header {
-texidoc = " Ez-notation prints names in note heads.
+texidoc = " Ez-notation prints names in note heads.
You also get ledger lines, of course."
}
%% input order is not 1 2 3 , output is.
<c-1 g'-3 e-2 b'-4 d-5 f-6 a-7 c-8 > 4
- \set fingeringOrientations = #'(left)
+ \set fingeringOrientations = #'(left)
< c-1 e-2 g-3 b-5 > 4
- \set fingeringOrientations = #'(down left)
+ \set fingeringOrientations = #'(down left)
< c-1 e-2 g-3 b-5 > 4
- \set fingeringOrientations = #'(down left up)
+ \set fingeringOrientations = #'(down left up)
< c-1 e-2 g-3 b-5 > 4
\once \override Fingering #'staff-padding = #'()
< c-1 e-2 g-3 b-5 > 4
- \set fingeringOrientations = #'(up left)
+ \set fingeringOrientations = #'(up left)
< c-1 e-2 g-3 b-5 > 4
- \set fingeringOrientations = #'(right)
+ \set fingeringOrientations = #'(right)
< c-1 e-2 g-3 b-5 > 4
\score{
\context PianoStaff <<
- \set PianoStaff.followVoice = ##t
+ \set PianoStaff.followVoice = ##t
\context Staff=one \notes\relative c''{
a1 \break
\change Staff=two
\score {
\notes {
\override Staff.TimeSignature #'font-name = #"cmr17"
- \set Score.skipBars = ##t
+ \set Score.skipBars = ##t
% use font-name putri8r for Utopia Italic :
\grace <c d>16 c8[ c8]
% \grace c16 c8[ c8]
%% broken?
- %%\grace { \set Grace.graceAlignPosition = \right c16} c4
+ %%\grace { \set Grace.graceAlignPosition = \right c16} c4
c4 \grace { c16 } c4
}
\paper {raggedright = ##t}
\score {
\notes \new Staff {
- \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" \textFlat } > }
- \set Staff.instr = \markup { \smaller { "Cl(B" \textFlat ")" } }
+ \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" \textFlat } > }
+ \set Staff.instr = \markup { \smaller { "Cl(B" \textFlat ")" } }
{ c''1 \break c'' }
}
\score {
- \notes \relative c'' { \set Staff.instrument = "foo" \partial 4 c4 c1 }
+ \notes \relative c'' { \set Staff.instrument = "foo" \partial 4 c4 c1 }
\paper { raggedright = ##t }
}
\notes \context PianoStaff <<
\context Staff = treble {
- \set PianoStaff.instrument = "Piano "
- \set Staff.instrument = "Right " { c''4 }}
- \context Staff = bass { \set Staff.instrument = "Left " \clef bass c4 }>>
+ \set PianoStaff.instrument = "Piano "
+ \set Staff.instrument = "Right " { c''4 }}
+ \context Staff = bass { \set Staff.instrument = "Left " \clef bass c4 }>>
\paper {
raggedright = ##t
\score { \notes
\relative c'
\context Staff {
- \set Staff.keySignature = #'(((1 . 2) . 1) ((0 . 3) . -1))
+ \set Staff.keySignature = #'(((1 . 2) . 1) ((0 . 3) . -1))
f8 a c e
- \set Staff.keySignature = #'(((1 . 2) . -1) ((0 . 4) . 2))
+ \set Staff.keySignature = #'(((1 . 2) . -1) ((0 . 4) . 2))
e a, g a
}
}
\score {
\notes \relative c''
{
- \set Staff.createKeyOnClefChange = ##t
+ \set Staff.createKeyOnClefChange = ##t
\key bes \major c2
% \key c \major % \minor
\key es \major % \minor
\break
\key bes \major % \major
c2 \clef alto c2 \key d \major \clef treble c2
- \set Staff.keySignature = #'((2 . -1) (6 . 3) (4 . -2))
+ \set Staff.keySignature = #'((2 . -1) (6 . 3) (4 . -2))
e2
}
}
\lyricsto "bla" \lyrics \new Lyrics {
bla
- \set ignoreMelismata = ##t
+ \set ignoreMelismata = ##t
blob
}>>
\paper {
indent = 0.0 \cm
- linewidth = 3.4 \cm
+ linewidth = 3.4 \cm
\translator {
\StaffContext \remove "Time_signature_engraver"
}
<<
\new Lyrics \lyricsto "v" \lyrics {
- \set stanza = "1:"
+ \set stanza = "1:"
Start sentence melisma end.
}
\new Lyrics \lyricsto "v" \lyrics {
- \set stanza = "2:"
+ \set stanza = "2:"
x x x __ x.
}
>>
<<
\new Staff
\notes \relative c'' {
- \set Staff.autoBeaming = ##f
+ \set Staff.autoBeaming = ##f
c8 c8[ c8 c8] c8 }
\lyricsto "" \new Lyrics \lyrics { bla bla bla }
}
thenotes = \notes \relative cis' {
-\set Score.skipBars = ##t
+\set Score.skipBars = ##t
\time 4/4
R1 |
R1*1 |
Example usage:
\\property NoteHead \\override #'print-function
- =
+ =
#(parenthesize-callback Note_head::print)
"
\notes \relative c' { c4 e
\override NoteHead #'print-function
- =
+ =
#(parenthesize-callback Note_head::print)
g bes
\revert NoteHead #'print-function
\override Beam #'print-function
- =
+ =
#(parenthesize-callback Beam::print)
a8 gis8 a2.
\score {
\notes
{
- \set Score.skipBars = ##t
+ \set Score.skipBars = ##t
\override Staff.BarLine #'hair-thickness = #7.5
\override Staff.MultiMeasureRest #'hair-thickness = #10
\score{
\context Staff <<
- \set Staff.instrument = "instrument"
- \set Staff.instr = "instr"
+ \set Staff.instrument = "instrument"
+ \set Staff.instr = "instr"
\notes{c''1 \break R1 }
>>
\paper {
}
}
- \paper { raggedright = ##t }
+ \paper { raggedright = ##t }
}
\score { \notes {
\time 3/4
- \set Score.skipBars = ##t
+ \set Score.skipBars = ##t
R2._\markup { \center < \musicglyph #"scripts-dfermata" \roman "Ad lib" > }
R2.^\fermataMarkup
R2.^"4"
c_"very wide and long text" c
}
\paper {
- linewidth = 3.0\cm
+ linewidth = 3.0\cm
}
}
\context PianoStaff
\notes <<
\context Staff = up {
- \set PianoStaff.connectArpeggios = ##t
+ \set PianoStaff.connectArpeggios = ##t
\showStaffSwitch
\clef F
c4 d \sd b a g8 f16 e32 d \su g2 \glissando a,4 \sd \break a2. \su g4 \glissando f1
\break
a,
#(set-octavation 1)
- \set Staff.ottavation = #"8"
+ \set Staff.ottavation = #"8"
b
#(set-octavation 0)
c a
#(set-octavation 0)
c
#(set-octavation -1)
- \set Staff.ottavation = #"8"
+ \set Staff.ottavation = #"8"
c,,16
#(set-octavation 0)
c'16
#(set-octavation -1)
- \set Staff.ottavation = #"8"
+ \set Staff.ottavation = #"8"
g,,16
}
}
vtwo = \notes \relative a' { R1*2 g2 r2 g2 r2 f4 r4 g }
\score {
- << \set Score.skipBars = ##t
+ << \set Score.skipBars = ##t
\partcombine \vone \vtwo
>>
}
\score {
- << \set Score.skipBars = ##t
+ << \set Score.skipBars = ##t
\partcombine \vone \vtwo
>>
}
+\version "2.1.22"
\header {
\score {
\notes \relative c'' {
- \property Staff.pedalSustainStyle = #'bracket
+ \set Staff.pedalSustainStyle = #'bracket
c4 d e \sustainDown b c c, \sustainUp \sustainDown d8[ c] e8[
e \sustainUp \sustainDown] f4 d
\sustainUp g \sustainDown b b, \sustainUp c'
- \property Staff.pedalUnaCordaStyle = #'mixed
+ \set Staff.pedalUnaCordaStyle = #'mixed
c4 d \unaCorda e f g
b | \break c b c \treCorde c
+\version "2.1.22"
\header
{
texidoc = "Piano pedals: the standard style is with Ped symbols.
\sustainDown b c
c, d16[ c c c] e[ e \sustainUp \sustainDown e e ] f4 \sustainUp
g\sustainDown b \sustainUp c
- \property Staff.pedalSustainStrings = #'("-" "-P" "P")
- \property Staff.SustainPedal \override #'padding = #-2
+ \set Staff.pedalSustainStrings = #'("-" "-P" "P")
+ \override Staff.SustainPedal #'padding = #-2
c, \sustainDown d e \sustainUp \sustainDown f
\sustainUp g b c
}
\score { \notes \relative c'' {
- \set Staff.instrument = "fobar"
+ \set Staff.instrument = "fobar"
\bar "||:"
\key cis \major
cis4 cis4 cis4 cis4 \clef bass cis,1
\score {
\notes \relative c' {
c4
- \once \set Stem = #'()
+ \once \set Stem = #'()
c4
\once \override Stem #'thickness = #5.0
c4
c1 \mark \default
c1 \mark \default
c1 \mark \default
- \set Score.rehearsalMark = #24
+ \set Score.rehearsalMark = #24
c1 \mark \default
c1 \mark \default
c1 \mark \default
\version "2.1.22"
\score {
\notes \relative c''{
- \set Score.markFormatter = #format-mark-numbers
+ \set Score.markFormatter = #format-mark-numbers
c1 | \mark \markup { \musicglyph #"scripts-coda" }
c1 | \mark \default
c1 | \mark \default
- \set Score.markFormatter = #(lambda (mark context)
+ \set Score.markFormatter = #(lambda (mark context)
(make-bold-markup (make-box-markup (number->string mark))))
c1 | \mark \default
\score {
\context Staff <<
- \set Score.skipBars = ##t
+ \set Score.skipBars = ##t
\notes {
\repeat "percent" 2 { g2 a g a }
}
"
}
-scale = \notes \relative c' {
+scale = \notes \relative c' {
c8 d e f g a b c c d e f g a b c
}
-rests = \notes {
+rests = \notes {
r r r r r r r r r r r r r r r r
}
different = << {
r1
}} >>
-scales = \context Staff \notes <<
+scales = \context Staff \notes <<
{ r1 r2 r2 \scale c''1 c'2 a'2 \rests }
\\
{ a'1 a'2 d'2 \rests r1 r2 r2 \scale }
>>
-restsII = \context Staff \notes {
+restsII = \context Staff \notes {
r4 r8
\context Staff << { r8 } \\{ r8} >>
\context Staff << { r8} r8 \\{ r8} >>
\score {
\notes {
- \override Rest #'staff-position = #4
- r1 \override Rest #'staff-position = #5
- r1 \override Rest #'staff-position = #6
+ \override Rest #'staff-position = #4
+ r1 \override Rest #'staff-position = #5
+ r1 \override Rest #'staff-position = #6
- r1 \override Rest #'staff-position = #-6
- r1 \override Rest #'staff-position = #-7
- r1 \override Rest #'staff-position = #-8
+ r1 \override Rest #'staff-position = #-6
+ r1 \override Rest #'staff-position = #-7
+ r1 \override Rest #'staff-position = #-8
r1
- \override Rest #'staff-position = #6
- r2 \override Rest #'staff-position = #7
- r2 \override Rest #'staff-position = #8
+ \override Rest #'staff-position = #6
+ r2 \override Rest #'staff-position = #7
+ r2 \override Rest #'staff-position = #8
- r2 \override Rest #'staff-position = #-4
- r2 \override Rest #'staff-position = #-5
- r2 \override Rest #'staff-position = #-6
+ r2 \override Rest #'staff-position = #-4
+ r2 \override Rest #'staff-position = #-5
+ r2 \override Rest #'staff-position = #-6
r2
c,(g' c e f d b g)
c,(g' c e f d b g)
-\set autoBeaming = ##f
+\set autoBeaming = ##f
\stemUp
a8(a a a a a a a)
\version "2.1.22"
\header{
-texidoc = "Concurrent tuplets should be spaced equidistantly on
+texidoc = "Concurrent tuplets should be spaced equidistantly on
all staffs.
Note that this only spaces correctly (exactly) when raggedright
-multipart = \notes \relative c'{
+multipart = \notes \relative c'{
\context StaffGroup <<
\new Staff \context Voice {
\times 2/10 { c8[ c c c c c c c c c] }
}
\score { \notes \relative c'' \context Staff {
- \set autoBeaming = ##f
+ \set autoBeaming = ##f
a8[ a8 a8 a8]
a8 a8 a8 a8
}
\context Lyrics
\lyrics {
\skip 2
- \set stanza = "1."
+ \set stanza = "1."
Foo8 Bar8
}
>>
\tag #'part <<
R1 \\
{
- \set fontSize = #-1
+ \set fontSize = #-1
c4_"cue" f2 g4 }
>>
\tag #'score R1
\score {
\notes \simultaneous {
\new Staff {
- \set Staff.instrument = #"both"
+ \set Staff.instrument = #"both"
\common
}
\new Staff {
- \set Staff.instrument = #"part"
+ \set Staff.instrument = #"part"
\apply #(remove-tag 'score) \common
}
\new Staff {
- \set Staff.instrument = #"score"
+ \set Staff.instrument = #"score"
\apply #(remove-tag 'part) \common
}
}
\score {
\notes \relative c'' {
- \set crescendoText = #"cresc."
- \set crescendoSpanner = #'dashed-line
+ \set crescendoText = #"cresc."
+ \set crescendoSpanner = #'dashed-line
c1\< c \break
c1 c\! \break
}
}
-t = \notes \relative c' { <c e g> ~ <c e g> }
+t = \notes \relative c' { <c e g> ~ <c e g> }
\score {
\notes \context Voice {
\score {
\notes\relative c'' {
- \set tupletNumberFormatFunction = #fraction-tuplet-formatter
+ \set tupletNumberFormatFunction = #fraction-tuplet-formatter
\applyoutput #(outputproperty-compatibility (make-text-checker-once "2:3")
'extra-offset '(0 . 1.5))
\score {
\notes \relative c'
\context PianoStaff <<
- \set PianoStaff.followVoice = ##t
+ \set PianoStaff.followVoice = ##t
\context Staff = one \context Voice {
c1
\change Staff=two
voiceB = \notes {
\clef bass
- \set Staff.instrument = "Bass"
- \set Staff.instr = "B"
+ \set Staff.instrument = "Bass"
+ \set Staff.instr = "B"
\key f \minor
\time 4/4
f1
>>
\new StaffGroup <<
\new Staff <<
- \set Staff.voltaOnThisStaff = ##t
+ \set Staff.voltaOnThisStaff = ##t
\vmus >>
\new Staff \vmus
>>
<< {
\revert Stem #'direction
\change Staff = down
- \set subdivideBeams = ##t
+ \set subdivideBeams = ##t
g16.[
\change Staff = up
c'''32 \change Staff = down
g16]
\change Staff = up
\override Stem #'direction = #1
- \set followVoice = ##t
+ \set followVoice = ##t
c'''32([ b''16 a''16 gis''16 g''32)] } \\
{ s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d''] } \\
{ s4 \autoBeamOff d''8.. f''32 } \\
\context Staff = down {
\clef bass
\key c \minor
- \set subdivideBeams = ##f
- \override Stem #'french-beaming = ##t
+ \set subdivideBeams = ##f
+ \override Stem #'french-beaming = ##t
\override Beam #'thickness = #0.3
\override Stem #'thickness = #4.0
g'16[ b16 fis16 g16]
\score {
\notes \relative c' {
- \set Score.timing = ##f
+ \set Score.timing = ##f
\override Staff.Stem #'transparent = ##t
f4 a2 \barTwo g4 a2 f2 \barOne g4( f) f(
\bar "empty"
poet = "Poet"
texttranslator = "Translator"
copyright = "public domain"
- source = "urtext "
+ source = "urtext "
enteredby = "your name here"
maintainerEmail = "your email here"
texidoc = "The standard header that ought to be in top of a file."
trpharmony = \chords \transpose c' d { \jzchords }
trumpet = {
\global
- \set Staff.instrument = #"Trumpet"
+ \set Staff.instrument = #"Trumpet"
\clef treble
\context Staff <<
\trpt
altoharmony = \chords \transpose c' a { \jzchords }
altosax = {
\global
- \set Staff.instrument = #"Alto Sax"
+ \set Staff.instrument = #"Alto Sax"
\clef treble
\context Staff <<
\alto
bariharmony = \chords \transpose c' a { \jzchords s1 s d2:maj e:m7 }
barisax = {
\global
- \set Staff.instrument = #"Bari Sax"
+ \set Staff.instrument = #"Bari Sax"
\clef treble
\context Staff <<
\bari
tboneharmony = \chords { \jzchords }
trombone = {
\global
- \set Staff.instrument = #"Trombone"
+ \set Staff.instrument = #"Trombone"
\clef bass
\context Staff <<
\tbone
guitar = {
\global
- \set Staff.instrument = #"Guitar"
+ \set Staff.instrument = #"Guitar"
\clef treble
\context Staff <<
\gtr
PianoRH = {
\clef treble
\global
- \set Staff.midiInstrument = "acoustic grand"
+ \set Staff.midiInstrument = "acoustic grand"
\context Staff <<
\context Voice = one \rhUpper
\context Voice = two \rhLower
PianoLH = {
\clef bass
\global
- \set Staff.midiInstrument = "acoustic grand"
+ \set Staff.midiInstrument = "acoustic grand"
\context Staff <<
\context Voice = one \lhUpper
\context Voice = two \lhLower
piano = {
\context PianoStaff <<
- \set PianoStaff.instrument = #"Piano"
+ \set PianoStaff.instrument = #"Piano"
\context Staff = upper \PianoRH
\context Staff = lower \PianoLH
>>
bass = {
\global
- \set Staff.instrument = #"Bass"
+ \set Staff.instrument = #"Bass"
\clef bass
\context Staff <<
\bass
drumContents = {
\global
<<
- \set DrumStaff.instrument = #"Drums"
+ \set DrumStaff.instrument = #"Drums"
\new DrumVoice { \voiceOne \up }
\new DrumVoice { \voiceTwo \down }
>>
\score {
\notes <<
\context ChordNames {
- \set chordChanges = ##t
+ \set chordChanges = ##t
\harmonies
}
\context Staff = one \melody
\score {
<<
\context Voice = one {
- \set Staff.autoBeaming = ##f
+ \set Staff.autoBeaming = ##f
\melody
}
\lyricsto "one" \new Lyrics \text
\translator{
\StaffContext
autoBeamSettings \override #'(end * * * *)
- = #(ly:make-moment 1 2)
+ = #(ly:make-moment 1 2)
}
}
\midi {
}
-upperStaff = \context GregorianStaff = upperStaff <<
+upperStaff = \context GregorianStaff = upperStaff <<
\context GregorianVoice <<
- \set Score.timing = ##f
-% \set Score.forceAccidental = ##t %%%%%%%% FIXME: what happened to this property?
+ \set Score.timing = ##f
+% \set Score.forceAccidental = ##t %%%%%%%% FIXME: what happened to this property?
\override Staff.StaffSymbol #'line-count = #4
>>
>>
-lowerStaff = \context MensuralStaff = lowerStaff <<
+lowerStaff = \context MensuralStaff = lowerStaff <<
\context MensuralVoice <<
% this is broken until further notice -- see refman
\context Staff \applyoutput #(outputproperty-compatibility (make-type-checker 'staff-symbol-interface) 'line-count 5)
\notes \transpose c c {
- \set autoBeaming = ##f
+ \set autoBeaming = ##f
\override NoteHead #'style = #'neo_mensural
\override Rest #'style = #'neo_mensural
\key a \major
% on many ligatures such as BB.
cis'1 d'\breve gis'\breve e'\breve \[ e'\longa fis'\longa \]
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "neo_mensural_c2"
cis1
\bar "|"
fis1 ces1
\clef "petrucci_c2"
r\longa
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "mensural_c2"
r\breve
\bar "|"
c8 b, c16 b, c32 b, c64 b, c64 b,
d8 e d16 e d32 e d64 e d64 e
r\longa
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "petrucci_f"
r\breve
\bar "|"
% FIXME: produces warnings about "flag `neo_mensurald4' (or 3) not found".
r2 r4 r8 r16 r16
\override Stem #'flag-style = #'mensural
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "mensural_f"
e\breve f g a1
\clef "mensural_g"
% \break % 9 (16*1)
bes'!\longa fis'!1 as'!1 ges'!\longa % lig
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "mensural_g"
e'2 d' c' \bar "|"
% \break % 11 (16*1)
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "petrucci_g"
c'2 d' e' f'
\clef "petrucci_g"
g' as'! bes'! cis''!
bes'! as'! gis'! fis'!
- \set Staff.forceClef = ##t
+ \set Staff.forceClef = ##t
\clef "mensural_g"
es'! des'! cis'!1 \bar "||"
% \break % 12 (8*1)
}
}
-taor = \notes{ \grace { g32[ d g e]}}
-grip = \notes{ \grace { g32[ b g ]}}
-thrd = \notes{ \grace { g32[ d c] }}
-birl = \notes{ \grace { g32[ a g] }}
-gstd = \notes{ \grace { g'32[ d g] }}
+taor = \notes{ \grace { g32[ d g e]}}
+grip = \notes{ \grace { g32[ b g ]}}
+thrd = \notes{ \grace { g32[ d c] }}
+birl = \notes{ \grace { g32[ a g] }}
+gstd = \notes{ \grace { g'32[ d g] }}
lgg = \notes{ \grace { g32 }}
lag = \notes{ \grace { a32 }}
fgg = \notes{ \grace { f32[ g'32] }}
-dblb = \notes{ \grace { g'32[ b d] }}
-dblc = \notes{ \grace { g'32[ c d] }}
-dble = \notes{ \grace { g'32[ e f] }}
-dblf = \notes{ \grace { g'32[ f g'] }}
-dblg = \notes{ \grace { g'32[ f] }}
-dbla = \notes{ \grace { a'32[ g'] }}
-cg = \notes{ \grace { c32 }}
-eg = \notes{ \grace { e32 }}
-gg = \notes{ \grace { g'32 }}
-dg = \notes{ \grace { d32 }}
-hag = \notes{ \grace { a'32 }}
-gefg = \notes{ \grace { g'32[ e f] }}
-efg = \notes{ \grace { e32[ f] }}
-gdcg = \notes{ \grace { g'32[ d c]}}
-gcdg = \notes{ \grace { g'32[ c d]}}
+dblb = \notes{ \grace { g'32[ b d] }}
+dblc = \notes{ \grace { g'32[ c d] }}
+dble = \notes{ \grace { g'32[ e f] }}
+dblf = \notes{ \grace { g'32[ f g'] }}
+dblg = \notes{ \grace { g'32[ f] }}
+dbla = \notes{ \grace { a'32[ g'] }}
+cg = \notes{ \grace { c32 }}
+eg = \notes{ \grace { e32 }}
+gg = \notes{ \grace { g'32 }}
+dg = \notes{ \grace { d32 }}
+hag = \notes{ \grace { a'32 }}
+gefg = \notes{ \grace { g'32[ e f] }}
+efg = \notes{ \grace { e32[ f] }}
+gdcg = \notes{ \grace { g'32[ d c]}}
+gcdg = \notes{ \grace { g'32[ c d]}}
\score {
\notes \relative c''{
- \set Score.barAlways = ##t
- \set Score.defaultBarType = ":|:"
+ \set Score.barAlways = ##t
+ \set Score.defaultBarType = ":|:"
c4 c4 c4 c4 }
\paper{raggedright = ##t}
}
\score {
\context Staff \notes \transpose c c' {
\override Score.BarNumber #'break-visibility = #end-of-line-invisible
- \set Score.barNumberVisibility = #(every-nth-bar-number-visible 4)
+ \set Score.barNumberVisibility = #(every-nth-bar-number-visible 4)
\override Score.BarNumber #'print-function =
#(make-stencil-boxer 0.1 0.25 0.25 Text_item::print)
\override Score.BarNumber #'font-size = #2
c8 c c4
r8 c c c
% no autobeaming
- \set autoBeaming = ##f
+ \set autoBeaming = ##f
c8 c c c
}
\paper{
f32 g a b b a g f
f32 g a b
- \set stemRightBeamCount = #1 b
- \set stemLeftBeamCount = #1 a
+ \set stemRightBeamCount = #1 b
+ \set stemLeftBeamCount = #1 a
g f
}
\notes\relative c''{
r4 r8[ g a]
bes8[ r16 f g a]
- bes8[ r16 \set stemLeftBeamCount = #1 f g a]
+ bes8[ r16 \set stemLeftBeamCount = #1 f g a]
}
\paper{
a slur to a rest or spacer rest).
" }
-blanknotes = { \override NoteHead #'transparent = ##t
+blanknotes = { \override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t }
unblanknotes = { \revert NoteHead #'transparent
\revert Stem #'transparent }
\version "2.1.22"
\header {
-texidoc = "@cindex Capital Letters
+texidoc = "@cindex Capital Letters
You can set the font to use small caps.
" }
-shapeSC = \override LyricText #'font-shape = #'caps
+shapeSC = \override LyricText #'font-shape = #'caps
shapeNorm = \revert LyricText #'font-shape
\score { <<
" }
\score { \notes \context Staff \transpose c c'' {
\key d \major
-% \set Staff.autoReminders = #'cautionary
+% \set Staff.autoReminders = #'cautionary
\override Staff.Accidental #'font-size = #0
<dis c>1 cis?2 d?
\override Staff.Accidental #'cautionary-style = #'smaller
\notes <<
\context ChordNames { \scm }
\new ChordNames {
- \set instrument = #"german"
+ \set instrument = #"german"
\germanChords \scm }
\new ChordNames {
\set instrument = #"semi-german"
jazzAltProperties =
\sequential {
- \set majorSevenSymbol = #whiteTriangleMarkup
- \set chordNameSeparator = #(make-simple-markup "/")
- \set chordNameExceptionsFull = #efullJazzAlt
- \set chordNameExceptionsPartial = #epartialJazzAlt
- \set chordNameFunction = #jazz-chord-names
+ \set majorSevenSymbol = #whiteTriangleMarkup
+ \set chordNameSeparator = #(make-simple-markup "/")
+ \set chordNameExceptionsFull = #efullJazzAlt
+ \set chordNameExceptionsPartial = #epartialJazzAlt
+ \set chordNameFunction = #jazz-chord-names
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
banterProperties = \sequential {
- \set chordNameFunction = #banter-chord-names
+ \set chordNameFunction = #banter-chord-names
}
\score{
<<
\new ChordNames {
- \set instrument = #"Ignatzek (default)"
- \set instr = #"Def"
+ \set instrument = #"Ignatzek (default)"
+ \set instr = #"Def"
\chs }
\new ChordNames {
- \set instrument = #"Alternative"
- \set instr = #"Alt"
+ \set instrument = #"Alternative"
+ \set instr = #"Alt"
\jazzAltProperties
\chs }
\notes \transpose c c' {
\override Staff.Clef #'break-visibility = #end-of-line-visible
\override Staff.KeySignature #'break-visibility = #end-of-line-visible
- \set Staff.explicitClefVisibility = #end-of-line-visible
- \set Staff.explicitKeySignatureVisibility = #end-of-line-visible
+ \set Staff.explicitClefVisibility = #end-of-line-visible
+ \set Staff.explicitKeySignatureVisibility = #end-of-line-visible
% We want the time sig to take space, otherwise there is not
% enough white at the start of the line.
%
\override Staff.TimeSignature #'transparent = ##t
- \set Score.defaultBarType = #"empty"
+ \set Score.defaultBarType = #"empty"
c1 d e f g a b c
\key d \major
}
\score { \notes {
- \set Staff.clefGlyph = #"clefs-F"
- \set Staff.clefPosition = #2
+ \set Staff.clefGlyph = #"clefs-F"
+ \set Staff.clefPosition = #2
c'4
- \set Staff.clefGlyph = #"clefs-G"
+ \set Staff.clefGlyph = #"clefs-G"
c'4
- \set Staff.clefGlyph = #"clefs-C"
+ \set Staff.clefGlyph = #"clefs-C"
c'4
- \set Staff.clefOctavation = #7
+ \set Staff.clefOctavation = #7
c'4
- \set Staff.clefOctavation = #0
- \set Staff.clefPosition = #0
+ \set Staff.clefOctavation = #0
+ \set Staff.clefPosition = #0
c'4
\clef "bass"
c'4
title = "Ouvertüre\\vrule width0pt height 0pt depth 1ex"
subtitle = "\\normalsize Zu Heinrich Joseph v. Collins Trauerspiel\\vrule width0pt height 0pt depth 1ex"
subsubtitle = "\\Large\\bf Coriolan"
- opus = "Op. 62"
+ opus = "Op. 62"
piece = "\\hspace*{30mm}\\normalfont\\large Allegro con brio"
composer = "Ludwig van Beethoven (1770-1827)"
flauti = \notes \relative c' {
- \set Staff.instrument = #"2 Flauti"
- \set Staff.instr = #"Fl."
+ \set Staff.instrument = #"2 Flauti"
+ \set Staff.instr = #"Fl."
\time 4/4
c1
\break c
}
oboi = \notes \relative c' {
- \set Staff.instrument = #"2 Oboi"
- \set Staff.instr = #"Ob."
+ \set Staff.instrument = #"2 Oboi"
+ \set Staff.instr = #"Ob."
c1 c
}
clarinetti = \notes \relative c' {
- \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" \raisedFlat } > }
- \set Staff.instr = \markup { \smaller { "Cl(B" \raisedFlat ")" } }
+ \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" \raisedFlat } > }
+ \set Staff.instr = \markup { \smaller { "Cl(B" \raisedFlat ")" } }
c1 c
}
fagotti = \notes \relative c' {
- \set Staff.instrument = #"2 Fagotti"
- \set Staff.instr = #"Fg."
+ \set Staff.instrument = #"2 Fagotti"
+ \set Staff.instr = #"Fg."
c1 c
}
corni = \notes \relative c' {
- \set Staff.instrument = \markup { \column < "Corni" { "in E" \raisedFlat } > }
- \set Staff.instr = \markup { \smaller { "Cor(E" \raisedFlat ")" } }
+ \set Staff.instrument = \markup { \column < "Corni" { "in E" \raisedFlat } > }
+ \set Staff.instr = \markup { \smaller { "Cor(E" \raisedFlat ")" } }
c1 c
}
trombe = \notes \relative c' {
- \set Staff.instrument = \markup \column < "2 Trombe" "(C)" >
- \set Staff.instr = \markup \column < "Tbe." "(C)" >
+ \set Staff.instrument = \markup \column < "2 Trombe" "(C)" >
+ \set Staff.instr = \markup \column < "Tbe." "(C)" >
c1 c
}
timpani = \notes \relative c' {
- \set Staff.instrument = \markup \column < "Timpani" "(C-G)" >
- \set Staff.instr = #"Timp."
+ \set Staff.instrument = \markup \column < "Timpani" "(C-G)" >
+ \set Staff.instr = #"Timp."
c1 c
}
violinoI = \notes \relative c' {
- \set Staff.instrument = #"Violino I "
- \set Staff.instr = #"Vl. I "
+ \set Staff.instrument = #"Violino I "
+ \set Staff.instr = #"Vl. I "
c1 c
}
violinoII = \notes \relative c' {
- \set Staff.instrument = #"Violino II "
- \set Staff.instr = #"Vl. II "
+ \set Staff.instrument = #"Violino II "
+ \set Staff.instr = #"Vl. II "
c1 c
}
viola = \notes \relative c' {
- \set Staff.instrument = #"Viola"
- \set Staff.instr = #"Vla."
+ \set Staff.instrument = #"Viola"
+ \set Staff.instr = #"Vla."
c1 c
%c
}
violoncello = \notes \relative c' {
- \set Staff.instrument = \markup \column < "Violoncello" "e" "Contrabasso" >
- \set Staff.instr = \markup \column < "Vc." "Cb." >
+ \set Staff.instrument = \markup \column < "Violoncello" "e" "Contrabasso" >
+ \set Staff.instr = \markup \column < "Vc." "Cb." >
c1 c
}
\notes\relative c''{
a1\fff\> a\pp\!
a\< a\!
-\set crescendoText = \markup { \italic \bold "cresc." }
-\set crescendoSpanner = #'dashed-line
+\set crescendoText = \markup { \italic \bold "cresc." }
+\set crescendoSpanner = #'dashed-line
a\mf\< a a\!
a\< a\!
}
\score {
\notes
{
- \set Staff.instrument = #"Horn in F"
- \set Score.skipBars = ##t
+ \set Staff.instrument = #"Horn in F"
+ \set Score.skipBars = ##t
R1*21
<<
{
\clef tenor
%% this should probably be put into an identifier.
- \set Staff.fontSize = #-1
+ \set Staff.fontSize = #-1
\override Stem #'length = #5.5
\override Beam #'thickness = #0.384
\override Beam #'space-function =
% this is under debate; I don't think it should. - Graham
% if you want to cancel it in the main part, uncomment the following:
-% \set Staff.Clef = \turnOff
+% \set Staff.Clef = \turnOff
\unset Staff.fontSize
\score {
<<
\context Voice \notes \transpose c c' {
- \set Score.timing = ##f
- \set Score.barAlways = ##t
+ \set Score.timing = ##f
+ \set Score.barAlways = ##t
\override TextScript #'padding = #3
\override Staff.BarLine #'transparent = ##t
\override Stem #'transparent = ##t
\score {
\notes\relative c {
\new PianoStaff <<
- \set PianoStaff.followVoice = ##t
+ \set PianoStaff.followVoice = ##t
\context Staff=one \context Voice {
\override VoiceFollower #'style = #'dashed-line
c'1
\version "2.1.22"
\header {
title = "Gregorian Scripts"
- texidoc = "@cindex Gregorian Scripts
+ texidoc = "@cindex Gregorian Scripts
Gregorian Scripts:
improOn = \notes {
- \set squashedPosition = #0
+ \set squashedPosition = #0
\override NoteHead #'style = #'slash
}
-violinincipit = \notes\relative c''{
+violinincipit = \notes\relative c''{
\clef "french"
\time 2/2
\override Staff.TimeSignature #'style = #'old
\override Staff.TimeSignature #'style = #'C
}
-bcincipit = \notes\relative c{
+bcincipit = \notes\relative c{
\clef bass
\override Staff.TimeSignature #'style = #'old
b2. cis4 |
\override Staff.TimeSignature #'style = #'C
}
-violin = \notes\relative c''{
+violin = \notes\relative c''{
% Key signatures with different alterations in different octaves
% are broken since 1.3.58!
% \specialkey \keysignature f' fis'' g' gis''
<<{ a d}\\ { es,4}>>|
}
-BC = \notes\relative c{
+BC = \notes\relative c{
\key d \major
\time 2/2
\clef "bass"
\notes
\notes \context GrandStaff <<
\context Staff = treble {
- \set GrandStaff.instrument = "Violini "
- \set Staff.instrument = " vn I" { c''4 }}
- \context Staff = bass { \set Staff.instrument = " vn II" c''4 }>>
+ \set GrandStaff.instrument = "Violini "
+ \set Staff.instrument = " vn I" { c''4 }}
+ \context Staff = bass { \set Staff.instrument = " vn II" c''4 }>>
\paper {
}>>
\paper {
indent = 0.0 \cm
- linewidth = 3.4 \cm
+ linewidth = 3.4 \cm
\translator {
\StaffContext \remove "Time_signature_engraver"
% This is intended behaviour.
voice = \notes \transpose c c' {
- \set Score.timing = ##f
- \set Score.defaultBarType = "empty"
+ \set Score.timing = ##f
+ \set Score.defaultBarType = "empty"
g\longa c\breve a\breve f\breve d'\longa^\fermata
\bar "|"
\[
\context Voice \notes \relative c'' {
c2.
<<
-\set Staff.AccidentalPlacement = \turnOff
+\set Staff.AccidentalPlacement = \turnOff
\context Staff \applyoutput #(outputproperty-compatibility (make-acc-position-checker 9)
'extra-offset '(-1 . 0))
\context Staff \applyoutput #(outputproperty-compatibility (make-acc-position-checker 5)
ml))
-fooMusic = #(seq-music-list
+fooMusic = #(seq-music-list
(list (make-note (list (make-note-req (ly:make-pitch 1 0 0) (ly:make-duration 2 0))))
(make-note (list (make-note-req (ly:make-pitch 1 1 0) (ly:make-duration 2 0)))))
)
\relative c'' {
c4 d e f | b,4 d c d | r2 e4 f | c4 d e f |
c4 r e f | c4 r e f | c4 r a r | a a r a |
- a2 \set soloADue = ##f a |
+ a2 \set soloADue = ##f a |
}
\relative c'' {
g4 b d f | r2 c4 d | a c c d | a4. b8 c4 d
c r e r | r2 s2 | a,4 r a r | a r r a |
- a2 \set soloADue = ##f a |
+ a2 \set soloADue = ##f a |
}
>>
\paper{
}
\new Staff {
\time 3/4
- \set Staff.timeSignatureFraction = #'(9 . 8)
+ \set Staff.timeSignatureFraction = #'(9 . 8)
\apply #display-music \apply #(scale-music-function '(2 . 3))
\repeat unfold 6 { c8[ c c] }
}
\new Staff {
\time 3/4
- \set Staff.timeSignatureFraction = #'(10 . 8)
+ \set Staff.timeSignatureFraction = #'(10 . 8)
\apply #display-music \apply #(scale-music-function '(3 . 5))
{ \repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] }
\score { \notes \relative c'' {
% First a normal looking repeat:
c2 c
- \set Score.repeatCommands = #'((volta "1."))
+ \set Score.repeatCommands = #'((volta "1."))
c c
- \set Score.repeatCommands = #'((volta #f) end-repeat (volta "2."))
+ \set Score.repeatCommands = #'((volta #f) end-repeat (volta "2."))
c c
- \set Score.repeatCommands = #'((volta #f))
+ \set Score.repeatCommands = #'((volta #f))
% Then a more strange one:
c c
- \set Score.repeatCommands = #'((volta "93") end-repeat)
+ \set Score.repeatCommands = #'((volta "93") end-repeat)
c c
- \set Score.repeatCommands = #'((volta #f))
+ \set Score.repeatCommands = #'((volta #f))
c c
}
\paper{raggedright=##t}
\context Staff \notes\relative c''{
c c c c
% coda-klugde: let volta span only one bar
- \set Staff.voltaSpannerDuration = #(ly:make-moment 1 1)
+ \set Staff.voltaSpannerDuration = #(ly:make-moment 1 1)
\repeat "volta" 5 { d d d d }
\alternative { { e e e e f f f f }
{ g g g g } }
\score {
\context Staff \notes\relative c {
- \set Score.timing = ##f
+ \set Score.timing = ##f
\override Staff.Rest #'style = #'mensural
r\maxima^"Rest style = \#'mensural"
r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 r128
\override Score.LyricText #'font-family = #'typewriter
\override Score.LyricText #'font-shape = #'upright
\context Staff \notes {
- \set Score.timing = ##f
- \set Score.barAlways = ##t
+ \set Score.timing = ##f
+ \set Score.barAlways = ##t
\override Staff.BarLine #'transparent = ##t
c''\accent c''\marcato c''\staccatissimo
c''\staccato c''\tenuto c''\portato
>>
\paper {
linewidth = 5.1\in
- indent = 0.0\mm
+ indent = 0.0\mm
}
}
%%
fragment = \notes {
- \set autoBeaming = ##f
+ \set autoBeaming = ##f
\override Stem #'direction = #1
\override Slur #'direction = #1
d'32( f'4 d8..)
Slur \override #'direction = #1
Stem \override #'direction = #-1
autoBeamSettings \override #'(end * * * *)
- = #(ly:make-moment 1 2)
+ = #(ly:make-moment 1 2)
}
\translator {
\PianoStaffContext
lower stave so it reaches the stem in the upper stave, or vice versa. "
}
-stemExtend = \once \override Stem #'length = #22
+stemExtend = \once \override Stem #'length = #22
%% following reqs 1.7.1 or better.
noFlag = \once \override Stem #'flag-style = #'no-flag
e8\5 fis\5 gis\5 a\5 b\5 cis'\5 dis'\5 e'\5
e8\4 fis\4 gis\4 a\4 b\4 cis'\4 dis'\4 e'\4
e8 fis gis a b cis' dis' e'
- \set Score.minimumFret = #5
+ \set Score.minimumFret = #5
e8 fis gis a b cis' dis' e'
}
\score {
\new Staff \notes \relative c'' {
- \set Staff.instrument = #"rotatebox{90}{Chor}"
+ \set Staff.instrument = #"rotatebox{90}{Chor}"
%% uncomment this for rotation
-% \set Staff.instrument = #"\\rotatebox{90}{Chor}"
+% \set Staff.instrument = #"\\rotatebox{90}{Chor}"
c4 c4 }
a \stopTextSpan
- \set Staff.centralCPosition = #-13
+ \set Staff.centralCPosition = #-13
\override TextSpanner #'dash-period = #10
\override TextSpanner #'dash-fraction = #.5
a \startTextSpan
b c
a \stopTextSpan
- \set Staff.centralCPosition = #-6
+ \set Staff.centralCPosition = #-6
}
\paper{ raggedright = ##t}
}
\score {
\context Voice \notes\relative c {
- \set sparseTies = ##t
+ \set sparseTies = ##t
c'' <c e g> ~ <c e g>
}
\paper { raggedright = ##t }
\version "2.1.22"
% TODO: This file could be old. Ask about it later. -gp
-\header { texidoc = "@cindex Time
+\header { texidoc = "@cindex Time
Old time signatures. For further information, consult the file.
\context Voice \notes\relative c {
- % \set Score.measurePosition = #(ly:make-moment -1 4)
+ % \set Score.measurePosition = #(ly:make-moment -1 4)
\partial 4
c''4 c4 c4 c2 c1
\cadenzaOn c8[ d e f] g[ a b c b c b c]
\cadenzaOff
c4 c4 c4 c4
- \set Score.measureLength = #(ly:make-moment 5 4)
+ \set Score.measureLength = #(ly:make-moment 5 4)
c1 c4
c1 c4
c4 c4
- \set Score.measurePosition = #(ly:make-moment -3 8)
+ \set Score.measurePosition = #(ly:make-moment -3 8)
b8 b b
c4 c1
\version "2.1.22"
% MERGE with lilypond-
\header {
- filename = "title.ly"
+ filename = "title.ly"
dedication = "dedication"
title = "Title"
subtitle = "Subtitle"
texttranslator = "Translator"
copyright = "public domain"
enteredby = "jcn"
- source = "urtext"
+ source = "urtext"
texidoc ="This test lilypond titling. process with lilypond, not lilypond-book."
}
-vOne = \notes \relative c''{
+vOne = \notes \relative c''{
\clef"violin"
\key d \major
\time 2/4
c4 c |
}
-vTwo = \notes \transpose c d { \vOne }
+vTwo = \notes \transpose c d { \vOne }
-vThree = \notes \relative c''{
+vThree = \notes \relative c''{
\clef"violin"
% keysignature fis cis
- \set Staff.keySignature = #'((0 . 2)(3 . 2))
+ \set Staff.keySignature = #'((0 . 2)(3 . 2))
\time 2/4
d4 d |
% keysignature bes es fis
- \set Staff.keySignature = #'((3 . 2)(2 . -2)(6 . -2))
+ \set Staff.keySignature = #'((3 . 2)(2 . -2)(6 . -2))
fis4 fis |
% keysignature fis cis gis dis ais eis
- \set Staff.keySignature = #'((2 . -2)(5 . -2)(1 . 2)(4 . 2)(0 . 2)(3 . 2))
+ \set Staff.keySignature = #'((2 . -2)(5 . -2)(1 . 2)(4 . 2)(0 . 2)(3 . 2))
cis4 ais4 |
}
-vFour = \notes \transpose c d \vThree
+vFour = \notes \transpose c d \vThree
\score {
\context StaffGroup <<
\override TextSpanner #'style = #'trill
\override TextSpanner #'edge-height = #'(0 . 0)
\override TextSpanner #'edge-text
- = #(cons (make-musicglyph-markup "scripts-trill") "")
+ = #(cons (make-musicglyph-markup "scripts-trill") "")
a\startTextSpan b c a\stopTextSpan
}
\paper { raggedright = ##t}
\score {
\notes <<
\new Staff {
- \set Staff.verticalExtent = #'(-15.0 . 0.0)
+ \set Staff.verticalExtent = #'(-15.0 . 0.0)
\clef alto
c1
}
\new Staff {
- \set Staff.verticalExtent = #'(-0.0 . 15.0)
+ \set Staff.verticalExtent = #'(-0.0 . 15.0)
\clef alto
g1
}
}
-melodie = \notes\relative c'' {
+melodie = \notes\relative c'' {
\clef "violin"
\time 2/4
f4 f | e e | d d | c2 \bar "|."
}
-acc = \chords {
+acc = \chords {
% why don't \skip, s4 work?
c2 c f c
f c g:7 c
f c g:7 c
}
-text = \lyrics{
+text = \lyrics{
\override LyricText #'font-shape = #'italic
Ah!4 vous dir -- ai -- je ma man2
%}
break =#(make-event-chord (list (make-penalty-music -10001)))
-noBreak = #(make-event-chord (list (make-penalty-music 10001)))
+noBreak = #(make-event-chord (list (make-penalty-music 10001)))
\include "scale-definitions-init.ly"
-melisma = \set Staff.melismaBusy = ##t
-melismaEnd = \set Staff.melismaBusy = ##f
+melisma = \set Staff.melismaBusy = ##t
+melismaEnd = \set Staff.melismaBusy = ##f
\include "grace-init.ly"
% added asas and marked ases as `unusual'
-pitchnamesDeutsch = #`(
+pitchnamesDeutsch = #`(
(ceses . ,(ly:make-pitch -1 0 DOUBLE-FLAT))
(ces . ,(ly:make-pitch -1 0 FLAT))
(c . ,(ly:make-pitch -1 0 NATURAL))
\alias "Staff"
BarLine \override #'bar-size = #4
- VoltaBracket \override #'minimum-space = #15
- VoltaBracket \override #'padding = #5
+ VoltaBracket \override #'minimum-space = #15
+ VoltaBracket \override #'padding = #5
StaffSymbol \override #'line-count = #1
Stem \override #'neutral-direction = #1
%% One may change the strings tuning as following :
%% The lenght of the list must be equal to the number of string
- stringTunings = #guitar-tunings
+ stringTunings = #guitar-tunings
tablatureFormat = #fret-number-tablature-format
%%
\remove "New_fingering_engraver"
\description "Context for drawing notes in a Tab staff. "
- Slur \override #'font-family = #'roman
+ Slur \override #'font-family = #'roman
Slur \override #'print-function = #hammer-print-function
- Slur \override #'direction = #-1
+ Slur \override #'direction = #-1
% Draws all stems/beams out of the staff (and not in the middle of the staff !)
% This feature is now disabled because most of the tab does not use it.
\accepts "TabVoice"
% 6 strings
- StaffSymbol \override #'line-count = #6
+ StaffSymbol \override #'line-count = #6
StaffSymbol \override #'staff-space = #1.5
% Don't draw stems over the tablature figures !
common dutch names for notes. es means flat, is means sharp
%}
-dutchPitchnames = #`(
+dutchPitchnames = #`(
(ceses . ,(ly:make-pitch -1 0 DOUBLE-FLAT))
(ceh . ,(ly:make-pitch -1 0 SEMI-FLAT))
stemDown = \override Stem #'direction = #-1
stemBoth= \revert Stem #'direction
-slurUp = \override Slur #'direction = #1
+slurUp = \override Slur #'direction = #1
slurDown = \override Slur #'direction = #-1
slurBoth = \revert Slur #'direction
slurSolid = \revert Slur #'dashed
-phrasingSlurUp = \override PhrasingSlur #'direction = #1
+phrasingSlurUp = \override PhrasingSlur #'direction = #1
phrasingSlurDown = \override PhrasingSlur #'direction = #-1
phrasingSlurBoth = \revert PhrasingSlur #'direction
-shiftOn = \override NoteColumn #'horizontal-shift = #1
-shiftOnn = \override NoteColumn #'horizontal-shift = #2
-shiftOnnn = \override NoteColumn #'horizontal-shift = #3
-shiftOff = \revert NoteColumn #'horizontal-shift
+shiftOn = \override NoteColumn #'horizontal-shift = #1
+shiftOnn = \override NoteColumn #'horizontal-shift = #2
+shiftOnnn = \override NoteColumn #'horizontal-shift = #3
+shiftOff = \revert NoteColumn #'horizontal-shift
tieUp = \override Tie #'direction = #1
tieDown = \override Tie #'direction = #-1
tieSolid = \revert Tie #'dashed
-dynamicUp = {
+dynamicUp = {
\override DynamicText #'direction = #1
\override DynamicLineSpanner #'direction = #1
}
\revert DynamicLineSpanner #'direction
}
-scriptUp = {
+scriptUp = {
\override TextScript #'direction = #1
\override Script #'direction = #1
}
dotsDown = \override Dots #'direction = #-1
dotsBoth = \revert Dots #'direction
-tupletUp = \override TupletBracket #'direction = #1
-tupletDown = \override TupletBracket #'direction = #-1
-tupletBoth = \revert TupletBracket #'direction
+tupletUp = \override TupletBracket #'direction = #1
+tupletDown = \override TupletBracket #'direction = #-1
+tupletBoth = \revert TupletBracket #'direction
-cadenzaOn = \set Timing.timing = ##f
+cadenzaOn = \set Timing.timing = ##f
cadenzaOff = {
- \set Timing.timing = ##t
- \set Timing.measurePosition = #(ly:make-moment 0 1)
+ \set Timing.timing = ##t
+ \set Timing.measurePosition = #(ly:make-moment 0 1)
}
newpage = \notes
voiceFour = #(context-spec-music (make-voice-props-set 3) 'Voice)
-tiny =
- \set fontSize = #-2
+tiny =
+ \set fontSize = #-2
-small =
- \set fontSize = #-1
+small =
+ \set fontSize = #-1
normalsize = {
- \set fontSize = #0
+ \set fontSize = #0
}
\bar ""
}
-autoBeamOff = \set autoBeaming = ##f
-autoBeamOn = \set autoBeaming = ##t
+autoBeamOff = \set autoBeaming = ##f
+autoBeamOn = \set autoBeaming = ##t
fatText = \override TextScript #'no-spacing-rods = ##f
-emptyText = \override TextScript #'no-spacing-rods = ##t
+emptyText = \override TextScript #'no-spacing-rods = ##t
-showStaffSwitch = \set followVoice = ##t
-hideStaffSwitch = \set followVoice = ##f
+showStaffSwitch = \set followVoice = ##t
+hideStaffSwitch = \set followVoice = ##f
% accidentals as they were common in the 18th century.
defaultAccidentals = {
- \set Current.extraNatural = ##t
- \set Current.autoAccidentals = #'(Staff (same-octave . 0))
- \set Current.autoCautionaries = #'()
+ \set Current.extraNatural = ##t
+ \set Current.autoAccidentals = #'(Staff (same-octave . 0))
+ \set Current.autoCautionaries = #'()
}
% accidentals in voices instead of staves.
% Notice that accidentals from one voice do NOT get cancelled in other voices
voiceAccidentals = {
- \set Current.extraNatural = ##t
- \set Current.autoAccidentals = #'(Voice (same-octave . 0))
- \set Current.autoCautionaries = #'()
+ \set Current.extraNatural = ##t
+ \set Current.autoAccidentals = #'(Voice (same-octave . 0))
+ \set Current.autoCautionaries = #'()
}
% This includes all the default accidentals, but accidentals also needs cancelling
% in other octaves and in the next measure.
modernAccidentals = {
- \set Current.extraNatural = ##f
- \set Current.autoAccidentals = #'(Staff (same-octave . 0) (any-octave . 0) (same-octave . 1))
- \set Current.autoCautionaries = #'()
+ \set Current.extraNatural = ##f
+ \set Current.autoAccidentals = #'(Staff (same-octave . 0) (any-octave . 0) (same-octave . 1))
+ \set Current.autoCautionaries = #'()
}
% the accidentals that Stone adds to the old standard as cautionaries
modernCautionaries = {
- \set Current.extraNatural = ##f
- \set Current.autoAccidentals = #'(Staff (same-octave . 0))
- \set Current.autoCautionaries = #'(Staff (any-octave . 0) (same-octave . 1))
+ \set Current.extraNatural = ##f
+ \set Current.autoAccidentals = #'(Staff (same-octave . 0))
+ \set Current.autoCautionaries = #'(Staff (any-octave . 0) (same-octave . 1))
}
% Multivoice accidentals to be read both by musicians playing one voice
% and musicians playing all voices.
% Accidentals are typeset for each voice, but they ARE cancelled across voices.
modernVoiceAccidentals = {
- \set Current.extraNatural = ##f
- \set Current.autoAccidentals = #'(
+ \set Current.extraNatural = ##f
+ \set Current.autoAccidentals = #'(
Voice (same-octave . 0) (any-octave . 0) (same-octave . 1)
Staff (same-octave . 0) (any-octave . 0) (same-octave . 1)
)
- \set Current.autoCautionaries = #'()
+ \set Current.autoCautionaries = #'()
}
% same as modernVoiceAccidental eccept that all special accidentals are typeset
% as cautionaries
modernVoiceCautionaries = {
- \set Current.extraNatural = ##f
- \set Current.autoAccidentals = #'(
+ \set Current.extraNatural = ##f
+ \set Current.autoAccidentals = #'(
Voice (same-octave . 0)
)
- \set Current.autoCautionaries = #'(
+ \set Current.autoCautionaries = #'(
Voice (any-octave . 0) (same-octave . 1)
Staff (same-octave . 0) (any-octave . 0) (same-octave . 1)
)
% stone's suggestions for accidentals on grand staff.
% Accidentals are cancelled across the staves in the same grand staff as well
pianoAccidentals = {
- \set Current.autoAccidentals = #'(
+ \set Current.autoAccidentals = #'(
Staff (same-octave . 0) (any-octave . 0) (same-octave . 1)
GrandStaff (any-octave . 0) (same-octave . 1)
)
- \set Current.autoCautionaries = #'()
+ \set Current.autoCautionaries = #'()
}
pianoCautionaries = {
- \set Current.autoAccidentals = #'(
+ \set Current.autoAccidentals = #'(
Staff (same-octave . 0)
)
- \set Current.autoCautionaries = #'(
+ \set Current.autoCautionaries = #'(
Staff (any-octave . 0) (same-octave . 1)
GrandStaff (any-octave . 0) (same-octave . 1)
)
% printed only once and are in effect until overridden, possibly many
% measures later.
noResetKey = {
- \set Current.autoAccidentals = #'(Staff (same-octave . #t))
- \set Current.autoCautionaries = #'()
+ \set Current.autoAccidentals = #'(Staff (same-octave . #t))
+ \set Current.autoCautionaries = #'()
}
% do not set localKeySignature when a note alterated differently from
% remembered for the duration of a measure.
% accidentals not being remembered, causing accidentals always to be typeset relative to the time signature
forgetAccidentals = {
- \set Current.autoAccidentals = #'(Staff (same-octave . -1))
- \set Current.autoCautionaries = #'()
+ \set Current.autoAccidentals = #'(Staff (same-octave . -1))
+ \set Current.autoCautionaries = #'()
}
% To remove a Volta bracket or some other graphical object,
-% set it to turnOff. Example: \set Staff.VoltaBracket = \turnOff
+% set it to turnOff. Example: \set Staff.VoltaBracket = \turnOff
%%
%% DO NOT USE THIS. IT CAN LEAD TO CRASHES.
}
-unHideNotes = \sequential {
+unHideNotes = \sequential {
\revert Staff.Accidental #'transparent
\revert Beam #'transparent
\revert Stem #'transparent
}
germanChords = {
- \set chordRootNamer = #(chord-name->german-markup #t)
- \set chordNoteNamer = #note-name->german-markup
+ \set chordRootNamer = #(chord-name->german-markup #t)
+ \set chordNoteNamer = #note-name->german-markup
}
semiGermanChords = {
- \set chordRootNamer = #(chord-name->german-markup #f)
- \set chordNoteNamer = #note-name->german-markup
+ \set chordRootNamer = #(chord-name->german-markup #f)
+ \set chordNoteNamer = #note-name->german-markup
}
cresc = \notes {
#(ly:export (make-event-chord (list cr)))
- \set crescendoText = \markup { \italic "cresc." }
- \set crescendoSpanner = #'dashed-line
+ \set crescendoText = \markup { \italic "cresc." }
+ \set crescendoSpanner = #'dashed-line
}
% ah, this is handy: maybe drop resetting of properties in
dim = \notes {
#(ly:export (make-event-chord (list decr)))
- \set decrescendoText = \markup { \italic "dim." }
- \set decrescendoSpanner = #'dashed-line
+ \set decrescendoText = \markup { \italic "dim." }
+ \set decrescendoSpanner = #'dashed-line
}
enddim = \notes {
sostenutoDown = #(make-span-event 'SostenutoEvent START)
sostenutoUp = #(make-span-event 'SostenutoEvent STOP)
-%crescpoco = \set crescendoText = "cresc. poco a poco"
-%decresc = \set crescendoText = "decr."
-%dim = \set crescendoText = "dim."
+%crescpoco = \set crescendoText = "cresc. poco a poco"
+%decresc = \set crescendoText = "decr."
+%dim = \set crescendoText = "dim."
(hississ . ,(ly:make-pitch -1 6 DOUBLE-SHARP))
)
-pitchnames = \pitchnamesSvenska
+pitchnames = \pitchnamesSvenska
\version "2.1.22"
def conv (str):
- str = re.sub (r'\\property\s+([^.]+)\s*\.\s*([^\\=]+)\s*\\(set|override)',
+ str = re.sub (r'\\property\s+([^. ]+)\s*\.\s*([^\\=]+)\s*\\(set|override)',
r"\\overrid@ \1.\2 ", str)
- str = re.sub (r'\\property\s+([^. ]+)\s*\.\s*([^\\= ]+)\s*=',
+ str = re.sub (r'\\property\s+([^. ]+)\s*\.\s*([^\\= ]+)\s*=\s*',
r'\\s@t \1.\2 = ', str)
str = re.sub (r'\\property\s+([^. ]+)\s*\.\s*([^\\= ]+)\s*\\unset',
r'\\uns@t \1.\2 ', str)
projects / lilypond.git / commitdiff