LSR: Update.

diff --git a/input/lsr/changing-the-tuplet-number.ly b/input/lsr/changing-the-tuplet-number.ly
index 0c8deaeac237eaccb8ce01c395f5edac876dcec0..436f11b61d644f835d0100c9c4991148eb3fe524 100644 (file)
--- a/input/lsr/changing-the-tuplet-number.ly
+++ b/input/lsr/changing-the-tuplet-number.ly
@@ -16,6 +16,15 @@ del grupo, o eliminar el número.
 
 "
 
 
 "
 

+texidocde = "
+Standardmäßig wird nur der Zähler des N-tolen-Bruchs über der Klammer
+dargestellt, wie er dem @code{\\times}-Befehl übergeben wird.
+Man kann aber auch Zähler/Nenner ausgeben lassen, oder die Zahl
+vollständig unterdrücken.
+
+"
+  doctitlede = "Die Zahl der N-tole verändern"
+

   texidoc = "
 By default, only the numerator of the tuplet number is printed over the
 tuplet bracket, i.e., the denominator of the argument to the
   texidoc = "
 By default, only the numerator of the tuplet number is printed over the
 tuplet bracket, i.e., the denominator of the argument to the

diff --git a/input/lsr/controlling-the-placement-of-chord-fingerings.ly b/input/lsr/controlling-the-placement-of-chord-fingerings.ly
index 8006fafa8132b7d58bd3ea7dc3185632dc1adde8..cd7d1c5794abe86f7187a0d7bb78994e6de3bc8e 100644 (file)
--- a/input/lsr/controlling-the-placement-of-chord-fingerings.ly
+++ b/input/lsr/controlling-the-placement-of-chord-fingerings.ly
@@ -28,6 +28,7 @@ The placement of fingering numbers can be controlled precisely.
   <c-1 e-3 a-5>4
   \set fingeringOrientations = #'(left)
   <c-1>2
   <c-1 e-3 a-5>4
   \set fingeringOrientations = #'(left)
   <c-1>2

-  \set fingeringOrientations = #'(right)
+  \set fingeringOrientations = #'(down)

   <e-3>2
 }
   <e-3>2
 }

+

diff --git a/input/lsr/defining-predefined-fretboards-for-other-instruments.ly b/input/lsr/defining-predefined-fretboards-for-other-instruments.ly
new file mode 100644 (file)
index 0000000..da64756
--- /dev/null
+++ b/input/lsr/defining-predefined-fretboards-for-other-instruments.ly
@@ -0,0 +1,105 @@
+%% Do not edit this file; it is auto-generated from input/new
+%% This file is in the public domain.
+\version "2.11.62"
+\header {
+  lsrtags = "fretted-strings"
+  texidoc = "Predefined fret diagrams can be added for new instruments
+in addition to the standards used for guitar.  This file shows how
+this is done by defining a new string-tuning and a few predefined
+fretboards for the Venezuelan cuatro.
+
+This file also shows how fingerings can be included in the chords
+used as reference points for the chord lookup, and displayed in 
+the fret diagram and the @code{TabStaff}, but not the music.
+
+These fretboards are not transposable because they contain string
+information.  This is planned to be corrected in the future.
+
+"
+  doctitle = "Defining predefined fretboards for other instruments"
+} % begin verbatim
+
+% add FretBoards for the Cuatro
+%   Note: This section could be put into a separate file
+%      predefined-cuatro-fretboards.ly
+%      and \included into each of your compositions
+
+cuatroTuning = #'(11 18 14 9)
+
+dSix = { <a\4 b\1 d\3 fis\2> }
+dMajor = { <a\4 d\1 d\3 fis \2> }
+aMajSeven = { <a\4 cis\1 e\3 g\2> }
+dMajSeven = { <a\4 c\1 d\3 fis\2> }
+gMajor = { <b\4 b\1 d\3 g\2> }
+
+\storePredefinedDiagram \dSix
+                        #cuatroTuning
+                        #"o;o;o;o;"
+\storePredefinedDiagram \dMajor
+                        #cuatroTuning
+                        #"o;o;o;3-3;"
+\storePredefinedDiagram \aMajSeven
+                        #cuatroTuning
+                        #"o;2-2;1-1;2-3;"
+\storePredefinedDiagram \dMajSeven
+                        #cuatroTuning
+                        #"o;o;o;1-1;"
+\storePredefinedDiagram \gMajor
+                        #cuatroTuning
+                        #"2-2;o;1-1;o;"
+
+% end of potential include file /predefined-cuatro-fretboards.ly
+
+
+#(set-global-staff-size 16)
+
+primerosNames = \chordmode {
+  d:6 d a:maj7 d:maj7 
+  g
+}
+primeros = {
+  \dSix \dMajor \aMajSeven \dMajSeven
+  \gMajor
+}
+
+\score {
+  <<
+    \new ChordNames {
+      \set chordChanges = ##t
+      \primerosNames
+    }
+
+    \new Staff {
+      \new Voice \with {
+        \remove "New_fingering_engraver"
+      } 
+      \relative c'' {
+        \primeros
+      }
+    }
+
+    \new FretBoards {
+      \set stringTunings = #cuatroTuning
+      \override FretBoard #'fret-diagram-details
+        #'string-count = #'4
+      \override FretBoard #'fret-diagram-details
+        #'finger-code = #'in-dot
+      \primeros
+    }
+
+    \new TabStaff \relative c'' {
+      \set TabStaff.stringTunings = #cuatroTuning
+      \primeros
+    }
+    
+  >>
+
+  \layout { 
+    \context {
+      \Score
+      \override SpacingSpanner
+        #'base-shortest-duration = #(ly:make-moment 1 16)
+    }
+  }
+  \midi { }
+}

diff --git a/input/lsr/double-glissando.ly b/input/lsr/double-glissando.ly
new file mode 100644 (file)
index 0000000..631b4e3
--- /dev/null
+++ b/input/lsr/double-glissando.ly
@@ -0,0 +1,31 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+  lsrtags = "expressive-marks, simultaneous-notes"
+
+  texidoc = "
+To connect chords with glissando lines, attach a second glissando to a
+hidden voice.
+
+"
+  doctitle = "Double glissando"
+} % begin verbatim
+\relative c {
+  \clef bass
+  <<
+    {
+      % new voice ( = \voiceOne), hidden
+      \hideNotes
+      % attach glissando to note heads
+      e2\glissando g
+    }
+    \\
+    { 
+      % original voice with chords rearranged so that
+      % glissando is attached to a & c
+      <e a,>2\glissando <g c,>
+    }
+  >>
+}

diff --git a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
index 05116bd06f292c88b156d2251ea22fcbeb45a4d4..37a14680712b87be4aeed0f2c7a27350d69f2d05 100644 (file)
--- a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
+++ b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
@@ -22,6 +22,20 @@ Para ver más inforamción sobre @code{make-moment}, véase
 
 "
 
 
 "
 

+  texidocde = "
+Die Eigenschaft @code{tupletSpannerDuration} bestimmt, wie lange jede
+der N-tolen innerhalb der Klammern nach dem @code{\\times}-Befehl
+dauert.  Auf diese Art können etwa viele Triolen nacheinander mit nur
+einem @code{\\times}-Befehl geschrieben werden.
+
+Im Beispiel sind zwei Triolen zu sehen, obwohl @code{\\times} nur
+einmal geschrieben wurde.
+
+Mehr Information über @code{make-moment} gibt es in \"Verwaltung der Zeiteinheiten\". 
+
+"
+  doctitlede = "Mehrere Triolen notieren, aber nur einmal \\times benutzen"
+

   texidoc = "
 The property @code{tupletSpannerDuration} sets how long each of the
 tuplets contained within the brackets after @code{\\times} should last.
   texidoc = "
 The property @code{tupletSpannerDuration} sets how long each of the
 tuplets contained within the brackets after @code{\\times} should last.

diff --git a/input/lsr/expressive-marks.snippet-list b/input/lsr/expressive-marks.snippet-list
index 5d160ef0ee7a70b2dcd21206cba7dbd204c5a8ee..dc88ff87d3cdc16858a372aefc26dda04716ceb4 100644 (file)
--- a/input/lsr/expressive-marks.snippet-list
+++ b/input/lsr/expressive-marks.snippet-list
@@ -3,6 +3,7 @@ adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
 changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
 creating-arpeggios-across-notes-in-different-voices.ly
 creating-cross-staff-arpeggios-in-other-contexts.ly
 changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
 creating-arpeggios-across-notes-in-different-voices.ly
 creating-cross-staff-arpeggios-in-other-contexts.ly

+double-glissando.ly

 printing-hairpins-using-al-niente-notation.ly
 laissez-vibrer-ties.ly
 contemporary-glissando.ly
 printing-hairpins-using-al-niente-notation.ly
 laissez-vibrer-ties.ly
 contemporary-glissando.ly


@@ -26,10 +27,10 @@ snap-pizzicato-markup-bartok-pizzicato.ly
 combining-dynamics-with-markup-texts.ly
 creating-slurs-across-voices.ly
 caesura-railtracks-with-fermata.ly
 combining-dynamics-with-markup-texts.ly
 creating-slurs-across-voices.ly
 caesura-railtracks-with-fermata.ly

-changing-the-breath-mark-symbol.ly
+adjusting-the-shape-of-falls-and-doits.ly

 modifying-default-values-for-articulation-shorthand-notation.ly
 creating-simultaneous-rehearsal-marks.ly
 setting-hairpin-behavior-at-bar-lines.ly
 changing--flageolet-mark-size.ly
 piano-template-with-centered-dynamics.ly
 modifying-default-values-for-articulation-shorthand-notation.ly
 creating-simultaneous-rehearsal-marks.ly
 setting-hairpin-behavior-at-bar-lines.ly
 changing--flageolet-mark-size.ly
 piano-template-with-centered-dynamics.ly

-adjusting-the-shape-of-falls-and-doits.ly
+changing-the-breath-mark-symbol.ly

diff --git a/input/lsr/flat-flags-and-beam-nibs.ly b/input/lsr/flat-flags-and-beam-nibs.ly
new file mode 100644 (file)
index 0000000..a5ca3e0
--- /dev/null
+++ b/input/lsr/flat-flags-and-beam-nibs.ly
@@ -0,0 +1,100 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+  lsrtags = "rhythms"
+
+  texidoc = "
+ Flat flags on lone notes and beam nibs at the ends of beamed figures
+are both possible with a combination of @code{stemLeftBeamCount}, 
+@code{stemRightBeamCount} and paired @code{[ ]} beam indicators.
+
+
+
+
+For right-pointing flat flags on lone notes, use paired @code{[ ]} beam
+indicators and set @code{stemLeftBeamCount} to zero (see Example 1).
+
+
+
+
+For left-pointing flat flags, set @code{stemRightBeamCount} instead
+(Example 2).
+
+
+
+
+For right-pointing nibs at the end of a run of beamed notes, set
+@code{stemRightBeamCount} to a positive value. And for left-pointing
+nibs at the start of a run of beamed notes, set
+@code{stemLeftBeamCount} instead (Example 3).
+
+
+
+
+Sometimes it may make sense for a lone note surrounded by rests to
+carry both a left- and right-pointing flat flag. Do this with paired
+@code{[ ]} beam indicators alone (Example 4).  
+
+
+
+
+(Note that @code{\\set stemLeftBeamCount}is always equivalent to 
+@code{\\once \\set}.  In other words, the beam count settings aren't 
+\"sticky\", so the pair of flat flags attached to the lone  @code{c'16
+[ ]} in the last example have nothing to do with the  @code{\\set} two
+notes prior.)
+
+
+
+
+"
+  doctitle = "Flat flags and beam nibs"
+} % begin verbatim
+
+\score {
+<<
+% Example 1
+\new RhythmicStaff {
+  \set stemLeftBeamCount = #0
+  c'16 [ ]
+  r8.
+}
+
+% Example 2
+\new RhythmicStaff {
+  r8.
+  \set stemRightBeamCount = #0
+  c'16 [ ]
+}
+
+% Example 3
+\new RhythmicStaff {
+  c'16
+  c'16
+  \set stemRightBeamCount = #2
+  c'16
+  r16
+  r16
+  \set stemLeftBeamCount = #2
+  c'16
+  c'16
+  c'16
+}
+
+% Example 4
+\new RhythmicStaff {
+   c'16
+   c'16
+   \set stemRightBeamCount = #2
+   c'16
+   r16
+   c'16 [ ]
+   r16
+   \set stemLeftBeamCount = #2
+   c'16
+   c'16
+}
+>>
+}

diff --git a/input/lsr/fretted-strings.snippet-list b/input/lsr/fretted-strings.snippet-list
index ca57c2f2add3c137e969d38dff93f3c96aaf1129..6a04c8b99ca384213e0132b56d8238b94e79d415 100644 (file)
--- a/input/lsr/fretted-strings.snippet-list
+++ b/input/lsr/fretted-strings.snippet-list
@@ -1,19 +1,20 @@
-how-to-change-fret-diagram-position.ly
-flamenco-notation.ly
+customizing-markup-fret-diagrams.ly

 adding-fingerings-to-tablatures.ly
 adding-fingerings-to-tablatures.ly

-placement-of-right-hand-fingerings.ly

 fingerings,-string-indications,-and-right-hand-fingerings.ly
 fingerings,-string-indications,-and-right-hand-fingerings.ly

-guitar-strum-rhythms.ly
-polyphony-in-tablature.ly

 jazz-combo-template.ly
 adding-fingerings-to-a-score.ly
 jazz-combo-template.ly
 adding-fingerings-to-a-score.ly

-letter-tablature-formatting.ly

 laissez-vibrer-ties.ly
 controlling-the-placement-of-chord-fingerings.ly
 laissez-vibrer-ties.ly
 controlling-the-placement-of-chord-fingerings.ly

+modern-tab-text-clef.ly
+fret-diagrams-explained-and-developed.ly
+stem-and-beam-behavior-in-tablature.ly
+how-to-change-fret-diagram-position.ly
+flamenco-notation.ly
+placement-of-right-hand-fingerings.ly
+guitar-strum-rhythms.ly
+polyphony-in-tablature.ly
+defining-predefined-fretboards-for-other-instruments.ly
+letter-tablature-formatting.ly

 allowing-fingerings-to-be-printed-inside-the-staff.ly
 customizing-fretboard-fret-diagrams.ly
 faking-a-hammer-in-tablatures.ly
 allowing-fingerings-to-be-printed-inside-the-staff.ly
 customizing-fretboard-fret-diagrams.ly
 faking-a-hammer-in-tablatures.ly

-fret-diagrams-explained-and-developed.ly
-modern-tab-text-clef.ly
-stem-and-beam-behavior-in-tablature.ly
-customizing-markup-fret-diagrams.ly

diff --git a/input/lsr/grouping-beats.ly b/input/lsr/grouping-beats.ly
index 4c5c42707562b143e38bea1a136bb83588e9aaa7..01e1ae43b10b58c65e2acd93f009ed8124cd7384 100644 (file)
--- a/input/lsr/grouping-beats.ly
+++ b/input/lsr/grouping-beats.ly
@@ -6,7 +6,8 @@
   lsrtags = "rhythms"
 
   texidoc = "
   lsrtags = "rhythms"
 
   texidoc = "

-Beaming patterns may be altered with the @code{beatGrouping} property:
+Beaming patterns may be altered with the @code{beatGrouping} property: 
+

 "
   doctitle = "Grouping beats"
 } % begin verbatim
 "
   doctitle = "Grouping beats"
 } % begin verbatim

diff --git a/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
index da4178b0cf1bc7b0c1883b1826c1a57d5172a9ac..82bf0183201692158645fc62d2ee46d94f2123e2 100644 (file)
--- a/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
+++ b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
@@ -14,6 +14,15 @@ sincopados se deben barrar manualmente.
 
 "
 
 
 "
 

+  texidocde = "
+Dieses künstliche Beispiel zeigt, wie sowohl automatische als auch
+manuelle Zeilenumbrüche innerhalb einer N-tole mit Balken erlaubt
+werden können.  Diese unregelmäßige Bebalkung muss allerdings manuell
+gesetzt werden.
+
+"
+  doctitlede = "Zeilenumbrüche bei N-tolen mit Balken erlauben"
+

   texidoc = "
 This artificial example shows how both manual and automatic line breaks
 may be permitted to within a beamed tuplet. Note that such off-beat
   texidoc = "
 This artificial example shows how both manual and automatic line breaks
 may be permitted to within a beamed tuplet. Note that such off-beat

diff --git a/input/lsr/rhythms.snippet-list b/input/lsr/rhythms.snippet-list
index f4e92e5f465715c3f85d874f867cc2d9cd5033af..e84f144ce384c80d0e9cd1ac707f61a0eacdaf31 100644 (file)
--- a/input/lsr/rhythms.snippet-list
+++ b/input/lsr/rhythms.snippet-list
@@ -22,6 +22,7 @@ modifying-tuplet-bracket-length.ly
 printing-metronome-and-rehearsal-marks-below-the-staff.ly
 making-an-object-invisible-with-the-transparent-property.ly
 permitting-line-breaks-within-beamed-tuplets.ly
 printing-metronome-and-rehearsal-marks-below-the-staff.ly
 making-an-object-invisible-with-the-transparent-property.ly
 permitting-line-breaks-within-beamed-tuplets.ly

+flat-flags-and-beam-nibs.ly

 automatic-beam-subdivisions.ly
 beam-grouping-in-7-8-time.ly
 changing-the-tuplet-number.ly
 automatic-beam-subdivisions.ly
 beam-grouping-in-7-8-time.ly
 changing-the-tuplet-number.ly

diff --git a/input/lsr/simultaneous-notes.snippet-list b/input/lsr/simultaneous-notes.snippet-list
index ca4e093f941913123fc9bfe3ba2c1b58a53b444c..6fdd5fb73b4e9dcabf144f76918a455bad4fab52 100644 (file)
--- a/input/lsr/simultaneous-notes.snippet-list
+++ b/input/lsr/simultaneous-notes.snippet-list
@@ -1,8 +1,9 @@
-changing-partcombine-texts.ly
+clusters.ly

 additional-voices-to-avoid-collisions.ly
 forcing-horizontal-shift-of-notes.ly
 additional-voices-to-avoid-collisions.ly
 forcing-horizontal-shift-of-notes.ly

-changing-a-single-notes-size-in-a-chord.ly
+double-glissando.ly

 combining-two-parts-on-the-same-staff.ly
 combining-two-parts-on-the-same-staff.ly

-clusters.ly
+changing-partcombine-texts.ly
+changing-a-single-notes-size-in-a-chord.ly

 suppressing-warnings-for-clashing-note-columns.ly
 displaying-complex-chords.ly
 suppressing-warnings-for-clashing-note-columns.ly
 displaying-complex-chords.ly

diff --git a/input/lsr/using-ties-with-arpeggios.ly b/input/lsr/using-ties-with-arpeggios.ly
index 1329b222238ba92503c97164dcc482559caf698a..7a73f33fea70f2b7caac8a568c5d1ddf2d1e575f 100644 (file)
--- a/input/lsr/using-ties-with-arpeggios.ly
+++ b/input/lsr/using-ties-with-arpeggios.ly
@@ -19,18 +19,21 @@ como se muestra en este ejemplo.
   texidoc = "
 Ties are sometimes used to write out arpeggios.  In this case, two tied
 notes need not be consecutive.  This can be achieved by setting the
   texidoc = "
 Ties are sometimes used to write out arpeggios.  In this case, two tied
 notes need not be consecutive.  This can be achieved by setting the

-@code{tieWaitForNote} property to \"true\".  The same feature is also
+@code{tieWaitForNote} property to @code{#t}.  The same feature is also

 useful, for example, to tie a tremolo to a chord, but in principle, it
 useful, for example, to tie a tremolo to a chord, but in principle, it

-can also be used for ordinary consecutive notes, as demonstrated in
-this example. 
+can also be used for ordinary consecutive notes. 

 
 "
   doctitle = "Using ties with arpeggios"
 } % begin verbatim
 \relative c' {
   \set tieWaitForNote = ##t
 
 "
   doctitle = "Using ties with arpeggios"
 } % begin verbatim
 \relative c' {
   \set tieWaitForNote = ##t

-  \grace { c16[~ e~ g]~ } <c, e g>2
-  \repeat tremolo 8 { c32~ c'~ } <c c,>1
-  e8~ c~ a~ f~ <e' c a f>2
-  \tieUp c8~ a \tieDown \tieDotted g~ c g2
+  \grace { c16[ ~ e ~ g] ~ } <c, e g>2
+  \repeat tremolo 8 { c32 ~ c' ~ } <c c,>1
+  e8 ~ c ~ a ~ f ~ <e' c a f>2
+  \tieUp
+  c8 ~ a
+  \tieDown
+  \tieDotted
+  g8 ~ c g2

 }
 }

diff --git a/input/new/defining-predefined-fretboards-for-other-instruments.ly b/input/new/defining-predefined-fretboards-for-other-instruments.ly
index 29c5fa9237fc2a0a65f0f2394e36568709d7b069..4fc09cb882a7d88365cd1def66504f2ffb173672 100644 (file)
--- a/input/new/defining-predefined-fretboards-for-other-instruments.ly
+++ b/input/new/defining-predefined-fretboards-for-other-instruments.ly
@@ -4,12 +4,11 @@
   texidoc = "Predefined fret diagrams can be added for new instruments
 in addition to the standards used for guitar.  This file shows how
 this is done by defining a new string-tuning and a few predefined
   texidoc = "Predefined fret diagrams can be added for new instruments
 in addition to the standards used for guitar.  This file shows how
 this is done by defining a new string-tuning and a few predefined

-fretboards for the Venezuelan cuatro.  Thanks to Jesus Guillermo
-Andrade for the string-tuning and fretboard information.
+fretboards for the Venezuelan cuatro.

 
 This file also shows how fingerings can be included in the chords
 used as reference points for the chord lookup, and displayed in 
 
 This file also shows how fingerings can be included in the chords
 used as reference points for the chord lookup, and displayed in 

-the fret diagram and the TabStaff, but not the music.
+the fret diagram and the @code{TabStaff}, but not the music.

 
 These fretboards are not transposable because they contain string
 information.  This is planned to be corrected in the future.
 
 These fretboards are not transposable because they contain string
 information.  This is planned to be corrected in the future.


@@ -18,18 +17,21 @@ information.  This is planned to be corrected in the future.
   doctitle = "Defining predefined fretboards for other instruments"
 }
 
   doctitle = "Defining predefined fretboards for other instruments"
 }
 

+%LSR: Thanks to Jesus Guillermo Andrade for the string-tuning
+%LSR: and fretboard information.
+

 % add FretBoards for the Cuatro
 % add FretBoards for the Cuatro

-%   Note: This section could be put into a separate file 
+%   Note: This section could be put into a separate file

 %      predefined-cuatro-fretboards.ly
 %      and \included into each of your compositions
 
 cuatroTuning = #'(11 18 14 9)
 
 %      predefined-cuatro-fretboards.ly
 %      and \included into each of your compositions
 
 cuatroTuning = #'(11 18 14 9)
 

-dSix = {<a\4 b\1 d\3 fis\2> }
+dSix = { <a\4 b\1 d\3 fis\2> }

 dMajor = { <a\4 d\1 d\3 fis \2> }
 dMajor = { <a\4 d\1 d\3 fis \2> }

-aMajSeven = {<a\4 cis\1 e\3 g\2>}
-dMajSeven = {<a\4 c\1 d\3 fis\2>}
-gMajor = {<b\4 b\1 d\3 g\2>}
+aMajSeven = { <a\4 cis\1 e\3 g\2> }
+dMajSeven = { <a\4 c\1 d\3 fis\2> }
+gMajor = { <b\4 b\1 d\3 g\2> }

 
 \storePredefinedDiagram \dSix
                         #cuatroTuning
 
 \storePredefinedDiagram \dSix
                         #cuatroTuning


@@ -70,13 +72,12 @@ primeros = {
 
     \new Staff {
       \new Voice \with {
 
     \new Staff {
       \new Voice \with {

-        \remove New_fingering_engraver
+        \remove "New_fingering_engraver"

       } 
       \relative c'' {
         \primeros
       }
     }
       } 
       \relative c'' {
         \primeros
       }
     }

-    

 
     \new FretBoards {
       \set stringTunings = #cuatroTuning
 
     \new FretBoards {
       \set stringTunings = #cuatroTuning


@@ -98,10 +99,8 @@ primeros = {
     \context {
       \Score
       \override SpacingSpanner
     \context {
       \Score
       \override SpacingSpanner

-      #'base-shortest-duration = #(ly:make-moment 1 16)
+        #'base-shortest-duration = #(ly:make-moment 1 16)

     }
     }

-

   }
   \midi { }
 }
   }
   \midi { }
 }

-