Otherwise we have excessive vertical space in the PDF output.
This is an unfortunate side effect of the @seealso macro.
91 files changed:
Mensuralnotation. Siehe @ref{Ligatures} zu einer Übersicht über die Funktion
und Notation von Ligaturen.
Mensuralnotation. Siehe @ref{Ligatures} zu einer Übersicht über die Funktion
und Notation von Ligaturen.
@ref{Note head styles} stellt einen Überblick über alle verfügbaren
Notenkopfstile zur Verfügung.
@ref{Note head styles} stellt einen Überblick über alle verfügbaren
Notenkopfstile zur Verfügung.
Tonart verändert werden, indem die @code{glyph-name-alist}-Eigenschaft
des @rinternals{KeySignature}-Objektes gesetzt wird.
Tonart verändert werden, indem die @code{glyph-name-alist}-Eigenschaft
des @rinternals{KeySignature}-Objektes gesetzt wird.
In diesem Handbuch: @ref{Pitches}, @ref{Accidentals} und
@ref{Automatic accidentals} geben eine allgemeine Einführung in die Benutzung
von Versetzungszeichen. Der Abschnitt @ref{Key signature} zeigt die allgemeine
In diesem Handbuch: @ref{Pitches}, @ref{Accidentals} und
@ref{Automatic accidentals} geben eine allgemeine Einführung in die Benutzung
von Versetzungszeichen. Der Abschnitt @ref{Key signature} zeigt die allgemeine
Für die Notation des Gregorianischen Chorals gibt es keine Pausen; anstelle
dessen werden @ref{Divisiones} verwendet.
Für die Notation des Gregorianischen Chorals gibt es keine Pausen; anstelle
dessen werden @ref{Divisiones} verwendet.
In diesem Handbuch: Der Abschnitt @ref{Rests} enthält eine allgemeine
Einführung zur Benutzung von Pausen.
In diesem Handbuch: Der Abschnitt @ref{Rests} enthält eine allgemeine
Einführung zur Benutzung von Pausen.
Balken auf der linken Seite in Abhängigkeit davon, auf welcher Notenlinie
der Schlüssel gesetzt wird.
Balken auf der linken Seite in Abhängigkeit davon, auf welcher Notenlinie
der Schlüssel gesetzt wird.
In diesem Handbuch: siehe @ref{Clef}.
In diesem Handbuch: siehe @ref{Clef}.
@knownissues
Der mensurale G-Schlüssel ist als Petrucci-G-Schlüssel deklariert.
@knownissues
Der mensurale G-Schlüssel ist als Petrucci-G-Schlüssel deklariert.
In diesem Handbuch: @ref{Time signature} bietet eine allgemeine Übersicht über
den Einsatz von Taktangaben.
In diesem Handbuch: @ref{Time signature} bietet eine allgemeine Übersicht über
den Einsatz von Taktangaben.
@knownissues
Die Verhältnisse der Notenwerte ändern sich nicht, wenn die Taktart (Mensur)
@knownissues
Die Verhältnisse der Notenwerte ändern sich nicht, wenn die Taktart (Mensur)
Programmreferenz:
@rinternals{Custos}.
Programmreferenz:
@rinternals{Custos}.
In diesem Handbuch:
@ref{Breath marks}.
In diesem Handbuch:
@ref{Breath marks}.
Programmreferenz: @rinternals{Accidental_engraver}-Setzer und das
@rinternals{AccidentalSuggestion}-Objekt.
Programmreferenz: @rinternals{Accidental_engraver}-Setzer und das
@rinternals{AccidentalSuggestion}-Objekt.
Beispiele:
@rlsr{Chords}.
Init-Dateien: @file{scm/@/chords@/-ignatzek@/.scm} und
@file{scm/@/chord@/-entry@/.scm}.
Beispiele:
@rlsr{Chords}.
Init-Dateien: @file{scm/@/chords@/-ignatzek@/.scm} und
@file{scm/@/chord@/-entry@/.scm}.
@knownissues
Akkordsymbole werden nur von den Tonhöhenbezeichnungen bestimmt.
@knownissues
Akkordsymbole werden nur von den Tonhöhenbezeichnungen bestimmt.
Problem zu vermeiden, sollte @code{stacking-dir}
im @code{BassFigureAlignment} benutzt werden.
Problem zu vermeiden, sollte @code{stacking-dir}
im @code{BassFigureAlignment} benutzt werden.
Programmreferenz: @rinternals{BassFigure}-,
@rinternals{BassFigureAlignment}-, @rinternals{BassFigureLine}-,
@rinternals{BassFigureBracket}- und
@rinternals{BassFigureContinuation}-Objekte und der
@rinternals{FiguredBass}-Kontext.
Programmreferenz: @rinternals{BassFigure}-,
@rinternals{BassFigureAlignment}-, @rinternals{BassFigureLine}-,
@rinternals{BassFigureBracket}- und
@rinternals{BassFigureContinuation}-Objekte und der
@rinternals{FiguredBass}-Kontext.
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
Notationsreferenz:
@ref{Direction and placement}.
Notationsreferenz:
@ref{Direction and placement}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Notationsreferenz:
@ref{List of colors}, @ref{The
tweak command}.
Notationsreferenz:
@ref{List of colors}, @ref{The
tweak command}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
@cindex x11-Farbe
@cindex farbige Noten in Akkorden
@cindex Noten, farbige in Akkorden
@cindex x11-Farbe
@cindex farbige Noten in Akkorden
@cindex Noten, farbige in Akkorden
c2 \parenthesize r
@end lilypond
c2 \parenthesize r
@end lilypond
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@knownissues
Wenn man einen Akkord einklammert, wird um jede Note eine eigene Klammer
@knownissues
Wenn man einen Akkord einklammert, wird um jede Note eine eigene Klammer
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@seealso
Notationsreferenz:
@ref{Direction and placement}.
@seealso
Notationsreferenz:
@ref{Direction and placement}.
@rinternals{stem-interface}.
@rinternals{stem-interface}.
@node Outside the staff
@subsection Outside the staff
@node Outside the staff
@subsection Outside the staff
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Schnipsel:
@rlsr{Editorial annotations}.
Musikglossar:
@rglos{tenuto},
@rglos{accent},
Musikglossar:
@rglos{tenuto},
@rglos{accent},
Musikglossar:
@rglos{al niente},
@rglos{crescendo},
Musikglossar:
@rglos{al niente},
@rglos{crescendo},
@rinternals{DynamicLineSpanner}.
@rinternals{DynamicLineSpanner}.
@node New dynamic marks
@unnumberedsubsubsec New dynamic marks
@node New dynamic marks
@unnumberedsubsubsec New dynamic marks
Notationsreferenz:
@ref{Formatting text},
@ref{Selecting font and font size},
Notationsreferenz:
@ref{Formatting text},
@ref{Selecting font and font size},
Musikglossar:
@rglos{slur}.
Musikglossar:
@rglos{slur}.
@node Phrasing slurs
@unnumberedsubsubsec Phrasing slurs
@node Phrasing slurs
@unnumberedsubsubsec Phrasing slurs
Handbuch zum Lernen:
@rlearning{On the un-nestedness of brackets and ties}.
Handbuch zum Lernen:
@rlearning{On the un-nestedness of brackets and ties}.
@rinternals{PhrasingSlur}.
@rinternals{PhrasingSlur}.
@node Breath marks
@unnumberedsubsubsec Breath marks
@node Breath marks
@unnumberedsubsubsec Breath marks
Musikglossar:
@rglos{caesura}.
Musikglossar:
@rglos{caesura}.
@rinternals{BreathingSign}.
@rinternals{BreathingSign}.
@node Falls and doits
@unnumberedsubsubsec Falls and doits
@node Falls and doits
@unnumberedsubsubsec Falls and doits
Musikglossar:
@rglos{fall},
@rglos{doit}.
Musikglossar:
@rglos{fall},
@rglos{doit}.
Musikglossar:
@rglos{glissando}.
Musikglossar:
@rglos{glissando}.
Musikglossar:
@rglos{arpeggio}.
Musikglossar:
@rglos{arpeggio}.
Musikglossar:
@rglos{trill}.
Musikglossar:
@rglos{trill}.
<c\1 e\2 g\3>
@end lilypond
<c\1 e\2 g\3>
@end lilypond
Programmreferenz:
@rinternals{StringNumber}.
Beispiele:
@rlsr{Fretted strings}.
Programmreferenz:
@rinternals{StringNumber}.
Beispiele:
@rlsr{Fretted strings}.
@node Default tablatures
@unnumberedsubsubsec Default tablatures
@node Default tablatures
@unnumberedsubsubsec Default tablatures
\override Beam #'damping = #100000
@end example
\override Beam #'damping = #100000
@end example
Programmreferenz: @rinternals{TabStaff}, @rinternals{TabVoice}.
Programmreferenz: @rinternals{TabStaff}, @rinternals{TabVoice}.
@knownissues
Akkorde werden nicht gesondert behandelt, sodass die Saitenauswahlfunktion
@knownissues
Akkorde werden nicht gesondert behandelt, sodass die Saitenauswahlfunktion
@code{guitar-open-g-tuning},
@code{mandolin-tuning} und @code{banjo-open-g-tuning}.
@code{guitar-open-g-tuning},
@code{mandolin-tuning} und @code{banjo-open-g-tuning}.
In der Datei @file{scm/@/output@/-lib@/.scm} sind die Stimmungen
definiert.
In der Datei @file{scm/@/output@/-lib@/.scm} sind die Stimmungen
definiert.
Programmreferenz: @rinternals{Tab_note_heads_engraver}.
Programmreferenz: @rinternals{Tab_note_heads_engraver}.
@knownissues
Spezialeffekte für Gitarren sind noch nicht implementiert.
@knownissues
Spezialeffekte für Gitarren sind noch nicht implementiert.
Schnittstelle für die Griffsymboleigenschaften findet sich unter
@rinternals{fret-diagram-interface}.
Schnittstelle für die Griffsymboleigenschaften findet sich unter
@rinternals{fret-diagram-interface}.
Beispiele:
@rlsr{Fretted strings}.
Beispiele:
@rlsr{Fretted strings}.
@node Right-hand fingerings
@unnumberedsubsubsec Right-hand fingerings
@node Right-hand fingerings
@unnumberedsubsubsec Right-hand fingerings
Program reference: @rinternals{StrokeFinger}
Program reference: @rinternals{StrokeFinger}
@node Guitar
@subsection Guitar
@node Guitar
@subsection Guitar
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
Die Datei @file{scm/@/output@/-lib@/.scm} enthält vordefinierte
Banjo-Stimmungen.
Die Datei @file{scm/@/output@/-lib@/.scm} enthält vordefinierte
Banjo-Stimmungen.
lauten. Die genauen Einschränkungen sind beschrieben in
@ruser{File structure}.
lauten. Die genauen Einschränkungen sind beschrieben in
@ruser{File structure}.
Eine vollständige Definition des Eingabeformats findet sich in
@ruser{File structure}.
Eine vollständige Definition des Eingabeformats findet sich in
@ruser{File structure}.
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
der gleichen Ebene angehört, wirklich horizontal an der
gleichen Stelle beginnt.
der gleichen Ebene angehört, wirklich horizontal an der
gleichen Stelle beginnt.
Benutzerhandbuch: @ruser{Structure of a score}.
Benutzerhandbuch: @ruser{Structure of a score}.
mit Namen @qq{Hauptzeile} plaziert werden soll, anstatt
standardmäßig unterhalb.
mit Namen @qq{Hauptzeile} plaziert werden soll, anstatt
standardmäßig unterhalb.
Ossia werden oft ohne Notenschlüssel und Taktangabe gedruck, meist
auch etwas kleiner als die anderen Notenzeilen. Dies ist natürlich
auch in LilyPond möglich, benötigt aber Befehle, die bisher noch
Ossia werden oft ohne Notenschlüssel und Taktangabe gedruck, meist
auch etwas kleiner als die anderen Notenzeilen. Dies ist natürlich
auch in LilyPond möglich, benötigt aber Befehle, die bisher noch
anwenden könnten. Darum heben wir uns das Problem für einen späteren Abschnitt auf; siehe @code{force-hshift}-Eigenschaft in @ref{Fixing
overlapping notation}.
anwenden könnten. Darum heben wir uns das Problem für einen späteren Abschnitt auf; siehe @code{force-hshift}-Eigenschaft in @ref{Fixing
overlapping notation}.
Notationsreferenz: @ruser{Multiple voices}.
Notationsreferenz: @ruser{Multiple voices}.
@qq{zu viele kollidierende Notenspalten werden ignoriert}
ausgegeben.
@qq{zu viele kollidierende Notenspalten werden ignoriert}
ausgegeben.
Notationsreferenz: @ruser{Multiple voices}.
Notationsreferenz: @ruser{Multiple voices}.
Notation Reference: @ruser{Vocal music}.
Notation Reference: @ruser{Vocal music}.
angeschlossen, etwa
@code{GregorianTranscriptionStaff}.
angeschlossen, etwa
@code{GregorianTranscriptionStaff}.
Notationreferenz: @ruser{Contexts explained}.
Notationreferenz: @ruser{Contexts explained}.
zu verweisen. Dieses Vorgehen wurde schon in dem Abschnitt
zu Gesangstexten angewandt, siehe @ref{Voices and vocals}.
zu verweisen. Dieses Vorgehen wurde schon in dem Abschnitt
zu Gesangstexten angewandt, siehe @ref{Voices and vocals}.
Notationsreferenz: @ruser{Creating contexts}.
Notationsreferenz: @ruser{Creating contexts}.
verändert werden kann, indem die Wirkungsweise der
Engraver beeinflusst wird.
verändert werden kann, indem die Wirkungsweise der
Engraver beeinflusst wird.
Referenz der Interna: @rinternals{Engravers and Performers}.
Referenz der Interna: @rinternals{Engravers and Performers}.
@code{\with}-Konstruktion eingesetzt wird, oder mit @code{\set}-Befehlen
innerhalb der aktuellen Noten.
@code{\with}-Konstruktion eingesetzt wird, oder mit @code{\set}-Befehlen
innerhalb der aktuellen Noten.
Notationsreferenz:
@ruser{Changing context default settings}.
@c FIXME
Notationsreferenz:
@ruser{Changing context default settings}.
@c FIXME
Weise geändert werden, indem der @code{\set}-Befehl in
einer @code{\context}-Umgebung angewendet wird.
Weise geändert werden, indem der @code{\set}-Befehl in
einer @code{\context}-Umgebung angewendet wird.
Notationsreferenz: @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Notationsreferenz: @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
@seealso
Die Vorlagen, mit denen wir begonnen haben, können im
Anhang @qq{Vorlagen} gefunden werden, siehe
@seealso
Die Vorlagen, mit denen wir begonnen haben, können im
Anhang @qq{Vorlagen} gefunden werden, siehe
mehr als nur einen Voice-Kontext. Auf gleiche Weise können auch mehrere Staff-Kontexte
in einen großen Score-Kontext (Partiturkontext) eingebunden werden.
mehr als nur einen Voice-Kontext. Auf gleiche Weise können auch mehrere Staff-Kontexte
in einen großen Score-Kontext (Partiturkontext) eingebunden werden.
Programmreferenz: @rinternals{Contexts}.
Programmreferenz: @rinternals{Contexts}.
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
Im Handbuch: @rlearning{Single staff}.
Programmreferenz: @rinternals{AutoChangeMusic}.
Im Handbuch: @rlearning{Single staff}.
Programmreferenz: @rinternals{AutoChangeMusic}.
Programmreferenz: @rinternals{VoiceFollower}.
Programmreferenz: @rinternals{VoiceFollower}.
c\sostenutoOn d e c, f g a\sostenutoOff
@end lilypond
c\sostenutoOn d e c, f g a\sostenutoOff
@end lilypond
\begin@{lilypond@}...\end@{lilypond@}
@end example
\begin@{lilypond@}...\end@{lilypond@}
@end example
@seealso
@command{lilypond-book} stellt auch zahlreiche Kommandozeilen-Optionen zur
@seealso
@command{lilypond-book} stellt auch zahlreiche Kommandozeilen-Optionen zur
-Verfügung. Für eine Liste dieser Optionen und andere hilfreiche Details zur
+Verfügung. Für eine Liste dieser Optionen und andere hilfreiche Details zur
Verarbeitung von @LaTeX{}-Dokumenten, siehe @ref{Invoking lilypond-book}.
Verarbeitung von @LaTeX{}-Dokumenten, siehe @ref{Invoking lilypond-book}.
@node Texinfo
@subsection Texinfo
@node Texinfo
@subsection Texinfo
der Datei @file{ly/@/drumpitch@/-init@/.ly}.
@c TODO: properly document this.
der Datei @file{ly/@/drumpitch@/-init@/.ly}.
@c TODO: properly document this.
Programmreferenz:
@rinternals{note-event}.
Programmreferenz:
@rinternals{note-event}.
Init-Dateien: @file{ly/@/drumpitch@/-init@/.ly}.
Programmreferenz: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
Init-Dateien: @file{ly/@/drumpitch@/-init@/.ly}.
Programmreferenz: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
@knownissues
Weil in den allgemeinen MIDI-Definitionen kein Rimshot enthalten ist,
@knownissues
Weil in den allgemeinen MIDI-Definitionen kein Rimshot enthalten ist,
Musikglossar:
@rglos{Pitch names}.
Musikglossar:
@rglos{Pitch names}.
@rglos{fifth},
@rglos{interval},
@rglos{Pitch names}.
@rglos{fifth},
@rglos{interval},
@rglos{Pitch names}.
@funindex \chordmode
@funindex \relative
@funindex \chordmode
@funindex \relative
@knownissues
Die relative Veränderung wirkt sich nicht auf
@knownissues
Die relative Veränderung wirkt sich nicht auf
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{preventing-extra-naturals-from-being-automatically-added.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{preventing-extra-naturals-from-being-automatically-added.ly}
Musikglossar:
@rglos{sharp},
@rglos{flat},
Musikglossar:
@rglos{sharp},
@rglos{flat},
@end multitable
@end smallexample
@end multitable
@end smallexample
Musikglossar:
@rglos{Pitch names}.
Musikglossar:
@rglos{Pitch names}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{transposing-pitches-with-minimum-accidentals-smart-transpose.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{transposing-pitches-with-minimum-accidentals-smart-transpose.ly}
Notationsreferenz:
@ref{Instrument transpositions}.
Notationsreferenz:
@ref{Instrument transpositions}.
Referenz der Interna:
@rinternals{TransposedMusic}.
Referenz der Interna:
@rinternals{TransposedMusic}.
@funindex \transpose
@funindex \chordmode
@funindex \relative
@funindex \transpose
@funindex \chordmode
@funindex \relative
Notationsreferenz: @ref{Ancient clefs}.
Schnipsel:
Notationsreferenz: @ref{Ancient clefs}.
Schnipsel:
Musikglossar:
@rglos{church mode},
@rglos{scordatura}.
Musikglossar:
@rglos{church mode},
@rglos{scordatura}.
Musikglossar:
@rglos{octavation}.
Musikglossar:
@rglos{octavation}.
Musikglossar:
@rglos{concert pitch},
@rglos{transposing instrument}.
Musikglossar:
@rglos{concert pitch},
@rglos{transposing instrument}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
Musikglossar:
@rglos{ambitus}.
Musikglossar:
@rglos{ambitus}.
Alle möglichen Notenkopf-Stile finden sich in
@ref{Note head styles}.
Alle möglichen Notenkopf-Stile finden sich in
@ref{Note head styles}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
@code{\easyHeadsOff}.
@endpredefined
@code{\easyHeadsOff}.
@endpredefined
Notationsreferenz:
@ref{Setting the staff size}.
Notationsreferenz:
@ref{Setting the staff size}.
@noindent
Alle Notenkopfstile finden sich in @ref{Note head styles}.
@noindent
Alle Notenkopfstile finden sich in @ref{Note head styles}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
Schnipsel:
@rlsr{Pitches}.
Musikglossar: @rglos{repeat}, @rglos{volta}.
Notationsreferenz: @ref{Bar lines}, @ref{Modifying context plug-ins}.
Musikglossar: @rglos{repeat}, @rglos{volta}.
Notationsreferenz: @ref{Bar lines}, @ref{Modifying context plug-ins}.
@rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@knownissues
@cindex verschachtelte Wiederholung
@knownissues
@cindex verschachtelte Wiederholung
Notationsreferenz:
@ref{Bar lines},
@ref{Formatting text}.
Notationsreferenz:
@ref{Bar lines},
@ref{Formatting text}.
Schnipsel:
@rlsr{Repeats}.
Schnipsel:
@rlsr{Repeats}.
@rinternals{UnfoldedRepeatedMusic}.
@rinternals{UnfoldedRepeatedMusic}.
@node Short repeats
@subsection Short repeats
@node Short repeats
@subsection Short repeats
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
Musikglossar: @rglos{percent repeat}, @rglos{simile}.
Schnipsel: @rlsr{Repeats}.
Musikglossar: @rglos{percent repeat}, @rglos{simile}.
Schnipsel: @rlsr{Repeats}.
@rinternals{DoublePercentRepeatCounter},
@rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
@rinternals{DoublePercentRepeatCounter},
@rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
@knownissues
Nur drei Arten von Prozent-Wiederholungen sind unterstützt: ein
@knownissues
Nur drei Arten von Prozent-Wiederholungen sind unterstützt: ein
Schnipsel: @rlsr{Repeats}.
@cindex Tremolo über Systeme
@cindex Systeme, Tremolo zwischen
@cindex Zwischensystem-Tremolo
Schnipsel: @rlsr{Repeats}.
@cindex Tremolo über Systeme
@cindex Systeme, Tremolo zwischen
@cindex Zwischensystem-Tremolo
@knownissues
Tremolo über Notensysteme hinweg funktioniert nicht gut.
@knownissues
Tremolo über Notensysteme hinweg funktioniert nicht gut.
Glossar:
@rglos{breve},
@rglos{longa},
Glossar:
@rglos{breve},
@rglos{longa},
{permitting-line-breaks-within-beamed-tuplets.ly}
@seealso
{permitting-line-breaks-within-beamed-tuplets.ly}
@seealso
Glossar:
@rglos{triplet},
@rglos{tuplet},
Glossar:
@rglos{triplet},
@rglos{tuplet},
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@knownissues
@cindex grace notes within tuplet brackets
Wenn die erste Noten eines Systems ein Vorschlag (eine Verzierung)
@knownissues
@cindex grace notes within tuplet brackets
Wenn die erste Noten eines Systems ein Vorschlag (eine Verzierung)
Eine Anwendung für diesen Befehl ist polymetrische Notation,
siehe @ref{Polymetric notation}.
Eine Anwendung für diesen Befehl ist polymetrische Notation,
siehe @ref{Polymetric notation}.
Notationsreferenz:
@ref{Tuplets},
@ref{Invisible rests},
Notationsreferenz:
@ref{Tuplets},
@ref{Invisible rests},
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{engraving-ties-manually.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{engraving-ties-manually.ly}
Glossar:
@rglos{tie},
@rglos{laissez vibrer}.
Glossar:
@rglos{tie},
@rglos{laissez vibrer}.
@rinternals{TieColumn},
@rinternals{Tie}.
@rinternals{TieColumn},
@rinternals{Tie}.
@knownissues
Der Wechsel zwischen Systemen bei aktiver Überbindung produziert keinen
@knownissues
Der Wechsel zwischen Systemen bei aktiver Überbindung produziert keinen
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{rest-styles.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{rest-styles.ly}
Notationsreferenz:
@ref{Full measure rests}.
Notationsreferenz:
@ref{Full measure rests}.
\skip 1 \skip1 \skip 1
@end lilypond
\skip 1 \skip1 \skip 1
@end lilypond
Schnipsel:
@rlsr{Rhythms}.
Schnipsel:
@rlsr{Rhythms}.
@node Full measure rests
@unnumberedsubsubsec Full measure rests
@node Full measure rests
@unnumberedsubsubsec Full measure rests
measure length is determined by the length of the text, the text will
appear to be centered.
measure length is determined by the length of the text, the text will
appear to be centered.
Glossar:
@rglos{multi-measure rest}.
Glossar:
@rglos{multi-measure rest}.
Glossar:
@rglos{time signature}
Glossar:
@rglos{time signature}
@rinternals{Timing_translator}.
@rinternals{Timing_translator}.
@node Upbeats
@unnumberedsubsubsec Upbeats
@node Upbeats
@unnumberedsubsubsec Upbeats
sie eine negative Zahl; @code{\partial 4} wird also intern übersetzt
zu: @qq{Eine Viertel bleibt übrig vom ganzen Takt.}
sie eine negative Zahl; @code{\partial 4} wird also intern übersetzt
zu: @qq{Eine Viertel bleibt übrig vom ganzen Takt.}
Glossar:
@rglos{anacrusis}.
Glossar:
@rglos{anacrusis}.
Referenz der Interna:
@rinternals{Timing_translator}.
Referenz der Interna:
@rinternals{Timing_translator}.
@knownissues
@code{\partial} ist nur für den Anfang eines Stückes vorgesehen. Wenn der
@knownissues
@code{\partial} ist nur für den Anfang eines Stückes vorgesehen. Wenn der
Glossar:
@rglos{cadenza}.
Glossar:
@rglos{cadenza}.
Schnipsel:
@rlsr{Rhythms}.
Schnipsel:
@rlsr{Rhythms}.
@knownissues
LilyPond fügt Zeilen- und Seitenumbrüche nur an einer Taktlinie
@knownissues
LilyPond fügt Zeilen- und Seitenumbrüche nur an einer Taktlinie
Glossar:
@rglos{polymetric},
@rglos{polymetric time signature},
Glossar:
@rglos{polymetric},
@rglos{polymetric time signature},
Schnipsel:
@rlsr{Rhythms}.
Schnipsel:
@rlsr{Rhythms}.
@rinternals{TimeSignature},
@rinternals{Timing_translator},
@rinternals{Staff}.
@rinternals{TimeSignature},
@rinternals{Timing_translator},
@rinternals{Staff}.
@knownissues
Wenn unterschiedliche Taktarten paralell benutzt werden, werden
@knownissues
Wenn unterschiedliche Taktarten paralell benutzt werden, werden
vollständig gefüllt sind, zeigt die Überbindung genau an, wie viele
Notenwerte noch in dem jeweiligen Takt fehlen.
vollständig gefüllt sind, zeigt die Überbindung genau an, wie viele
Notenwerte noch in dem jeweiligen Takt fehlen.
Glossar: @rglos{tie}
Handbuch zum Lernen:
Glossar: @rglos{tie}
Handbuch zum Lernen:
@rinternals{Completion_heads_engraver},
@rinternals{Forbid_line_break_engraver}.
@rinternals{Completion_heads_engraver},
@rinternals{Forbid_line_break_engraver}.
@knownissues
Nicht alle Notenwerte (besonders wenn sie andere rhythmische
@knownissues
Nicht alle Notenwerte (besonders wenn sie andere rhythmische
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
Schnipsel:
@rlsr{Rhythms}.
Schnipsel:
@rlsr{Rhythms}.
@rinternals{Pitch_squash_engraver}.
@rinternals{Pitch_squash_engraver}.
@node Beams
@subsection Beams
@node Beams
@subsection Beams
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
Notationsreferenz:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
Notationsreferenz:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
Wenn eine polyphone Stimme endet, während ein Balken noch Noten
erwartet, wird dieser Balken nicht gesetzt.
Wenn eine polyphone Stimme endet, während ein Balken noch Noten
erwartet, wird dieser Balken nicht gesetzt.
Schnipsel:
@rlsr{Rhythms}.
Schnipsel:
@rlsr{Rhythms}.
@node Manual beams
@unnumberedsubsubsec Manual beams
@node Manual beams
@unnumberedsubsubsec Manual beams
Notenabschnitten, und wenn die Zahlen in den Brüchen klein
sind.
Notenabschnitten, und wenn die Zahlen in den Brüchen klein
sind.
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
@node Bars
@subsection Bars
@node Bars
@subsection Bars
jederzeit durch den Befehl @code{\set Timing.defaultBarType = }
@var{Takstrichart} geändert werden.
jederzeit durch den Befehl @code{\set Timing.defaultBarType = }
@var{Takstrichart} geändert werden.
Notationsreferenz:
@ref{Line breaking},
@ref{Repeats},
Notationsreferenz:
@ref{Line breaking},
@ref{Repeats},
@node Bar numbers
@unnumberedsubsubsec Bar numbers
@node Bar numbers
@unnumberedsubsubsec Bar numbers
Schnipsel:
@rlsr{Rhythms}.
Referenz der Interna:
@rinternals{BarNumber}.
Schnipsel:
@rlsr{Rhythms}.
Referenz der Interna:
@rinternals{BarNumber}.
@knownissues
Taktnummern können mit der oberen Ecke der Klammer zu Beginn des
@knownissues
Taktnummern können mit der oberen Ecke der Klammer zu Beginn des
sich in
@ref{Formatting text}.
sich in
@ref{Formatting text}.
Notationsreferenz:
@ref{The Feta font},
@ref{Formatting text}.
Notationsreferenz:
@ref{The Feta font},
@ref{Formatting text}.
@rinternals{RehearsalMark}.
@rinternals{RehearsalMark}.
@node Special rhythmic concerns
@subsection Special rhythmic concerns
@node Special rhythmic concerns
@subsection Special rhythmic concerns
Glossar:
@rglos{grace notes},
@rglos{acciaccatura},
Glossar:
@rglos{grace notes},
@rglos{acciaccatura},
Glossar:
@rglos{cadenza}.
Glossar:
@rglos{cadenza}.
@node Time administration
@unnumberedsubsubsec Time administration
@node Time administration
@unnumberedsubsubsec Time administration
Notationsreferenz:
@ref{Bar numbers}, @ref{Unmetered music}
Notationsreferenz:
@ref{Bar numbers}, @ref{Unmetered music}
Mehr Information über Akkorden findet sich in @ref{Chord notation}.
Mehr Information über Akkorden findet sich in @ref{Chord notation}.
Musikglossar:
@rglos{chord}.
Musikglossar:
@rglos{chord}.
Schnipsel:
@rlsr{Simultaneous notes}.
Schnipsel:
@rlsr{Simultaneous notes}.
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
automatisch Zusammenstöße zwischen normalen Noten und Clustern
aufzulösen.
automatisch Zusammenstöße zwischen normalen Noten und Clustern
aufzulösen.
Musikglossar:
@rglos{cluster}.
Musikglossar:
@rglos{cluster}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@knownissues
Cluster sehen nur gut aus, wenn sie wenigstens über zwei Akkorde
@knownissues
Cluster sehen nur gut aus, wenn sie wenigstens über zwei Akkorde
Handbuch zum Lernen:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Handbuch zum Lernen:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Handbuch zum Lernen:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
Handbuch zum Lernen:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
@rlsr{Simultaneous notes}.
@rlsr{Simultaneous notes}.
@node Collision resolution
@unnumberedsubsubsec Collision resolution
@node Collision resolution
@unnumberedsubsubsec Collision resolution
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
Musikglossar:
@rglos{polyphony}.
Musikglossar:
@rglos{polyphony}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@knownissues
Wenn @code{\mergeDifferentlyHeadedOn} mit einer Achtel- oder
@knownissues
Wenn @code{\mergeDifferentlyHeadedOn} mit einer Achtel- oder
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
Musikglossar:
@rglos{a due},
@rglos{part}.
Musikglossar:
@rglos{a due},
@rglos{part}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@knownissues
@code{\partcombine} kann nur zwei Stimmen bearbeiten.
@knownissues
@code{\partcombine} kann nur zwei Stimmen bearbeiten.
Handbuch zum Lernen:
@rlearning{Organizing pieces with variables}.
Handbuch zum Lernen:
@rlearning{Organizing pieces with variables}.
{mensurstriche-layout-bar-lines-between-the-staves.ly}
@c FIXME: move to NR 2.8.x when sectioning is ready
{mensurstriche-layout-bar-lines-between-the-staves.ly}
@c FIXME: move to NR 2.8.x when sectioning is ready
Glossar:
@rglos{brace},
@rglos{bracket},
Glossar:
@rglos{brace},
@rglos{bracket},
@rinternals{SystemStartSquare}.
@rinternals{SystemStartSquare}.
@node Nested staff groups
@unnumberedsubsubsec Nested staff groups
@node Nested staff groups
@unnumberedsubsubsec Nested staff groups
Notationsreferenz:
@ref{Grouping staves},
@ref{Instrument names},
Notationsreferenz:
@ref{Grouping staves},
@ref{Instrument names},
@rinternals{SystemStartSquare}.
@rinternals{SystemStartSquare}.
@node Modifying single staves
@subsection Modifying single staves
@node Modifying single staves
@subsection Modifying single staves
Glossar:
@rglos{line},
@rglos{ledger line},
Glossar:
@rglos{line},
@rglos{ledger line},
Glossar:
@rglos{ossia},
@rglos{staff},
Glossar:
@rglos{ossia},
@rglos{staff},
Glossar:
@rglos{Frenched staff}.
Glossar:
@rglos{Frenched staff}.
Glossar:
@rglos{metronome},
@rglos{metronomic indication},
Glossar:
@rglos{metronome},
@rglos{metronomic indication},
Notationsreferenz:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Notationsreferenz:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Notationsreferenz:
@ref{Instrument transpositions},
@ref{Using tags}.
Notationsreferenz:
@ref{Instrument transpositions},
@ref{Using tags}.
Notationsreferenz:
@ref{Instrument transpositions},
@ref{Instrument names},
Notationsreferenz:
@ref{Instrument transpositions},
@ref{Instrument names},
Notationsreferenz:
@ref{Formatting text},
@ref{Direction and placement}.
Notationsreferenz:
@ref{Formatting text},
@ref{Direction and placement}.
Referenz der Interna:
@rinternals{TextScript}.
Referenz der Interna:
@rinternals{TextScript}.
@knownissues
Eine Überprüfung, ob sich auch alle Textbeschriftungen und Gesangstext
@knownissues
Eine Überprüfung, ob sich auch alle Textbeschriftungen und Gesangstext
Notationsreferenz:
@ref{Line styles},
@ref{Dynamics}.
Notationsreferenz:
@ref{Line styles},
@ref{Dynamics}.
@rinternals{TextSpanner}.
@rinternals{TextSpanner}.
@node Text marks
@unnumberedsubsubsec Text marks
@node Text marks
@unnumberedsubsubsec Text marks
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
Notationsreferenz:
@ref{Rehearsal marks},
@ref{Formatting text},
Notationsreferenz:
@ref{Rehearsal marks},
@ref{Formatting text},
Referenz der Interna:
@rinternals{RehearsalMark}.
Referenz der Interna:
@rinternals{RehearsalMark}.
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
TODO: add convenient snippets in input/new -vv
@end ignore
TODO: add convenient snippets in input/new -vv
@end ignore
Notationsreferenz:
@ref{Formatting text},
@ref{File structure},
Notationsreferenz:
@ref{Formatting text},
@ref{File structure},
@node Formatting text
@subsection Formatting text
@node Formatting text
@subsection Formatting text
Notationsreferenz:
@ref{Text markup commands}.
Notationsreferenz:
@ref{Text markup commands}.
Notationsreferenz:
@ref{Font},
@ref{New dynamic marks},
Notationsreferenz:
@ref{Font},
@ref{New dynamic marks},
Eine vollständige Liste der Textausrichtungsbefehle findet sich in
@ref{Align}.
Eine vollständige Liste der Textausrichtungsbefehle findet sich in
@ref{Align}.
@seealso
Handbuch zum Lernen:
@rlearning{Moving objects}.
@seealso
Handbuch zum Lernen:
@rlearning{Moving objects}.
@node Graphic notation inside markup
@unnumberedsubsubsec Graphic notation inside markup
@node Graphic notation inside markup
@unnumberedsubsubsec Graphic notation inside markup
Eine ausführliche Liste der Graphik-Befehle findet sich in
@ref{Graphic}.
Eine ausführliche Liste der Graphik-Befehle findet sich in
@ref{Graphic}.
@seealso
Notationsreferenz:
@ref{Graphic},
@seealso
Notationsreferenz:
@ref{Graphic},
@file{scm/@/stencil@/.scm}.
@file{scm/@/stencil@/.scm}.
@node Music notation inside markup
@unnumberedsubsubsec Music notation inside markup
@node Music notation inside markup
@unnumberedsubsubsec Music notation inside markup
Eine vollständige Liste der Musiksymbol-Befehle findet sich in
@ref{Music}.
Eine vollständige Liste der Musiksymbol-Befehle findet sich in
@ref{Music}.
@seealso
Notationsreferenz:
@ref{Music},
@seealso
Notationsreferenz:
@ref{Music},
@file{scm/@/harp@/-pedals@/.scm}.
@file{scm/@/harp@/-pedals@/.scm}.
@node Multi-page markup
@unnumberedsubsubsec Multi-page markup
@node Multi-page markup
@unnumberedsubsubsec Multi-page markup
Eine vollständige Liste der Beschriftungslistenbefehle findet sich in
@ref{Text markup list commands}.
Eine vollständige Liste der Beschriftungslistenbefehle findet sich in
@ref{Text markup list commands}.
@seealso
Notationsreferenz:
@ref{Text markup list commands},
@seealso
Notationsreferenz:
@ref{Text markup list commands},
in folgenden Abschnitten: @ref{Single entry fonts} und
@ref{Entire document fonts}.
in folgenden Abschnitten: @ref{Single entry fonts} und
@ref{Entire document fonts}.
Notationsreferenz:
@ref{The Feta font},
@ref{Music notation inside markup},
Notationsreferenz:
@ref{The Feta font},
@ref{Music notation inside markup},
Das letzte Argument kann ein beliebiges Zeichen sein, aber es darf nicht
fehlen.
Das letzte Argument kann ein beliebiges Zeichen sein, aber es darf nicht
fehlen.
Notationsreferenz:
@ref{Fonts explained},
@ref{Entire document fonts}.
Notationsreferenz:
@ref{Fonts explained},
@ref{Entire document fonts}.
@file{lily/@/font@/-config@/-scheme@/.cc}.
@file{lily/@/font@/-config@/-scheme@/.cc}.
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
Notationsreferenz:
@ref{Fonts explained},
@ref{Single entry fonts},
Notationsreferenz:
@ref{Fonts explained},
@ref{Single entry fonts},
@seealso
Notationsreferenz: @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
@seealso
Notationsreferenz: @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
@node Working on input files
@subsection Working on input files
@node Working on input files
@subsection Working on input files
Zeile @qq{Start
cut-&-pastable section} bis ganz zum Ende der Datei.
Zeile @qq{Start
cut-&-pastable section} bis ganz zum Ende der Datei.
Mehr Hinweise dazu, wie LilyPond-Eingabedateien konstruiert werden
sollten, finden sich in @ref{Suggestions for writing LilyPond input files}.
Es ist aber wahrscheinlich am Besten, zuerst
Mehr Hinweise dazu, wie LilyPond-Eingabedateien konstruiert werden
sollten, finden sich in @ref{Suggestions for writing LilyPond input files}.
Es ist aber wahrscheinlich am Besten, zuerst
@ruser{Automatic accidentals} für einige Beispiele, wie Vorzeichen
anhand von unterschiedlichen Regeln ausgegeben werden können.
@ruser{Automatic accidentals} für einige Beispiele, wie Vorzeichen
anhand von unterschiedlichen Regeln ausgegeben werden können.
Notationsreferenz: @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
Notationsreferenz: @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
Notationsreferenz: @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
Notationsreferenz: @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
c2\< c2\ff\> c2 c2\!
@end lilypond
c2\< c2\ff\> c2 c2\!
@end lilypond
Notationsreferenz: @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Notationsreferenz: @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Notationsreferenz: @ruser{Writing text}.
Notationsreferenz: @ruser{Writing text}.
a8 c b4 d8. c16 b4
@end lilypond
a8 c b4 d8. c16 b4
@end lilypond
Notationsreferenz: @ruser{Automatic beams}, @ruser{Manual beams}.
Notationsreferenz: @ruser{Automatic beams}, @ruser{Manual beams}.
c2 \acciaccatura b16 c2
@end lilypond
c2 \acciaccatura b16 c2
@end lilypond
Notationsreferenz: @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
Notationsreferenz: @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
darüber entscheidet, ob die Taktlinien nur auf dem System
oder auch zwischen System gesetzt werden.
darüber entscheidet, ob die Taktlinien nur auf dem System
oder auch zwischen System gesetzt werden.
Notationsreferenz:
@ruser{Keyboard and other multi-staff
instruments},
Notationsreferenz:
@ruser{Keyboard and other multi-staff
instruments},
Notationsreferenz:
@ruser{Simultaneous notes}.
Notationsreferenz:
@ruser{Simultaneous notes}.
Notationsreferenz: @ruser{Vocal music}.
Notationsreferenz: @ruser{Vocal music}.
Noten und dem Gesangstext durch Variablen trennt. Die Benutzung
von Variablen wird erklärt im Abschnitt @ref{Organizing pieces with variables}.
Noten und dem Gesangstext durch Variablen trennt. Die Benutzung
von Variablen wird erklärt im Abschnitt @ref{Organizing pieces with variables}.
Notationsreferenz: @ruser{Vocal music}.
Notationsreferenz: @ruser{Vocal music}.
Notationsreferenz:
@ruser{The tweak command}.
Notationsreferenz:
@ruser{The tweak command}.
@node The Internals Reference manual
@section The Internals Reference manual
@node The Internals Reference manual
@section The Internals Reference manual
@tab @code{'#(#t #t #f)}
@end multitable
@tab @code{'#(#t #t #f)}
@end multitable
Handbuch zum Lernen: @ref{Scheme tutorial}.
Handbuch zum Lernen: @ref{Scheme tutorial}.
explica en @ref{White mensural ligatures} y @ref{Gregorian square
neume ligatures}.
explica en @ref{White mensural ligatures} y @ref{Gregorian square
neume ligatures}.
@knownissues
Las ligaduras necesitan un espaciado especial que aún no se ha
@knownissues
Las ligaduras necesitan un espaciado especial que aún no se ha
Referencia de funcionamiento interno:
@rinternals{Custos}.
Referencia de funcionamiento interno:
@rinternals{Custos}.
@node Mensural clefs
@unnumberedsubsubsec Mensural clefs
@node Mensural clefs
@unnumberedsubsubsec Mensural clefs
@end lilypond
@end multitable
@end lilypond
@end multitable
Referencia de la notación:
@ref{Clef}.
Referencia de la notación:
@ref{Clef}.
@knownissues
La clave de Sol mensural está asignada a la clave de Sol de Petrucci.
@knownissues
La clave de Sol mensural está asignada a la clave de Sol de Petrucci.
Referencia de la notación:
@ref{Time signature}
ofrece una introducción general al uso de las indicaciones de compás.
Referencia de la notación:
@ref{Time signature}
ofrece una introducción general al uso de las indicaciones de compás.
@ref{Note head styles} ofrece una visión de conjunto sobre la
totalidad de los estilos de cabeza disponibles.
@ref{Note head styles} ofrece una visión de conjunto sobre la
totalidad de los estilos de cabeza disponibles.
No existen corchetes en la notación del canto gregoriano.
No existen corchetes en la notación del canto gregoriano.
@knownissues
La unión de los corchetes antiguos a las plicas está ligeramente
@knownissues
La unión de los corchetes antiguos a las plicas está ligeramente
No hay silencios en la notación del canto gregoriano; en su lugar, se
utilizan @ref{Divisiones}.
No hay silencios en la notación del canto gregoriano; en su lugar, se
utilizan @ref{Divisiones}.
Referencia de la notación:
@ref{Rests}
ofrece una introducción general al uso de los silencios.
Referencia de la notación:
@ref{Rests}
ofrece una introducción general al uso de los silencios.
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
Referencia de la notación:
@ref{Pitches},
@ref{Accidentals} y
Referencia de la notación:
@ref{Pitches},
@ref{Accidentals} y
Referencia de funcionamiento interno:
@rinternals{KeySignature}.
Referencia de funcionamiento interno:
@rinternals{KeySignature}.
@cindex alteraciones accidentales
@cindex alteraciones accidentales
Referencia de funcionamiento interno:
el grabador @rinternals{Accidental_engraver}
y el objeto
Referencia de funcionamiento interno:
el grabador @rinternals{Accidental_engraver}
y el objeto
@knownissues
El espaciado horizontal es pobre.
@knownissues
El espaciado horizontal es pobre.
@end lilypond
@end multitable
@end lilypond
@end multitable
Referencia de la notación:
@ref{Clef}.
Referencia de la notación:
@ref{Clef}.
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
Referencia de la notación:
@ref{Pitches},
@ref{Accidentals} y
Referencia de la notación:
@ref{Pitches},
@ref{Accidentals} y
@knownissues
Ciertas articulaciones se colocan demasiado cerca verticalmente de las
@knownissues
Ciertas articulaciones se colocan demasiado cerca verticalmente de las
Referencia de la notación:
@ref{Breath marks}.
Referencia de la notación:
@ref{Breath marks}.
Utilice la función musical unaria @code{\augmentum} para añadir puntos
de augmentum.
Utilice la función musical unaria @code{\augmentum} para añadir puntos
de augmentum.
@knownissues
Cuando aparece un punto de @code{\augmentum} al final de la última
@knownissues
Cuando aparece un punto de @code{\augmentum} al final de la última
@node Ancient and modern from one source
@unnumberedsubsubsec Ancient and modern from one source
Continuará...
@node Ancient and modern from one source
@unnumberedsubsubsec Ancient and modern from one source
Continuará...
@node Editorial markings
@unnumberedsubsubsec Editorial markings
Continuará...
@node Editorial markings
@unnumberedsubsubsec Editorial markings
Continuará...
* Aligning contexts::
@end menu
* Aligning contexts::
@end menu
Manual de aprendizaje:
@rlearning{Contexts and engravers}.
Manual de aprendizaje:
@rlearning{Contexts and engravers}.
Referencia de funcionamiento interno:
@rinternals{OverrideProperty},
@rinternals{RevertProperty},
Referencia de funcionamiento interno:
@rinternals{OverrideProperty},
@rinternals{RevertProperty},
puede ser de utilidad en la determinación de lo que puede modificarse
por medio de una instrucción @code{\tweak}.
puede ser de utilidad en la determinación de lo que puede modificarse
por medio de una instrucción @code{\tweak}.
Manual de aprendizaje:
@rlearning{Tweaking methods}.
Referencia de la notación:
@ref{Displaying music expressions}.
Manual de aprendizaje:
@rlearning{Tweaking methods}.
Referencia de la notación:
@ref{Displaying music expressions}.
@knownissues
@cindex trucos en una variable
@knownissues
@cindex trucos en una variable
en @code{staff-space}. Para ver una explicación y un ejemplo de su
utilización, consulte @rlearning{Length and thickness of objects}.
en @code{staff-space}. Para ver una explicación y un ejemplo de su
utilización, consulte @rlearning{Length and thickness of objects}.
Manual de aprendizaje:
@rlearning{Length and thickness of objects}.
Manual de aprendizaje:
@rlearning{Length and thickness of objects}.
Si se usa @code{\endSpanners} no es necesario cerrar \startTextSpan
con \stopTextSpan, ni cerrar los reguladores con @code{\!}.
Si se usa @code{\endSpanners} no es necesario cerrar \startTextSpan
con \stopTextSpan, ni cerrar los reguladores con @code{\!}.
Referencia de funcionamiento interno:
@rinternals{TextSpanner},
@rinternals{Glissando},
Referencia de funcionamiento interno:
@rinternals{TextSpanner},
@rinternals{Glissando},
@code{explicitClefVisibility} controla tanto el símbolo de clave como
el símbolo de octava asociado.
@code{explicitClefVisibility} controla tanto el símbolo de clave como
el símbolo de octava asociado.
Manual de aprendizaje:
@rlearning{Visibility and color of objects}
Manual de aprendizaje:
@rlearning{Visibility and color of objects}
* Modifying shapes::
@end menu
* Modifying shapes::
@end menu
Manual de aprendizaje:
@rlearning{Tweaking output},
@rlearning{Other sources of information}.
Manual de aprendizaje:
@rlearning{Tweaking output},
@rlearning{Other sources of information}.
@c TODO Add inserting Postscript or ref to later
@c TODO Add inserting Postscript or ref to later
Referencia de la notación:
@ref{Graphic notation inside markup},
@ref{Formatting text},
Referencia de la notación:
@ref{Graphic notation inside markup},
@ref{Formatting text},
\chordmode { f2 g }
@end lilypond
\chordmode { f2 g }
@end lilypond
Glossario musical:
@rglos{chord}.
Glossario musical:
@rglos{chord}.
Fragmentos de código:
@rlsr{Chords}
Fragmentos de código:
@rlsr{Chords}
@knownissues
Cuando se mezclan los modos de acorde y de nota en música secuencial,
@knownissues
Cuando se mezclan los modos de acorde y de nota en música secuencial,
Fragmentos de código:
@rlsr{Chords}.
Fragmentos de código:
@rlsr{Chords}.
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
Fragmentos de código:
@rlsr{Chords}
Fragmentos de código:
@rlsr{Chords}
@knownissues
Cada nota sólo puede estar presente en el acorde una sola vez. Lo que
@knownissues
Cada nota sólo puede estar presente en el acorde una sola vez. Lo que
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
Glosario musical:
@rglos{chord}.
Glosario musical:
@rglos{chord}.
@rinternals{Volta_engraver},
@rinternals{Bar_engraver}.
@rinternals{Volta_engraver},
@rinternals{Bar_engraver}.
@knownissues
Los acordes que contienen inversiones o bajos alterados no reciben un
@knownissues
Los acordes que contienen inversiones o bajos alterados no reciben un
Referencia de la notación:
@ref{Chord name chart}.
Referencia de la notación:
@ref{Chord name chart}.
@c Internals Reference:
@c @rinternals{ }.
@c Internals Reference:
@c @rinternals{ }.
@knownissues
Los nombres de acorde se determinan a partir de las notas que están
@knownissues
Los nombres de acorde se determinan a partir de las notas que están
cifras se puede ajustar con @code{baseline-skip}.
@end ignore
cifras se puede ajustar con @code{baseline-skip}.
@end ignore
Glosario musical:
@rglos{figured bass}.
Glosario musical:
@rglos{figured bass}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-the-positions-of-figured-bass-alterations.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-the-positions-of-figured-bass-alterations.ly}
Fragmentos de código:
@rlsr{Chords}.
Fragmentos de código:
@rlsr{Chords}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
@seealso
@c Music Glossary:
@c @rg los{}.
@seealso
@c Music Glossary:
@c @rg los{}.
@c Learning Manual:
@c @rle arning{}.
@c Learning Manual:
@c @rle arning{}.
@c Notation Reference:
@c @re f{}.
@c Notation Reference:
@c @re f{}.
@c Application Usage:
@c @rpr ogram{}.
@c Application Usage:
@c @rpr ogram{}.
@c Installed Files:
@c @fil e{}.
@c Installed Files:
@c @fil e{}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@knownissues
Para asegurar que las líneas extensoras funcionan adecuadamente, lo
@knownissues
Para asegurar que las líneas extensoras funcionan adecuadamente, lo
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
Referencia de la notación:
@ref{Direction and placement}
Referencia de la notación:
@ref{Direction and placement}
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Referencia de la notación:
@ref{List of colors},
@ref{The tweak command}.
Referencia de la notación:
@ref{List of colors},
@ref{The tweak command}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
@cindex x11, color de
@cindex coloreadas, notas de acorde
@cindex notas coloreadas en acordes
@cindex x11, color de
@cindex coloreadas, notas de acorde
@cindex notas coloreadas en acordes
c2 \parenthesize r
@end lilypond
c2 \parenthesize r
@end lilypond
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@knownissues
Al poner un acorde entre paréntesis, se encierra cada una de las notas
@knownissues
Al poner un acorde entre paréntesis, se encierra cada una de las notas
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@seealso
Referencia de la notación:
@ref{Direction and placement}.
@seealso
Referencia de la notación:
@ref{Direction and placement}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
Fragmentos de código:
@rlsr{Editorial annotations}.
@rglos{tenuto},
@rglos{accent},
@rglos{staccato},
@rglos{tenuto},
@rglos{accent},
@rglos{staccato},
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-text-and-spanner-styles-for-text-dynamics.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-text-and-spanner-styles-for-text-dynamics.ly}
Glosario musical:
@rglos{al niente},
@rglos{crescendo},
Glosario musical:
@rglos{al niente},
@rglos{crescendo},
Los ajustes para las fuentes tipográficas en el modo de marcado se
describen en @ref{Selecting font and font size}.
Los ajustes para las fuentes tipográficas en el modo de marcado se
describen en @ref{Selecting font and font size}.
Referencia de la notación:
@ref{Formatting text},
@ref{Selecting font and font size},
Referencia de la notación:
@ref{Formatting text},
@ref{Selecting font and font size},
Glosario musical:
@rglos{slur}.
Glosario musical:
@rglos{slur}.
Manual de aprendizaje:
@rlearning{On the un-nestedness of brackets and ties}.
Manual de aprendizaje:
@rlearning{On the un-nestedness of brackets and ties}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{inserting-a-caesura.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{inserting-a-caesura.ly}
Glosario musical:
@rglos{caesura}.
Glosario musical:
@rglos{caesura}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{adjusting-the-shape-of-falls-and-doits.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{adjusting-the-shape-of-falls-and-doits.ly}
Glosario musical:
@rglos{fall},
@rglos{doit}.
Glosario musical:
@rglos{fall},
@rglos{doit}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{contemporary-glissando.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{contemporary-glissando.ly}
Glosario musical:
@rglos{glissando}.
Glosario musical:
@rglos{glissando}.
Referencia de funcionamiento interno:
@rinternals{Glissando}.
Referencia de funcionamiento interno:
@rinternals{Glissando}.
@knownissues
La impresión de texto sobre la línea (como @notation{gliss.}) no está
@knownissues
La impresión de texto sobre la línea (como @notation{gliss.}) no está
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{creating-arpeggios-across-notes-in-different-voices.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{creating-arpeggios-across-notes-in-different-voices.ly}
Glosario musical:
@rglos{arpeggio}.
Glosario musical:
@rglos{arpeggio}.
@rinternals{Arpeggio},
@rinternals{PianoStaff}.
@rinternals{Arpeggio},
@rinternals{PianoStaff}.
@knownissues
@cindex pentagrama cruzado, arpegios con paréntesis
@knownissues
@cindex pentagrama cruzado, arpegios con paréntesis
Glosario musical:
@rglos{trill}.
Glosario musical:
@rglos{trill}.
Referencia de la notación:
@ref{Fingering instructions},
@ref{Ties},
Referencia de la notación:
@ref{Fingering instructions},
@ref{Ties},
@ref{List of articulations},
@ref{Clef}.
@ref{List of articulations},
@ref{Clef}.
@node String number indications
@unnumberedsubsubsec String number indications
@node String number indications
@unnumberedsubsubsec String number indications
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
Referencia de la notación:
@ref{Fingering instructions}.
Referencia de la notación:
@ref{Fingering instructions}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{polyphony-in-tablature.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{polyphony-in-tablature.ly}
Referencia de la notación:
@ref{Stems}.
Referencia de la notación:
@ref{Stems}.
@rinternals{TabVoice},
@rinternals{Beam}.
@rinternals{TabVoice},
@rinternals{Beam}.
@knownissues
Los acordes no se tratan de una forma especial, y de aquí que el
@knownissues
Los acordes no se tratan de una forma especial, y de aquí que el
Archivos de inicio:
@file{scm/output-lib.scm}.
Archivos de inicio:
@file{scm/output-lib.scm}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{customizing-markup-fret-diagrams.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{customizing-markup-fret-diagrams.ly}
Referencia de la notación:
@ref{Text markup commands}.
Referencia de la notación:
@ref{Text markup commands}.
Referencia de funcionamiento interno:
@rinternals{fret-diagram-interface}.
Referencia de funcionamiento interno:
@rinternals{fret-diagram-interface}.
@node Predefined fret diagrams
@unnumberedsubsubsec Predefined fret diagrams
@node Predefined fret diagrams
@unnumberedsubsubsec Predefined fret diagrams
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{defining-predefined-fretboards-for-other-instruments.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{defining-predefined-fretboards-for-other-instruments.ly}
Referencia de la notación:
@ref{Custom tablatures},
@ref{Automatic fret diagrams},
Referencia de la notación:
@ref{Custom tablatures},
@ref{Automatic fret diagrams},
Referencia de la notación:
@ref{Custom tablatures}.
Referencia de la notación:
@ref{Custom tablatures}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{fingerings,-string-indications,-and-right-hand-fingerings.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{fingerings,-string-indications,-and-right-hand-fingerings.ly}
Fragmentos de código:
@rlsr{Fretted strings}.
Fragmentos de código:
@rlsr{Fretted strings}.
Referencia de la notación:
@ref{Text spanners}.
Referencia de la notación:
@ref{Text spanners}.
@rlsr{Fretted strings},
@rlsr{Expressive marks}.
@rlsr{Fretted strings},
@rlsr{Expressive marks}.
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
Fragmentos de código:
@rlsr{Fretted strings}.
Fragmentos de código:
@rlsr{Fretted strings}.
@ref{Special note heads},
@ref{Note head styles}.
@ref{Special note heads},
@ref{Note head styles}.
@node Banjo
@subsection Banjo
@node Banjo
@subsection Banjo
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
Fragmentos de código:
@rlsr{Fretted strings}.
Fragmentos de código:
@rlsr{Fretted strings}.
afectan a los nombres de variable se detallan en @ruser{File
structure}.
afectan a los nombres de variable se detallan en @ruser{File
structure}.
Para ver una definición completa del formato del código de entrada,
consulte @ruser{File structure}.
Para ver una definición completa del formato del código de entrada,
consulte @ruser{File structure}.
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
de texto cada elemento del mismo nivel comienza en la misma posición
horizontal).
de texto cada elemento del mismo nivel comienza en la misma posición
horizontal).
Referencia de la notación:
@ruser{Structure of a score}.
Referencia de la notación:
@ruser{Structure of a score}.
colocar por encima del pentagrama llamado @qq{main} en vez de la
posición predeterminada que sería por debajo.
colocar por encima del pentagrama llamado @qq{main} en vez de la
posición predeterminada que sería por debajo.
Los fragmentos de ossia se escriben a menudo sin clave y sin
indicación de compás, y generalmente en un tipo más pequeño. Esto
necesitaría más instrucciones que aún no se han visto. Véase
Los fragmentos de ossia se escriben a menudo sin clave y sin
indicación de compás, y generalmente en un tipo más pequeño. Esto
necesitaría más instrucciones que aún no se han visto. Véase
problema aparcado hasta una sección posterior (véase la propiedad
@code{force-hshift} en @ref{Fixing overlapping notation}).
problema aparcado hasta una sección posterior (véase la propiedad
@code{force-hshift} en @ref{Fixing overlapping notation}).
Referencia de la notación:
@ruser{Multiple voices}.
Referencia de la notación:
@ruser{Multiple voices}.
desplazamiento, se producirá el mensaje de error @qq{Chocan demasiadas
columnas de notas}.
desplazamiento, se producirá el mensaje de error @qq{Chocan demasiadas
columnas de notas}.
Referencia de la notación:
@ruser{Multiple voices}.
Referencia de la notación:
@ruser{Multiple voices}.
Referencia de la notación:
@ruser{Vocal music}.
Referencia de la notación:
@ruser{Vocal music}.
sin guión ni barra baja, por ejemplo:
@code{GregorianTranscriptionStaff}.
sin guión ni barra baja, por ejemplo:
@code{GregorianTranscriptionStaff}.
Referencia de la notación:
@ruser{Contexts explained}.
Referencia de la notación:
@ruser{Contexts explained}.
@node Creating contexts
@subsection Creating contexts
@node Creating contexts
@subsection Creating contexts
Hemos visto esto en la sección acerca de la letra, en @ref{Voices and
vocals}.
Hemos visto esto en la sección acerca de la letra, en @ref{Voices and
vocals}.
Referencia de la notación:
@ruser{Creating contexts}.
Referencia de la notación:
@ruser{Creating contexts}.
Más adelante veremos cómo la salida de LilyPond se puede cambiar
mediante la modificación del funcionamiento de los Grabadores.
Más adelante veremos cómo la salida de LilyPond se puede cambiar
mediante la modificación del funcionamiento de los Grabadores.
Referencia de funcionamiento interno:
@rinternals{Engravers and Performers}.
Referencia de funcionamiento interno:
@rinternals{Engravers and Performers}.
enunciados dentro de un bloque @code{\with}, y mediante instrucciones
@code{\set} intercaladas dentro de enunciados musicales.
enunciados dentro de un bloque @code{\with}, y mediante instrucciones
@code{\set} intercaladas dentro de enunciados musicales.
Referencia de la notación:
@ruser{Changing context default settings}.
@c FIXME
Referencia de la notación:
@ruser{Changing context default settings}.
@c FIXME
particular incluyendo la instrucción @code{\set} dentro de un bloque
@code{\context} de la misma forma.
particular incluyendo la instrucción @code{\set} dentro de un bloque
@code{\context} de la misma forma.
Referencia de la notación:
@ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Referencia de la notación:
@ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Las plantillas de inicio se pueden encontrar en el apéndice
@q{Templates}, véase @ref{Single staff}.
Las plantillas de inicio se pueden encontrar en el apéndice
@q{Templates}, véase @ref{Single staff}.
pueden escribir dentro o fuera del bloque @code{\score}, y dentro o
fuera de la expresión musical única dentro del bloque @code{\score}.
pueden escribir dentro o fuera del bloque @code{\score}, y dentro o
fuera de la expresión musical única dentro del bloque @code{\score}.
Manual de aprendizaje:
@rlearning{Working on input files},
@rlearning{Music expressions explained},
Manual de aprendizaje:
@rlearning{Working on input files},
@rlearning{Music expressions explained},
Manual de aprendizaje:
@rlearning{How LilyPond input files work}.
Manual de aprendizaje:
@rlearning{How LilyPond input files work}.
Archivos de inicio:
@file{ly/@/toc@/-init@/.ly}.
Archivos de inicio:
@file{ly/@/toc@/-init@/.ly}.
Pueden verse ejemplos sencillos sobre el uso de @code{\include} en
@rlearning{Scores and parts}.
Pueden verse ejemplos sencillos sobre el uso de @code{\include} en
@rlearning{Scores and parts}.
Manual de aprendizaje:
@rlearning{Other sources of information},
@rlearning{Scores and parts}.
Manual de aprendizaje:
@rlearning{Other sources of information},
@rlearning{Scores and parts}.
@knownissues
Si un archivo incluido recibe un nombre igual al de uno de los
@knownissues
Si un archivo incluido recibe un nombre igual al de uno de los
etiquetadas excepto la que se nombra, y el segundo filtro elimina
incluso esa sección etiquetada.
etiquetadas excepto la que se nombra, y el segundo filtro elimina
incluso esa sección etiquetada.
Manual de aprendizaje:
@rlearning{Organizing pieces with variables}.
Manual de aprendizaje:
@rlearning{Organizing pieces with variables}.
@ref{Automatic part combining},
@ref{Including LilyPond files}.
@ref{Automatic part combining},
@ref{Including LilyPond files}.
@ignore
@c This warning is more general than this placement implies.
@c Rests are not merged whether or not they come from tagged sections.
@c Should be deleted? -td
@ignore
@c This warning is more general than this placement implies.
@c Rests are not merged whether or not they come from tagged sections.
@c Should be deleted? -td
@knownissues
Multiple rests are not merged if you create a score with more
@knownissues
Multiple rests are not merged if you create a score with more
agruparse en un único Contexto de partitura. El Contexto de partitura
es el contexto de notación de más alto nivel.
agruparse en un único Contexto de partitura. El Contexto de partitura
es el contexto de notación de más alto nivel.
Referencia de funcionamiento interno:
@rinternals{Contexts}.
Referencia de funcionamiento interno:
@rinternals{Contexts}.
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
Manual de aprendizaje:
@rlearning{Real music example},
@rlearning{Other uses for tweaks}.
Manual de aprendizaje:
@rlearning{Real music example},
@rlearning{Other uses for tweaks}.
Fragmentos de código:
@rlsr{Keyboards}.
Fragmentos de código:
@rlsr{Keyboards}.
@knownissues
@cindex teclado, matices centrados para música de
@knownissues
@cindex teclado, matices centrados para música de
está más cerca de la barra. Para ver un ejemplo sencillo de trucaje
de las barras, consulte @rlearning{Fixing overlapping notation}.
está más cerca de la barra. Para ver un ejemplo sencillo de trucaje
de las barras, consulte @rlearning{Fixing overlapping notation}.
Manual de aprendizaje:
@rlearning{Fixing overlapping notation}.
Manual de aprendizaje:
@rlearning{Fixing overlapping notation}.
Referencia de la notación:
@ref{Changing staff manually}.
Referencia de la notación:
@ref{Changing staff manually}.
Referencia de funcionamiento interno:
@rinternals{AutoChangeMusic}.
Referencia de funcionamiento interno:
@rinternals{AutoChangeMusic}.
@knownissues
@cindex acordes, división entre pentagramas con \autochange
@knownissues
@cindex acordes, división entre pentagramas con \autochange
Fragmentos de código:
@rlsr{Keyboards}.
Fragmentos de código:
@rlsr{Keyboards}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{indicating-cross-staff-chords-with-arpeggio-bracket.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{indicating-cross-staff-chords-with-arpeggio-bracket.ly}
Fragmentos de código:
@rlsr{Keyboards}.
Referencia de funcionamiento interno:
@rinternals{Stem}.
Fragmentos de código:
@rlsr{Keyboards}.
Referencia de funcionamiento interno:
@rinternals{Stem}.
@node Piano
@subsection Piano
@node Piano
@subsection Piano
La pedalización hasta la barra final de compás se indica mediante la
omisión de la instrucción final de levantar el pedal.
La pedalización hasta la barra final de compás se indica mediante la
omisión de la instrucción final de levantar el pedal.
Referencia de la notación:
@ref{Ties}.
Referencia de la notación:
@ref{Ties}.
@rinternals{PianoPedalBracket},
@rinternals{Piano_pedal_engraver}.
@rinternals{PianoPedalBracket},
@rinternals{Piano_pedal_engraver}.
@node Accordion
@subsection Accordion
@node Accordion
@subsection Accordion
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{accordion-discant-symbols.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{accordion-discant-symbols.ly}
Fragmentos de código:
@rlsr{Keyboards}.
Fragmentos de código:
@rlsr{Keyboards}.
\begin@{lilypond@}...\end@{lilypond@}
@end example
\begin@{lilypond@}...\end@{lilypond@}
@end example
@seealso
Hay opciones de línea de órdenes específicas de
@command{lilypond-book} y otros detalles que conocer para procesar
@seealso
Hay opciones de línea de órdenes específicas de
@command{lilypond-book} y otros detalles que conocer para procesar
Referencia de la notación:
@ref{Showing melody rhythms},
@ref{Instantiating new staves}.
Referencia de la notación:
@ref{Showing melody rhythms},
@ref{Instantiating new staves}.
instrumentos de percusión; para ver los detalles consulte
@ref{Percussion in MIDI}.
instrumentos de percusión; para ver los detalles consulte
@ref{Percussion in MIDI}.
Referencia de la notación:
@ref{Percussion in MIDI},
@ref{Percussion notes}.
Referencia de la notación:
@ref{Percussion in MIDI},
@ref{Percussion notes}.
Fragmentos de código:
@rlsr{Percussion}.
Fragmentos de código:
@rlsr{Percussion}.
normales. Esto se estudia en otras secciones del manual.
@seealso
normales. Esto se estudia en otras secciones del manual.
@seealso
@c TODO: possibly link to an alternate section of NR 3.5, if
@c "percussion in MIDI" gets a separate subsubsection for
@c pitched percussion sounds. -gp
@c TODO: possibly link to an alternate section of NR 3.5, if
@c "percussion in MIDI" gets a separate subsubsection for
@c pitched percussion sounds. -gp
Referencia de la notación:
@ref{Percussion in MIDI}.
Referencia de la notación:
@ref{Percussion in MIDI}.
Fragmentos de código:
@rlsr{Percussion}.
Fragmentos de código:
@rlsr{Percussion}.
Observe, además, que debe añadir acordes (paréntesis en ángulo @code{<
>}) alrededor de cada una de las instrucciones @code{\parenthesize}.
Observe, además, que debe añadir acordes (paréntesis en ángulo @code{<
>}) alrededor de cada una de las instrucciones @code{\parenthesize}.
Fragmentos de código:
@rlsr{Percussion}.
Fragmentos de código:
@rlsr{Percussion}.
Glosario musical:
@rglos{Pitch names}.
Glosario musical:
@rglos{Pitch names}.
Glosario musical:
@rglos{fifth},
@rglos{interval},
Glosario musical:
@rglos{fifth},
@rglos{interval},
Referencia de funcionamiento interno:
@rinternals{RelativeOctaveMusic}.
Referencia de funcionamiento interno:
@rinternals{RelativeOctaveMusic}.
@cindex relativo, modo, transposición y
@cindex transposición y modo relativo
@funindex \transpose
@cindex relativo, modo, transposición y
@cindex transposición y modo relativo
@funindex \transpose
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{makam-example.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{makam-example.ly}
Glosario musical:
@rglos{sharp},
@rglos{flat},
Glosario musical:
@rglos{sharp},
@rglos{flat},
@rinternals{AccidentalCautionary},
@rinternals{accidental-interface}.
@rinternals{AccidentalCautionary},
@rinternals{accidental-interface}.
@cindex alteración de cuartos de tono
@cindex cuartos de tono, alteraciones
@cindex alteración de cuartos de tono
@cindex cuartos de tono, alteraciones
@end multitable
@end quotation
@end multitable
@end quotation
Glosario musical:
@rglos{Pitch names}.
Glosario musical:
@rglos{Pitch names}.
Fragmentos de código:
@rlsr{Pitches}.
Referencia de funcionamiento interno:
@rinternals{RelativeOctaveCheck}.
Fragmentos de código:
@rlsr{Pitches}.
Referencia de funcionamiento interno:
@rinternals{RelativeOctaveCheck}.
@node Transpose
@unnumberedsubsubsec Transpose
@node Transpose
@unnumberedsubsubsec Transpose
Referencia de la notación:
@ref{Instrument transpositions}.
Referencia de la notación:
@ref{Instrument transpositions}.
Referencia de funcionamiento interno:
@rinternals{TransposedMusic}.
Referencia de funcionamiento interno:
@rinternals{TransposedMusic}.
@funindex \transpose
@funindex \chordmode
@funindex \relative
@funindex \transpose
@funindex \chordmode
@funindex \relative
Referencia de la notación:
@ref{Mensural clefs},
@ref{Gregorian clefs}.
Referencia de la notación:
@ref{Mensural clefs},
@ref{Gregorian clefs}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
Glosario musical:
@rglos{church mode},
@rglos{scordatura}.
Glosario musical:
@rglos{church mode},
@rglos{scordatura}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{ottava-text.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{ottava-text.ly}
Glosario musical:
@rglos{octavation}.
Glosario musical:
@rglos{octavation}.
@rinternals{ottava-bracket-interface}.
@rinternals{ottava-bracket-interface}.
@node Instrument transpositions
@unnumberedsubsubsec Instrument transpositions
@node Instrument transpositions
@unnumberedsubsubsec Instrument transpositions
Glosario musical:
@rglos{concert pitch},
@rglos{transposing instrument}.
Glosario musical:
@rglos{concert pitch},
@rglos{transposing instrument}.
Fragmentos de código:
@rlsr{Pitches}.
Fragmentos de código:
@rlsr{Pitches}.
Glosario musical:
@rglos{ambitus}.
Glosario musical:
@rglos{ambitus}.
Para ver todos los estilos de cabeza de las notas, consulte @ref{Note
head styles}.
Para ver todos los estilos de cabeza de las notas, consulte @ref{Note
head styles}.
Fragmentos de código:
@rlsr{Pitches}.
Fragmentos de código:
@rlsr{Pitches}.
@rinternals{note-head-interface},
@rinternals{ledger-line-spanner-interface}.
@rinternals{note-head-interface},
@rinternals{ledger-line-spanner-interface}.
@node Easy notation note heads
@unnumberedsubsubsec Easy notation note heads
@node Easy notation note heads
@unnumberedsubsubsec Easy notation note heads
Referencia de la notación:
@ref{Setting the staff size}.
Referencia de la notación:
@ref{Setting the staff size}.
Para ver todos los estilos de formas de cabeza de nota, consulte
@ref{Note head styles}.
Para ver todos los estilos de formas de cabeza de nota, consulte
@ref{Note head styles}.
Fragmentos de código:
@rlsr{Pitches}.
Fragmentos de código:
@rlsr{Pitches}.
Fragmentos de código:
@rlsr{Pitches}.
Fragmentos de código:
@rlsr{Pitches}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{adding-volta-brackets-to-additional-staves.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{adding-volta-brackets-to-additional-staves.ly}
Glosario musical:
@rglos{repeat},
@rglos{volta}.
Glosario musical:
@rglos{repeat},
@rglos{volta}.
@rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@knownissues
@cindex repetición ambigua
@knownissues
@cindex repetición ambigua
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{printing-a-repeat-sign-at-the-beginning-of-a-piece.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{printing-a-repeat-sign-at-the-beginning-of-a-piece.ly}
Referencia de la notación:
@ref{Bar lines},
@ref{Formatting text}.
Referencia de la notación:
@ref{Bar lines},
@ref{Formatting text}.
Fragmentos de código:
@rlsr{Repeats}.
Fragmentos de código:
@rlsr{Repeats}.
@rinternals{RepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@rinternals{RepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@node Short repeats
@subsection Short repeats
@node Short repeats
@subsection Short repeats
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
Glosario musical:
@rglos{percent repeat},
@rglos{simile}.
Glosario musical:
@rglos{percent repeat},
@rglos{simile}.
@rinternals{PercentRepeatCounter},
@rinternals{PercentRepeatedMusic}.
@rinternals{PercentRepeatCounter},
@rinternals{PercentRepeatedMusic}.
@knownissues
Sólo están contempladas tres clases de repeticiones del tipo
@knownissues
Sólo están contempladas tres clases de repeticiones del tipo
Fragmentos de código:
@rlsr{Repeats}.
Fragmentos de código:
@rlsr{Repeats}.
@cindex trémols de pentagrama cruzado
@cindex pentagrama cruzado, trémolo de
@cindex trémols de pentagrama cruzado
@cindex pentagrama cruzado, trémolo de
@knownissues
Los trémolos de pentagrama cruzado no funcionan bien.
@knownissues
Los trémolos de pentagrama cruzado no funcionan bien.
Glosario musical:
@rglos{breve},
@rglos{longa},
Glosario musical:
@rglos{breve},
@rglos{longa},
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
Glosario musical:
@rglos{triplet},
@rglos{tuplet},
Glosario musical:
@rglos{triplet},
@rglos{tuplet},
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@knownissues
@cindex adorno, notas de, dentro de corchetes de grupo especial
@knownissues
@cindex adorno, notas de, dentro de corchetes de grupo especial
Una aplicación de esta instrucción se encuentra en la notación
polimétrica, véase @ref{Polymetric notation}.
Una aplicación de esta instrucción se encuentra en la notación
polimétrica, véase @ref{Polymetric notation}.
Referencia de la notación:
@ref{Tuplets},
@ref{Invisible rests},
Referencia de la notación:
@ref{Tuplets},
@ref{Invisible rests},
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{engraving-ties-manually.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{engraving-ties-manually.ly}
Glosario musical:
@rglos{tie},
@rglos{laissez vibrer}.
Glosario musical:
@rglos{tie},
@rglos{laissez vibrer}.
@rinternals{TieColumn},
@rinternals{Tie}.
@rinternals{TieColumn},
@rinternals{Tie}.
@knownissues
Un cambio de pentagrama cuando hay una ligadura activa no producirá
@knownissues
Un cambio de pentagrama cuando hay una ligadura activa no producirá
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{rest-styles.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{rest-styles.ly}
Referencia de la notación:
@ref{Full measure rests}.
Referencia de la notación:
@ref{Full measure rests}.
Referencia de funcionamiento interno:
@rinternals{Rest}.
Referencia de funcionamiento interno:
@rinternals{Rest}.
@knownissues
@c Deliberately duplicated in Durations and Rests. -gp
@knownissues
@c Deliberately duplicated in Durations and Rests. -gp
\skip 1 \skip1 \skip 1
@end lilypond
\skip 1 \skip1 \skip 1
@end lilypond
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
Glosario musical:
@rglos{multi-measure rest}.
Glosario musical:
@rglos{multi-measure rest}.
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{compound-time-signatures.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{compound-time-signatures.ly}
Glosario musical:
@rglos{time signature}
Glosario musical:
@rglos{time signature}
@code{-4}, con el significado de @qq{queda un valor de negra en este
compás}.
@code{-4}, con el significado de @qq{queda un valor de negra en este
compás}.
Glosario musical:
@rglos{anacrusis}.
Glosario musical:
@rglos{anacrusis}.
Referencia de funcionamiento interno:
@rinternals{Timing_translator}.
Referencia de funcionamiento interno:
@rinternals{Timing_translator}.
@knownissues
El uso de @code{\partial} está previsto solamente para el comienzo de
@knownissues
El uso de @code{\partial} está previsto solamente para el comienzo de
Glosario musical:
@rglos{cadenza}.
Glosario musical:
@rglos{cadenza}.
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
@knownissues
LilyPond inserta saltos de línea y de página solamente en las barras
@knownissues
LilyPond inserta saltos de línea y de página solamente en las barras
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{compound-time-signatures.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{compound-time-signatures.ly}
Glosario musical:
@rglos{polymetric},
@rglos{polymetric time signature},
Glosario musical:
@rglos{polymetric},
@rglos{polymetric time signature},
@rinternals{Default_bar_line_engraver},
@rinternals{Staff}.
@rinternals{Default_bar_line_engraver},
@rinternals{Staff}.
@knownissues
Al usar distintos compases en paralelo, las notas que están en el
@knownissues
Al usar distintos compases en paralelo, las notas que están en el
si los compases no están completos, las ligaduras mostrarán
exactamente cuánto le falta a cada compás.
si los compases no están completos, las ligaduras mostrarán
exactamente cuánto le falta a cada compás.
Glosario musical:
@rglos{tie}
Glosario musical:
@rglos{tie}
@rinternals{Completion_heads_engraver},
@rinternals{Forbid_line_break_engraver}.
@rinternals{Completion_heads_engraver},
@rinternals{Forbid_line_break_engraver}.
@knownissues
No todas las duraciones (sobre todo las que contienen grupos
@knownissues
No todas las duraciones (sobre todo las que contienen grupos
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
@rinternals{RhythmicStaff},
@rinternals{Pitch_squash_engraver}.
@rinternals{RhythmicStaff},
@rinternals{Pitch_squash_engraver}.
@node Beams
@subsection Beams
@node Beams
@subsection Beams
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
Referencia de la notación:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
Referencia de la notación:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
@code{<< @dots{} \\ @dots{} >>}. Si una voz polifónica termina
mientras una barra automática está aún aceptando notas, no se imprime.
@code{<< @dots{} \\ @dots{} >>}. Si una voz polifónica termina
mientras una barra automática está aún aceptando notas, no se imprime.
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
musicales muy breves, y cuando los números de la fracción son
pequeños.
musicales muy breves, y cuando los números de la fracción son
pequeños.
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
@node Bars
@subsection Bars
@node Bars
@subsection Bars
cualquier momento con @code{\set Timing.defaultBarType =
}@var{bartype}.
cualquier momento con @code{\set Timing.defaultBarType =
}@var{bartype}.
Referencia de la notación:
@ref{Line breaking},
@ref{Repeats},
Referencia de la notación:
@ref{Line breaking},
@ref{Repeats},
Fragmentos de código:
@rlsr{Rhythms}.
Referencia de funcionamiento interno:
@rinternals{BarNumber}.
Fragmentos de código:
@rlsr{Rhythms}.
Referencia de funcionamiento interno:
@rinternals{BarNumber}.
@knownissues
Los números de compás pueden colisionar con el corchete
@knownissues
Los números de compás pueden colisionar con el corchete
imprimirá una advertencia si el @code{currentBarNumber} (número del
compás actual) no es 123 cuando se procesa.
imprimirá una advertencia si el @code{currentBarNumber} (número del
compás actual) no es 123 cuando se procesa.
Fragmentos de código:
@rlsr{Rhythms}.
Fragmentos de código:
@rlsr{Rhythms}.
Para ver formas comunes de trucar la colocación de las letras de
ensayo, consulte @ref{Text marks}.
Para ver formas comunes de trucar la colocación de las letras de
ensayo, consulte @ref{Text marks}.
Referencia de la notación:
@ref{The Feta font},
@ref{Formatting text}.
Referencia de la notación:
@ref{The Feta font},
@ref{Formatting text}.
Glosario musical:
@rglos{grace notes},
@rglos{acciaccatura},
Glosario musical:
@rglos{grace notes},
@rglos{acciaccatura},
Referencia de funcionamiento interno:
@rinternals{GraceMusic}.
Referencia de funcionamiento interno:
@rinternals{GraceMusic}.
@knownissues
Una @i{acciaccatura} de varias notas con una barra se imprime sin
@knownissues
Una @i{acciaccatura} de varias notas con una barra se imprime sin
Glosario musical:
@rglos{cadenza}.
Glosario musical:
@rglos{cadenza}.
@code{ly:make-moment 1 8} es una duración de una corchea y
@code{ly:make-moment 7 16} es la duración de siete semicorcheas.
@code{ly:make-moment 1 8} es una duración de una corchea y
@code{ly:make-moment 7 16} es la duración de siete semicorcheas.
Referencia de la notación:
@ref{Bar numbers},
@ref{Unmetered music}.
Referencia de la notación:
@ref{Bar numbers},
@ref{Unmetered music}.
Para ver más información sobre los acordes, consulte @ref{Chord
notation}.
Para ver más información sobre los acordes, consulte @ref{Chord
notation}.
Glosario musical:
@rglos{chord}.
Glosario musical:
@rglos{chord}.
Fragmentos de código:
@rlsr{Simultaneous notes}.
Fragmentos de código:
@rlsr{Simultaneous notes}.
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
incluso al mismo tiempo. En tal caso, no se hace ningún intento de
evitar automáticamente las colisiones entre clusters y notas normales.
incluso al mismo tiempo. En tal caso, no se hace ningún intento de
evitar automáticamente las colisiones entre clusters y notas normales.
Glosario musical:
@rglos{cluster}.
Glosario musical:
@rglos{cluster}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@knownissues
Los clusters sólo tienen un buen aspecto cuando abarcan un mínimo de
@knownissues
Los clusters sólo tienen un buen aspecto cuando abarcan un mínimo de
Manual de aprendizaje:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Manual de aprendizaje:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Fragmentos de código:
@rlsr{Simultaneous notes}.
Fragmentos de código:
@rlsr{Simultaneous notes}.
@node Voice styles
@unnumberedsubsubsec Voice styles
@node Voice styles
@unnumberedsubsubsec Voice styles
Manual de aprendizaje:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
Manual de aprendizaje:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
@rlsr{Simultaneous notes}.
@rlsr{Simultaneous notes}.
@node Collision resolution
@unnumberedsubsubsec Collision resolution
@node Collision resolution
@unnumberedsubsubsec Collision resolution
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
Glosario musical:
@rglos{polyphony}.
Glosario musical:
@rglos{polyphony}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@knownissues
Cuando se emplea @code{\mergeDifferentlyHeadedOn} con una corchea (o
@knownissues
Cuando se emplea @code{\mergeDifferentlyHeadedOn} con una corchea (o
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
Glosario musical:
@rglos{a due},
@rglos{part}.
Glosario musical:
@rglos{a due},
@rglos{part}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@knownissues
@code{\partcombine} sólo admite dos voces.
@knownissues
@code{\partcombine} sólo admite dos voces.
Manual de aprendizaje:
@rlearning{Organizing pieces with variables}
Manual de aprendizaje:
@rlearning{Organizing pieces with variables}
Archivos instalados:
@file{scm/@/paper@/.scm}.
Archivos instalados:
@file{scm/@/paper@/.scm}.
Referencia de la notación:
@ref{Vertical spacing between systems}.
Referencia de la notación:
@ref{Vertical spacing between systems}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Referencia de la notación:
@ref{Selecting notation font size}.
Referencia de la notación:
@ref{Selecting notation font size}.
Referencia de la notación:
@ref{Changing context default settings}.
Referencia de la notación:
@ref{Changing context default settings}.
Referencia de funcionamiento interno:
@rinternals{LineBreakEvent}.
Referencia de funcionamiento interno:
@rinternals{LineBreakEvent}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Referencia de la notación:
@ref{Vertical spacing}.
Referencia de la notación:
@ref{Vertical spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
extensión se dividan entre los sistemas y las páginas. Consulte las
partes respectivas del manual para ver estos ajustes relacionados.
extensión se dividan entre los sistemas y las páginas. Consulte las
partes respectivas del manual para ver estos ajustes relacionados.
Referencia de la notación:
@ref{New spacing area}.
Referencia de la notación:
@ref{New spacing area}.
Fragmentos de código:
@rlsr{Spacing}.
Fragmentos de código:
@rlsr{Spacing}.
Referencia de la notación:
@ref{Page formatting},
@ref{Changing horizontal spacing}.
Referencia de la notación:
@ref{Page formatting},
@ref{Changing horizontal spacing}.
Glosario musical:
@rglos{staff},
@rglos{staves}.
Glosario musical:
@rglos{staff},
@rglos{staves}.
Glosario musical:
@rglos{brace},
@rglos{bracket},
Glosario musical:
@rglos{brace},
@rglos{bracket},
Referencia de la notación:
@ref{Grouping staves},
@ref{Instrument names},
Referencia de la notación:
@ref{Grouping staves},
@ref{Instrument names},
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{making-some-staff-lines-thicker-than-the-others.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{making-some-staff-lines-thicker-than-the-others.ly}
Glosario musical:
@rglos{line},
@rglos{ledger line},
Glosario musical:
@rglos{line},
@rglos{ledger line},
@rinternals{StaffSymbol},
@rinternals{staff-symbol-interface}.
@rinternals{StaffSymbol},
@rinternals{staff-symbol-interface}.
@knownissues
Al establecer manualmente las posiciones de las líneas de la pauta,
@knownissues
Al establecer manualmente las posiciones de las líneas de la pauta,
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{vertically-aligning-ossias-and-lyrics.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{vertically-aligning-ossias-and-lyrics.ly}
Glosario musical:
@rglos{ossia},
@rglos{staff},
Glosario musical:
@rglos{ossia},
@rglos{staff},
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{removing-the-first-empty-line.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{removing-the-first-empty-line.ly}
Glosario musical:
@rglos{Frenched staff}.
Glosario musical:
@rglos{Frenched staff}.
@rinternals{VerticalAxisGroup},
@rinternals{Staff_symbol_engraver}.
@rinternals{VerticalAxisGroup},
@rinternals{Staff_symbol_engraver}.
@knownissues
La eliminación del grabador @code{Staff_symbol_engraver} también
@knownissues
La eliminación del grabador @code{Staff_symbol_engraver} también
Para ver más detalles, consulte @ref{Formatting text}.
Para ver más detalles, consulte @ref{Formatting text}.
Glosario musical:
@rglos{metronome},
@rglos{metronomic indication},
Glosario musical:
@rglos{metronome},
@rglos{metronomic indication},
Referencia de la notación:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Referencia de la notación:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Referencia de la notación:
@ref{Instrument transpositions},
@ref{Using tags}.
Referencia de la notación:
@ref{Instrument transpositions},
@ref{Using tags}.
que se puedan procesar de diversas formas. Para ver más detalles
sobre este procedimiento, consulte @ref{Using tags}.
que se puedan procesar de diversas formas. Para ver más detalles
sobre este procedimiento, consulte @ref{Using tags}.
Referencia de la notación:
@ref{Instrument transpositions},
@ref{Instrument names},
Referencia de la notación:
@ref{Instrument transpositions},
@ref{Instrument names},
Referencia de la notación:
@ref{Formatting text},
@ref{Direction and placement}.
Referencia de la notación:
@ref{Formatting text},
@ref{Direction and placement}.
Referencia de funcionamiento interno:
@rinternals{TextScript}.
Referencia de funcionamiento interno:
@rinternals{TextScript}.
@knownissues
La comprobación necesaria para asegurar que las inscripciones de texto
@knownissues
La comprobación necesaria para asegurar que las inscripciones de texto
Referencia de la notación:
@ref{Line styles},
@ref{Dynamics}.
Referencia de la notación:
@ref{Line styles},
@ref{Dynamics}.
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
Referencia de la notación:
@ref{Rehearsal marks},
@ref{Formatting text},
Referencia de la notación:
@ref{Rehearsal marks},
@ref{Formatting text},
Referencia de funcionamiento interno:
@rinternals{RehearsalMark}.
Referencia de funcionamiento interno:
@rinternals{RehearsalMark}.
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
TODO: add convenient snippets in input/new -vv
@end ignore
TODO: add convenient snippets in input/new -vv
@end ignore
Referencia de la notación:
@ref{Formatting text},
@ref{File structure},
Referencia de la notación:
@ref{Formatting text},
@ref{File structure},
Referencia de la notación:
@ref{Text markup commands}.
Referencia de la notación:
@ref{Text markup commands}.
Referencia de la notación:
@ref{Font},
@ref{New dynamic marks},
Referencia de la notación:
@ref{Font},
@ref{New dynamic marks},
Hay una lista exhaustiva de instrucciones de alineación de texto en
@ref{Align}.
Hay una lista exhaustiva de instrucciones de alineación de texto en
@ref{Align}.
Manual de aprendizaje:
@rlearning{Moving objects}.
Manual de aprendizaje:
@rlearning{Moving objects}.
Hay una lista exhaustiva de instrucciones específicas de gráficos en
@ref{Graphic}.
Hay una lista exhaustiva de instrucciones específicas de gráficos en
@ref{Graphic}.
Referencia de la notación:
@ref{Graphic},
@ref{Editorial annotations}.
Referencia de la notación:
@ref{Graphic},
@ref{Editorial annotations}.
Hay una lista exhaustiva de instrucciones relacionadas con la notación
musical en @ref{Music}.
Hay una lista exhaustiva de instrucciones relacionadas con la notación
musical en @ref{Music}.
Referencia de la notación:
@ref{Music},
@ref{The Feta font},
Referencia de la notación:
@ref{Music},
@ref{The Feta font},
Hay una lista exhaustiva de las instrucciones de lista de marcado en
@ref{Text markup list commands}.
Hay una lista exhaustiva de las instrucciones de lista de marcado en
@ref{Text markup list commands}.
Referencia de la notación:
@ref{Text markup list commands},
@ref{New markup list command definition}.
Referencia de la notación:
@ref{Text markup list commands},
@ref{New markup list command definition}.
@code{text-font-size} as defined in the @code{\paper} block.
@end ignore
@code{text-font-size} as defined in the @code{\paper} block.
@end ignore
Referencia de la notación:
@ref{The Feta font},
@ref{Music notation inside markup},
Referencia de la notación:
@ref{The Feta font},
@ref{Music notation inside markup},
El último argumento de la instrucción puede ser cualquiera, pero debe
estar presente.
El último argumento de la instrucción puede ser cualquiera, pero debe
estar presente.
Referencia de la notación:
@ref{Fonts explained},
@ref{Entire document fonts}.
Referencia de la notación:
@ref{Fonts explained},
@ref{Entire document fonts}.
Archivos de inicio:
@file{lily/@/font@/-config@/-scheme@/.cc}.
Archivos de inicio:
@file{lily/@/font@/-config@/-scheme@/.cc}.
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
Referencia de la notación:
@ref{Fonts explained},
@ref{Single entry fonts},
Referencia de la notación:
@ref{Fonts explained},
@ref{Single entry fonts},
(con igual anchura de línea y todo), copie todo lo que está desde
@qq{Start cut-&-pastable section} hasta el final del archivo.
(con igual anchura de línea y todo), copie todo lo que está desde
@qq{Start cut-&-pastable section} hasta el final del archivo.
Podrá encontrar más consejos y trucos para la construcción de archivos
de entrada en @ref{Suggestions for writing LilyPond files}; pero quizá
sea mejor leer primero el resto del tutorial.
Podrá encontrar más consejos y trucos para la construcción de archivos
de entrada en @ref{Suggestions for writing LilyPond files}; pero quizá
sea mejor leer primero el resto del tutorial.
@ruser{Automatic accidentals} para ver ejemplos de cómo se pueden
imprimir las alteraciones de acuerdo a reglas diferentes.
@ruser{Automatic accidentals} para ver ejemplos de cómo se pueden
imprimir las alteraciones de acuerdo a reglas diferentes.
Referencia de la notación:
@ruser{Note names in other languages},
@ruser{Accidentals},
Referencia de la notación:
@ruser{Note names in other languages},
@ruser{Accidentals},
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
Referencia de la notación:
@ruser{Ties},
@ruser{Slurs},
Referencia de la notación:
@ruser{Ties},
@ruser{Slurs},
c2\< c2\ff\> c2 c2\!
@end lilypond
c2\< c2\ff\> c2 c2\!
@end lilypond
Referencia de la notación:
@ruser{Articulations and ornamentations},
@ruser{Fingering instructions},
Referencia de la notación:
@ruser{Articulations and ornamentations},
@ruser{Fingering instructions},
Referencia de la notación:
@ruser{Writing text}.
Referencia de la notación:
@ruser{Writing text}.
a8 c b4 d8. c16 b4
@end lilypond
a8 c b4 d8. c16 b4
@end lilypond
Referencia de la notación:
@ruser{Automatic beams},
@ruser{Manual beams}.
Referencia de la notación:
@ruser{Automatic beams},
@ruser{Manual beams}.
c2 \acciaccatura b16 c2
@end lilypond
c2 \acciaccatura b16 c2
@end lilypond
Referencia de la notación:
@ruser{Grace notes},
@ruser{Tuplets},
Referencia de la notación:
@ruser{Grace notes},
@ruser{Tuplets},
que produce la llave a la izquierda y que también controla el alcance
de las líneas divisorias.
que produce la llave a la izquierda y que también controla el alcance
de las líneas divisorias.
Referencia de la notación:
@ruser{Keyboard and other multi-staff instruments},
@ruser{Displaying staves}.
Referencia de la notación:
@ruser{Keyboard and other multi-staff instruments},
@ruser{Displaying staves}.
Referencia de la notación:
@ruser{Simultaneous notes}.
Referencia de la notación:
@ruser{Simultaneous notes}.
Referencia de la notación:
@ruser{Vocal music}.
Referencia de la notación:
@ruser{Vocal music}.
@node Lyrics to multiple staves
@subsection Lyrics to multiple staves
@node Lyrics to multiple staves
@subsection Lyrics to multiple staves
pentagramas mediante variables (expresiones con nombre). Éstas se
tratan en @ref{Organizing pieces with variables}.
pentagramas mediante variables (expresiones con nombre). Éstas se
tratan en @ref{Organizing pieces with variables}.
Referencia de la notación:
@ruser{Vocal music}.
Referencia de la notación:
@ruser{Vocal music}.
@node Final touches
@section Final touches
@node Final touches
@section Final touches
Referencia de la notación:
@ruser{The tweak command}.
Referencia de la notación:
@ruser{The tweak command}.
escriba siempre espacios antes y después del punto que separa el
nombre del contexto y el nombre del objeto.}
escriba siempre espacios antes y después del punto que separa el
nombre del contexto y el nombre del objeto.}
Manual de aprendizaje:
@ref{Scheme tutorial}.
Manual de aprendizaje:
@ref{Scheme tutorial}.
@node Types of properties
@subsection Types of properties
@node Types of properties
@subsection Types of properties
@tab @code{'#(#t #t #f)}
@end multitable
@tab @code{'#(#t #t #f)}
@end multitable
Manual de aprendizaje:
@ref{Scheme tutorial}.
Manual de aprendizaje:
@ref{Scheme tutorial}.
@node Appearance of objects
@section Appearance of objects
@node Appearance of objects
@section Appearance of objects
Manual de aprendizaje:
@rlearning{String quartet}.
Manual de aprendizaje:
@rlearning{String quartet}.
Fragmentos de código:
@rlsr{Unfretted strings}.
Fragmentos de código:
@rlsr{Unfretted strings}.
@node Bowing indications
@unnumberedsubsubsec Bowing indications
@node Bowing indications
@unnumberedsubsubsec Bowing indications
Referencia de la notación:
@ref{Articulations and ornamentations},
@ref{Slurs}.
Referencia de la notación:
@ref{Articulations and ornamentations},
@ref{Slurs}.
@node Harmonics
@unnumberedsubsubsec Harmonics
@node Harmonics
@unnumberedsubsubsec Harmonics
<e a\harmonic>2 <c g'\harmonic>
@end lilypond
<e a\harmonic>2 <c g'\harmonic>
@end lilypond
@seealso
Glosario musical:
@rglos{harmonics}.
@seealso
Glosario musical:
@rglos{harmonics}.
@ref{Special note heads},
@ref{References for unfretted strings}.
@ref{Special note heads},
@ref{References for unfretted strings}.
@node Snap (Bartok) pizzicato
@unnumberedsubsubsec Snap (Bartók) pizzicato
@node Snap (Bartok) pizzicato
@unnumberedsubsubsec Snap (Bartók) pizzicato
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@seealso
Referencia de la notación:
@ref{Chord notation}.
@seealso
Referencia de la notación:
@ref{Chord notation}.
@c Add "Printing both the ancient and the modern clef in vocal music" snippet,
@c and "Transcription of Ancient music with incipit" snippet. -vv
@c Add "Printing both the ancient and the modern clef in vocal music" snippet,
@c and "Transcription of Ancient music with incipit" snippet. -vv
Referencia de la notación:
@ref{Ancient notation}.
Referencia de la notación:
@ref{Ancient notation}.
Referencia de funcionamiento interno: @rinternals{LyricText},
@rinternals{LyricSpace}.
Referencia de funcionamiento interno: @rinternals{LyricText},
@rinternals{LyricSpace}.
@c TODO: document \new Staff << Voice \lyricsto >> bug
Referencia de funcionamiento interno:
@rinternals{LyricCombineMusic}, @rinternals{Lyrics}.
@c TODO: document \new Staff << Voice \lyricsto >> bug
Referencia de funcionamiento interno:
@rinternals{LyricCombineMusic}, @rinternals{Lyrics}.
@node Aligning lyrics to a melody
@subsection Aligning lyrics to a melody
@node Aligning lyrics to a melody
@subsection Aligning lyrics to a melody
Referencia de funcionamiento interno: @rinternals{Lyrics}.
Referencia de funcionamiento interno: @rinternals{Lyrics}.
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
Referencia de funcionamiento interno: @rinternals{LyricCombineMusic}.
@c Here come the section which used to be "Melismata"
Referencia de funcionamiento interno: @rinternals{LyricCombineMusic}.
@c Here come the section which used to be "Melismata"
@comment Referencia de funcionamiento interno:
@comment @rinternals{Melisma_translator}.
@comment Referencia de funcionamiento interno:
@comment @rinternals{Melisma_translator}.
@knownissues
Los melismas no se detectan automáticamente, y las líneas de extensión
@knownissues
Los melismas no se detectan automáticamente, y las líneas de extensión
@code{minimum-length} (umbral por debajo del cual se suprimen los
guiones).
@code{minimum-length} (umbral por debajo del cual se suprimen los
guiones).
Referencia de funcionamiento interno: @rinternals{LyricExtender},
@rinternals{LyricHyphen}
Referencia de funcionamiento interno: @rinternals{LyricExtender},
@rinternals{LyricHyphen}
Referencia de funcionamiento interno:
@rinternals{LyricText},
@rinternals{StanzaNumber}.
Referencia de funcionamiento interno:
@rinternals{LyricText},
@rinternals{StanzaNumber}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing--flageolet-mark-size.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing--flageolet-mark-size.ly}
Referencia de la notación:
@ref{Breath marks},
@ref{Slurs},
Referencia de la notación:
@ref{Breath marks},
@ref{Slurs},
sol agudo piobaireachd se puede escribir @code{gflat} cuando aparece en música
ligera.
sol agudo piobaireachd se puede escribir @code{gflat} cuando aparece en música
ligera.
@seealso
Fragmentos de código:
@rlsr{Winds}.
@seealso
Fragmentos de código:
@rlsr{Winds}.
@node Bagpipe example
@unnumberedsubsubsec Bagpipe example
@node Bagpipe example
@unnumberedsubsubsec Bagpipe example
@seealso
Fragmentos de código:
@rlsr{Winds}.
@seealso
Fragmentos de código:
@rlsr{Winds}.
Referencia de la notación:
@ref{Note names in other languages},
@ref{Key signature},
Referencia de la notación:
@ref{Note names in other languages},
@ref{Key signature},
Referencia de la notación:
@ref{Note names in other languages}.
Referencia de la notación:
@ref{Note names in other languages}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
Referencia de la notación:
@ref{Key signature}.
Referencia de la notación:
@ref{Key signature}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{arabic-improvisation.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{arabic-improvisation.ly}
Referencia de la notación:
@ref{Manual beams},
@ref{Automatic beams},
Referencia de la notación:
@ref{Manual beams},
@ref{Automatic beams},
Fragmentos de código:
@rlsr{World music}
Fragmentos de código:
@rlsr{World music}
@node Further reading
@unnumberedsubsubsec Further reading
@node Further reading
@unnumberedsubsubsec Further reading
ligatures mensurales. Consultez la section @ref{Ligatures} pour savoir
comment fonctionnent les graveurs de ligature.
ligatures mensurales. Consultez la section @ref{Ligatures} pour savoir
comment fonctionnent les graveurs de ligature.
Pour un aperçu de toutes les possibilités,
consultez @ref{Note head styles}.
Pour un aperçu de toutes les possibilités,
consultez @ref{Note head styles}.
par la propriété @code{glyph-name-alist} de l'objet
@rinternals{KeySignature}.
par la propriété @code{glyph-name-alist} de l'objet
@rinternals{KeySignature}.
Dans ce manuel : @ref{Pitches}, @ref{Accidentals}, et
@ref{Automatic accidentals}, pour les principes généraux d'utilisation
des altérations ; @ref{Key signature} pour les armures.
Dans ce manuel : @ref{Pitches}, @ref{Accidentals}, et
@ref{Automatic accidentals}, pour les principes généraux d'utilisation
des altérations ; @ref{Key signature} pour les armures.
Les silences sont absents de la notation grégorienne ; par contre, cette
notation utilise des @ref{Divisiones}.
Les silences sont absents de la notation grégorienne ; par contre, cette
notation utilise des @ref{Divisiones}.
Dans ce manuel : les principes généraux sur l'utilisation des silences
sont exposés dans @ref{Rests}.
Dans ce manuel : les principes généraux sur l'utilisation des silences
sont exposés dans @ref{Rests}.
Les clés d'ut de Petrucci avaient une hampe gauche différente selon
leur ligne de rattachement.
Les clés d'ut de Petrucci avaient une hampe gauche différente selon
leur ligne de rattachement.
Dans ce manuel : voir @ref{Clef}.
Dans ce manuel : voir @ref{Clef}.
@knownissues
La clé de sol mensurale est calquée sur celle de Petrucci.
@knownissues
La clé de sol mensurale est calquée sur celle de Petrucci.
Dans ce manuel : @ref{Time signature} expose les principes généraux sur
l'utilisation des indications de métrique.
Dans ce manuel : @ref{Time signature} expose les principes généraux sur
l'utilisation des indications de métrique.
@knownissues
Les équivalences de durées de note ne sont pas modifiées par un
@knownissues
Les équivalences de durées de note ne sont pas modifiées par un
Référence du programme : @rinternals{Custos}.
Exemples : @rlsr{Ancient notation}.
Référence du programme : @rinternals{Custos}.
Exemples : @rlsr{Ancient notation}.
Dans ce manuel : @ref{Breath marks}.
Référence du programme : @rinternals{BreathingSign}.
Dans ce manuel : @ref{Breath marks}.
Référence du programme : @rinternals{BreathingSign}.
Référence du programme : @rinternals{OverrideProperty}, @rinternals{RevertProperty},
@rinternals{PropertySet}, @rinternals{Backend}, et
@rinternals{All layout objects}.
Référence du programme : @rinternals{OverrideProperty}, @rinternals{RevertProperty},
@rinternals{PropertySet}, @rinternals{Backend}, et
@rinternals{All layout objects}.
Sur la page de la documentation relative aux doigtés, c'est-à-dire
@ref{Fingering instructions}, se trouve l'indication suivante :
Sur la page de la documentation relative aux doigtés, c'est-à-dire
@ref{Fingering instructions}, se trouve l'indication suivante :
Référence du programme : @rinternals{Fingering}.
Référence du programme : @rinternals{Fingering}.
@c outdated info; probably will delete.
@ignore
@c outdated info; probably will delete.
@ignore
Exemples : @rlsr{Chords}.
Fichiers internes : @file{scm/@/chords@/-ignatzek@/.scm}, et
@file{scm/@/chord@/-entry@/.scm}.
Exemples : @rlsr{Chords}.
Fichiers internes : @file{scm/@/chords@/-ignatzek@/.scm}, et
@file{scm/@/chord@/-entry@/.scm}.
@knownissues
Les chiffrages d'accords ne sont déterminés que par la succession des
@knownissues
Les chiffrages d'accords ne sont déterminés que par la succession des
Ce problème peut être contourné en jouant sur l'empilement, avec la
propriété @code{stacking-dir} de l'objet @code{BassFigureAlignment}.
Ce problème peut être contourné en jouant sur l'empilement, avec la
propriété @code{stacking-dir} de l'objet @code{BassFigureAlignment}.
Référence du programme : les objets @rinternals{BassFigure},
@rinternals{BassFigureAlignment}, @rinternals{BassFigureLine},
@rinternals{BassFigureBracket} et
@rinternals{BassFigureContinuation}, ainsi que le contexte
@rinternals{FiguredBass}.
Référence du programme : les objets @rinternals{BassFigure},
@rinternals{BassFigureAlignment}, @rinternals{BassFigureLine},
@rinternals{BassFigureBracket} et
@rinternals{BassFigureContinuation}, ainsi que le contexte
@rinternals{FiguredBass}.
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
@node Entering figured bass
@unnumberedsubsubsec Entering figured bass
Référence du programme : @rinternals{Fingering}.
Exemples : @rlsr{Editorial annotations}.
Référence du programme : @rinternals{Fingering}.
Exemples : @rlsr{Editorial annotations}.
Annexes : @ref{List of colors}.
Annexes : @ref{List of colors}.
@cindex bulles
@cindex notation, expliquer
@cindex bulles
@cindex notation, expliquer
Référence du programme : @rinternals{balloon-interface}.
Référence du programme : @rinternals{balloon-interface}.
Référence du programme : @rinternals{HorizontalBracket}.
Référence du programme : @rinternals{HorizontalBracket}.
Référence du programme : @rinternals{Script}.
Référence du programme : @rinternals{Script}.
Référence du programme : @rinternals{DynamicText}, @rinternals{Hairpin}.
Le placement vertical de ces éléments graphiques est géré par le
Référence du programme : @rinternals{DynamicText}, @rinternals{Hairpin}.
Le placement vertical de ces éléments graphiques est géré par le
Référence du programme : @rinternals{Slur}.
Référence du programme : @rinternals{Slur}.
Référence du programme : @rinternals{PhrasingSlur}.
Référence du programme : @rinternals{PhrasingSlur}.
Référence du programme : @rinternals{BreathingSign}.
Exemples : @rlsr{Winds}.
Référence du programme : @rinternals{BreathingSign}.
Exemples : @rlsr{Winds}.
Référence du programme : @rinternals{Glissando}.
Exemples : @rlsr{Expressive marks}.
Référence du programme : @rinternals{Glissando}.
Exemples : @rlsr{Expressive marks}.
Dans ce même manuel : @ref{Ties}, pour noter explicitement des arpèges.
Référence du programme : @rinternals{Arpeggio}.
Dans ce même manuel : @ref{Ties}, pour noter explicitement des arpèges.
Référence du programme : @rinternals{Arpeggio}.
Référence du programme : @rinternals{TrillSpanner}.
Référence du programme : @rinternals{TrillSpanner}.
<c\1 e\2 g\3>
@end lilypond
<c\1 e\2 g\3>
@end lilypond
Référence du programme : @rinternals{StringNumber}.
Exemples : @rlsr{Fretted strings}.
Référence du programme : @rinternals{StringNumber}.
Exemples : @rlsr{Fretted strings}.
@node Default tablatures
@unnumberedsubsubsec Default tablatures
@node Default tablatures
@unnumberedsubsubsec Default tablatures
\override Beam #'damping = #100000
@end example
\override Beam #'damping = #100000
@end example
Référence du programme : @rinternals{TabStaff}, @rinternals{TabVoice}.
Référence du programme : @rinternals{TabStaff}, @rinternals{TabVoice}.
@knownissues
Les accords ne subsissent ausun traitement particulier ; de ce fait, la
@knownissues
Les accords ne subsissent ausun traitement particulier ; de ce fait, la
sont @code{guitar-open-g-tuning}, @code{mandolin-tuning} et
@code{banjo-open-g-tuning}.
sont @code{guitar-open-g-tuning}, @code{mandolin-tuning} et
@code{banjo-open-g-tuning}.
Vous trouverez une liste complète des jeux prédéfinis dans le fichier
@file{scm/@/output@/-lib@/.scm}.
Référence du programme : @rinternals{Tab_note_heads_engraver}.
Vous trouverez une liste complète des jeux prédéfinis dans le fichier
@file{scm/@/output@/-lib@/.scm}.
Référence du programme : @rinternals{Tab_note_heads_engraver}.
@knownissues
Aucun effet spécial de guitare n'a été implémenté à ce jour.
@knownissues
Aucun effet spécial de guitare n'a été implémenté à ce jour.
à votre convenance. Vous en trouverez les détails dans
@rinternals{fret-diagram-interface}.
à votre convenance. Vous en trouverez les détails dans
@rinternals{fret-diagram-interface}.
Exemples : @rlsr{Fretted strings}.
Exemples : @rlsr{Fretted strings}.
@node Right-hand fingerings
@unnumberedsubsubsec Right-hand fingerings
@node Right-hand fingerings
@unnumberedsubsubsec Right-hand fingerings
Référence du programme : @rinternals{StrokeFinger}
Référence du programme : @rinternals{StrokeFinger}
@node Guitar
@subsection Guitar
@node Guitar
@subsection Guitar
Référence du programme : @rinternals{StrokeFinger}
Référence du programme : @rinternals{StrokeFinger}
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
Vous trouverez une liste complète des jeux de cordes prédéfinis pour le banjo
dans le fichier @file{scm/@/output@/-lib@/.scm}.
Vous trouverez une liste complète des jeux de cordes prédéfinis pour le banjo
dans le fichier @file{scm/@/output@/-lib@/.scm}.
@code{laTeteAToto}, tant qu'il ne s'agit pas de @qq{mot réservé}. Pour
plus de détails, voir @ref{Saving typing with variables and functions}.
@code{laTeteAToto}, tant qu'il ne s'agit pas de @qq{mot réservé}. Pour
plus de détails, voir @ref{Saving typing with variables and functions}.
Pour une description complète du format des fichiers d'entrée, voir
@ruser{File structure}.
Pour une description complète du format des fichiers d'entrée, voir
@ruser{File structure}.
assurez-vous que chaque élément d'un même niveau a le même décalage
horizontal dans votre éditeur de texte !
assurez-vous que chaque élément d'un même niveau a le même décalage
horizontal dans votre éditeur de texte !
Manuel de notation : @ruser{Structure of a score}.
Manuel de notation : @ruser{Structure of a score}.
examinerons ce problème dans un autre chapitre (voir la propriété
force-hshift dans @ref{Fixing overlapping notation}).
examinerons ce problème dans un autre chapitre (voir la propriété
force-hshift dans @ref{Fixing overlapping notation}).
Manuel de notation : @ruser{Multiple voices}.
Manuel de notation : @ruser{Multiple voices}.
identiques, LilyPond vous le signalera par le message @qq{Trop
d'empilements en conflit}.
identiques, LilyPond vous le signalera par le message @qq{Trop
d'empilements en conflit}.
Manuel de notation : @ruser{Multiple voices}.
Manuel de notation : @ruser{Multiple voices}.
Manuel de notation : @ruser{Vocal music}.
Manuel de notation : @ruser{Vocal music}.
initiales en majuscule et directements accolés les uns aux autres sans
ponctuation, comme par exemple @code{GregorianTranscriptionStaff}.
initiales en majuscule et directements accolés les uns aux autres sans
ponctuation, comme par exemple @code{GregorianTranscriptionStaff}.
Manuel de notation : @ruser{Contexts explained}.
Manuel de notation : @ruser{Contexts explained}.
Nous verrons plus avant comment le résultat de LilyPond peut changer
lorsqu'on modifie l'action des graveurs.
Nous verrons plus avant comment le résultat de LilyPond peut changer
lorsqu'on modifie l'action des graveurs.
Références internes : @rinternals{Engravers and Performers}.
Références internes : @rinternals{Engravers and Performers}.
chacun des contextes en particulier grace à un bloc @code{\with} ou bien
une commande @code{\set} au fil des notes.
chacun des contextes en particulier grace à un bloc @code{\with} ou bien
une commande @code{\set} au fil des notes.
Manuel de notation : @ruser{Changing context default settings},
@ruser{The set command}.
Références internes : @rinternals{Contexts},
@rinternals{Tunable context properties}.
Manuel de notation : @ruser{Changing context default settings},
@ruser{The set command}.
Références internes : @rinternals{Contexts},
@rinternals{Tunable context properties}.
@node Adding and removing engravers
@subsection Adding and removing engravers
@node Adding and removing engravers
@subsection Adding and removing engravers
d'un type particulier si vous insérez les commandes @code{\set} dans un
bloc @code{\context}.
d'un type particulier si vous insérez les commandes @code{\set} dans un
bloc @code{\context}.
Manuel de notation : @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Manuel de notation : @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Les patrons originaux sont disponibles à l'annexe @qq{Modèles}, voir
@ref{Single staff}.
Les patrons originaux sont disponibles à l'annexe @qq{Modèles}, voir
@ref{Single staff}.
saisissant plusieurs @code{\tag}.
@example
saisissant plusieurs @code{\tag}.
@example
- \tag #'original-part \tag #'transposed-part @dots{}
+\tag #'original-part \tag #'transposed-part @dots{}
@end example
@ignore
FIXME
@seealso
@end example
@ignore
FIXME
@seealso
Exemples : @lsr{parts,tag@/-filter@/.ly}
@end ignore
Exemples : @lsr{parts,tag@/-filter@/.ly}
@end ignore
@knownissues
Lorsqu'elles comportent des silences, ceux-ci ne seront pas fusionnés
@knownissues
Lorsqu'elles comportent des silences, ceux-ci ne seront pas fusionnés
contexte de Partition. Le contexte de Partition est le contexte de
notation de plus haut niveau.
contexte de Partition. Le contexte de Partition est le contexte de
notation de plus haut niveau.
Référence du programme: @rinternals{Contexts}.
Référence du programme: @rinternals{Contexts}.
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
Dans ce même manuel : @ref{Changing staff manually}.
Référence du programme : @rinternals{AutoChangeMusic}.
Dans ce même manuel : @ref{Changing staff manually}.
Référence du programme : @rinternals{AutoChangeMusic}.
@knownissues
Les changements de portée automatiques n'interviennent pas toujours à
@knownissues
Les changements de portée automatiques n'interviennent pas toujours à
Référence du programme : @rinternals{VoiceFollower}.
Référence du programme : @rinternals{VoiceFollower}.
c\sostenutoOn d e c, f g a\sostenutoOff
@end lilypond
c\sostenutoOn d e c, f g a\sostenutoOff
@end lilypond
Dans ce manuel : @ref{Ties} @qq{laissez vibrer}.
Dans ce manuel : @ref{Ties} @qq{laissez vibrer}.
@file{ly/@/drumpitch@/-init@/.ly}.
@c TODO: properly document this.
@file{ly/@/drumpitch@/-init@/.ly}.
@c TODO: properly document this.
Référence du Programme : @rinternals{note-event}.
Référence du Programme : @rinternals{note-event}.
@node Percussion staves
@unnumberedsubsubsec Percussion staves
@node Percussion staves
@unnumberedsubsubsec Percussion staves
Fichier d'initialisation : @file{ly/@/drumpitch@/-init@/.ly}.
Référence du programme : @rinternals{DrumStaff}, @rinternals{DrumVoice}.
Fichier d'initialisation : @file{ly/@/drumpitch@/-init@/.ly}.
Référence du programme : @rinternals{DrumStaff}, @rinternals{DrumVoice}.
@knownissues
La bibliothèque MIDI générale ne contient pas les @emph{rimshots} --- coups
@knownissues
La bibliothèque MIDI générale ne contient pas les @emph{rimshots} --- coups
Référence du programme : @rinternals{LedgerLineSpanner},
@rinternals{NoteHead}.
Référence du programme : @rinternals{LedgerLineSpanner},
@rinternals{NoteHead}.
Référence du programme : @rinternals{TransposedMusic}.
Exemples : @rlsr{Pitches}.
Référence du programme : @rinternals{TransposedMusic}.
Exemples : @rlsr{Pitches}.
Dans ce manuel : @ref{Grace notes}.
Référence du programme : @rinternals{Clef}.
Dans ce manuel : @ref{Grace notes}.
Référence du programme : @rinternals{Clef}.
Référence du programme : @rinternals{KeyCancellation},
@rinternals{KeySignature}.
Référence du programme : @rinternals{KeyCancellation},
@rinternals{KeySignature}.
Référence du programme : @rinternals{OttavaBracket}.
Référence du programme : @rinternals{OttavaBracket}.
Référence du programme : @rinternals{Accidental_engraver},
@rinternals{Accidental}, @rinternals{AccidentalSuggestion} et @rinternals{AccidentalPlacement}.
Référence du programme : @rinternals{Accidental_engraver},
@rinternals{Accidental}, @rinternals{AccidentalSuggestion} et @rinternals{AccidentalPlacement}.
forme n'aurait pas attribué d'espace supplémentaire pour l'objet
déplacé.
forme n'aurait pas attribué d'espace supplémentaire pour l'objet
déplacé.
Référence du programme : @rinternals{Ambitus},
@rinternals{AmbitusLine}, @rinternals{AmbitusNoteHead},
@rinternals{AmbitusAccidental}.
Exemples : @rlsr{Pitches}, @rlsr{Vocal music}.
Référence du programme : @rinternals{Ambitus},
@rinternals{AmbitusLine}, @rinternals{AmbitusNoteHead},
@rinternals{AmbitusAccidental}.
Exemples : @rlsr{Pitches}, @rlsr{Vocal music}.
@knownissues
LilyPond ne gère pas les collisions entre plusieurs ambitus présents sur
@knownissues
LilyPond ne gère pas les collisions entre plusieurs ambitus présents sur
Référence du programme : @rinternals{NoteHead}.
Référence du programme : @rinternals{NoteHead}.
Consultez @ref{Bar lines} pour plus d'informations.
Consultez @ref{Bar lines} pour plus d'informations.
Program reference: @rinternals{VoltaBracket},
@rinternals{RepeatedMusic},
@rinternals{VoltaRepeatedMusic}, et
Program reference: @rinternals{VoltaBracket},
@rinternals{RepeatedMusic},
@rinternals{VoltaRepeatedMusic}, et
Référence du programme : @rinternals{VoltaBracket},
@rinternals{RepeatedMusic},
@rinternals{VoltaRepeatedMusic}, et
Référence du programme : @rinternals{VoltaBracket},
@rinternals{RepeatedMusic},
@rinternals{VoltaRepeatedMusic}, et
Dans ce manuel : @ref{Tremolo subdivisions}, @ref{Repeats}.
Référence du programme : @rinternals{Beam}, @rinternals{StemTremolo}.
Dans ce manuel : @ref{Tremolo subdivisions}, @ref{Repeats}.
Référence du programme : @rinternals{Beam}, @rinternals{StemTremolo}.
Dans ce manuel : @ref{Tremolo repeats}.
Référence du programme : @rinternals{StemTremolo}.
Dans ce manuel : @ref{Tremolo repeats}.
Référence du programme : @rinternals{StemTremolo}.
Référence du programme : @rinternals{RepeatSlash},
@rinternals{PercentRepeat}, @rinternals{DoublePercentRepeat},
@rinternals{DoublePercentRepeatCounter},
Référence du programme : @rinternals{RepeatSlash},
@rinternals{PercentRepeat}, @rinternals{DoublePercentRepeat},
@rinternals{DoublePercentRepeatCounter},
Référence du programme : @rinternals{Dots}, @rinternals{DotColumn}.
Référence du programme : @rinternals{Dots}, @rinternals{DotColumn}.
Référence du programme : @rinternals{TupletBracket},
@rinternals{TupletNumber}, @rinternals{TimeScaledMusic}.
Référence du programme : @rinternals{TupletBracket},
@rinternals{TupletNumber}, @rinternals{TimeScaledMusic}.
@node Scaling durations
@unnumberedsubsubsec Scaling durations
@node Scaling durations
@unnumberedsubsubsec Scaling durations
Dans ce manuel : @ref{Tuplets}.
Dans ce manuel : @ref{Tuplets}.
Glossaire musical :
@rglos{tie},
@rglos{laissez vibrer}.
Glossaire musical :
@rglos{tie},
@rglos{laissez vibrer}.
puisque le formateur automatique de collision des silences laissera ces
silences tranquilles.
puisque le formateur automatique de collision des silences laissera ces
silences tranquilles.
Référence du programme : @rinternals{Rest}.
Référence du programme : @rinternals{Rest}.
Le fragment @code{@{ \skip 4 @} } produirait une page vide.
Le fragment @code{@{ \skip 4 @} } produirait une page vide.
Référence du programme : @rinternals{SkipMusic}.
Référence du programme : @rinternals{SkipMusic}.
Référence du programme : @rinternals{MultiMeasureRestMusic},
@rinternals{MultiMeasureRest}.
Référence du programme : @rinternals{MultiMeasureRestMusic},
@rinternals{MultiMeasureRest}.
Référence du programme : @rinternals{TimeSignature} et
@rinternals{Timing_translator}.
Référence du programme : @rinternals{TimeSignature} et
@rinternals{Timing_translator}.
Exemples : @rlsr{Rhythms}.
Exemples : @rlsr{Rhythms}.
@knownissues
L'utilisation de métriques différentes en parallèle entraine un
@knownissues
L'utilisation de métriques différentes en parallèle entraine un
divise pas les silences.
@seealso
divise pas les silences.
@seealso
Référence du programme : @rinternals{Completion_heads_engraver}.
Référence du programme : @rinternals{Completion_heads_engraver}.
@node Showing melody rhythms
@unnumberedsubsubsec Showing melody rhythms
@node Showing melody rhythms
@unnumberedsubsubsec Showing melody rhythms
Référence du programme : @rinternals{RhythmicStaff}.
Référence du programme : @rinternals{RhythmicStaff}.
@node Beams
@subsection Beams
@node Beams
@subsection Beams
Référence du programme : @rinternals{Beam}.
Référence du programme : @rinternals{Beam}.
Dans ce manuel : @ref{Repeats}, @ref{Grouping staves}.
Référence du programme : @rinternals{BarLine} (faisant partie du
Dans ce manuel : @ref{Repeats}, @ref{Grouping staves}.
Référence du programme : @rinternals{BarLine} (faisant partie du
Référence du programme : @rinternals{BarNumber}.
Exemples : @rlsr{Staff notation}.
Référence du programme : @rinternals{BarNumber}.
Exemples : @rlsr{Staff notation}.
Pour affiner le positionnement des repères, veuillez vous référer à
@ref{Text marks}.
Pour affiner le positionnement des repères, veuillez vous référer à
@ref{Text marks}.
Dans ce manuel : @ref{Text marks}.
Référence du programme : @rinternals{RehearsalMark}.
Dans ce manuel : @ref{Text marks}.
Référence du programme : @rinternals{RehearsalMark}.
Référence du programme : @rinternals{GraceMusic}.
Référence du programme : @rinternals{GraceMusic}.
portée, y compris simultanément --- en pareil cas, rien ne sera fait
pour tenter d'empécher les chevauchements entre notes et clusters.
portée, y compris simultanément --- en pareil cas, rien ne sera fait
pour tenter d'empécher les chevauchements entre notes et clusters.
Référence du programme : @rinternals{ClusterSpanner},
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
Exemples : @rlsr{Simultaneous notes}.
Référence du programme : @rinternals{ClusterSpanner},
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
Exemples : @rlsr{Simultaneous notes}.
@knownissues
Les expressions musicales du type @code{<< @{ g8 e8 @} a4 >>} ne
@knownissues
Les expressions musicales du type @code{<< @{ g8 e8 @} a4 >>} ne
Une section @code{\relative} en dehors de @code{\partcombine} sera
sans effet sur les hauteurs de @var{musicexpr1} et @var{musicexpr2}.
Une section @code{\relative} en dehors de @code{\partcombine} sera
sans effet sur les hauteurs de @var{musicexpr1} et @var{musicexpr2}.
Référence du programme : @rinternals{PartCombineMusic}.
Référence du programme : @rinternals{PartCombineMusic}.
@knownissues
Lorsque @code{printPartCombineTexts} est actif et que les deux voix
@knownissues
Lorsque @code{printPartCombineTexts} est actif et que les deux voix
@item Les affinages optiques se règlent en assignant @emph{vrai} à la
propriété @code{uniform-stretching} du @rinternals{SpacingSpanner}.
@item Les affinages optiques se règlent en assignant @emph{vrai} à la
propriété @code{uniform-stretching} du @rinternals{SpacingSpanner}.
Exemples : @rlsr{Spacing}.
Le fichier @file{input/proportional.ly} illustre la notation
proportionnelle stricte.
Exemples : @rlsr{Spacing}.
Le fichier @file{input/proportional.ly} illustre la notation
proportionnelle stricte.
@node Fitting music onto fewer pages
@section Fitting music onto fewer pages
@node Fitting music onto fewer pages
@section Fitting music onto fewer pages
Les barres de mesure au début de chaque système prennent l'un des styles
@rinternals{SystemStartBar}, @rinternals{SystemStartBrace},
@rinternals{SystemStartBracket}. Dans chaque contexte, seul l'un de
ces styles est utilisé, et c'est la propriété
@code{systemStartDelimiter} qui détermine lequel.
Les barres de mesure au début de chaque système prennent l'un des styles
@rinternals{SystemStartBar}, @rinternals{SystemStartBrace},
@rinternals{SystemStartBracket}. Dans chaque contexte, seul l'un de
ces styles est utilisé, et c'est la propriété
@code{systemStartDelimiter} qui détermine lequel.
@commonprop
Les accolades et crochets délimitant les systèmes peuvent être imbriqués
@commonprop
Les accolades et crochets délimitant les systèmes peuvent être imbriqués
@cindex épaisseur des lignes de portées
@cindex nombre de lignes de portée
@cindex épaisseur des lignes de portées
@cindex nombre de lignes de portée
Référence du programme : @rinternals{StaffSymbol}.
Exemples : @rlsr{Staff notation}.
Référence du programme : @rinternals{StaffSymbol}.
Exemples : @rlsr{Staff notation}.
Référence du programme : @rinternals{MetronomeMark}.
Référence du programme : @rinternals{MetronomeMark}.
Référence du programme : @rinternals{InstrumentName}.
Référence du programme : @rinternals{InstrumentName}.
Dans ce manuel : @ref{Instrument transpositions}.
Exemples : @rlsr{Staff notation}.
Dans ce manuel : @ref{Instrument transpositions}.
Exemples : @rlsr{Staff notation}.
Dans ce manuel : @ref{Formatting text}.
Référence du programme : @rinternals{TextScript}.
Dans ce manuel : @ref{Formatting text}.
Référence du programme : @rinternals{TextScript}.
Référence du programme : @rinternals{TextSpanner},
@rinternals{Glissando}, @rinternals{VoiceFollower},
@rinternals{TrillSpanner}, @rinternals{line-spanner-interface}.
Référence du programme : @rinternals{TextSpanner},
@rinternals{Glissando}, @rinternals{VoiceFollower},
@rinternals{TrillSpanner}, @rinternals{line-spanner-interface}.
Référence du programme : @rinternals{TextSpanner}.
Référence du programme : @rinternals{TextSpanner}.
Référence du programme : @rinternals{RehearsalMark}.
Référence du programme : @rinternals{RehearsalMark}.
Dans ce manuel : @ref{Text markup commands}.
Référence du programme : @rinternals{TextScript}.
Dans ce manuel : @ref{Text markup commands}.
Référence du programme : @rinternals{TextScript}.
Les différentes commandes permettant de générer des listes de lignes
se trouve dans @ref{Text markup list commands}.
Les différentes commandes permettant de générer des listes de lignes
se trouve dans @ref{Text markup list commands}.
Dans ce manuel : @ref{Text markup list commands},
@ref{New markup list command definition}.
Dans ce manuel : @ref{Text markup list commands},
@ref{New markup list command definition}.
Manuel de notation : @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
Manuel de notation : @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
qui répertorie les commandes usuelles pour une consultation rapide.
@end ignore
qui répertorie les commandes usuelles pour une consultation rapide.
@end ignore
Vous trouverez plus de conseils pour construire des fichiers source
dans @ref{Suggestions for writing LilyPond input files}. Cependant,
lors d'une première lecture il est préférable de terminer d'abord la
Vous trouverez plus de conseils pour construire des fichiers source
dans @ref{Suggestions for writing LilyPond input files}. Cependant,
lors d'une première lecture il est préférable de terminer d'abord la
connaître les différentes manières dont les altérations accidentelles
peuvent être imprimées, consultez @ruser{Automatic accidentals}.
connaître les différentes manières dont les altérations accidentelles
peuvent être imprimées, consultez @ruser{Automatic accidentals}.
Manuel de notation : @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
Glossaire musical : @rglos{Pitch names}.
Manuel de notation : @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
Glossaire musical : @rglos{Pitch names}.
@node Ties and slurs
@subsection Ties and slurs
@node Ties and slurs
@subsection Ties and slurs
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
Manuel de notation : @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
Manuel de notation : @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
@node Articulation and dynamics
@subsection Articulation and dynamics
@node Articulation and dynamics
@subsection Articulation and dynamics
c2\< c2\ff\> c2 c2\!
@end lilypond
c2\< c2\ff\> c2 c2\!
@end lilypond
Manuel de notation : @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Manuel de notation : @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Manuel de notation : @ruser{Writing text}.
Manuel de notation : @ruser{Writing text}.
a8 c b4 d8. c16 b4
@end lilypond
a8 c b4 d8. c16 b4
@end lilypond
Manuel de notation : @ruser{Automatic beams}, @ruser{Manual beams}.
Manuel de notation : @ruser{Automatic beams}, @ruser{Manual beams}.
c2 \acciaccatura b16 c2
@end lilypond
c2 \acciaccatura b16 c2
@end lilypond
Manuel de notation : @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
Manuel de notation : @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
Manuel de notation : @ruser{Keyboard and other multi-staff instruments},
@ruser{Displaying staves}.
Manuel de notation : @ruser{Keyboard and other multi-staff instruments},
@ruser{Displaying staves}.
Manuel de notation : @ruser{Simultaneous notes}.
Manuel de notation : @ruser{Simultaneous notes}.
Manuel de notation : @ruser{Vocal music}.
Manuel de notation : @ruser{Vocal music}.
la partition des notes et paroles, grâce à des variables. Ceci sera
détaillé plus loin dans @ref{Organizing pieces with variables}.
la partition des notes et paroles, grâce à des variables. Ceci sera
détaillé plus loin dans @ref{Organizing pieces with variables}.
Manuel de notation : @ruser{Vocal music}.
Manuel de notation : @ruser{Vocal music}.
@node Final touches
@section Final touches
@node Final touches
@section Final touches
c4^"piu mosso" d e f
@end lilypond
c4^"piu mosso" d e f
@end lilypond
Dans ce même manuel : @ruser{The \override command}, @ref{Common tweaks}.
Dans ce même manuel : @ruser{The \override command}, @ref{Common tweaks}.
en bas des pages de la documentation. Par exemple, en bas de la page
@ruser{Dynamics}, nous trouvons
en bas des pages de la documentation. Par exemple, en bas de la page
@ruser{Dynamics}, nous trouvons
Référence du programme : @rinternals{DynamicText}, @rinternals{Hairpin}.
Le placement vertical de ces symboles est contrôlé par
@rinternals{DynamicLineSpanner}.
Référence du programme : @rinternals{DynamicText}, @rinternals{Hairpin}.
Le placement vertical de ces symboles est contrôlé par
@rinternals{DynamicLineSpanner}.
Ce qui implique que, pour modifier la hauteur d'une nuance, nous utiliserons
@example
Ce qui implique que, pour modifier la hauteur d'une nuance, nous utiliserons
@example
Référence du programme : @rinternals{LyricText}, @rinternals{LyricSpace}.
Référence du programme : @rinternals{LyricText}, @rinternals{LyricSpace}.
@c TODO: document \new Staff << Voice \lyricsto >> bug
@c TODO: document \new Staff << Voice \lyricsto >> bug
Référence du programme : @rinternals{LyricCombineMusic},
@rinternals{Lyrics}.
Référence du programme : @rinternals{LyricCombineMusic},
@rinternals{Lyrics}.
Référence du programme : @rinternals{Lyrics}.
Référence du programme : @rinternals{Lyrics}.
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
Référence du programme : @rinternals{LyricCombineMusic}.
Référence du programme : @rinternals{LyricCombineMusic}.
@c Here come the section which used to be "Melismata"
@c the new title might be more self-explanatory
@c Here come the section which used to be "Melismata"
@c the new title might be more self-explanatory
@node Multiple notes to one syllable
@unnumberedsubsubsec Multiple notes to one syllable
@node Multiple notes to one syllable
@unnumberedsubsubsec Multiple notes to one syllable
@comment Référence du programme : @rinternals{Melisma_translator}.
Exemples : @rlsr{Vocal music}.
@comment Référence du programme : @rinternals{Melisma_translator}.
Exemples : @rlsr{Vocal music}.
@knownissues
Certains mélismes ne sont pas détectés automatiquement ; vous devrez
@knownissues
Certains mélismes ne sont pas détectés automatiquement ; vous devrez
et @code{minimum-length}, seuil en deçà duquel il n'y a pas de trait
d'union.
et @code{minimum-length}, seuil en deçà duquel il n'y a pas de trait
d'union.
Référence du programme : @rinternals{LyricExtender},
@rinternals{LyricHyphen}
Référence du programme : @rinternals{LyricExtender},
@rinternals{LyricHyphen}
Référence du programme : @rinternals{LyricText},
@rinternals{StanzaNumber}.
Référence du programme : @rinternals{LyricText},
@rinternals{StanzaNumber}.
as explained in @ref{White mensural ligatures} and @ref{Gregorian
square neume ligatures}.
as explained in @ref{White mensural ligatures} and @ref{Gregorian
square neume ligatures}.
@c TODO: nothing here yet ...
@c TODO: nothing here yet ...
@knownissues
Ligatures need special spacing that has not yet been implemented. As
@knownissues
Ligatures need special spacing that has not yet been implemented. As
Internals Reference: @rinternals{Custos}.
Examples:
@rlsr{Ancient notation}.
Internals Reference: @rinternals{Custos}.
Examples:
@rlsr{Ancient notation}.
@c {{{2 Figured bass support
@node Figured bass support
@unnumberedsubsubsec Figured bass support
@c {{{2 Figured bass support
@node Figured bass support
@unnumberedsubsubsec Figured bass support
TODO: nothing here yet ...
TODO: nothing here yet ...
@end lilypond
@end multitable
@end lilypond
@end multitable
Notation Reference: see @ref{Clef}.
Notation Reference: see @ref{Clef}.
@knownissues
The mensural g clef is mapped to the Petrucci g clef.
@knownissues
The mensural g clef is mapped to the Petrucci g clef.
Notation Reference: @ref{Time signature}, gives a general introduction to
the use of time signatures.
Notation Reference: @ref{Time signature}, gives a general introduction to
the use of time signatures.
@knownissues
Ratios of note durations do not change with the time signature. For
@knownissues
Ratios of note durations do not change with the time signature. For
@ref{Note head styles} gives an overview of all available note head styles.
@ref{Note head styles} gives an overview of all available note head styles.
@c music, the default flag style should be used.
There are no flags in Gregorian chant notation.
@c music, the default flag style should be used.
There are no flags in Gregorian chant notation.
TODO: nothing here yet ...
TODO: nothing here yet ...
@knownissues
The attachment of ancient flags to stems is slightly off.
@knownissues
The attachment of ancient flags to stems is slightly off.
There are no rests in Gregorian chant notation; instead, it uses
@ref{Divisiones}.
There are no rests in Gregorian chant notation; instead, it uses
@ref{Divisiones}.
Notation Reference: @ref{Rests}, gives a general introduction into the use of
rests.
Notation Reference: @ref{Rests}, gives a general introduction into the use of
rests.
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
@ref{Automatic accidentals} give a general introduction of the use of
accidentals. @ref{Key signature} gives a general introduction of
Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
@ref{Automatic accidentals} give a general introduction of the use of
accidentals. @ref{Key signature} gives a general introduction of
Internals Reference: @rinternals{KeySignature}.
Internals Reference: @rinternals{KeySignature}.
@c {{{2 Annotational accidentals (musica ficta)
@node Annotational accidentals (musica ficta)
@unnumberedsubsubsec Annotational accidentals (@emph{musica ficta})
@c {{{2 Annotational accidentals (musica ficta)
@node Annotational accidentals (musica ficta)
@unnumberedsubsubsec Annotational accidentals (@emph{musica ficta})
Internals Reference: @rinternals{Accidental_engraver} engraver and
the @rinternals{AccidentalSuggestion} object.
Internals Reference: @rinternals{Accidental_engraver} engraver and
the @rinternals{AccidentalSuggestion} object.
TODO: nothing here yet ...
TODO: nothing here yet ...
@knownissues
Horizontal spacing is poor.
@knownissues
Horizontal spacing is poor.
TODO: nothing here yet ...
TODO: nothing here yet ...
@c {{{2 Gregorian clefs
@node Gregorian clefs
@unnumberedsubsubsec Gregorian clefs
@c {{{2 Gregorian clefs
@node Gregorian clefs
@unnumberedsubsubsec Gregorian clefs
@end lilypond
@end multitable
@end lilypond
@end multitable
Notation Reference: see @ref{Clef}.
Notation Reference: see @ref{Clef}.
@c {{{2 Gregorian accidentals and key signatures
@node Gregorian accidentals and key signatures
@unnumberedsubsubsec Gregorian accidentals and key signatures
@c {{{2 Gregorian accidentals and key signatures
@node Gregorian accidentals and key signatures
@unnumberedsubsubsec Gregorian accidentals and key signatures
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
@ref{Automatic accidentals} give a general introduction of the use of
accidentals. @ref{Key signature} gives a general introduction of
Notation Reference: @ref{Pitches}, @ref{Accidentals}, and
@ref{Automatic accidentals} give a general introduction of the use of
accidentals. @ref{Key signature} gives a general introduction of
Internals Reference: @rinternals{KeySignature}.
Internals Reference: @rinternals{KeySignature}.
@c {{{2Divisiones
@node Divisiones
@unnumberedsubsubsec Divisiones
@c {{{2Divisiones
@node Divisiones
@unnumberedsubsubsec Divisiones
TODO: nothing here yet ...
TODO: nothing here yet ...
@knownissues
Some articulations are vertically placed too closely to the
@knownissues
Some articulations are vertically placed too closely to the
Notation Reference: @ref{Breath marks}.
Internals Reference: @rinternals{BreathingSign}.
Notation Reference: @ref{Breath marks}.
Internals Reference: @rinternals{BreathingSign}.
Examples: @rlsr{Ancient notation}.
Examples: @rlsr{Ancient notation}.
@c {{{2Gregorian square neumes ligatures
@node Gregorian square neume ligatures
@unnumberedsubsubsec Gregorian square neume ligatures
@c {{{2Gregorian square neumes ligatures
@node Gregorian square neume ligatures
@unnumberedsubsubsec Gregorian square neume ligatures
@funindex \augmentum
Use the unary music function @code{\augmentum} to add augmentum dots.
@funindex \augmentum
Use the unary music function @code{\augmentum} to add augmentum dots.
TODO: nothing here yet ...
TODO: nothing here yet ...
@knownissues
When an @code{\augmentum} dot appears at the end of the last staff
@knownissues
When an @code{\augmentum} dot appears at the end of the last staff
@c use snippet Transcription-of-ancient-music-with-incipit
TBC
@c use snippet Transcription-of-ancient-music-with-incipit
TBC
@c ... and reference to other sections ...
@c ... and reference to other sections ...
@c {{{2Mensurstriche layout
@node Mensurstriche layout
@unnumberedsubsubsec Mensurstriche layout
@c {{{2Mensurstriche layout
@node Mensurstriche layout
@unnumberedsubsubsec Mensurstriche layout
@c from lsr and -user
TBC
@c from lsr and -user
TBC
@c ... and reference to other sections ...
@c ... and reference to other sections ...
@c extract from 1.6.1.1
TBC
@c extract from 1.6.1.1
TBC
@c ... and reference to other sections ...
@c ... and reference to other sections ...
@c Here among others the snippets about reducing note length
TBC
@c Here among others the snippets about reducing note length
TBC
@c ... and reference to other sections ...
@c ... and reference to other sections ...
@c ... and reference to other sections ...
@c ... and reference to other sections ...
* Aligning contexts::
@end menu
* Aligning contexts::
@end menu
Learning Manual:
@rlearning{Contexts and engravers}.
Learning Manual:
@rlearning{Contexts and engravers}.
Internals: @rinternals{OverrideProperty}, @rinternals{RevertProperty},
@rinternals{PropertySet}, @rinternals{Backend}, and
@rinternals{All layout objects}.
Internals: @rinternals{OverrideProperty}, @rinternals{RevertProperty},
@rinternals{PropertySet}, @rinternals{Backend}, and
@rinternals{All layout objects}.
see @ref{Displaying music expressions}. This may be helpful in
determining what may be modified by a @code{\tweak} command.
see @ref{Displaying music expressions}. This may be helpful in
determining what may be modified by a @code{\tweak} command.
Learning Manual:
@rlearning{Tweaking methods}.
Notation Reference:
@ref{Displaying music expressions}.
Learning Manual:
@rlearning{Tweaking methods}.
Notation Reference:
@ref{Displaying music expressions}.
@knownissues
@cindex tweaks in a variable
@knownissues
@cindex tweaks in a variable
@code{staff-space}. For an explanation and an example of its use,
see @rlearning{Length and thickness of objects}.
@code{staff-space}. For an explanation and an example of its use,
see @rlearning{Length and thickness of objects}.
Learning Manual:
@rlearning{Length and thickness of objects}.
Learning Manual:
@rlearning{Length and thickness of objects}.
Internals Reference: @rinternals{TextSpanner},
@rinternals{Glissando}, @rinternals{VoiceFollower},
@rinternals{TrillSpanner},
Internals Reference: @rinternals{TextSpanner},
@rinternals{Glissando}, @rinternals{VoiceFollower},
@rinternals{TrillSpanner},
* Modifying shapes::
@end menu
* Modifying shapes::
@end menu
Learning Manual:
@rlearning{Tweaking output},
@rlearning{Other sources of information}.
Learning Manual:
@rlearning{Tweaking output},
@rlearning{Other sources of information}.
Internals Reference:
@rinternals{All layout objects}.
Internals Reference:
@rinternals{All layout objects}.
@node Aligning objects
@subsection Aligning objects
@node Aligning objects
@subsection Aligning objects
@c TODO Add inserting Postscript or ref to later
@c TODO Add inserting Postscript or ref to later
Notation Reference:
@ref{Graphic notation inside markup},
@ref{Formatting text},
Notation Reference:
@ref{Graphic notation inside markup},
@ref{Formatting text},
Music Glossary:
@rglos{chord}.
Music Glossary:
@rglos{chord}.
@knownissues
When chord mode and note mode are mixed in sequential music, and
@knownissues
When chord mode and note mode are mixed in sequential music, and
Notation Reference:
@ref{Common chord modifiers}.
Snippets:
@rlsr{Chords}.
Notation Reference:
@ref{Common chord modifiers}.
Snippets:
@rlsr{Chords}.
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
@node Extended and altered chords
@unnumberedsubsubsec Extended and altered chords
standard chords are shown in
@ref{Common chord modifiers}.
standard chords are shown in
@ref{Common chord modifiers}.
Notation Reference:
@ref{Common chord modifiers}.
Snippets:
@rlsr{Chords}
Notation Reference:
@ref{Common chord modifiers}.
Snippets:
@rlsr{Chords}
@knownissues
Each step can only be present in a chord once. The following
@knownissues
Each step can only be present in a chord once. The following
Music Glossary:
@rglos{chord}.
Music Glossary:
@rglos{chord}.
Notation Reference:
@ref{Writing music in parallel}.
Notation Reference:
@ref{Writing music in parallel}.
@rinternals{Volta_engraver},
@rinternals{Bar_engraver}.
@rinternals{Volta_engraver},
@rinternals{Bar_engraver}.
@knownissues
Chords containing inversions or altered bass notes are not named
@knownissues
Chords containing inversions or altered bass notes are not named
Notation Reference:
@ref{Chord name chart},
@ref{Common chord modifiers}.
Notation Reference:
@ref{Chord name chart},
@ref{Common chord modifiers}.
@c Internals Reference:
@c @r internals{}.
@c Internals Reference:
@c @r internals{}.
@knownissues
Chord names are determined from both the pitches that are present
@knownissues
Chord names are determined from both the pitches that are present
@code{baseline-skip}.
@end ignore
@code{baseline-skip}.
@end ignore
Music Glossary:
@rglos{figured bass}.
Music Glossary:
@rglos{figured bass}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-the-positions-of-figured-bass-alterations.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-the-positions-of-figured-bass-alterations.ly}
@seealso
@c Music Glossary:
@c @rglos{}.
@seealso
@c Music Glossary:
@c @rglos{}.
@c Learning Manual:
@c @rlearning{}.
@c Learning Manual:
@c @rlearning{}.
@c Notation Reference:
@c @ref{}.
@c Notation Reference:
@c @ref{}.
@c Application Usage:
@c @rprogram{}.
@c Application Usage:
@c @rprogram{}.
@c Installed Files:
@c @file{}.
@c Installed Files:
@c @file{}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
@node Displaying figured bass
@unnumberedsubsubsec Displaying figured bass
@seealso
@c Music Glossary:
@c @rglos{}.
@seealso
@c Music Glossary:
@c @rglos{}.
@c Learning Manual:
@c @rlearning{}.
@c Learning Manual:
@c @rlearning{}.
@c Notation Reference:
@c @ref{}.
@c Notation Reference:
@c @ref{}.
@c Application Usage:
@c @rprogram{}.
@c Application Usage:
@c @rprogram{}.
@c Installed Files:
@c @file{}.
@c Installed Files:
@c @file{}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@rinternals{BassFigureContinuation},
@rinternals{FiguredBass}.
@knownissues
To ensure that continuation lines work properly, it is
@knownissues
To ensure that continuation lines work properly, it is
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{avoiding-collisions-of-chord-fingering-with-beams.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{avoiding-collisions-of-chord-fingering-with-beams.ly}
Notation Reference:
@ref{Direction and placement}
Notation Reference:
@ref{Direction and placement}
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Notation Reference:
@ref{List of colors}, @ref{The
tweak command}.
Notation Reference:
@ref{List of colors}, @ref{The
tweak command}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
@cindex x11 color
@cindex colored notes in chords
@cindex notes, colored in chords
@cindex x11 color
@cindex colored notes in chords
@cindex notes, colored in chords
c2 \parenthesize r
@end lilypond
c2 \parenthesize r
@end lilypond
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@rinternals{ParenthesesItem},
@rinternals{parentheses-interface}.
@knownissues
Parenthesizing a chord prints parentheses around each individual
@knownissues
Parenthesizing a chord prints parentheses around each individual
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{default-direction-of-stems-on-the-center-line-of-the-staff.ly}
@seealso
Notation Reference:
@ref{Direction and placement}.
@seealso
Notation Reference:
@ref{Direction and placement}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Snippets:
@rlsr{Editorial annotations}.
Music Glossary:
@rglos{tenuto},
@rglos{accent},
Music Glossary:
@rglos{tenuto},
@rglos{accent},
Music Glossary:
@rglos{al niente},
@rglos{crescendo},
Music Glossary:
@rglos{al niente},
@rglos{crescendo},
Notation Reference:
@ref{Formatting text},
@ref{Selecting font and font size},
Notation Reference:
@ref{Formatting text},
@ref{Selecting font and font size},
Music Glossary:
@rglos{slur}.
Music Glossary:
@rglos{slur}.
Learning Manual:
@rlearning{On the un-nestedness of brackets and ties}.
Learning Manual:
@rlearning{On the un-nestedness of brackets and ties}.
Music Glossary:
@rglos{caesura}.
Music Glossary:
@rglos{caesura}.
Music Glossary:
@rglos{fall},
@rglos{doit}.
Music Glossary:
@rglos{fall},
@rglos{doit}.
Music Glossary:
@rglos{glissando}.
Music Glossary:
@rglos{glissando}.
Music Glossary:
@rglos{arpeggio}.
Music Glossary:
@rglos{arpeggio}.
Music Glossary:
@rglos{trill}.
Music Glossary:
@rglos{trill}.
Notation Reference:
@ref{Fingering instructions},
@ref{Ties},
Notation Reference:
@ref{Fingering instructions},
@ref{Ties},
@ref{List of articulations},
@ref{Clef}.
@ref{List of articulations},
@ref{Clef}.
@node String number indications
@unnumberedsubsubsec String number indications
@node String number indications
@unnumberedsubsubsec String number indications
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
Notation Reference:
@ref{Fingering instructions}.
Notation Reference:
@ref{Fingering instructions}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{polyphony-in-tablature.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{polyphony-in-tablature.ly}
Notation Reference:
@ref{Stems}.
Notation Reference:
@ref{Stems}.
@rinternals{TabVoice},
@rinternals{Beam}.
@rinternals{TabVoice},
@rinternals{Beam}.
@knownissues
Chords are not handled in a special way, and hence the automatic
@knownissues
Chords are not handled in a special way, and hence the automatic
Installed Files:
@file{scm/output-lib.scm}.
Installed Files:
@file{scm/output-lib.scm}.
Notation Reference:
@ref{Text markup commands}.
Notation Reference:
@ref{Text markup commands}.
Internals Reference:
@rinternals{fret-diagram-interface}.
Internals Reference:
@rinternals{fret-diagram-interface}.
@node Predefined fret diagrams
@unnumberedsubsubsec Predefined fret diagrams
@node Predefined fret diagrams
@unnumberedsubsubsec Predefined fret diagrams
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{defining-predefined-fretboards-for-other-instruments.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{defining-predefined-fretboards-for-other-instruments.ly}
Notation Reference:
@ref{Custom tablatures},
@ref{Automatic fret diagrams},
Notation Reference:
@ref{Custom tablatures},
@ref{Automatic fret diagrams},
Notation Reference:
@ref{Custom tablatures}.
Notation Reference:
@ref{Custom tablatures}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{fingerings,-string-indications,-and-right-hand-fingerings.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{fingerings,-string-indications,-and-right-hand-fingerings.ly}
Snippets:
@rlsr{Fretted strings}.
Snippets:
@rlsr{Fretted strings}.
Notation Reference:
@ref{Text spanners}.
Notation Reference:
@ref{Text spanners}.
@rlsr{Fretted strings},
@rlsr{Expressive marks}.
@rlsr{Fretted strings},
@rlsr{Expressive marks}.
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
@node Indicating harmonics and dampened notes
@unnumberedsubsubsec Indicating harmonics and dampened notes
Snippets:
@rlsr{Fretted strings}.
Snippets:
@rlsr{Fretted strings}.
@ref{Special note heads},
@ref{Note head styles}.
@ref{Special note heads},
@ref{Note head styles}.
@node Banjo
@subsection Banjo
@node Banjo
@subsection Banjo
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
Snippets:
@rlsr{Fretted strings}.
The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
Snippets:
@rlsr{Fretted strings}.
The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
For a complete definition of the input format, see
@ruser{File structure}.
For a complete definition of the input format, see
@ruser{File structure}.
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
@node Score is a (single) compound musical expression
@subsection Score is a (single) compound musical expression
indentation -- make sure that each item on the same level starts
on the same horizontal position in your text editor.
indentation -- make sure that each item on the same level starts
on the same horizontal position in your text editor.
Notation Reference: @ruser{Structure of a score}.
Notation Reference: @ruser{Structure of a score}.
@node Nesting music expressions
@subsection Nesting music expressions
@node Nesting music expressions
@subsection Nesting music expressions
placed above the staff called @qq{main} instead of the default
position which is below.
placed above the staff called @qq{main} instead of the default
position which is below.
Ossia are often written without clef and without
time signature and are usually in a smaller font.
These require further commands which
Ossia are often written without clef and without
time signature and are usually in a smaller font.
These require further commands which
later section --- see the @code{force-hshift} property in @ref{Fixing
overlapping notation}.
later section --- see the @code{force-hshift} property in @ref{Fixing
overlapping notation}.
Notation Reference: @ruser{Multiple voices}.
Notation Reference: @ruser{Multiple voices}.
have no shift or the same shift specified, the error message
@qq{Too many clashing note columns} will be produced.
have no shift or the same shift specified, the error message
@qq{Too many clashing note columns} will be produced.
Notation Reference: @ruser{Multiple voices}.
Notation Reference: @ruser{Multiple voices}.
Notation Reference: @ruser{Vocal music}.
Notation Reference: @ruser{Vocal music}.
preceding word with no hyphen or underscore, e.g.,
@code{GregorianTranscriptionStaff}.
preceding word with no hyphen or underscore, e.g.,
@code{GregorianTranscriptionStaff}.
Notation Reference: @ruser{Contexts explained}.
Notation Reference: @ruser{Contexts explained}.
refer back to that particular instance of a context. We saw this in
use in the section on lyrics, see @ref{Voices and vocals}.
refer back to that particular instance of a context. We saw this in
use in the section on lyrics, see @ref{Voices and vocals}.
Notation Reference: @ruser{Creating contexts}.
Notation Reference: @ruser{Creating contexts}.
We shall see later how the output of LilyPond can be changed
by modifying the action of Engravers.
We shall see later how the output of LilyPond can be changed
by modifying the action of Engravers.
Internals reference: @rinternals{Engravers and Performers}.
Internals reference: @rinternals{Engravers and Performers}.
instances of contexts by statements in a @code{\with} block, and by
@code{\set} commands embedded in music statements.
instances of contexts by statements in a @code{\with} block, and by
@code{\set} commands embedded in music statements.
Notation Reference:
@ruser{Changing context default settings}.
@c FIXME
Notation Reference:
@ruser{Changing context default settings}.
@c FIXME
@code{\set} command in a @code{\context} block in the
same way.
@code{\set} command in a @code{\context} block in the
same way.
Notation Reference: @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
Notation Reference: @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
The starting templates can be found in the @q{Templates} appendix,
see @ref{Single staff}.
The starting templates can be found in the @q{Templates} appendix,
see @ref{Single staff}.
block, and inside or outside the single music expression within a
@code{\score} block.
block, and inside or outside the single music expression within a
@code{\score} block.
@rlearning{Working on input files},
@rlearning{Music expressions explained},
@rlearning{Score is a (single) compound musical expression}.
@rlearning{Working on input files},
@rlearning{Music expressions explained},
@rlearning{Score is a (single) compound musical expression}.
Learning Manual:
@rlearning{How LilyPond input files work}.
Learning Manual:
@rlearning{How LilyPond input files work}.
@node Titles and headers
@section Titles and headers
@node Titles and headers
@section Titles and headers
Init files: @file{../ly/@/toc@/-init@/.ly}.
Init files: @file{../ly/@/toc@/-init@/.ly}.
Some simple examples of using @code{\include} are shown in
@rlearning{Scores and parts}.
Some simple examples of using @code{\include} are shown in
@rlearning{Scores and parts}.
@seealso
Learning Manual:
@rlearning{Other sources of information},
@rlearning{Scores and parts}.
@seealso
Learning Manual:
@rlearning{Other sources of information},
@rlearning{Scores and parts}.
@knownissues
If an included file is given a name which is the same as one in
@knownissues
If an included file is given a name which is the same as one in
the first filter will remove all tagged sections except the one
named, and the second filter will remove even that tagged section.
the first filter will remove all tagged sections except the one
named, and the second filter will remove even that tagged section.
Learning Manual:
@rlearning{Organizing pieces with variables}.
Learning Manual:
@rlearning{Organizing pieces with variables}.
@ref{Automatic part combining},
@ref{Including LilyPond files}.
@ref{Automatic part combining},
@ref{Including LilyPond files}.
@ignore
@c This warning is more general than this placement implies.
@c Rests are not merged whether or not they come from tagged sections.
@ignore
@c This warning is more general than this placement implies.
@c Rests are not merged whether or not they come from tagged sections.
Staff contexts can be put into a single Score context. The Score
context is the top level notation context.
Staff contexts can be put into a single Score context. The Score
context is the top level notation context.
Internals Reference: @rinternals{Contexts}.
Internals Reference: @rinternals{Contexts}.
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
@lilypond[quote,ragged-right]
\include "engraver-example.ily"
\score {
Learning Manual:
@rlearning{Real music example},
@rlearning{Other uses for tweaks}.
Learning Manual:
@rlearning{Real music example},
@rlearning{Other uses for tweaks}.
Snippets:
@rlsr{Keyboards}.
Snippets:
@rlsr{Keyboards}.
@knownissues
@cindex keyboard music, centering dynamics
@knownissues
@cindex keyboard music, centering dynamics
example of beam tweaking, see @rlearning{Fixing overlapping
notation}.
example of beam tweaking, see @rlearning{Fixing overlapping
notation}.
Learning Manual:
@rlearning{Fixing overlapping notation}.
Learning Manual:
@rlearning{Fixing overlapping notation}.
Notation Reference:
@ref{Changing staff manually}.
Notation Reference:
@ref{Changing staff manually}.
Internals Reference:
@rinternals{AutoChangeMusic}.
Internals Reference:
@rinternals{AutoChangeMusic}.
@knownissues
@cindex chords, splitting across staves with \autochange
@knownissues
@cindex chords, splitting across staves with \autochange
Snippets:
@rlsr{Keyboards}.
Snippets:
@rlsr{Keyboards}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{indicating-cross-staff-chords-with-arpeggio-bracket.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{indicating-cross-staff-chords-with-arpeggio-bracket.ly}
Snippets:
@rlsr{Keyboards}.
Internals Reference:
@rinternals{Stem}.
Snippets:
@rlsr{Keyboards}.
Internals Reference:
@rinternals{Stem}.
@node Piano
@subsection Piano
@node Piano
@subsection Piano
sustain pedal during piano performance. Pedalling to the final bar line
is indicated by omitting the final pedal up command.
sustain pedal during piano performance. Pedalling to the final bar line
is indicated by omitting the final pedal up command.
Notation Reference:
@ref{Ties}.
Notation Reference:
@ref{Ties}.
@rinternals{PianoPedalBracket},
@rinternals{Piano_pedal_engraver}.
@rinternals{PianoPedalBracket},
@rinternals{Piano_pedal_engraver}.
@node Accordion
@subsection Accordion
@node Accordion
@subsection Accordion
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{accordion-discant-symbols.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{accordion-discant-symbols.ly}
Snippets:
@rlsr{Keyboards}.
Snippets:
@rlsr{Keyboards}.
\begin@{lilypond@}...\end@{lilypond@}
@end example
\begin@{lilypond@}...\end@{lilypond@}
@end example
@seealso
There are specific @command{lilypond-book} command line options and
other details to know when processing @LaTeX{} documents, see
@seealso
There are specific @command{lilypond-book} command line options and
other details to know when processing @LaTeX{} documents, see
@item FI: A, a
@end itemize
@item FI: A, a
@end itemize
The stress of one tone over others.
The stress of one tone over others.
@section accessory
@seealso
@section accessory
@seealso
small eighth note (quaver) with a line drawn through the flag and
stem.
small eighth note (quaver) with a line drawn through the flag and
stem.
@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}.
@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}.
@ref{alteration}, @ref{semitone}, @ref{whole tone}.
@ref{alteration}, @ref{semitone}, @ref{whole tone}.
@ref{andante}, @ref{largo}, @ref{sonata}.
@ref{andante}, @ref{largo}, @ref{sonata}.
@notation{al niente} with @notation{crescendo}. Instead, one should use
@emph{dal niente} (@notation{@b{from} nothing}).
@notation{al niente} with @notation{crescendo}. Instead, one should use
@emph{dal niente} (@notation{@b{from} nothing}).
@ref{crescendo}, @ref{decrescendo}, @ref{hairpin}.
@ref{crescendo}, @ref{decrescendo}, @ref{hairpin}.
[Italian: @q{cheerful}.] Quick tempo. Also used as a title for pieces in a quick
tempo, especially the first and last movements of a sonata.
[Italian: @q{cheerful}.] Quick tempo. Also used as a title for pieces in a quick
tempo, especially the first and last movements of a sonata.
An alteration is the modification, raising or lowering, of a note's
pitch. It is established by an accidental.
An alteration is the modification, raising or lowering, of a note's
pitch. It is established by an accidental.
reached the height of the female voice. This type of voice is also
known as countertenor.
reached the height of the female voice. This type of voice is also
known as countertenor.
C clef setting middle C on the middle line of the staff.
C clef setting middle C on the middle line of the staff.
also denote the pitch range that a musical instrument is capable of playing.
Sometimes anglicized to @emph{ambit} (pl. @emph{ambits}).
also denote the pitch range that a musical instrument is capable of playing.
Sometimes anglicized to @emph{ambit} (pl. @emph{ambits}).
bes( a) g f | bes4. a8 bes4 c | f,2. \bar "||" }
@end lilypond
bes( a) g f | bes4. a8 bes4 c | f,2. \bar "||" }
@end lilypond
@ref{measure}, @ref{meter}.
@ref{measure}, @ref{meter}.
a1 b c d e f g a }
@end lilypond
a1 b c d e f g a }
@end lilypond
should be played. Slurs, accents, staccato, and legato are all
examples of articulation.
should be played. Slurs, accents, staccato, and legato are all
examples of articulation.
A distance between a starting lower note and a higher ending note.
A distance between a starting lower note and a higher ending note.
S: överstigande intervall,
FI: ylinouseva intervalli.
S: överstigande intervall,
FI: ylinouseva intervalli.
This is a placeholder for augmentation (wrt mensural notation).
This is a placeholder for augmentation (wrt mensural notation).
@ref{diminution}, @ref{mensural notation}.
@ref{diminution}, @ref{mensural notation}.
@item FI: H, h
@end itemize
@item FI: H, h
@end itemize
@ref{H}, @ref{Pitch names}
@node backfall
@section backfall
@ref{H}, @ref{Pitch names}
@node backfall
@section backfall
@ref{appoggiatura}.
@node bar
@section bar
@ref{appoggiatura}.
@node bar
@section bar
in secular music, or in sacred music to indicate congruences between parts
in otherwise-unmetered music).
in secular music, or in sacred music to indicate congruences between parts
in otherwise-unmetered music).
@c F: clef de troisième ligne dropped
@c F: clef de troisième ligne dropped
C or F clef setting middle C on the upper staff line.
C or F clef setting middle C on the upper staff line.
@ref{C clef}, @ref{F clef}.
@ref{C clef}, @ref{F clef}.
A clef setting with middle C on the first top ledger line.
A clef setting with middle C on the first top ledger line.
g64_"1/64"[ s32 g64 s32 g64 s32 g64] s32 }
@end lilypond
g64_"1/64"[ s32 g64 s32 g64 s32 g64] s32 }
@end lilypond
\relative c'' { g8 d' c | b c a | g4. \bar "||"}
@end lilypond
\relative c'' { g8 d' c | b c a | g4. \bar "||"}
@end lilypond
@ref{time signature}.
@node beat repeat
@section beat repeat
@ref{time signature}.
@node beat repeat
@section beat repeat
@ref{percent repeat}.
@node bind
@section bind
@ref{percent repeat}.
@node bind
@section bind
\relative c \context Staff = SB { \clef bass c1 \bar "|." } >>
@end lilypond
\relative c \context Staff = SB { \clef bass c1 \bar "|." } >>
@end lilypond
formed mouth piece. The brass instruments commonly used in a symphony
orchestra are trumpet, trombone, french horn, and tube.
formed mouth piece. The brass instruments commonly used in a symphony
orchestra are trumpet, trombone, french horn, and tube.
Indication of where to breathe in vocal and wind instrument parts.
Indication of where to breathe in vocal and wind instrument parts.
\relative c'' { g\breve }
@end lilypond
\relative c'' { g\breve }
@end lilypond
@ref{mensural notation}, @ref{note value}.
@ref{mensural notation}, @ref{note value}.
@item FI: C, c
@end itemize
@item FI: C, c
@end itemize
S: kadens,
FI: kadenssi, lopuke.
S: kadens,
FI: kadenssi, lopuke.
@ref{harmonic cadence}, @ref{functional harmony}.
@ref{harmonic cadence}, @ref{functional harmony}.
ability to improvise. Since the middle of the 19th century, however,
most cadenzas have been written down by the composer.
ability to improvise. Since the middle of the 19th century, however,
most cadenzas have been written down by the composer.
The break between two musical phrases, sometimes (but not always) marked by a
rest or a breath mark.
The break between two musical phrases, sometimes (but not always) marked by a
rest or a breath mark.
S: kanon,
FI: kaanon, tarkka jäljittely.
S: kanon,
FI: kaanon, tarkka jäljittely.
Logarithmic unit of measurement. 1@tie{}cent is 1/1200 of an octave
(1/100 of an equally tempered semitone).
Logarithmic unit of measurement. 1@tie{}cent is 1/1200 of an octave
(1/100 of an equally tempered semitone).
@ref{equal temperament}, @ref{semitone}.
@node central C
@section central C
@ref{equal temperament}, @ref{semitone}.
@node central C
@section central C
@ref{functional harmony}, @ref{interval}, @ref{inversion}, @ref{quality},
@ref{third}.
@ref{functional harmony}, @ref{interval}, @ref{inversion}, @ref{quality},
@ref{third}.
\relative c' { c1 cis d dis e f fis g gis a ais b c }
@end lilypond
\relative c' { c1 cis d dis e f fis g gis a ais b c }
@end lilypond
Using tones extraneous to a diatonic scale (minor, major).
Using tones extraneous to a diatonic scale (minor, major).
S: kyrkotonart,
FI: moodi, kirkkosävellaji.
S: kyrkotonart,
FI: moodi, kirkkosävellaji.
@ref{C clef}, @ref{F clef}, @ref{G clef}.
@ref{C clef}, @ref{F clef}, @ref{G clef}.
\makeClusters { <c e> <b f'> <b g'> <c g> <f e> }
@end lilypond
\makeClusters { <c e> <b f'> <b g'> <c g> <f e> }
@end lilypond
Difference in pitch between a note derived from pure tuning and the
same note derived from some other tuning method.
Difference in pitch between a note derived from pure tuning and the
same note derived from some other tuning method.
@ref{didymic comma}, @ref{Pythagorean comma}, @ref{syntonic comma},
@ref{temperament}.
@ref{didymic comma}, @ref{Pythagorean comma}, @ref{syntonic comma},
@ref{temperament}.
Another name for @ref{common time}.
@seealso
Another name for @ref{common time}.
@seealso
@ref{common time}, @ref{meter}.
@ref{common time}, @ref{meter}.
4/4 time. The symbol, which resembles a capital letter C, comes from
mensural notation.
4/4 time. The symbol, which resembles a capital letter C, comes from
mensural notation.
@ref{mensural notation}, @ref{meter}.
@ref{mensural notation}, @ref{meter}.
S: komplementärintervall (?),
FI: täydentävä intervalli.
S: komplementärintervall (?),
FI: täydentävä intervalli.
Intervals larger than an octave.
Intervals larger than an octave.
A meter that includes a triplet subdivision within the beat, such as
6/8, 9/8, 12/8.
A meter that includes a triplet subdivision within the beat, such as
6/8, 9/8, 12/8.
@ref{meter}, @ref{simple meter}.
@ref{meter}, @ref{simple meter}.
@ref{compound meter}, @ref{meter}, @ref{polymetric time signature}.
@ref{compound meter}, @ref{meter}, @ref{polymetric time signature}.
@ref{transposing instrument}.
@ref{transposing instrument}.
\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" }
@end lilypond
\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" }
@end lilypond
S: konsonans,
FI: konsonanssi, sopusointi.
S: konsonans,
FI: konsonanssi, sopusointi.
S: alt,
FI: kontra-altto.
S: alt,
FI: kontra-altto.
@c Copying music required more skill than engraving. Flagged for NPOV
@c Copying music required more skill than engraving. Flagged for NPOV
S: kontratenor, counter tenor,
FI: kontratenori.
S: kontratenor, counter tenor,
FI: kontratenori.
\relative c'' { g4 \< a b c | d1\! \bar "|." }
@end lilypond
\relative c'' { g4 \< a b c | d1\! \bar "|." }
@end lilypond
@ref{decrescendo}, @ref{hairpin}.
@ref{decrescendo}, @ref{hairpin}.
In a separate part notes belonging to another part with the purpose of
hinting when to start playing. Usually printed in a smaller type.
In a separate part notes belonging to another part with the purpose of
hinting when to start playing. Usually printed in a smaller type.
@item FI: D, d
@end itemize
@item FI: D, d
@end itemize
Abbreviated @notation{D.C.}. Indicates that the piece is to be repeated from
the beginning to the end or to a certain place marked @emph{fine}.
Abbreviated @notation{D.C.}. Indicates that the piece is to be repeated from
the beginning to the end or to a certain place marked @emph{fine}.
[Italian: @q{from nothing}.] Used with @notation{crescendo} to indicate
that the sound should gradually increase from nothing.
[Italian: @q{from nothing}.] Used with @notation{crescendo} to indicate
that the sound should gradually increase from nothing.
@ref{crescendo}, @ref{diminuendo}, @ref{hairpin}.
@ref{crescendo}, @ref{diminuendo}, @ref{hairpin}.
A distance between a starting higher note and a lower ending note.
A distance between a starting higher note and a lower ending note.
@ref{semitone}, @ref{whole tone}.
@node didymic comma
@section didymic comma
@ref{semitone}, @ref{whole tone}.
@node didymic comma
@section didymic comma
S: förminskat intervall,
FI: vähennetty intervalli.
S: förminskat intervall,
FI: vähennetty intervalli.
S: diminuendo,
FI: diminuendo, hiljentyen.
S: diminuendo,
FI: diminuendo, hiljentyen.
This is a stub for diminution (@emph{wrt} mensural notation).
This is a stub for diminution (@emph{wrt} mensural notation).
@ref{augmentation}, @ref{mensural notation}.
@ref{augmentation}, @ref{mensural notation}.
fis2 d4. \bar "||" }
@end lilypond
fis2 d4. \bar "||" }
@end lilypond
Another name for @ref{dissonant interval}.
Another name for @ref{dissonant interval}.
@ref{dissonant interval}, @ref{harmony}.
@ref{dissonant interval}, @ref{harmony}.
S: dissonans,
FI: dissonanssi, dissonoiva intervalli, riitasointi.
S: dissonans,
FI: dissonanssi, dissonoiva intervalli, riitasointi.
TODO: musical example here?
TODO: musical example here?
Indicator for a indeterminately rising pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
Indicator for a indeterminately rising pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
@ref{fall}, @ref{glissando}.
@ref{fall}, @ref{glissando}.
The fifth @emph{scale degree} in @emph{functional harmony}.
The fifth @emph{scale degree} in @emph{functional harmony}.
@ref{functional harmony}, @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
S: dominantnonackord,
FI: dominanttinoonisointu.
S: dominantnonackord,
FI: dominanttinoonisointu.
@ref{chord}, @ref{functional harmony}.
@ref{chord}, @ref{functional harmony}.
S: dominantseptimackord,
FI: dominanttiseptimisointu.
S: dominantseptimackord,
FI: dominanttiseptimisointu.
@ref{chord}, @ref{functional harmony}.
@ref{chord}, @ref{functional harmony}.
S: dorisk tonart,
FI: doorinen moodi.
S: dorisk tonart,
FI: doorinen moodi.
@ref{dotted note}, @ref{note value}.
@ref{dotted note}, @ref{note value}.
S: punkterad not,
FI: pisteellinen nuotti.
S: punkterad not,
FI: pisteellinen nuotti.
S: dubbelslag,
FI: kaksoisappogiatura, kaksoisetuhele.
S: dubbelslag,
FI: kaksoisappogiatura, kaksoisetuhele.
Indicates the end of a section within a movement.
Indicates the end of a section within a movement.
S: dub@-bel@-punk@-te@-rad not,
FI: kaksoispisteellinen nuotti.
S: dub@-bel@-punk@-te@-rad not,
FI: kaksoispisteellinen nuotti.
S: dubbelbe,
FI: kaksoisalennusmerkki.
S: dubbelbe,
FI: kaksoisalennusmerkki.
S: dubbelkors,
FI: kaksoisylennysmerkki.
S: dubbelkors,
FI: kaksoisylennysmerkki.
S: ?,
FI: kaksois-aika-arvomerkintä.
S: ?,
FI: kaksois-aika-arvomerkintä.
@ref{polymetric time signature}.
@ref{polymetric time signature}.
A simultaneous trill on two notes, usually in the distance of a third.
A simultaneous trill on two notes, usually in the distance of a third.
S: tvåtakt,
FI: kaksoistempo.
S: tvåtakt,
FI: kaksoistempo.
S: tonlängd,
FI: kesto, aika-arvo.
S: tonlängd,
FI: kesto, aika-arvo.
one degree to another. The terms, abbreviations, and symbols used to
indicate this information are called dynamic marks.
one degree to another. The terms, abbreviations, and symbols used to
indicate this information are called dynamic marks.
@ref{piano}, @ref{forte}, @ref{crescendo}, @ref{decrescendo},
@ref{diminuendo}.
@ref{piano}, @ref{forte}, @ref{crescendo}, @ref{decrescendo},
@ref{diminuendo}.
@item FI: E, e
@end itemize
@item FI: E, e
@end itemize
@ref{Pitch names}
@node ecclesiastical mode
@section ecclesiastical mode
@ref{Pitch names}
@node ecclesiastical mode
@section ecclesiastical mode
@ref{church mode}, @ref{diatonic scale}.
@ref{church mode}, @ref{diatonic scale}.
@item FI: kahdeksasosanuotti
@end itemize
@item FI: kahdeksasosanuotti
@end itemize
@item FI: kahdeksasosatauko
@end itemize
@item FI: kahdeksasosatauko
@end itemize
by a lyric tie, which looks like (and serves the same function) as a musical
tie.
by a lyric tie, which looks like (and serves the same function) as a musical
tie.
@ref{lyric tie}.
@node embellishment
@section embellishment
@ref{lyric tie}.
@node embellishment
@section embellishment
The traditional process of music printing is done through cutting in a
plate of metal. Now also the term for the art of music typesetting.
The traditional process of music printing is done through cutting in a
plate of metal. Now also the term for the art of music typesetting.
A tuning system that divides the octave into 12 equal semitones (each of
which is precisely equal to 100 cents).
A tuning system that divides the octave into 12 equal semitones (each of
which is precisely equal to 100 cents).
@ref{cent}, @ref{semitone}, @ref{temperament}.
@ref{cent}, @ref{semitone}, @ref{temperament}.
@ref{allegro}, @ref{andante}, @ref{crescendo}, @ref{forte}.
@ref{allegro}, @ref{andante}, @ref{crescendo}, @ref{forte}.
@ref{melisma}, @ref{sul G}, @ref{thorough bass}, @ref{octave mark},
@ref{octave marking}.
@ref{melisma}, @ref{sul G}, @ref{thorough bass}, @ref{octave mark},
@ref{octave marking}.
@item FI: F, f
@end itemize
@item FI: F, f
@end itemize
@ref{baritone clef}, @ref{strings}.
@ref{baritone clef}, @ref{strings}.
Indicator for a indeterminately falling pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
Indicator for a indeterminately falling pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
@ref{doit}, @ref{glissando}.
@ref{doit}, @ref{glissando}.
direction of @q{feathering} -- but without changing the overall tempo
of the piece.
direction of @q{feathering} -- but without changing the overall tempo
of the piece.
Internals Reference: @ruser{Manual beams}
Internals Reference: @ruser{Manual beams}
@ref{chord}, @ref{interval}.
@ref{chord}, @ref{interval}.
Figures to the side or above the note that methodically indicate which
fingers to use while playing a passage.
Figures to the side or above the note that methodically indicate which
fingers to use while playing a passage.
@ref{articulation}, @ref{harmonics}.
@ref{articulation}, @ref{harmonics}.
S: beförtecken,
FI: alennusmerkki.
S: beförtecken,
FI: alennusmerkki.
@ref{accidental}.
@node forefall
@section forefall
@ref{accidental}.
@node forefall
@section forefall
@item @emph{fortissimo}, very loud (notated @notation{@b{ff}}).
@end itemize
@item @emph{fortissimo}, very loud (notated @notation{@b{ff}}).
@end itemize
If you are producing scores for eventual publication by a commercial publisher,
you may wish to procure a copy of their style manual.
If you are producing scores for eventual publication by a commercial publisher,
you may wish to procure a copy of their style manual.
Frenched staff has unneeded measures or sections removed. This is useful
for producing, for example, an @emph{ossia} staff.
Frenched staff has unneeded measures or sections removed. This is useful
for producing, for example, an @emph{ossia} staff.
@item FI: G, g
@end itemize
@item FI: G, g
@end itemize
Letting the pitch slide fluently from one note to the other.
Letting the pitch slide fluently from one note to the other.
Notes printed in small types to indicate that their time values are not
counted in the rhythm of the bar.
Notes printed in small types to indicate that their time values are not
counted in the rhythm of the bar.
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
@ref{ornament}.
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
@ref{ornament}.
A combination of two staves with a brace. Usually used for piano music.
A combination of two staves with a brace. Usually used for piano music.
None yet.
@node gruppetto
@section gruppetto
None yet.
@node gruppetto
@section gruppetto
usage. In the standard usage of these countries, @notation{B} means
@notation{B flat}.
usage. In the standard usage of these countries, @notation{B} means
@notation{B flat}.
@ref{Pitch names}, @ref{B}.
@ref{Pitch names}, @ref{B}.
@ref{crescendo}, @ref{decrescendo}.
@ref{crescendo}, @ref{decrescendo}.
@item FI: puolinuotti.
@end itemize
@item FI: puolinuotti.
@end itemize
@item FI: puolitauko.
@end itemize
@item FI: puolitauko.
@end itemize
@ref{functional harmony}.
@ref{functional harmony}.
natural harmonics, which are those played on the open string; and
artificial harmonics, which are produced on stopped strings.
natural harmonics, which are those played on the open string; and
artificial harmonics, which are produced on stopped strings.
For harmony that uses three or more notes, see @ref{chord}.
For harmony that uses three or more notes, see @ref{chord}.
and is therefore a polymeter (second definition) of considerable antiquity.
and is therefore a polymeter (second definition) of considerable antiquity.
@ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}.
@ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}.
Music in which one voice leads melodically supported by the other voices in
the same rhythm (more or less). In contrast to @emph{polyphony}.
Music in which one voice leads melodically supported by the other voices in
the same rhythm (more or less). In contrast to @emph{polyphony}.
@ref{polyphony}.
@node hymn meter
@ref{polyphony}.
@node hymn meter
@item 88.88.88.88 is Double Long Meter (DLM or D.L.M.)
@end itemize
@item 88.88.88.88 is Double Long Meter (DLM or D.L.M.)
@end itemize
@ref{enharmonic}, @ref{whole tone}.
@ref{enharmonic}, @ref{whole tone}.
unstable chord position.
@end table
unstable chord position.
@end table
Tuning system in which the notes are obtained by adding and subtracting
natural fifths and thirds.
Tuning system in which the notes are obtained by adding and subtracting
natural fifths and thirds.
According to the 12@w{ }tones of the @emph{chromatic scale} there are
12@w{ }keys, one on@w{ }c, one on c-sharp, etc.
According to the 12@w{ }tones of the @emph{chromatic scale} there are
12@w{ }keys, one on@w{ }c, one on c-sharp, etc.
@ref{chromatic scale}, @ref{key signature}.
@ref{chromatic scale}, @ref{key signature}.
The sharps or flats appearing at the beginning of each staff indicating the
key of the music.
The sharps or flats appearing at the beginning of each staff indicating the
key of the music.
[French: @q{Let vibrate}.] Most frequently associated with harp
parts. Marked @notation{l.v.} in the score.
[French: @q{Let vibrate}.] Most frequently associated with harp
parts. Marked @notation{l.v.} in the score.
called because of its strong tendency to @q{lead up} (resolve upwards)
to the tonic scale degree.
called because of its strong tendency to @q{lead up} (resolve upwards)
to the tonic scale degree.
@ref{scale degree}, @ref{semitone}.
@ref{scale degree}, @ref{semitone}.
\relative c'' { a,1 s c'' }
@end lilypond
\relative c'' { a,1 s c'' }
@end lilypond
@ref{staccato}.
@node legato curve
@section legato curve
@ref{staccato}.
@node legato curve
@section legato curve
@ref{slur}, @ref{legato}.
@node leger line
@section leger line
@ref{slur}, @ref{legato}.
@node leger line
@section leger line
system of the white mensural notation, the need for ligatures to denote such
patterns disappeared.
system of the white mensural notation, the need for ligatures to denote such
patterns disappeared.
Also, the name of a music typesetting program.
Also, the name of a music typesetting program.
S: notlinje,
FI: viiva, nuottiviiva.
S: notlinje,
FI: viiva, nuottiviiva.
[Italian: @q{place}.] Instruction to play the following passage at the
written pitch. Cancels octave mark (q.v.).
[Italian: @q{place}.] Instruction to play the following passage at the
written pitch. Cancels octave mark (q.v.).
@ref{octave mark}, @ref{octave marking}.
@ref{octave mark}, @ref{octave marking}.
S: långt förslag,
FI: pitkä appoggiatura, pitkä etuhele.
S: långt förslag,
FI: pitkä appoggiatura, pitkä etuhele.
@ref{breve}, @ref{note value}.
@ref{breve}, @ref{note value}.
S: stort intervall,
FI: suuri intervalli.
S: stort intervall,
FI: suuri intervalli.
temperament only a limited set of keys are playable. Used for tuning
keyboard instruments for performance of pre-1650 music.
temperament only a limited set of keys are playable. Used for tuning
keyboard instruments for performance of pre-1650 music.
@ref{cent}, @ref{temperament}.
@ref{cent}, @ref{temperament}.
Such groups in numbers of two or more recur consistently throughout the
composition and are separated from each other by bar lines.
Such groups in numbers of two or more recur consistently throughout the
composition and are separated from each other by bar lines.
@ref{bar line}, @ref{beat}, @ref{meter}.
@node measure repeat
@section measure repeat
@ref{bar line}, @ref{beat}, @ref{meter}.
@node measure repeat
@section measure repeat
@ref{chord}, @ref{functional harmony}, @ref{relative key}.
@ref{chord}, @ref{functional harmony}, @ref{relative key}.
A melisma (Greek: plural @emph{melismata}) is a group of notes or tones sung
on one syllable, especially as applied to liturgical chant.
A melisma (Greek: plural @emph{melismata}) is a group of notes or tones sung
on one syllable, especially as applied to liturgical chant.
@ref{extender line}.
@node melodic cadence
@section melodic cadence
@ref{extender line}.
@node melodic cadence
@section melodic cadence
TODO: add to definition (including summary info on proportional notation)
TODO: add to definition (including summary info on proportional notation)
@ref{augmentation}, @ref{diminution}, @ref{ligature}, @ref{proportion}.
@c TODO: more cross-references?
@ref{augmentation}, @ref{diminution}, @ref{ligature}, @ref{proportion}.
@c TODO: more cross-references?
TODO: add information from discussion on lilypond-user related to polymeter.
TODO: add information from discussion on lilypond-user related to polymeter.
@ref{accent}, @ref{hemiola}, @ref{note value}, @ref{time signature}
@ref{accent}, @ref{hemiola}, @ref{note value}, @ref{time signature}
followed acknowledged Winkler as the creator, but by then Mälzel had already
sold many of them, and people had taken to calling it a Mälzel Metronome.
followed acknowledged Winkler as the creator, but by then Mälzel had already
sold many of them, and people had taken to calling it a Mälzel Metronome.
@notation{MM}, which is short for Mälzels Metronom (or Mälzel's Mark,
@emph{anglice}).
@notation{MM}, which is short for Mälzels Metronom (or Mälzel's Mark,
@emph{anglice}).
@ref{metronome}
@node metronomic indication
@section metronomic indication
@ref{metronome}
@node metronomic indication
@section metronomic indication
The female voice between soprano and contralto.
The female voice between soprano and contralto.
@ref{soprano}, @ref{contralto}.
@ref{soprano}, @ref{contralto}.
S: litet intervall,
FI: pieni intervalli.
S: litet intervall,
FI: pieni intervalli.
@ref{interval}.
@node mixolydian mode
@section mixolydian mode
@ref{interval}.
@node mixolydian mode
@section mixolydian mode
S: modus, skala,
FI: moodi, kirkkosävelasteikko.
S: modus, skala,
FI: moodi, kirkkosävelasteikko.
@ref{church mode}, @ref{diatonic scale}.
@ref{church mode}, @ref{diatonic scale}.
of a @ref{sonata form} movement modulates to the dominant key if the
key is major and to the @ref{relative key} if the key is minor.
of a @ref{sonata form} movement modulates to the dominant key if the
key is major and to the @ref{relative key} if the key is minor.
S: mordent,
FI: mordent, korukuvio.
S: mordent,
FI: mordent, korukuvio.
@ref{ornament}.
@node motif
@section motif
@ref{ornament}.
@node motif
@section motif
consist of several -- more or less -- independant pieces called
movements.
consist of several -- more or less -- independant pieces called
movements.
@ref{longa}, @ref{breve}.
@ref{longa}, @ref{breve}.
S: återställningstecken,
FI: palautusmerkki.
S: återställningstecken,
FI: palautusmerkki.
@ref{accidental}.
@node neighbor tones
@section neighbor tones
@ref{accidental}.
@node neighbor tones
@section neighbor tones
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
@ref{ornament}.
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
@ref{ornament}.
@ref{interval}.
@node non-legato
@section non-legato
@ref{interval}.
@node non-legato
@section non-legato
and @ref{note} is strongly recommended. Briefly, one sees a note,
and hears a tone.
and @ref{note} is strongly recommended. Briefly, one sees a note,
and hears a tone.
For percussion instruments (often having no defined pitch) the note head may
indicate the instrument.
For percussion instruments (often having no defined pitch) the note head may
indicate the instrument.
@ref{clef}, @ref{flag}, @ref{staff}, @ref{stem}.
@node note names
@section note names
@ref{clef}, @ref{flag}, @ref{staff}, @ref{stem}.
@node note names
@section note names
None yet.
@node octavation
@section octavation
None yet.
@node octavation
@section octavation
For uses like @notation{all'ottava} or @notation{8va} with an extender line or
bracket, or @notation{loco} see octave marking.
For uses like @notation{all'ottava} or @notation{8va} with an extender line or
bracket, or @notation{loco} see octave marking.
@ref{interval}, @ref{octave marking}.
@ref{interval}, @ref{octave marking}.
beginning. This octave mark can be applied to any clef, but it is most
frequently used with the G and F clefs.
beginning. This octave mark can be applied to any clef, but it is most
frequently used with the G and F clefs.
@ref{F clef}, @ref{G clef}, @ref{loco}, @ref{octave marking}.
@ref{F clef}, @ref{G clef}, @ref{loco}, @ref{octave marking}.
For a list of the specific marks used, see @ref{octave mark}.
For a list of the specific marks used, see @ref{octave mark}.
@ref{interval}, @ref{loco}, @ref{octave}, @ref{octave mark}.
@node octave sign
@section octave sign
@ref{interval}, @ref{loco}, @ref{octave}, @ref{octave mark}.
@node octave sign
@section octave sign
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}.
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}.
score, usually only a few measures long, which presents another version
of the music, for example for small hands.
score, usually only a few measures long, which presents another version
of the music, for example for small hands.
@ref{counterpoint}
@node pause
@section pause
@ref{counterpoint}
@node pause
@section pause
@ref{fermata}.
@node pennant
@section pennant
@ref{fermata}.
@node pennant
@section pennant
@ref{repeat},
@uref{http://www.music.vt.edu/musicdictionary/textr/Repeat.html,University of
Vermont Music Dictionary}.
@ref{repeat},
@uref{http://www.music.vt.edu/musicdictionary/textr/Repeat.html,University of
Vermont Music Dictionary}.
tambourine, cymbals, chinese gong (tam-tam), triangle, celesta, glockenspiel,
and xylophone.
tambourine, cymbals, chinese gong (tam-tam), triangle, celesta, glockenspiel,
and xylophone.
S: rent intervall,
FI: puhdas intervalli.
S: rent intervall,
FI: puhdas intervalli.
A natural division of the melodic line, comparable to a sentence of speech.
A natural division of the melodic line, comparable to a sentence of speech.
The clear rendering in musical performance of the @notation{phrases} of the
melody. Phrasing may be indicated by a @notation{slur}.
The clear rendering in musical performance of the @notation{phrases} of the
melody. Phrasing may be indicated by a @notation{slur}.
@ref{phrase}, @ref{slur}.
@ref{phrase}, @ref{slur}.
@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
@emph{mezzo piano} (@b{mp}) medium soft.
@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
@emph{mezzo piano} (@b{mp}) medium soft.
S: upptakt,
FI: kohotahti.
S: upptakt,
FI: kohotahti.
A technique for stringed instruments, abbr. @emph{pizz}. To play by plucking
the strings.
A technique for stringed instruments, abbr. @emph{pizz}. To play by plucking
the strings.
Characterized by @emph{polymeter}: using two or more metric frameworks
simultaneously or in alternation.
Characterized by @emph{polymeter}: using two or more metric frameworks
simultaneously or in alternation.
A time signature that indicates regularly alternating polymetric time.
A time signature that indicates regularly alternating polymetric time.
Music written in a combination of several simultaneous voices (parts)
of a more or less pronounced individuality.
Music written in a combination of several simultaneous voices (parts)
of a more or less pronounced individuality.
without changing the bow's direction. It is used for passages of a
@notation{cantabile} character.
without changing the bow's direction. It is used for passages of a
@notation{cantabile} character.
Very quick, i.e., quicker than @ref{allegro}; @emph{prestissimo}
denotes the highest possible degree of speed.
Very quick, i.e., quicker than @ref{allegro}; @emph{prestissimo}
denotes the highest possible degree of speed.
@c TODO: add an example or two. O => 4/3, and its modern equivalent
@c TODO: add an example or two. O => 4/3, and its modern equivalent
than the C obtained by adding 7 octaves. The difference between those two
pitches is the Pythagorean comma.
than the C obtained by adding 7 octaves. The difference between those two
pitches is the Pythagorean comma.
@ref{cent}, @ref{temperament}.
@ref{cent}, @ref{temperament}.
S: kvartol,
FI: kvartoli.
S: kvartol,
FI: kvartoli.
and D^m7 are all identical). The last three chords are not commonly used
except in jazz.
and D^m7 are all identical). The last three chords are not commonly used
except in jazz.
@item FI: neljäsosanuotti
@end itemize
@item FI: neljäsosanuotti
@end itemize
@item FI: neljäsosatauko
@end itemize
@item FI: neljäsosatauko
@end itemize
An interval equal to half a semitone.
An interval equal to half a semitone.
S: kvintol,
FI: kvintoli.
S: kvintol,
FI: kvintoli.
[Italian] A performance indication, abbreviated "rall.".
[Italian] A performance indication, abbreviated "rall.".
@ref{key}, @ref{key signature}, @ref{major}, @ref{minor}.
@ref{key}, @ref{key signature}, @ref{major}, @ref{minor}.
@c F: 'pause' if you mean a whole rest, 'silence' if you do not want to
@c specify the rest's value.
@c F: 'pause' if you mean a whole rest, 'silence' if you do not want to
@c specify the rest's value.
Gradually slackening in speed. Mostly abbreviated to rit.@: or ritard.
Gradually slackening in speed. Mostly abbreviated to rit.@: or ritard.
Immediate reduction of speed.
Immediate reduction of speed.
S: skala,
FI: asteikko, sävelasteikko.
S: skala,
FI: asteikko, sävelasteikko.
@ref{functional harmony}.
@ref{functional harmony}.
Tunings that could be called @var{scordatura} first appeared early in
the 16th Century and became commonplace in the 17th.
Tunings that could be called @var{scordatura} first appeared early in
the 16th Century and became commonplace in the 17th.
instrument is to play, each voice to sing, having each part arranged
one underneath the other on different staves @ref{staff}.
instrument is to play, each voice to sing, having each part arranged
one underneath the other on different staves @ref{staff}.
@ref{whole tone}s, hence the size of a se@-cond depends on the scale
degrees in question.
@ref{whole tone}s, hence the size of a se@-cond depends on the scale
degrees in question.
\relative c'' { g1 gis s a bes s b! c }
@end lilypond
\relative c'' { g1 gis s a bes s b! c }
@end lilypond
@ref{interval}, @ref{chromatic scale}.
@ref{interval}, @ref{chromatic scale}.
@ref{interval}.
@node sextolet
@section sextolet
@ref{interval}.
@node sextolet
@section sextolet
@ref{sextuplet}, @ref{note value}.
@ref{sextuplet}, @ref{note value}.
@ref{note value}.
@node shake
@section shake
@ref{note value}.
@node shake
@section shake
S: kors@-förtecken,
FI: korotusmerkki.
S: kors@-förtecken,
FI: korotusmerkki.
is to be played in the same manner (i.e. with the same articulations, dynamics,
etc.) as the music that precedes it.
is to be played in the same manner (i.e. with the same articulations, dynamics,
etc.) as the music that precedes it.
TODO: Where else could I refer the reader?
TODO: Where else could I refer the reader?
A meter in which the basic beat is subdivided in two: that is, a meter
that does not include triplet subdivision of the beat.
A meter in which the basic beat is subdivided in two: that is, a meter
that does not include triplet subdivision of the beat.
@ref{compound meter}, @ref{meter}.
@ref{compound meter}, @ref{meter}.
@item FI: kuudestoistaosanuotti
@end itemize
@item FI: kuudestoistaosanuotti
@end itemize
@item FI: kuudestoistaosatauko
@end itemize
@item FI: kuudestoistaosatauko
@end itemize
@item FI: kuudeskymmenesneljäsosanuotti
@end itemize
@item FI: kuudeskymmenesneljäsosanuotti
@end itemize
@item FI: kuudeskymmenesneljäsosatauko
@end itemize
@item FI: kuudeskymmenesneljäsosatauko
@end itemize
@ref{note value}.
@node slash repeat
@section slash repeat
@ref{note value}.
@node slash repeat
@section slash repeat
played @ref{legato}, e.g., with one stroke of the violin bow or with
one breath in singing.
played @ref{legato}, e.g., with one stroke of the violin bow or with
one breath in singing.
@emph{re}, @emph{mi}, @emph{fa}, @emph{sol}, @emph{la}, @emph{si}
(@emph{ti})).
@emph{re}, @emph{mi}, @emph{fa}, @emph{sol}, @emph{la}, @emph{si}
(@emph{ti})).
@ref{scale}, @ref{scale degree}.
@ref{scale}, @ref{scale degree}.
accompaniment, which consists of three or four independant pieces,
called movements.
accompaniment, which consists of three or four independant pieces,
called movements.
@notation{dominant} if the @notation{tonic} is @notation{major}, and in the
@notation{relative key} if the tonic is @notation{minor}.
@notation{dominant} if the @notation{tonic} is @notation{major}, and in the
@notation{relative key} if the tonic is @notation{minor}.
@ref{dominant}, @ref{major}, @ref{minor}, @ref{relative key}, @ref{sonata},
@ref{symphony}, @ref{tonic}.
@ref{dominant}, @ref{major}, @ref{minor}, @ref{relative key}, @ref{sonata},
@ref{symphony}, @ref{tonic}.
@node song texts
@section song texts
@node song texts
@section song texts
The highest female voice.
The highest female voice.
indicating (in connection with a @ref{clef}) their pitch. Staves for
@ref{percussion} instruments may have fewer lines.
indicating (in connection with a @ref{clef}) their pitch. Staves for
@ref{percussion} instruments may have fewer lines.
None yet.
@node staves
@section staves
None yet.
@node staves
@section staves
[Italian: @q{pressing}.] Pressing, urging, or hastening the time, as to a
climax.
[Italian: @q{pressing}.] Pressing, urging, or hastening the time, as to a
climax.
commonly used in a symphony orchestra are violin, viola, violoncello,
and double bass.
commonly used in a symphony orchestra are violin, viola, violoncello,
and double bass.
S: betonat taktslag,
FI: tahdin vahva isku.
S: betonat taktslag,
FI: tahdin vahva isku.
@ref{beat}, @ref{accent}, @ref{measure}, @ref{rhythm}.
@ref{beat}, @ref{accent}, @ref{measure}, @ref{rhythm}.
The fourth @notation{scale degree}.
The fourth @notation{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
The sixth @notation{scale degree}.
The sixth @notation{scale degree}.
@ref{functional harmony}, @ref{scale degree}, @ref{superdominant}.
@ref{functional harmony}, @ref{scale degree}, @ref{superdominant}.
The seventh @ref{scale degree}.
The seventh @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
Indicates that the indicated passage (or note) should be played on the
G string.
Indicates that the indicated passage (or note) should be played on the
G string.
The sixth @ref{scale degree}.
The sixth @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}, @ref{submediant}.
@ref{functional harmony}, @ref{scale degree}, @ref{submediant}.
The second @ref{scale degree}.
The second @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
A symphony may be defined as a @emph{sonata} for orchestra.
A symphony may be defined as a @emph{sonata} for orchestra.
This comma is also known as the comma of Didymus, or didymic comma.
This comma is also known as the comma of Didymus, or didymic comma.
The collection of staves (@notation{staff}), two or more, as used for writing
down of keyboard, chamber, choral, or orchestral music.
The collection of staves (@notation{staff}), two or more, as used for writing
down of keyboard, chamber, choral, or orchestral music.
Systems of tuning in which the intervals deviate from the acoustically
pure intervals.
Systems of tuning in which the intervals deviate from the acoustically
pure intervals.
@ref{meantone temperament}, @ref{equal temperament}.
@ref{meantone temperament}, @ref{equal temperament}.
@notation{adagio}, @notation{andante}, @notation{allegro}, and
@notation{presto}.
@notation{adagio}, @notation{andante}, @notation{allegro}, and
@notation{presto}.
@ref{adagio}, @ref{allegro}, @ref{andante}, @ref{largo}, @ref{presto}.
@ref{adagio}, @ref{allegro}, @ref{andante}, @ref{largo}, @ref{presto}.
The highest @q{natural} male voice (apart from @notation{countertenor}).
The highest @q{natural} male voice (apart from @notation{countertenor}).
An indication that a particular note should be held for the whole
length, although this can vary depending on the composer and era.
An indication that a particular note should be held for the whole
length, although this can vary depending on the composer and era.
@item FI: kolmaskymmeneskahdesosanuotti
@end itemize
@item FI: kolmaskymmeneskahdesosanuotti
@end itemize
@item FI: kolmaskymmeneskahdesosatauko
@end itemize
@item FI: kolmaskymmeneskahdesosatauko
@end itemize
@ref{note value}.
@node thorough bass
@section thorough bass
@ref{note value}.
@node thorough bass
@section thorough bass
meter. It most often takes the form of a fraction, but a few signs
derived from mensural notation and proportions are also employed.
meter. It most often takes the form of a fraction, but a few signs
derived from mensural notation and proportions are also employed.
@ref{mensural notation}, @ref{meter}.
@ref{mensural notation}, @ref{meter}.
@c Music from the 20th century may be based on atonal sounds. Meh, not so much
@c Music from the 20th century may be based on atonal sounds. Meh, not so much
The first @notation{scale degree}.
The first @notation{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
@ref{functional harmony}, @ref{scale degree}.
S: diskantklav,
FI: diskanttiavain.
S: diskantklav,
FI: diskanttiavain.
S: treklang,
FI: kolmisointu.
S: treklang,
FI: kolmisointu.
S: tretakt,
FI: kolmijakoinen.
S: tretakt,
FI: kolmijakoinen.
S: tritonus,
FI: tritonus.
S: tritonus,
FI: tritonus.
@emph{A} above middle C (440 cps/Hz), which is the international tuning
standard. Tuning forks for other pitches are available.
@emph{A} above middle C (440 cps/Hz), which is the international tuning
standard. Tuning forks for other pitches are available.
indicated with a bracket and a number indicating the number of
subdivisions.
indicated with a bracket and a number indicating the number of
subdivisions.
@ref{triplet}, @ref{note value}.
@ref{triplet}, @ref{note value}.
S: dubbelslag,
FI: korukuvio.
S: dubbelslag,
FI: korukuvio.
(voices) or by the whole orchestra (choir), either at exactly the same
pitch or in a different octave.
(voices) or by the whole orchestra (choir), either at exactly the same
pitch or in a different octave.
S: upptakt,
FI: kohotahti.
S: upptakt,
FI: kohotahti.
or second ending. LilyPond extends this idea to any number, and allows any text
(not just a number) -- to serve as the @notation{volta} text.
or second ending. LilyPond extends this idea to any number, and allows any text
(not just a number) -- to serve as the @notation{volta} text.
S: obetonat taktslag,
FI: tahdin heikko isku.
S: obetonat taktslag,
FI: tahdin heikko isku.
@ref{beat}, @ref{measure}, @ref{rhythm}.
@ref{beat}, @ref{measure}, @ref{rhythm}.
@item FI: kokonuotti
@end itemize
@item FI: kokonuotti
@end itemize
@item FI: kokotauko
@end itemize
@item FI: kokotauko
@end itemize
on the piano keyboard with exactly one key between them -- including
black and white keys -- is a whole tone.
on the piano keyboard with exactly one key between them -- including
black and white keys -- is a whole tone.
commonly used in a symphony orchestra are flute, oboe, clarinet,
saxophone, and bassoon.
commonly used in a symphony orchestra are flute, oboe, clarinet,
saxophone, and bassoon.
Notation Reference:
@ref{Showing melody rhythms},
@ref{Instantiating new staves}.
Notation Reference:
@ref{Showing melody rhythms},
@ref{Instantiating new staves}.
There are a few issues concerning MIDI support for percussion
instruments; for details please see @ref{Percussion in MIDI}.
There are a few issues concerning MIDI support for percussion
instruments; for details please see @ref{Percussion in MIDI}.
Notation Reference: @ref{Percussion in MIDI}, @ref{Percussion notes}.
File: @file{ly/@/drumpitch@/-init@/.ly}
Notation Reference: @ref{Percussion in MIDI}, @ref{Percussion notes}.
File: @file{ly/@/drumpitch@/-init@/.ly}
Snippets: @rlsr{Percussion}.
Snippets: @rlsr{Percussion}.
vibraphone, and timpani) are written using normal staves.
This is covered in other sections of the manual.
vibraphone, and timpani) are written using normal staves.
This is covered in other sections of the manual.
@c TODO: possibly link to an alternate section of NR 3.5, if
@c "percussion in MIDI" gets a separate subsubsection for
@c pitched percussion sounds. -gp
@c TODO: possibly link to an alternate section of NR 3.5, if
@c "percussion in MIDI" gets a separate subsubsection for
@c pitched percussion sounds. -gp
Snippets: @rlsr{Percussion}.
Internals Reference: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
Snippets: @rlsr{Percussion}.
Internals Reference: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
@c TODO: check name -gp
@node Ghost notes
@unnumberedsubsubsec Ghost notes
@c TODO: check name -gp
@node Ghost notes
@unnumberedsubsubsec Ghost notes
Also note that you must add chords (@code{< >} brackets)
around each @code{\parenthesize} statement.
Also note that you must add chords (@code{< >} brackets)
around each @code{\parenthesize} statement.
Snippets: @rlsr{Percussion}.
Snippets: @rlsr{Percussion}.
Music Glossary:
@rglos{Pitch names}.
Music Glossary:
@rglos{Pitch names}.
Music Glossary:
@rglos{fifth},
@rglos{interval},
Music Glossary:
@rglos{fifth},
@rglos{interval},
@funindex \chordmode
@funindex \relative
@funindex \chordmode
@funindex \relative
@knownissues
The relative conversion will not affect @code{\transpose},
@knownissues
The relative conversion will not affect @code{\transpose},
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{makam-example.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{makam-example.ly}
Music Glossary:
@rglos{sharp},
@rglos{flat},
Music Glossary:
@rglos{sharp},
@rglos{flat},
Music Glossary:
@rglos{Pitch names}.
Music Glossary:
@rglos{Pitch names}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Notation Reference:
@ref{Instrument transpositions}.
Notation Reference:
@ref{Instrument transpositions}.
Internals Reference:
@rinternals{TransposedMusic}.
Internals Reference:
@rinternals{TransposedMusic}.
@funindex \transpose
@funindex \chordmode
@funindex \relative
@funindex \transpose
@funindex \chordmode
@funindex \relative
Notation Reference:
@ref{Mensural clefs}, @ref{Gregorian clefs}.
Notation Reference:
@ref{Mensural clefs}, @ref{Gregorian clefs}.
Music Glossary:
@rglos{church mode},
@rglos{scordatura}.
Music Glossary:
@rglos{church mode},
@rglos{scordatura}.
Music Glossary:
@rglos{octavation}.
Music Glossary:
@rglos{octavation}.
@rinternals{ottava-bracket-interface}.
@rinternals{ottava-bracket-interface}.
@node Instrument transpositions
@unnumberedsubsubsec Instrument transpositions
@node Instrument transpositions
@unnumberedsubsubsec Instrument transpositions
Music Glossary:
@rglos{concert pitch},
@rglos{transposing instrument}.
Music Glossary:
@rglos{concert pitch},
@rglos{transposing instrument}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Music Glossary:
@rglos{ambitus}.
Music Glossary:
@rglos{ambitus}.
@noindent
To see all note head styles, see @ref{Note head styles}.
@noindent
To see all note head styles, see @ref{Note head styles}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Notation Reference:
@ref{Setting the staff size}.
Notation Reference:
@ref{Setting the staff size}.
@noindent
To see all note head styles, see @ref{Note head styles}.
@noindent
To see all note head styles, see @ref{Note head styles}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Snippets:
@rlsr{Pitches}.
Any new concepts or links which require an explanation should go
as a full sentence(s) in the main text.
Any new concepts or links which require an explanation should go
as a full sentence(s) in the main text.
+ Don't insert an empty line between @seealso and the first entry!
+ Otherwise there is excessive vertical space in the PDF output.
+
* To create links, use @ref{} if the link is within the same
manual.
* To create links, use @ref{} if the link is within the same
manual.
Music Glossary: @rglos{repeat}, @rglos{volta}.
Notation Reference: @ref{Bar lines}, @ref{Modifying context plug-ins}.
Music Glossary: @rglos{repeat}, @rglos{volta}.
Notation Reference: @ref{Bar lines}, @ref{Modifying context plug-ins}.
@rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@knownissues
@cindex repeat, ambiguous
@knownissues
@cindex repeat, ambiguous
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{printing-a-repeat-sign-at-the-beginning-of-a-piece.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{printing-a-repeat-sign-at-the-beginning-of-a-piece.ly}
Notation Reference:
@ref{Bar lines},
@ref{Formatting text}.
Notation Reference:
@ref{Bar lines},
@ref{Formatting text}.
Snippets: @rlsr{Repeats}.
Internals Reference: @rinternals{RepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
Snippets: @rlsr{Repeats}.
Internals Reference: @rinternals{RepeatedMusic},
@rinternals{UnfoldedRepeatedMusic}.
@node Short repeats
@subsection Short repeats
@node Short repeats
@subsection Short repeats
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{isolated-percent-repeats.ly}
Music Glossary: @rglos{percent repeat}, @rglos{simile}.
Snippets: @rlsr{Repeats}.
Music Glossary: @rglos{percent repeat}, @rglos{simile}.
Snippets: @rlsr{Repeats}.
@rinternals{DoublePercentRepeatCounter},
@rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
@rinternals{DoublePercentRepeatCounter},
@rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
@knownissues
Only three kinds of percent repeats are supported: a single slash
@knownissues
Only three kinds of percent repeats are supported: a single slash
Snippets: @rlsr{Repeats}.
@cindex tremolo, cross-staff
Snippets: @rlsr{Repeats}.
@cindex tremolo, cross-staff
Music Glossary:
@rglos{breve},
@rglos{longa},
Music Glossary:
@rglos{breve},
@rglos{longa},
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
Music Glossary:
@rglos{triplet},
@rglos{tuplet},
Music Glossary:
@rglos{triplet},
@rglos{tuplet},
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
@knownissues
@cindex grace notes within tuplet brackets
When the first note on a staff is a grace note followed by a
@knownissues
@cindex grace notes within tuplet brackets
When the first note on a staff is a grace note followed by a
Notation Reference:
@ref{Tuplets},
@ref{Invisible rests},
Notation Reference:
@ref{Tuplets},
@ref{Invisible rests},
Music Glossary:
@rglos{tie},
@rglos{laissez vibrer}.
Music Glossary:
@rglos{tie},
@rglos{laissez vibrer}.
Notation Reference:
@ref{Full measure rests}.
Notation Reference:
@ref{Full measure rests}.
\skip 1 \skip1 \skip 1
@end lilypond
\skip 1 \skip1 \skip 1
@end lilypond
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{multi--measure-rest-markup.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{multi--measure-rest-markup.ly}
Music Glossary:
@rglos{multi-measure rest}.
Music Glossary:
@rglos{multi-measure rest}.
Music Glossary:
@rglos{time signature}
Music Glossary:
@rglos{time signature}
command: i.e., @code{\partial 4} is internally translated to
@code{-4}, meaning @qq{there is a quarter note left in the measure.}
command: i.e., @code{\partial 4} is internally translated to
@code{-4}, meaning @qq{there is a quarter note left in the measure.}
Music Glossary:
@rglos{anacrusis}.
Music Glossary:
@rglos{anacrusis}.
Internal Reference:
@rinternals{Timing_translator}.
Internal Reference:
@rinternals{Timing_translator}.
@knownissues
The @code{\partial} command is intended to be used only at the
@knownissues
The @code{\partial} command is intended to be used only at the
Music Glossary:
@rglos{cadenza}.
Music Glossary:
@rglos{cadenza}.
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
@knownissues
LilyPond will insert line breaks and page breaks only at a
@knownissues
LilyPond will insert line breaks and page breaks only at a
Music Glossary:
@rglos{polymetric},
@rglos{polymetric time signature},
Music Glossary:
@rglos{polymetric},
@rglos{polymetric time signature},
@rinternals{Default_bar_line_engraver},
@rinternals{Staff}.
@rinternals{Default_bar_line_engraver},
@rinternals{Staff}.
@knownissues
When using different time signatures in parallel, notes
@knownissues
When using different time signatures in parallel, notes
measures are not entirely filled, then the ties show exactly how
much each measure is off.
measures are not entirely filled, then the ties show exactly how
much each measure is off.
Music Glossary: @rglos{tie}
Learning Manual:
Music Glossary: @rglos{tie}
Learning Manual:
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
@rinternals{RhythmicStaff},
@rinternals{Pitch_squash_engraver}.
@rinternals{RhythmicStaff},
@rinternals{Pitch_squash_engraver}.
@node Beams
@subsection Beams
@node Beams
@subsection Beams
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-beam-knee-gap.ly}
Notation Reference:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
Notation Reference:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
@dots{} \\ @dots{} >>}. If a polyphonic voice ends while an
automatic beam is still accepting notes, it is not typeset.
@dots{} \\ @dots{} >>}. If a polyphonic voice ends while an
automatic beam is still accepting notes, it is not typeset.
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
The @code{\featherDurations} command only works with very short
music snippets, and when numbers in the fraction are small.
The @code{\featherDurations} command only works with very short
music snippets, and when numbers in the fraction are small.
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
@node Bars
@subsection Bars
@node Bars
@subsection Bars
@code{"|"}. This may be changed at any time
with @code{\set Timing.defaultBarType = }@var{bartype}.
@code{"|"}. This may be changed at any time
with @code{\set Timing.defaultBarType = }@var{bartype}.
Notation Reference:
@ref{Line breaking},
@ref{Repeats},
Notation Reference:
@ref{Line breaking},
@ref{Repeats},
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
will print a warning if the @code{currentBarNumber} is not 123
when it is processed.
will print a warning if the @code{currentBarNumber} is not 123
when it is processed.
Snippets:
@rlsr{Rhythms}.
Snippets:
@rlsr{Rhythms}.
For common tweaks to the positioning of rehearsal marks, see
@ref{Formatting text}.
For common tweaks to the positioning of rehearsal marks, see
@ref{Formatting text}.
Notation Reference:
@ref{The Feta font},
@ref{Formatting text}.
Notation Reference:
@ref{The Feta font},
@ref{Formatting text}.
Internals Reference: @rinternals{RehearsalMark}.
Internals Reference: @rinternals{RehearsalMark}.
@node Special rhythmic concerns
@subsection Special rhythmic concerns
@node Special rhythmic concerns
@subsection Special rhythmic concerns
Music Glossary:
@rglos{grace notes},
@rglos{acciaccatura},
Music Glossary:
@rglos{grace notes},
@rglos{acciaccatura},
Music Glossary:
@rglos{cadenza}.
Music Glossary:
@rglos{cadenza}.
This manual: @ref{Bar numbers}, @ref{Unmetered music}
Snippets:
This manual: @ref{Bar numbers}, @ref{Unmetered music}
Snippets:
For more information about chords, see @ref{Chord notation}.
For more information about chords, see @ref{Chord notation}.
Music Glossary:
@rglos{chord}.
Music Glossary:
@rglos{chord}.
Snippets:
@rlsr{Simultaneous notes}.
Snippets:
@rlsr{Simultaneous notes}.
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
@node Simultaneous expressions
@unnumberedsubsubsec Simultaneous expressions
even simultaneously. In such a case no attempt is made to
automatically avoid collisions between ordinary notes and clusters.
even simultaneously. In such a case no attempt is made to
automatically avoid collisions between ordinary notes and clusters.
Music Glossary:
@rglos{cluster}.
Music Glossary:
@rglos{cluster}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@rinternals{ClusterSpannerBeacon},
@rinternals{Cluster_spanner_engraver}.
@knownissues
Clusters look good only if they span at least two chords; otherwise
@knownissues
Clusters look good only if they span at least two chords; otherwise
Learning Manual:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Learning Manual:
@rlearning{Voices contain music},
@rlearning{Explicitly instantiating voices}.
Learning Manual:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
Learning Manual:
@rlearning{I'm hearing Voices},
@rlearning{Other sources of information}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{forcing-horizontal-shift-of-notes.ly}
Music Glossary:
@rglos{polyphony}.
Music Glossary:
@rglos{polyphony}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@rinternals{NoteCollision},
@rinternals{RestCollision}.
@knownissues
When using @code{\mergeDifferentlyHeadedOn} with an upstem eighth
@knownissues
When using @code{\mergeDifferentlyHeadedOn} with an upstem eighth
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-partcombine-texts.ly}
Music Glossary:
@rglos{a due},
@rglos{part}.
Music Glossary:
@rglos{a due},
@rglos{part}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@knownissues
@code{\partcombine} can only accept two voices.
@knownissues
@code{\partcombine} can only accept two voices.
Learning Manual:
@rlearning{Organizing pieces with variables}.
Learning Manual:
@rlearning{Organizing pieces with variables}.
Installed Files:
@file{scm/@/paper@/.scm}.
Installed Files:
@file{scm/@/paper@/.scm}.
Notation Reference:
@ref{Vertical spacing between systems}.
Notation Reference:
@ref{Vertical spacing between systems}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Notation Reference:
@ref{Selecting notation font size}.
Notation Reference:
@ref{Selecting notation font size}.
Notation Reference:
@ref{Changing context default settings}.
Notation Reference:
@ref{Changing context default settings}.
Internals Reference:
@rinternals{LineBreakEvent}.
Internals Reference:
@rinternals{LineBreakEvent}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Notation Reference:
@ref{Vertical spacing}.
Notation Reference:
@ref{Vertical spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Notation Reference:
@ref{New spacing area}.
Notation Reference:
@ref{New spacing area}.
Snippets:
@rlsr{Spacing}.
Snippets:
@rlsr{Spacing}.
Notation Reference:
@ref{Page formatting},
@ref{Changing horizontal spacing}.
Notation Reference:
@ref{Page formatting},
@ref{Changing horizontal spacing}.
Music Glossary:
@rglos{staff},
@rglos{staves}.
Music Glossary:
@rglos{staff},
@rglos{staves}.
Music Glossary:
@rglos{brace},
@rglos{bracket},
Music Glossary:
@rglos{brace},
@rglos{bracket},
Notation Reference:
@ref{Grouping staves},
@ref{Instrument names},
Notation Reference:
@ref{Grouping staves},
@ref{Instrument names},
Music Glossary:
@rglos{line},
@rglos{ledger line},
Music Glossary:
@rglos{line},
@rglos{ledger line},
Music Glossary:
@rglos{ossia},
@rglos{staff},
Music Glossary:
@rglos{ossia},
@rglos{staff},
Music Glossary:
@rglos{Frenched staff}.
Music Glossary:
@rglos{Frenched staff}.
Music Glossary:
@rglos{metronome},
@rglos{metronomic indication},
Music Glossary:
@rglos{metronome},
@rglos{metronomic indication},
Notation Reference:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Notation Reference:
@ref{Horizontal dimensions},
@ref{Modifying context plug-ins}.
Notation Reference:
@ref{Instrument transpositions},
@ref{Using tags}.
Notation Reference:
@ref{Instrument transpositions},
@ref{Using tags}.
Notation Reference:
@ref{Instrument transpositions},
@ref{Instrument names},
Notation Reference:
@ref{Instrument transpositions},
@ref{Instrument names},
Notation Reference:
@ref{Formatting text},
@ref{Direction and placement}.
Notation Reference:
@ref{Formatting text},
@ref{Direction and placement}.
Internals Reference:
@rinternals{TextScript}.
Internals Reference:
@rinternals{TextScript}.
@knownissues
Checking to make sure that text scripts and lyrics are within the
@knownissues
Checking to make sure that text scripts and lyrics are within the
Notation Reference:
@ref{Line styles},
@ref{Dynamics}.
Notation Reference:
@ref{Line styles},
@ref{Dynamics}.
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{printing-marks-on-every-staff.ly}
Notation Reference:
@ref{Rehearsal marks},
@ref{Formatting text},
Notation Reference:
@ref{Rehearsal marks},
@ref{Formatting text},
Internals Reference:
@rinternals{RehearsalMark}.
Internals Reference:
@rinternals{RehearsalMark}.
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
@knownissues
@c To be removed when Issue 69 in the tracker gets fixed. -vv
TODO: add convenient snippets in input/new -vv
@end ignore
TODO: add convenient snippets in input/new -vv
@end ignore
Notation Reference: @ref{Formatting text},
@ref{File structure},
@ref{Multiple scores in a book},
Notation Reference: @ref{Formatting text},
@ref{File structure},
@ref{Multiple scores in a book},
Notation Reference:
@ref{Text markup commands}.
Notation Reference:
@ref{Text markup commands}.
An exhaustive list of text alignment commands
can be found in @ref{Align}.
An exhaustive list of text alignment commands
can be found in @ref{Align}.
@seealso
Learning Manual:
@rlearning{Moving objects}.
@seealso
Learning Manual:
@rlearning{Moving objects}.
An exhaustive list of graphics-specific commands
can be found in @ref{Graphic}.
An exhaustive list of graphics-specific commands
can be found in @ref{Graphic}.
@seealso
Notation Reference:
@ref{Graphic},
@seealso
Notation Reference:
@ref{Graphic},
@file{scm/@/define@/-markup@/-commands@/.scm},
@file{scm/@/stencil@/.scm}.
@file{scm/@/define@/-markup@/-commands@/.scm},
@file{scm/@/stencil@/.scm}.
@node Music notation inside markup
@unnumberedsubsubsec Music notation inside markup
@node Music notation inside markup
@unnumberedsubsubsec Music notation inside markup
An exhaustive list of music notation related commands can be
found in @ref{Music}.
An exhaustive list of music notation related commands can be
found in @ref{Music}.
@seealso
Notation Reference:
@ref{Music},
@seealso
Notation Reference:
@ref{Music},
@file{scm/@/fret@/-diagrams@/.scm},
@file{scm/@/harp@/-pedals@/.scm}.
@file{scm/@/fret@/-diagrams@/.scm},
@file{scm/@/harp@/-pedals@/.scm}.
@node Multi-page markup
@unnumberedsubsubsec Multi-page markup
@node Multi-page markup
@unnumberedsubsubsec Multi-page markup
An exhaustive list of markup list commands can be found in
@ref{Text markup list commands}.
An exhaustive list of markup list commands can be found in
@ref{Text markup list commands}.
@seealso
Notation Reference:
@ref{Text markup list commands},
@seealso
Notation Reference:
@ref{Text markup list commands},
following sections: @ref{Single entry fonts} and
@ref{Entire document fonts}.
following sections: @ref{Single entry fonts} and
@ref{Entire document fonts}.
@seealso
Notation Reference:
@ref{The Feta font},
@seealso
Notation Reference:
@ref{The Feta font},
@ref{Selecting font and font size},
@ref{Font}.
@ref{Selecting font and font size},
@ref{Font}.
@node Single entry fonts
@unnumberedsubsubsec Single entry fonts
@node Single entry fonts
@unnumberedsubsubsec Single entry fonts
The last argument of the command can be anything, but has to be
present.
The last argument of the command can be anything, but has to be
present.
@seealso
Notation Reference:
@ref{Fonts explained},
@seealso
Notation Reference:
@ref{Fonts explained},
Installed files:
@file{lily/@/font@/-config@/-scheme@/.cc}.
Installed files:
@file{lily/@/font@/-config@/-scheme@/.cc}.
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
@node Entire document fonts
@unnumberedsubsubsec Entire document fonts
It is possible to change the fonts to be used as the default fonts in
the @emph{roman}, @emph{sans} and @emph{typewriter} font families by
specifying them, in that order, as shown in the example below. For an
It is possible to change the fonts to be used as the default fonts in
the @emph{roman}, @emph{sans} and @emph{typewriter} font families by
specifying them, in that order, as shown in the example below. For an
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
@c we don't do Helvetica / Courier, since GS incorrectly loads
@c Apple TTF fonts
@seealso
Notation Reference:
@ref{Fonts explained},
@seealso
Notation Reference:
@ref{Fonts explained},
Notation Reference: @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
Notation Reference: @ruser{Writing pitches},
@ruser{Writing rhythms}, @ruser{Writing rests},
@ruser{Time signature}, @ruser{Clef}.
same output (line-width and all), copy everything from @qq{Start
cut-&-pastable section} to the bottom of the file.
same output (line-width and all), copy everything from @qq{Start
cut-&-pastable section} to the bottom of the file.
There are more tips for constructing input files in
@ref{Suggestions for writing LilyPond input files}. But it might be
best to read through the rest of the tutorial first.
There are more tips for constructing input files in
@ref{Suggestions for writing LilyPond input files}. But it might be
best to read through the rest of the tutorial first.
@node Single staff notation
@section Single staff notation
@node Single staff notation
@section Single staff notation
accidentals can be printed according to different rules, see
@ruser{Automatic accidentals}.
accidentals can be printed according to different rules, see
@ruser{Automatic accidentals}.
Notation Reference: @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
Notation Reference: @ruser{Note names in other languages},
@ruser{Accidentals}, @ruser{Automatic accidentals},
@ruser{Key signature}.
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
c2~( c8 fis fis4 ~ fis2 g2)
@end lilypond
Notation Reference: @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
Notation Reference: @ruser{Ties}, @ruser{Slurs},
@ruser{Phrasing slurs}.
c2\< c2\ff\> c2 c2\!
@end lilypond
c2\< c2\ff\> c2 c2\!
@end lilypond
Notation Reference: @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Notation Reference: @ruser{Articulations and ornamentations},
@ruser{Fingering instructions}, @ruser{Dynamics}.
Notation Reference: @ruser{Writing text}.
Notation Reference: @ruser{Writing text}.
a8 c b4 d8. c16 b4
@end lilypond
a8 c b4 d8. c16 b4
@end lilypond
Notation Reference: @ruser{Automatic beams}, @ruser{Manual beams}.
Notation Reference: @ruser{Automatic beams}, @ruser{Manual beams}.
c2 \acciaccatura b16 c2
@end lilypond
c2 \acciaccatura b16 c2
@end lilypond
Notation Reference: @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
Notation Reference: @ruser{Grace notes}, @ruser{Tuplets},
@ruser{Upbeats}.
type of context, one that generates the brace at the left end of
every system and also controls the extent of bar lines.
type of context, one that generates the brace at the left end of
every system and also controls the extent of bar lines.
Notation Reference: @ruser{Keyboard and other multi-staff
instruments},
@ruser{Displaying staves}.
Notation Reference: @ruser{Keyboard and other multi-staff
instruments},
@ruser{Displaying staves}.
Notation Reference: @ruser{Simultaneous notes}.
Notation Reference: @ruser{Simultaneous notes}.
Notation Reference: @ruser{Vocal music}.
Notation Reference: @ruser{Vocal music}.
lyrics with variables. These are discussed in @ref{Organizing
pieces with variables}.
lyrics with variables. These are discussed in @ref{Organizing
pieces with variables}.
Notation Reference: @ruser{Vocal music}.
Notation Reference: @ruser{Vocal music}.
@node Final touches
@section Final touches
@node Final touches
@section Final touches
Notation Reference:
@ruser{The tweak command}.
Notation Reference:
@ruser{The tweak command}.
@warning{In overrides in lyrics always place spaces around
the dot between the context name and the object name.}
@warning{In overrides in lyrics always place spaces around
the dot between the context name and the object name.}
Learning Manual: @ref{Scheme tutorial}.
Learning Manual: @ref{Scheme tutorial}.
@tab @code{'#(#t #t #f)}
@end multitable
@tab @code{'#(#t #t #f)}
@end multitable
Learning Manual: @ref{Scheme tutorial}.
Learning Manual: @ref{Scheme tutorial}.
@seealso
Learning Manual:
@rlearning{String quartet}.
@seealso
Learning Manual:
@rlearning{String quartet}.
Snippets:
@rlsr{Unfretted strings}.
Snippets:
@rlsr{Unfretted strings}.
@node Bowing indications
@unnumberedsubsubsec Bowing indications
@node Bowing indications
@unnumberedsubsubsec Bowing indications
Notation Reference:
@ref{Articulations and ornamentations},
@ref{Slurs}.
Notation Reference:
@ref{Articulations and ornamentations},
@ref{Slurs}.
@node Harmonics
@unnumberedsubsubsec Harmonics
@node Harmonics
@unnumberedsubsubsec Harmonics
<e a\harmonic>2 <c g'\harmonic>
@end lilypond
<e a\harmonic>2 <c g'\harmonic>
@end lilypond
@seealso
Music Glossary:
@rglos{harmonics}.
@seealso
Music Glossary:
@rglos{harmonics}.
@ref{Special note heads},
@ref{References for unfretted strings}.
@ref{Special note heads},
@ref{References for unfretted strings}.
@node Snap (Bartok) pizzicato
@unnumberedsubsubsec Snap (Bartók) pizzicato
@node Snap (Bartok) pizzicato
@unnumberedsubsubsec Snap (Bartók) pizzicato
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@seealso
Notation Reference:
@ref{Chord notation}.
@seealso
Notation Reference:
@ref{Chord notation}.
@node Spoken music
@unnumberedsubsubsec Spoken music
@cindex parlato
@node Spoken music
@unnumberedsubsubsec Spoken music
@cindex parlato
@c Add "Printing both the ancient and the modern clef in vocal music" snippet,
@c and "Transcription of Ancient music with incipit" snippet. -vv
@c Add "Printing both the ancient and the modern clef in vocal music" snippet,
@c and "Transcription of Ancient music with incipit" snippet. -vv
@seealso
Notation Reference:
@ref{Ancient notation}.
@seealso
Notation Reference:
@ref{Ancient notation}.
Notation Reference:
@ref{Fonts}.
Notation Reference:
@ref{Fonts}.
@rinternals{LyricText},
@rinternals{LyricSpace}.
@rinternals{LyricText},
@rinternals{LyricSpace}.
@c FIXME: this title has to be changed (possible confusion with LM) -vv
@node Setting simple songs
@unnumberedsubsubsec Setting simple songs
@c FIXME: this title has to be changed (possible confusion with LM) -vv
@node Setting simple songs
@unnumberedsubsubsec Setting simple songs
@c TODO: document \new Staff << Voice \lyricsto >> bug
Internals Reference:
@rinternals{LyricCombineMusic},
@c TODO: document \new Staff << Voice \lyricsto >> bug
Internals Reference:
@rinternals{LyricCombineMusic},
Internals Reference:
@rinternals{Lyrics}.
Internals Reference:
@rinternals{Lyrics}.
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
Internals Reference:
@rinternals{LyricCombineMusic}.
Internals Reference:
@rinternals{LyricCombineMusic}.
@c @lsr{vocal,lyric@/-combine.ly}.
@c @lsr{vocal,lyric@/-combine.ly}.
@knownissues
Melismata are not detected automatically, and extender lines must be
@knownissues
Melismata are not detected automatically, and extender lines must be
distance between two syllables) and the @code{minimum-length}
(threshold below which hyphens are removed).
distance between two syllables) and the @code{minimum-length}
(threshold below which hyphens are removed).
Internals Reference:
@rinternals{LyricExtender},
@rinternals{LyricHyphen}
Internals Reference:
@rinternals{LyricExtender},
@rinternals{LyricHyphen}
@node Lyrics and repeats
@unnumberedsubsubsec Lyrics and repeats
@node Lyrics and repeats
@unnumberedsubsubsec Lyrics and repeats
Internals Reference:
@rinternals{LyricText},
@rinternals{StanzaNumber}.
Internals Reference:
@rinternals{LyricText},
@rinternals{StanzaNumber}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing--flageolet-mark-size.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing--flageolet-mark-size.ly}
Notation Reference:
@ref{Breath marks},
@ref{Slurs},
Notation Reference:
@ref{Breath marks},
@ref{Slurs},
piobaireachd high g can be written @code{gflat} when it occurs in light
music.
piobaireachd high g can be written @code{gflat} when it occurs in light
music.
@node Bagpipe example
@unnumberedsubsubsec Bagpipe example
@node Bagpipe example
@unnumberedsubsubsec Bagpipe example
Notation Reference:
@ref{Note names in other languages},
@ref{Key signature},
Notation Reference:
@ref{Note names in other languages},
@ref{Key signature},
Notation Reference:
@ref{Note names in other languages}.
Notation Reference:
@ref{Note names in other languages}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
Notation Reference:
@ref{Key signature}.
Notation Reference:
@ref{Key signature}.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{arabic-improvisation.ly}
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{arabic-improvisation.ly}
Notation Reference:
@ref{Manual beams},
@ref{Automatic beams},
Notation Reference:
@ref{Manual beams},
@ref{Automatic beams},
Snippets:
@rlsr{World music}
Snippets:
@rlsr{World music}
@node Further reading
@unnumberedsubsubsec Further reading
@node Further reading
@unnumberedsubsubsec Further reading