Web: typos and line length in community

diff --git a/Documentation/web/community.itexi b/Documentation/web/community.itexi
index 7cc26d9cd7d84d0ca8546786542518642706f45a..933e2e83961670fb2e10e52473cd388977f03bc3 100644 (file)
--- a/Documentation/web/community.itexi
+++ b/Documentation/web/community.itexi
@@ -876,7 +876,8 @@ manuals can be found at @url{http://lilypond.org}}
 @subheading What is Google Summer of Code?
 
 Quoting
 @subheading What is Google Summer of Code?
 
 Quoting

-@uref{http://www.google-melange.com/gsoc/homepage/google/gsoc2012, GSoC website},
+@uref{http://www.google-melange.com/gsoc/homepage/google/gsoc2012,
+GSoC website},

 @qq{Google Summer of Code is a global program that offers students
 stipends to write code for open source projects.  Google has worked
 with the open source community to identify and fund exciting projects
 @qq{Google Summer of Code is a global program that offers students
 stipends to write code for open source projects.  Google has worked
 with the open source community to identify and fund exciting projects


@@ -884,12 +885,12 @@ for the upcoming summer.}
 
 The LilyPond Team decided that this is an excellent opportunity to find
 new contributors, encourage students already participating in LilyPond
 
 The LilyPond Team decided that this is an excellent opportunity to find
 new contributors, encourage students already participating in LilyPond

-development to become more involved, and - last but not least - write some
-great code for the benefit of all!
+development to become more involved, and - last but not least - write
+some great code for the benefit of all!

 
 We are participating in GSoC as a part of GNU Project.  See
 
 We are participating in GSoC as a part of GNU Project.  See

-@uref{http://www.gnu.org/software/soc-projects/guidelines.html, GNU GSoC webpage}
-for information on how to participate.
+@uref{http://www.gnu.org/software/soc-projects/guidelines.html,
+GNU GSoC webpage} for information on how to participate.

 
 @divEnd
 
 
 @divEnd
 


@@ -908,10 +909,11 @@ have basic music notation knowledge.
 
 Fix problems with synchronization of grace notes,
 together with all underlying architecture (see
 
 Fix problems with synchronization of grace notes,
 together with all underlying architecture (see

-@uref{http://code.google.com/p/lilypond/issues/detail?id=34, issue 34 in our tracker}).
-Grace notes are confusing to LilyPond's timing because they're like
-going back in time.  This causes weird effects, especially when one staff
-has a grace note and the other doesn't.
+@uref{http://code.google.com/p/lilypond/issues/detail?id=34,
+issue 34 in our tracker}).  Grace notes are confusing to LilyPond's
+timing because they're like going back in time.  This causes weird
+effects, especially when one staff has a grace note and the other
+doesn't.

 
 @strong{Difficulty:} medium
 
 
 @strong{Difficulty:} medium
 


@@ -942,7 +944,7 @@ add a connection from music event to XML tag
 Let all LilyPond engravers do their job
 
 @item
 Let all LilyPond engravers do their job
 
 @item

-add ability to link each output object
+Add ability to link each output object

 (basically each stencil / group of stencils) to the music cause
 (and thus to the XML tag in the XML tree)
 
 (basically each stencil / group of stencils) to the music cause
 (and thus to the XML tag in the XML tree)
 


@@ -953,8 +955,9 @@ for each output object to the XML tags
 @end itemize
 @divEnd
 
 @end itemize
 @divEnd
 

-The goal will be considered achieved when a (previously chosen) score could be
-imported from MusicXML and exported back with no unintentional loss of data.
+The goal will be considered achieved when a (previously chosen) score
+could be imported from MusicXML and exported back with no unintentional
+loss of data.

 
 @strong{Difficulty:} medium
 
 
 @strong{Difficulty:} medium
 


@@ -962,7 +965,8 @@ imported from MusicXML and exported back with no unintentional loss of data.
 
 @strong{Mentor(s):} Reinhold Kainhofer, Mike Solomon
 
 
 @strong{Mentor(s):} Reinhold Kainhofer, Mike Solomon
 

-familiarity with other scorewriters (for cross-testing) would be a nice bonus.
+Familiarity with other scorewriters (for cross-testing) would be a nice
+bonus.

 
 @subheading Improve slurs and ties
 
 
 @subheading Improve slurs and ties
 


@@ -983,8 +987,8 @@ deciding on the intended output and writing the actual code.
 @subheading Adding special variant of font glyphs
 Adding on-staff-line, between-staff-line, shorter and narrower variants
 of some glyphs, for example accidentals, together with a generic
 @subheading Adding special variant of font glyphs
 Adding on-staff-line, between-staff-line, shorter and narrower variants
 of some glyphs, for example accidentals, together with a generic

-infrasctucture to support them.  An example is ancient notation breve notehead
-coming in two variants, with smaller and bigger hole.
+infrastructure to support them.  An example is ancient notation breve
+notehead coming in two variants, with smaller and bigger hole.

 
 @strong{Difficulty:} easy
 
 
 @strong{Difficulty:} easy
 


@@ -997,9 +1001,9 @@ coming in two variants, with smaller and bigger hole.
 @subheading Improve beaming
 
 Default positioning of regular, cross-staff, broken and kneed beams
 @subheading Improve beaming
 
 Default positioning of regular, cross-staff, broken and kneed beams

-should be improved.  Beaming should depend on context and neighbor notes (see
-@uref{http://icking-music-archive.org/lists/sottisier/sottieng.pdf, section 2.2 here}).
-If possible, reduce beaming computation time.
+should be improved.  Beaming should depend on context and neighbor notes
+(see @uref{http://icking-music-archive.org/lists/sottisier/sottieng.pdf,
+section 2.2 here}).  If possible, reduce beaming computation time.

 
 @strong{Difficulty:} medium
 
 
 @strong{Difficulty:} medium
 


@@ -1015,19 +1019,21 @@ If possible, reduce beaming computation time.
 @itemize
 
 @item
 @itemize
 
 @item

-non-monotonic string tunings, like Ukulele
+Non-monotonic string tunings, like Ukulele

 
 @item
 
 @item

-create tablature input mode (currently musical information is entered
+Create tablature input mode (currently musical information is entered

 in western-common-music-notation-terms, i.e. @qq{a quarter f sharp note}
 in western-common-music-notation-terms, i.e. @qq{a quarter f sharp note}

-and then converted to tablature) for transcribing medieval lute tablature
+and then converted to tablature) for transcribing medieval lute
+tablature

 
 @item
 
 @item

-implement modern tablature features, such as bends, pull-off, hammer-on
+Implement modern tablature features, such as bends, pull-off, hammer-on

 
 @item
 
 @item

-if a fretboard shape is defined for a given chord, use this information when
-displaying the chord on the staff (and not just display a default chord shape)
+If a fretboard shape is defined for a given chord, use this information
+when displaying the chord on the staff (and not just display a default
+chord shape)

 
 @end itemize
 @divEnd
 
 @end itemize
 @divEnd


@@ -1044,10 +1050,10 @@ displaying the chord on the staff (and not just display a default chord shape)
 
 Clean up compiler warnings, static code analysis, and valgrind warnings.
 Automatic code analysis tools (warnings in @code{g++} and @code{clang})
 
 Clean up compiler warnings, static code analysis, and valgrind warnings.
 Automatic code analysis tools (warnings in @code{g++} and @code{clang})

-and analysis tools like valgrind memory leak detection and callgrind code
-profilers provide valuable information about possible flaws in C++ code.
-Cleaning these warnings would allow us to automatically reject any patch
-which introduced extra warnings.
+and analysis tools like valgrind memory leak detection and callgrind
+code profilers provide valuable information about possible flaws in C++
+code.  Cleaning these warnings would allow us to automatically reject
+any patch which introduced extra warnings.

 
 @strong{Difficulty:} medium
 
 
 @strong{Difficulty:} medium