input/regression/musicxml/03a-Directions-MusicXML.xml

   1 <?xml version="1.0" encoding="UTF-8"?>
   2 <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 2.0 Partwise//EN"
   3                                 "http://www.musicxml.org/dtds/partwise.dtd">
   4 <score-partwise version="2.0">
   5   <movement-title>MusicXML directions (attached to staff)</movement-title>
   6   <identification>
   7     <miscellaneous>
   8       <miscellaneous-field name="description">All &lt;direction&gt; elements
   9           defined in MusicXML. The lyrics for each note describes the direction
  10           element assigned to that note.</miscellaneous-field>
  11     </miscellaneous>
  12   </identification>
  13   <defaults/>
  14   <part-list>
  15     <score-part id="P1">
  16       <part-name print-object="no">MusicXML Part</part-name>
  17     </score-part>
  18   </part-list>
  19   <!--=========================================================-->
  20   <part id="P1">
  21     <!-- Direction type can contain the following child types:
  22          rehearsal+ | segno+ | words+ |
  23          coda+ | wedge | dynamics+ | dashes | bracket | pedal |
  24          metronome | octave-shift | harp-pedals | damp |
  25          damp-all | eyeglasses | scordatura | image |
  26          accordion-registration | other-direction -->
  27     <!-- Rehearsal marks -->
  28     <measure number="1">
  29       <attributes>
  30         <divisions>1</divisions>
  31         <key>
  32           <fifths>0</fifths>
  33           <mode>major</mode>
  34         </key>
  35         <time symbol="common">
  36           <beats>4</beats>
  37           <beat-type>4</beat-type>
  38         </time>
  39         <clef>
  40           <sign>G</sign>
  41           <line>2</line>
  42         </clef>
  43       </attributes>
  44       <sound tempo="120"/>
  45       <direction placement="below">
  46         <direction-type>
  47           <rehearsal>A</rehearsal>
  48         </direction-type>
  49       </direction>
  50       <note>
  51         <pitch><step>C</step><octave>4</octave></pitch>
  52         <duration>1</duration>
  53         <voice>1</voice>
  54         <type>quarter</type>
  55         <lyric number="1"><text>reh.A (def=sq.)</text></lyric>
  56       </note>
  57       <direction placement="above">
  58         <direction-type>
  59           <rehearsal enclosure="none">B</rehearsal>
  60         </direction-type>
  61       </direction>
  62       <note>
  63         <pitch><step>C</step><octave>4</octave></pitch>
  64         <duration>1</duration>
  65         <voice>1</voice>
  66         <type>quarter</type>
  67         <lyric number="1"><text>reh.B (none)</text></lyric>
  68       </note>
  69       <direction>
  70         <direction-type>
  71           <rehearsal enclosure="square">Test</rehearsal>
  72         </direction-type>
  73       </direction>
  74       <note>
  75         <pitch><step>C</step><octave>4</octave></pitch>
  76         <duration>1</duration>
  77         <voice>1</voice>
  78         <type>quarter</type>
  79         <lyric number="1"><text>reh.Test (sq.)</text></lyric>
  80       </note>
  81       <direction>
  82         <direction-type>
  83           <rehearsal enclosure="circle">Crc</rehearsal>
  84         </direction-type>
  85       </direction>
  86       <note>
  87         <pitch><step>C</step><octave>4</octave></pitch>
  88         <duration>1</duration>
  89         <voice>1</voice>
  90         <type>quarter</type>
  91         <lyric number="1"><text>reh.Crc (crc.)</text></lyric>
  92       </note>
  93     </measure>
  94     <!-- Segno, Coda, Words (extra unit test for formatting!),  Eyeglasses -->
  95     <measure number="2">
  96       <direction>
  97         <direction-type>
  98           <segno/>
  99         </direction-type>
 100       </direction>
 101       <note>
 102         <pitch><step>C</step><octave>4</octave></pitch>
 103         <duration>1</duration>
 104         <voice>1</voice>
 105         <type>quarter</type>
 106         <lyric number="1"><text>Segno</text></lyric>
 107       </note>
 108       <direction>
 109         <direction-type>
 110           <coda/>
 111         </direction-type>
 112       </direction>
 113       <note>
 114         <pitch><step>C</step><octave>4</octave></pitch>
 115         <duration>1</duration>
 116         <voice>1</voice>
 117         <type>quarter</type>
 118         <lyric number="1"><text>Coda</text></lyric>
 119       </note>
 120       <direction>
 121         <direction-type>
 122           <words>words</words>
 123         </direction-type>
 124       </direction>
 125       <note>
 126         <pitch><step>C</step><octave>4</octave></pitch>
 127         <duration>1</duration>
 128         <voice>1</voice>
 129         <type>quarter</type>
 130         <lyric number="1"><text>Words</text></lyric>
 131       </note>
 132       <direction>
 133         <direction-type>
 134           <eyeglasses/>
 135         </direction-type>
 136       </direction>
 137       <note>
 138         <pitch><step>C</step><octave>4</octave></pitch>
 139         <duration>1</duration>
 140         <voice>1</voice>
 141         <type>quarter</type>
 142         <lyric number="1"><text>Eyegl.</text></lyric>
 143       </note>
 144     </measure>
 145     <!-- Dynamics: p | pp | ppp | pppp | ppppp | pppppp |
 146         f | ff | fff | ffff | fffff | ffffff | mp | mf | sf |
 147         sfp | sfpp | fp | rf | rfz | sfz | sffz | fz |
 148         other-dynamics -->
 149     <measure number="3">
 150       <direction>
 151         <direction-type>
 152           <dynamics><p/></dynamics>
 153         </direction-type>
 154       </direction>
 155       <note>
 156         <pitch><step>C</step><octave>4</octave></pitch>
 157         <duration>1</duration>
 158         <voice>1</voice>
 159         <type>quarter</type>
 160         <lyric number="1"><text>p</text></lyric>
 161       </note>
 162       <direction>
 163         <direction-type>
 164           <dynamics><pp/></dynamics>
 165         </direction-type>
 166       </direction>
 167       <note>
 168         <pitch><step>C</step><octave>4</octave></pitch>
 169         <duration>1</duration>
 170         <voice>1</voice>
 171         <type>quarter</type>
 172         <lyric number="1"><text>pp</text></lyric>
 173       </note>
 174       <direction>
 175         <direction-type>
 176           <dynamics><ppp/></dynamics>
 177         </direction-type>
 178       </direction>
 179       <note>
 180         <pitch><step>C</step><octave>4</octave></pitch>
 181         <duration>1</duration>
 182         <voice>1</voice>
 183         <type>quarter</type>
 184         <lyric number="1"><text>ppp</text></lyric>
 185       </note>
 186       <direction>
 187         <direction-type>
 188           <dynamics><pppp/></dynamics>
 189         </direction-type>
 190       </direction>
 191       <note>
 192         <pitch><step>C</step><octave>4</octave></pitch>
 193         <duration>1</duration>
 194         <voice>1</voice>
 195         <type>quarter</type>
 196         <lyric number="1"><text>pppp</text></lyric>
 197       </note>
 198     </measure>
 199     <measure number="4">
 200       <direction>
 201         <direction-type>
 202           <dynamics><ppppp/></dynamics>
 203         </direction-type>
 204       </direction>
 205       <note>
 206         <pitch><step>C</step><octave>4</octave></pitch>
 207         <duration>1</duration>
 208         <voice>1</voice>
 209         <type>quarter</type>
 210         <lyric number="1"><text>ppppp</text></lyric>
 211       </note>
 212       <direction>
 213         <direction-type>
 214           <dynamics><pppppp/></dynamics>
 215         </direction-type>
 216       </direction>
 217       <note>
 218         <pitch><step>C</step><octave>4</octave></pitch>
 219         <duration>1</duration>
 220         <voice>1</voice>
 221         <type>quarter</type>
 222         <lyric number="1"><text>pppppp</text></lyric>
 223       </note>
 224       <direction>
 225         <direction-type>
 226           <dynamics><f/></dynamics>
 227         </direction-type>
 228       </direction>
 229       <note>
 230         <pitch><step>C</step><octave>4</octave></pitch>
 231         <duration>1</duration>
 232         <voice>1</voice>
 233         <type>quarter</type>
 234         <lyric number="1"><text>f</text></lyric>
 235       </note>
 236       <direction>
 237         <direction-type>
 238           <dynamics><ff/></dynamics>
 239         </direction-type>
 240       </direction>
 241       <note>
 242         <pitch><step>C</step><octave>4</octave></pitch>
 243         <duration>1</duration>
 244         <voice>1</voice>
 245         <type>quarter</type>
 246         <lyric number="1"><text>ff</text></lyric>
 247       </note>
 248     </measure>
 249     <measure number="5">
 250       <direction>
 251         <direction-type>
 252           <dynamics><fff/></dynamics>
 253         </direction-type>
 254       </direction>
 255       <note>
 256         <pitch><step>C</step><octave>4</octave></pitch>
 257         <duration>1</duration>
 258         <voice>1</voice>
 259         <type>quarter</type>
 260         <lyric number="1"><text>fff</text></lyric>
 261       </note>
 262       <direction>
 263         <direction-type>
 264           <dynamics><ffff/></dynamics>
 265         </direction-type>
 266       </direction>
 267       <note>
 268         <pitch><step>C</step><octave>4</octave></pitch>
 269         <duration>1</duration>
 270         <voice>1</voice>
 271         <type>quarter</type>
 272         <lyric number="1"><text>ffff</text></lyric>
 273       </note>
 274       <direction>
 275         <direction-type>
 276           <dynamics><fffff/></dynamics>
 277         </direction-type>
 278       </direction>
 279       <note>
 280         <pitch><step>C</step><octave>4</octave></pitch>
 281         <duration>1</duration>
 282         <voice>1</voice>
 283         <type>quarter</type>
 284         <lyric number="1"><text>fffff</text></lyric>
 285       </note>
 286       <direction>
 287         <direction-type>
 288           <dynamics><ffffff/></dynamics>
 289         </direction-type>
 290       </direction>
 291       <note>
 292         <pitch><step>C</step><octave>4</octave></pitch>
 293         <duration>1</duration>
 294         <voice>1</voice>
 295         <type>quarter</type>
 296         <lyric number="1"><text>ffffff</text></lyric>
 297       </note>
 298     </measure>
 299     <measure number="6">
 300       <direction>
 301         <direction-type>
 302           <dynamics><mp/></dynamics>
 303         </direction-type>
 304       </direction>
 305       <note>
 306         <pitch><step>C</step><octave>4</octave></pitch>
 307         <duration>1</duration>
 308         <voice>1</voice>
 309         <type>quarter</type>
 310         <lyric number="1"><text>mp</text></lyric>
 311       </note>
 312       <direction>
 313         <direction-type>
 314           <dynamics><mf/></dynamics>
 315         </direction-type>
 316       </direction>
 317       <note>
 318         <pitch><step>C</step><octave>4</octave></pitch>
 319         <duration>1</duration>
 320         <voice>1</voice>
 321         <type>quarter</type>
 322         <lyric number="1"><text>mf</text></lyric>
 323       </note>
 324       <direction>
 325         <direction-type>
 326           <dynamics><sf/></dynamics>
 327         </direction-type>
 328       </direction>
 329       <note>
 330         <pitch><step>C</step><octave>4</octave></pitch>
 331         <duration>1</duration>
 332         <voice>1</voice>
 333         <type>quarter</type>
 334         <lyric number="1"><text>sf</text></lyric>
 335       </note>
 336       <direction>
 337         <direction-type>
 338           <dynamics><sfp/></dynamics>
 339         </direction-type>
 340       </direction>
 341       <note>
 342         <pitch><step>C</step><octave>4</octave></pitch>
 343         <duration>1</duration>
 344         <voice>1</voice>
 345         <type>quarter</type>
 346         <lyric number="1"><text>sfp</text></lyric>
 347       </note>
 348     </measure>
 349     <measure number="7">
 350       <direction>
 351         <direction-type>
 352           <dynamics><sfpp/></dynamics>
 353         </direction-type>
 354       </direction>
 355       <note>
 356         <pitch><step>C</step><octave>4</octave></pitch>
 357         <duration>1</duration>
 358         <voice>1</voice>
 359         <type>quarter</type>
 360         <lyric number="1"><text>sfpp</text></lyric>
 361       </note>
 362       <direction>
 363         <direction-type>
 364           <dynamics><fp/></dynamics>
 365         </direction-type>
 366       </direction>
 367       <note>
 368         <pitch><step>C</step><octave>4</octave></pitch>
 369         <duration>1</duration>
 370         <voice>1</voice>
 371         <type>quarter</type>
 372         <lyric number="1"><text>fp</text></lyric>
 373       </note>
 374       <direction>
 375         <direction-type>
 376           <dynamics><rf/></dynamics>
 377         </direction-type>
 378       </direction>
 379       <note>
 380         <pitch><step>C</step><octave>4</octave></pitch>
 381         <duration>1</duration>
 382         <voice>1</voice>
 383         <type>quarter</type>
 384         <lyric number="1"><text>rf</text></lyric>
 385       </note>
 386       <direction>
 387         <direction-type>
 388           <dynamics><rfz/></dynamics>
 389         </direction-type>
 390       </direction>
 391       <note>
 392         <pitch><step>C</step><octave>4</octave></pitch>
 393         <duration>1</duration>
 394         <voice>1</voice>
 395         <type>quarter</type>
 396         <lyric number="1"><text>rfz</text></lyric>
 397       </note>
 398     </measure>
 399     <measure number="8">
 400       <direction>
 401         <direction-type>
 402           <dynamics><sfz/></dynamics>
 403         </direction-type>
 404       </direction>
 405       <note>
 406         <pitch><step>C</step><octave>4</octave></pitch>
 407         <duration>1</duration>
 408         <voice>1</voice>
 409         <type>quarter</type>
 410         <lyric number="1"><text>sfz</text></lyric>
 411       </note>
 412       <direction>
 413         <direction-type>
 414           <dynamics><sffz/></dynamics>
 415         </direction-type>
 416       </direction>
 417       <note>
 418         <pitch><step>C</step><octave>4</octave></pitch>
 419         <duration>1</duration>
 420         <voice>1</voice>
 421         <type>quarter</type>
 422         <lyric number="1"><text>sffz</text></lyric>
 423       </note>
 424       <direction>
 425         <direction-type>
 426           <dynamics><fz/></dynamics>
 427         </direction-type>
 428       </direction>
 429       <note>
 430         <pitch><step>C</step><octave>4</octave></pitch>
 431         <duration>1</duration>
 432         <voice>1</voice>
 433         <type>quarter</type>
 434         <lyric number="1"><text>fz</text></lyric>
 435       </note>
 436       <direction>
 437         <direction-type>
 438           <dynamics><other-dynamics>abc-ffz</other-dynamics></dynamics>
 439         </direction-type>
 440       </direction>
 441       <note>
 442         <pitch><step>C</step><octave>4</octave></pitch>
 443         <duration>1</duration>
 444         <voice>1</voice>
 445         <type>quarter</type>
 446         <lyric number="1"><text>abc-ffz (oth.)</text></lyric>
 447       </note>
 448     </measure>
 449     <!-- Spanners (there is another unit test for testing the various options):
 450          wedge, dashes, bracket, pedal, octave-shift -->
 451     <measure number="9">
 452       <direction>
 453         <direction-type>
 454           <wedge type="crescendo"/>
 455         </direction-type>
 456       </direction>
 457       <note>
 458         <pitch><step>C</step><octave>4</octave></pitch>
 459         <duration>1</duration>
 460         <voice>1</voice>
 461         <type>quarter</type>
 462         <lyric number="1"><syllabic>begin</syllabic><text>hairpin</text></lyric>
 463       </note>
 464       <direction>
 465         <direction-type>
 466           <wedge type="stop"/>
 467         </direction-type>
 468       </direction>
 469       <note>
 470         <pitch><step>C</step><octave>4</octave></pitch>
 471         <duration>1</duration>
 472         <voice>1</voice>
 473         <type>quarter</type>
 474         <lyric number="1"><syllabic>end</syllabic><text>cresc</text></lyric>
 475       </note>
 476       <direction>
 477         <direction-type>
 478           <dashes type="start"/>
 479         </direction-type>
 480       </direction>
 481       <note>
 482         <pitch><step>C</step><octave>4</octave></pitch>
 483         <duration>1</duration>
 484         <voice>1</voice>
 485         <type>quarter</type>
 486         <lyric number="1"><syllabic>begin</syllabic><text>dash</text></lyric>
 487       </note>
 488       <direction>
 489         <direction-type>
 490           <dashes type="stop"/>
 491         </direction-type>
 492       </direction>
 493       <note>
 494         <pitch><step>C</step><octave>4</octave></pitch>
 495         <duration>1</duration>
 496         <voice>1</voice>
 497         <type>quarter</type>
 498         <lyric number="1"><syllabic>end</syllabic><text>es</text></lyric>
 499       </note>
 500     </measure>
 501     <measure number="10">
 502       <direction>
 503         <direction-type>
 504           <bracket type="start" line-end="none"/>
 505         </direction-type>
 506       </direction>
 507       <note>
 508         <pitch><step>C</step><octave>4</octave></pitch>
 509         <duration>1</duration>
 510         <voice>1</voice>
 511         <type>quarter</type>
 512         <lyric number="1"><syllabic>begin</syllabic><text>bra</text></lyric>
 513       </note>
 514       <direction>
 515         <direction-type>
 516           <bracket type="stop" line-end="none"/>
 517         </direction-type>
 518       </direction>
 519       <note>
 520         <pitch><step>C</step><octave>4</octave></pitch>
 521         <duration>1</duration>
 522         <voice>1</voice>
 523         <type>quarter</type>
 524         <lyric number="1"><syllabic>end</syllabic><text>cket</text></lyric>
 525       </note>
 526       <direction>
 527         <direction-type>
 528           <octave-shift type="up"/>
 529         </direction-type>
 530       </direction>
 531       <note>
 532         <pitch><step>C</step><octave>4</octave></pitch>
 533         <duration>1</duration>
 534         <voice>1</voice>
 535         <type>quarter</type>
 536         <lyric number="1"><syllabic>begin</syllabic><text>oct.</text></lyric>
 537       </note>
 538       <direction>
 539         <direction-type>
 540           <octave-shift type="stop"/>
 541         </direction-type>
 542       </direction>
 543       <note>
 544         <pitch><step>C</step><octave>4</octave></pitch>
 545         <duration>1</duration>
 546         <voice>1</voice>
 547         <type>quarter</type>
 548         <lyric number="1"><syllabic>end</syllabic><text>shift</text></lyric>
 549       </note>
 550     </measure>
 551     <measure number="11">
 552       <direction>
 553         <direction-type>
 554           <pedal type="start"/>
 555         </direction-type>
 556       </direction>
 557       <note>
 558         <pitch><step>C</step><octave>4</octave></pitch>
 559         <duration>1</duration>
 560         <voice>1</voice>
 561         <type>quarter</type>
 562         <lyric number="1"><syllabic>begin</syllabic><text>pedal</text></lyric>
 563       </note>
 564       <direction>
 565         <direction-type>
 566           <pedal type="change"/>
 567         </direction-type>
 568       </direction>
 569       <note>
 570         <pitch><step>C</step><octave>4</octave></pitch>
 571         <duration>1</duration>
 572         <voice>1</voice>
 573         <type>quarter</type>
 574         <lyric number="1"><syllabic>continue</syllabic><text>change</text></lyric>
 575       </note>
 576       <note>
 577         <pitch><step>C</step><octave>4</octave></pitch>
 578         <duration>1</duration>
 579         <voice>1</voice>
 580         <type>quarter</type>
 581       </note>
 582       <direction>
 583         <direction-type>
 584           <pedal type="stop"/>
 585         </direction-type>
 586       </direction>
 587       <note>
 588         <pitch><step>C</step><octave>4</octave></pitch>
 589         <duration>1</duration>
 590         <voice>1</voice>
 591         <type>quarter</type>
 592         <lyric number="1"><syllabic>end</syllabic><text>mark</text></lyric>
 593       </note>
 594     </measure>
 595     <!-- metronome, harp-pedals, damp, damp-all, scordatura, accordion-registration -->
 596     <measure number="12">
 597       <direction>
 598         <direction-type>
 599           <metronome><beat-unit>quarter</beat-unit><per-minute>60</per-minute></metronome>
 600         </direction-type>
 601       </direction>
 602       <note>
 603         <pitch><step>C</step><octave>4</octave></pitch>
 604         <duration>1</duration>
 605         <voice>1</voice>
 606         <type>quarter</type>
 607         <lyric number="1"><text>Metr.</text></lyric>
 608       </note>
 609       <direction>
 610         <direction-type>
 611           <harp-pedals>
 612             <pedal-tuning>
 613               <pedal-step>D</pedal-step>
 614               <pedal-alter>0</pedal-alter>
 615             </pedal-tuning>
 616             <pedal-tuning>
 617               <pedal-step>C</pedal-step>
 618               <pedal-alter>-1</pedal-alter>
 619             </pedal-tuning>
 620             <pedal-tuning>
 621               <pedal-step>B</pedal-step>
 622               <pedal-alter>-1</pedal-alter>
 623             </pedal-tuning>
 624             <pedal-tuning>
 625               <pedal-step>E</pedal-step>
 626               <pedal-alter>0</pedal-alter>
 627             </pedal-tuning>
 628             <pedal-tuning>
 629               <pedal-step>F</pedal-step>
 630               <pedal-alter>0</pedal-alter>
 631             </pedal-tuning>
 632             <pedal-tuning>
 633               <pedal-step>G</pedal-step>
 634               <pedal-alter>1</pedal-alter>
 635             </pedal-tuning>
 636             <pedal-tuning>
 637               <pedal-step>A</pedal-step>
 638               <pedal-alter>-1</pedal-alter>
 639             </pedal-tuning>
 640           </harp-pedals>
 641         </direction-type>
 642       </direction>
 643       <note>
 644         <pitch><step>C</step><octave>4</octave></pitch>
 645         <duration>1</duration>
 646         <voice>1</voice>
 647         <type>quarter</type>
 648         <lyric number="1"><text>Harp ped.</text></lyric>
 649       </note>
 650       <direction>
 651         <direction-type>
 652           <damp/>
 653         </direction-type>
 654       </direction>
 655       <note>
 656         <pitch><step>C</step><octave>4</octave></pitch>
 657         <duration>1</duration>
 658         <voice>1</voice>
 659         <type>quarter</type>
 660         <lyric number="1"><text>Damp</text></lyric>
 661       </note>
 662       <direction>
 663         <direction-type>
 664           <damp-all/>
 665         </direction-type>
 666       </direction>
 667       <note>
 668         <pitch><step>C</step><octave>4</octave></pitch>
 669         <duration>1</duration>
 670         <voice>1</voice>
 671         <type>quarter</type>
 672         <lyric number="1"><text>Damp all</text></lyric>
 673       </note>
 674     </measure>
 675     <measure number="13">
 676       <direction>
 677         <direction-type>
 678           <scordatura>
 679               <accord string="0"><tuning-step>C</tuning-step><tuning-octave>3</tuning-octave></accord>
 680               <accord string="1"><tuning-step>G</tuning-step><tuning-octave>5</tuning-octave></accord>
 681               <accord string="2"><tuning-step>E</tuning-step><tuning-octave>5</tuning-octave></accord>
 682           </scordatura>
 683         </direction-type>
 684       </direction>
 685       <note>
 686         <pitch><step>C</step><octave>4</octave></pitch>
 687         <duration>1</duration>
 688         <voice>1</voice>
 689         <type>quarter</type>
 690         <lyric number="1"><text>Scord.</text></lyric>
 691       </note>
 692       <direction>
 693         <direction-type>
 694           <accordion-registration>
 695               <accordion-high/>
 696               <accordion-middle>2</accordion-middle>
 697               <accordion-low/>
 698           </accordion-registration>
 699         </direction-type>
 700       </direction>
 701       <note>
 702         <pitch><step>C</step><octave>4</octave></pitch>
 703         <duration>1</duration>
 704         <voice>1</voice>
 705         <type>quarter</type>
 706         <lyric number="1"><text>Accordion reg.</text></lyric>
 707       </note>
 708       <note>
 709         <rest/>
 710         <duration>2</duration>
 711         <voice>1</voice>
 712         <type>half</type>
 713       </note>
 714       <barline location="right">
 715         <bar-style>light-light</bar-style>
 716       </barline>
 717     </measure>
 718     <!-- Other issues: Multiple direction-type elements: "subito p", ppp<fff -->
 719     <measure number="14">
 720       <direction placement="below">
 721         <direction-type>
 722           <words default-y="-80" font-family="Times New Roman" font-size="10.25" font-style="italic">subito</words>
 723         </direction-type>
 724         <direction-type>
 725           <words default-y="-80" font-family="Times New Roman" font-size="10.25"> </words>
 726         </direction-type>
 727         <direction-type>
 728           <dynamics default-y="-80">
 729             <p/>
 730           </dynamics>
 731         </direction-type>
 732         <offset>2</offset>
 733       </direction>
 734       <note>
 735         <pitch><step>C</step><octave>4</octave></pitch>
 736         <duration>1</duration>
 737         <voice>1</voice>
 738         <type>quarter</type>
 739         <lyric number="1"><text>subp</text></lyric>
 740       </note>
 741       <direction placement="below">
 742         <direction-type>
 743           <dynamics><ppp/></dynamics>
 744         </direction-type>
 745         <direction-type>
 746           <wedge type="crescendo"/>
 747         </direction-type>
 748         <offset>2</offset>
 749       </direction>
 750       <note>
 751         <pitch><step>C</step><octave>4</octave></pitch>
 752         <duration>1</duration>
 753         <voice>1</voice>
 754         <type>quarter</type>
 755         <lyric number="1"><syllabic>begin</syllabic><text>ppp cresc</text></lyric>
 756       </note>
 757       <direction placement="below">
 758         <direction-type>
 759           <wedge type="stop"/>
 760         </direction-type>
 761         <direction-type>
 762           <dynamics><fff/></dynamics>
 763         </direction-type>
 764         <offset>2</offset>
 765       </direction>
 766       <note>
 767         <pitch><step>C</step><octave>4</octave></pitch>
 768         <duration>1</duration>
 769         <voice>1</voice>
 770         <type>quarter</type>
 771         <lyric number="1"><syllabic>end</syllabic><text>to fff</text></lyric>
 772       </note>
 773       <note>
 774         <rest/>
 775         <duration>1</duration>
 776         <voice>1</voice>
 777         <type>quarter</type>
 778         <lyric number="1"><text>subp</text></lyric>
 779       </note>
 780       <barline location="right">
 781         <bar-style>light-heavy</bar-style>
 782       </barline>
 783     </measure>
 784     <!--=======================================================-->
 785   </part>
 786   <!--=========================================================-->
 787 </score-partwise>