2 % TITLE=The engraving bibliography
3 % AUTHOR=Han-Wen Nienhuys
8 author = {Harald Banter},
9 title = {Akkord Lexikon},
10 publisher = {Schott's S\"ohne},
12 isbn = {ISBN 3-7957-2095-8},
13 note = {Comprehensive overview of commonly used
14 chords. Suggests (and uses) a unification for all different kinds
16 address = {Mainz, Germany},
20 author = {Richard Rastall},
22 title = {The Notation of Western Music: an
24 publisher = {J. M. Dent \& Sons London},
26 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
31 title = {Teach yourself the art of music engraving and processing},
32 publisher = {Hansen House},
34 note = {This is about engraving, i.e. professional typesetting. It contains
35 directions on good typesetting, but the sections on reproduction
36 technicalities, how to use pens and history are interesting.
37 Especially the section on Music Typewriters is amusing HWN},
38 address = {Miami, Florida},
43 author = {Harald Banter},
44 title = {Akkord Lexikon},
45 publisher = {Schott's S\"ohne},
47 isbn = {ISBN 3-7957-2095-8},
48 note = {Comprehensive overview of commonly used
49 chords. Suggests (and uses) a unification for all different kinds
51 address = {Mainz, Germany},
56 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
58 title = {Modern Rhythmic Notation},
59 author = {Gardner Read},
60 publisher = {Indiana University Press},
65 note = {(Out of print) This is as close to the ``standard'' reference
66 work for music notation issues as one is likely to get. MB},
67 title = {Music Notation: a Manual of Modern Practice},
68 author = {Gardner Read},
69 totalentry = {(2nd edition)},
70 publisher ={Taplinger Publishing},
76 title = {Standard Music Notation Practice},
77 author = {Maxwell Weaner and Walter Boelke},
78 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
79 publisher = {Music Publisher's Association of the United States Inc},
85 note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
87 title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
88 author = {Helene Wanske},
89 publisher = {Schott-Verlag},
91 isbn = {ISBN 3-7957-2886-x},
98 title = {Aus der Werkstatt eines Notenstechers},
99 author = {Karl Hader},
100 publisher = {Waldheim--Eberle Verlag},
103 note = {Hader was the chief-engraver of the Waldheim-Eberle music
104 publishers. This beautiful booklet was intended as an introduction
105 for laymen on the art of engraving. It contains a step by step,
106 in-depth explanation of how to cut and stamp music into zinc plates.
107 It also contains a few compactly formulated rules on musical
108 orthography. Out of print. }
111 @Book{gamble23:_music_engrav,
112 author = {William Gamble},
113 title = {Music Engraving and printing. Historical and Technical Treatise},
114 publisher = {Sir Isaac Pitman & Sons, ltd.},
116 note = {This pattriotic book was an attempt to promote and help
117 British music engravers. It is somewhat similar to Hader's
118 book\cite{hader48} in scope and style, but Gamble focuses more on
119 technical details (Which French punch cutters are worth buying from,
120 etc.), and does not treat typographical details, such as optical
121 illusions. It is available as reprint from Da Capo Press, New York
127 note = {Pamphlet explaining a few fine points in music font design HWN},
129 title = {Standard music notation specifications for computer programming.},
138 author = {Anthony Donato},
139 title ={Preparing Music Manuscript},
140 address ={Englewood Cliffs, NJ},
141 publisher={Prentice-Hall},
147 title = {Notation in New Music; a critical guide to interpretation and realisation},
148 author = {Erdhard Karkoshka},
149 translator={Ruth Koenig},
150 publisher={Praeger Publishers},
152 note ={(Out of print)},
158 title = {The Art of Music Copying},
159 author = {Clinton Roemer},
160 publisher={Roerick music co.},
161 address= {Sherman Oaks (CA)},
163 note ={Out of print. Heussenstamm writes: an instructional manual
164 which specializes in methods used in the commercial field. },
171 title = {Music Notation Primer},
172 author = {Glen Rosecrans},
173 publisher={Passantino},
175 note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
180 title = {Uitgeven van muziek},
182 publisher= {Donemus Amsterdam},
187 author={Vinci, Albert C.},
188 title={Fundamentals of Traditional Music Notation},
189 publisher={Kent State University Press},
194 author={G. Schirmer, Inc.},
195 title={The G. Schirmer Manual of Style and Usage},
197 publisher={The G. Schirmer Publications Department},
204 title = {Music Notation in the Twentieth Century},
205 author = {Kurt Stone},
208 note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
211 @Book {Heussenstamm87,
213 title = {The Norton Manual of Music Notation},
214 author = {George Heussenstamm},
217 note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
222 @Book{unknown69:_music_notat,
224 title = {Music Notation},
225 publisher = {Crescendo books},
227 note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]}
232 note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
234 title = {Essential Dictionary of Music Notation},
235 author = {Tom Gerou and Linda Lusk},
236 publisher = {Alfred Publishing},
237 address ={Van Nuys CA},
238 isbn ={ISBN 0-88284-768-6},
243 note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
245 title = {Die Praxis des Notengraphikers},
246 author = {Herbert Chlapik},
247 publisher = {Doblinger},
248 isbn ={ISBN 3-9000 035-96-2},
254 author = {Barksdale, A},
256 title = {The Printed Note: 500 Years of Music Printing and Engraving},
257 address={Toledo, Ohio},
259 note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
260 publisher={The Toledo Museum of Art},
265 author = {Wolf, Johannes},
267 title = {Handbuch der Notationskunde},
269 publisher={Breitkopf & Hartel},
270 note= {Very thorough treatment (in two volumes) of the history musical notation},
274 author = {Rosenthal, Carl A},
276 title = {A Practical Guide to Music Notation},
278 publisher={MCA Music},
279 note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
284 author = {Boehm, Laszlo},
286 title={Modern Music Notation},
288 publisher={G. Schirmer, Inc.},
289 note ={Heussenstamm writes: A handy compact reference book in basic notation. }
291 @Book{button20:_system_music_notat,
292 author = {Button, H. Elliot},
293 title = {System in Musical Notation},
294 publisher = {Novello and co.},
299 @Book{johnson46:_how,
300 author = {Johnson, Harold},
301 title = {How to write music manuscript},
302 publisher = {Carl Fischer, Inc.},