2 % TITLE=University of Colorado Engraving music bibliography
3 % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
7 % TODO: fix the labelling.
10 author ={Jacob, Archibald},
12 title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
14 publisher ={Oxford University Press},
15 note = {subject: Musical notation},
19 author ={Carl Brandt and Clinton Roemer},
20 title = {Standardized Chord Symbol Notation},
21 address={Sherman Oaks, CA},
22 publisher={Roerick Music Co.},
23 note ={subject: musical notation},
27 author = {Johnson, Harold M},
29 title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
30 publisher={Carl Fischer, Inc.},
32 note = {subject: Musical notation --Handbooks, manuals},
36 title = {Music Printing & Publishing},
37 author ={Donald W. Krummel \& Stanley Sadie},
39 publisher= {Macmillan Press},
40 note ={subject: musical notation},
43 %series={The Norton/Grove Handbooks in Music.},
44 % publisher={W.W. Norton},
47 author={Foss, Hubert},
48 title = {Music Printing},
49 series = {Practical Printing and Binding},
51 publisher={Oldhams Press Ltd., Long Acre},
52 note ={subject: musical notation},
56 author = {Steele, Robert},
58 title = {The Earliest English Music Printing},
60 note= {subject: history of music printing and engraving},
64 author={Austin, Ernest},
65 title = {The Story of Music Printing},
67 publisher={Lowe and Brydone Printers, Ltd.},
68 note= {subject: history of music printing and engraving},
76 title = {Pictoral History of Music Printing},
77 address={Elhardt, Indiana},
78 publisher={H. and A. Selmer, Inc.},
79 note= {subject: history of music printing and engraving},
84 author = {Wintermitz, Emmanuel},
86 title = {Musical Autographs from Monteverdi to Hindemith},
88 publisher={Princeton University Press},
89 note= {subject: history of music printing and engraving},
96 author = {Novello, A},
98 title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
100 note={ subject: history of music printing and engraving},
104 author={Chrsander, F.},
106 title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
107 note={ subject: history of music printing and engraving},
110 @Article {squire1897,
111 author = {Squire, W},
113 title = {Notes on Early Music Printing},
114 journal = {Bibliographica},
117 note={ subject: history of music printing and engraving},
122 author = {Meyer, K. and O'Meara, J},
124 title = {The Printing of Music, 1473-1934},
125 journal = {The Dolphin},
128 note={ subject: history of music printing and engraving},
133 author = {Pattison, B},
135 title = {Notes on Early Music Printing},
136 journal = {The Library},
137 note={subject: history of music printing and engraving},
145 title = {Four Hundred Years of Music Printing},
147 note={ subject: history of music printing and engraving},
153 author={Deutsch, O.F.},
155 title = {Music Publishers' Numbers},
157 note={ subject: history of music printing and engraving},
161 author = {Marco, G.A},
163 title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
164 address={Charlottesville, Virginia},
165 note={ subject: history of music printing and engraving},
169 author = {Kinkeldey, O},
171 title = {Music And Music Printing in Incunabula},
172 journal = {Papers of the Bibliographical Society of America},
175 note={ subject: history of music printing and engraving},
179 author = {Oldman, C.B},
181 title = {Collecting Musical First Editions},
183 note={ subject: history of music printing and engraving},
189 title = {New Paths in Book Collecting},
191 note={ subject: history of music printing and engraving},
195 author={Krummel, D.W.},
198 title = {Graphic Analysis in Application to Early American Engraved Music},
202 note={ subject: history of music printing and engraving},
206 author = {Krummel, D.W},
208 title = {Oblong Format in Early Music Books},
209 journal = {The Library},
210 volume={5th ser., xxvi},
212 note={ subject: history of music printing and engraving},
216 author = {King, A.H},
218 title = {The 50th Anniversary of Music Printing},
222 author={Rastall, Richard},
224 title = {The notation of Western music : an introduction},
225 address={New York, N.Y.},
226 publisher={St. Martin's Press},
227 note = {Musical notation},
233 author = {Tappolet, Willy},
235 title = {La Notation Musicale},
237 note={subject: general notation},
238 publisher={Neuch\^atel},
242 author = {Williams, C.F. Abdy},
244 title = {The Story of Notation},
246 publisher={Charles Scribner's Sons},
247 note={subject: general notation},
251 author={Apel, Willi},
253 title = {The notation of polyphonic music, 900-1600},
254 address={Cambridge, Mass},
255 institution={Mediaeval Academy of America},
256 note = {Musical notation},
260 author={Berger, Anna Maria Busse},
262 title = {Mensuration and proportion signs : origins and evolution},
263 address={Oxford, England},
264 publisher={Clarendon Press},
265 scnd_address={New York},
266 scnd_publisher={Oxford University Press },
267 note={subject: early notation},
271 author={Parrish, Carl},
273 title = {The notation of medieval music},
276 note = {Musical notation},
282 author = {Parrish, Carl},
284 title = {The Notation of Medieval Music},
286 publisher={Carl Fischer, Inc.},
287 note={subject: early notation},
291 author = {Patch, Harry},
293 title = {Genesis of a Music},
295 publisher={University of Wisconsin Press},
296 note={subject: early notation},
304 publisher={Something Else Press},
305 note = {Music, Manuscripts, Facsimiles.
307 Facsimiles of holographs from the Foundation for Contemporary
308 Performance Arts, with text by 269 composers, but rearranged using
309 chance operations.,V)} },
312 author = {Gaburo, Virginia},
315 address={publisher= {Lingua Press},
316 publisher={La Jolla, California}},
317 note = {A Lecture about notation, new ideas about},
321 author = {Risatti, Howard},
323 title = {New Music Vocabulary},
324 address={Urbana, Illinois},
325 publisher={University of Illinois Press},
326 note = {A Guide to Notational Signs for Contemporary Music},
332 author = {Cowell, Henry},
334 title = {New Musical Resources},
336 publisher={Alfred A. Knopf, Inc.},
337 note={subject: 20th century notation},
341 author = {Cowell, Henry},
343 title = {Our Inadequate Notation},
344 journal = {Modern Music},
347 note={subject: 20th century notation},
352 author = {Bowers, Roger},
354 title = {Music & Letters},
359 note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
363 author = {Brainard, Paul},
365 title = {Current Musicology},
369 note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
373 author = {Monelle, Raymond},
375 title = {Comparative Literature},
376 volume={41}, number={3},
380 note={Music notation and the poetic foot},
384 author = {Pinegar, Sandra},
386 title = {Current Musicology},
390 note={The seeds of notation and music paleography.},
394 author = {Smith, Norman E},
396 title = {Current Musicology},
400 note={The notation of fractio modi.},
404 author = {Treitler, Leo},
406 title = {The Journal of Musicology},
412 note={ The unwritten and written transmission, of medieval chant
413 and the start-up of musical notation.
415 Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
419 author = {West, M.L},
421 title = {Music & Letters},
426 note={The Babylonian musical notation and the Hurrian melodic texts.
428 A new way of deciphering the ancient Babylonian musical notation.
433 author = {Brown, Earle},
435 title = {Musical Quarterly},
439 note={The notation and performance of new music.},
443 author = {Eggleston, Suzanne},
450 journal={New periodicals},
451 note={A list of new music periodicals covering the period
452 Jun.-Dec. 1994. Includes aims, formats and a description of the
453 contents of each listed periodical. Includes Music Notation News},
459 author = {Fuller, David},
461 title = {The Journal of Musicology},
467 Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
472 author = {Jones, David Evan},
474 title = {Perspectives of New Music},
475 note={Speech extrapolated. (includes notation)}
479 author = {Lependorf, Jeffrey},
481 journal={Perspectives of New Music},
487 Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
492 author = {Rastall, Richard},
494 title = {Music & Letters},
495 volume={74}, number={4},
499 note={Equal Temperament Music Notation: The Ailler-Brennink
500 Chromatic Notation. Results and Conclusions of the Music Notation
501 Refor by the Chroma Foundation (book reviews). },
504 @Article {Francois92,
505 author={Francois, Jean-Charles},
506 journal = {Perspectives of New Music},
508 number={1}, month={Winter},
512 note={subject: Modern music has outgrown notation. While the
513 computer is used to write down music with accuracy never
514 before achieved, the range of modern sounds has surpassed
515 the relevance of the computer...},
516 title={Writing without representation, and unreadable notation.},
520 author = {Hamel, Keith A},
522 journal = {Perspectives of New Music},
527 title={A design for music editing and printing software based on notational syntax},