@c -*- coding: utf-8; mode: texinfo; -*- @c This file is part of lilypond.tely @ignore Translation of GIT committish: FILL-IN-HEAD-COMMITTISH When revising a translation, copy the HEAD committish of the version that you are working on. See TRANSLATION for details. @end ignore @c \version "2.11.51" @node Notation manual tables @appendix Notation manual tables @menu * Chord name chart:: * Common chord modifiers:: * Predefined fretboard diagrams:: * MIDI instruments:: * List of colors:: * The Feta font:: * Note head styles:: * Text markup commands:: * Text markup list commands:: * List of articulations:: * Percussion notes:: * All context properties:: * Layout properties:: * Identifiers:: * Scheme functions:: @end menu @node Chord name chart @appendixsec Chord name chart The following charts shows two standard systems for printing chord names, along with the pitches they represent. @lilypondfile{chord-names-jazz.ly} @node Common chord modifiers @appendixsec Common chord modifiers The following table shows chord modifiers that can be used in @code{\chordmode} to generate standard chord structures. @multitable @columnfractions .2 .3 .2 .2 @item @b{Chord type} @tab @b{Intervals} @tab @b{Modifier(s)} @tab @b{Example} @item Major @tab Major third, perfect fifth @tab @code{5} or nothing @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:5 } @end lilypond @item Minor @tab Minor third, perfect fifth @tab @code{m} or @code{m5} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m } @end lilypond @item Augmented @tab Major third, augmented fifth @tab @code{aug} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:aug } @end lilypond @item Diminished @tab Minor third, diminished fifth @tab @code{dim} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:dim } @end lilypond @item Dominant seventh @tab Major triad, minor seventh @tab @code{7} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:7 } @end lilypond @item Major seventh @tab Major triad, major seventh @tab @code{maj7} or @code{maj} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:maj7 } @end lilypond @item Minor seventh @tab Minor triad, minor seventh @tab @code{m7} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m7 } @end lilypond @item Diminished seventh @tab Diminished triad, diminished seventh @tab @code{dim7} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:dim7 } @end lilypond @item Augmented seventh @tab Augmented triad, minor seventh @tab @code{aug7} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:aug7 } @end lilypond @item Half-diminished seventh @tab Diminished triad, minor seventh @tab @code{dim5m7} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:dim5m7 } @end lilypond @item Minor-major seventh @tab Minor triad, major seventh @tab @code{7m5} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:7m5 } @end lilypond @item Major sixth @tab Major triad, sixth @tab @code{6} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:6 } @end lilypond @item Minor sixth @tab Minor triad, sixth @tab @code{m6} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m6 } @end lilypond @item Dominant ninth @tab Dominant seventh, major ninth @tab @code{9} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:9 } @end lilypond @item Major ninth @tab TODO @tab @code{maj9} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:maj9 } @end lilypond @item Minor ninth @tab TODO @tab @code{m9} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m9 } @end lilypond @item Dominant eleventh @tab Dominant ninth, perfect eleventh @tab @code{11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:11 } @end lilypond @item Major eleventh @tab TODO @tab @code{maj11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:maj11 } @end lilypond @item Minor eleventh @tab TODO @tab @code{m11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m11 } @end lilypond @item Dominant thirteenth @tab Dominant eleventh, major thirteenth @tab @code{13.11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:13.11 } @end lilypond @item Major thirteenth @tab TODO @tab @code{maj13.11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:maj13.11 } @end lilypond @item Minor thirteenth @tab TODO @tab @code{m13.11} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:m13.11 } @end lilypond @item Suspended second @tab TODO @tab @code{sus2} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:sus2 } @end lilypond @item Suspended fourth @tab TODO @tab @code{sus4} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { c1:sus4 } @end lilypond @end multitable @node Predefined fretboard diagrams @appendixsec Predefined fretboard diagrams The chart below shows the predefined fretboard diagrams. @lilypondfile{display-predefined-fretboards.ly} @node MIDI instruments @appendixsec MIDI instruments The following is a list of names that can be used for the @code{midiInstrument} property. @example acoustic grand contrabass lead 7 (fifths) bright acoustic tremolo strings lead 8 (bass+lead) electric grand pizzicato strings pad 1 (new age) honky-tonk orchestral strings pad 2 (warm) electric piano 1 timpani pad 3 (polysynth) electric piano 2 string ensemble 1 pad 4 (choir) harpsichord string ensemble 2 pad 5 (bowed) clav synthstrings 1 pad 6 (metallic) celesta synthstrings 2 pad 7 (halo) glockenspiel choir aahs pad 8 (sweep) music box voice oohs fx 1 (rain) vibraphone synth voice fx 2 (soundtrack) marimba orchestra hit fx 3 (crystal) xylophone trumpet fx 4 (atmosphere) tubular bells trombone fx 5 (brightness) dulcimer tuba fx 6 (goblins) drawbar organ muted trumpet fx 7 (echoes) percussive organ french horn fx 8 (sci-fi) rock organ brass section sitar church organ synthbrass 1 banjo reed organ synthbrass 2 shamisen accordion soprano sax koto harmonica alto sax kalimba concertina tenor sax bagpipe acoustic guitar (nylon) baritone sax fiddle acoustic guitar (steel) oboe shanai electric guitar (jazz) english horn tinkle bell electric guitar (clean) bassoon agogo electric guitar (muted) clarinet steel drums overdriven guitar piccolo woodblock distorted guitar flute taiko drum guitar harmonics recorder melodic tom acoustic bass pan flute synth drum electric bass (finger) blown bottle reverse cymbal electric bass (pick) shakuhachi guitar fret noise fretless bass whistle breath noise slap bass 1 ocarina seashore slap bass 2 lead 1 (square) bird tweet synth bass 1 lead 2 (sawtooth) telephone ring synth bass 2 lead 3 (calliope) helicopter violin lead 4 (chiff) applause viola lead 5 (charang) gunshot cello lead 6 (voice) @end example @node List of colors @appendixsec List of colors @subsubheading Normal colors Usage syntax is detailed in @ref{Coloring objects}. @cindex List of colors @cindex Colors, list of @verbatim black white red green blue cyan magenta yellow grey darkred darkgreen darkblue darkcyan darkmagenta darkyellow @end verbatim @subsubheading X color names X color names come several variants: Any name that is spelled as a single word with capitalization (e.g. @q{LightSlateBlue}) can also be spelled as space separated words without capitalization (e.g. @q{light slate blue}). The word @q{grey} can always be spelled @q{gray} (e.g. @q{DarkSlateGray}). Some names can take a numerical suffix (e.g. @q{LightSalmon4}). @subsubheading Color Names without a numerical suffix: @verbatim snow GhostWhite WhiteSmoke gainsboro FloralWhite OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond bisque PeachPuff NavajoWhite moccasin cornsilk ivory LemonChiffon seashell honeydew MintCream azure AliceBlue lavender LavenderBlush MistyRose white black DarkSlateGrey DimGrey SlateGrey LightSlateGrey grey LightGrey MidnightBlue navy NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise turquoise cyan LightCyan CadetBlue MediumAquamarine aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen green chartreuse MediumSpringGreen GreenYellow LimeGreen YellowGreen ForestGreen OliveDrab DarkKhaki khaki PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed SaddleBrown sienna peru burlywood beige wheat SandyBrown tan chocolate firebrick brown DarkSalmon salmon LightSalmon orange DarkOrange coral LightCoral tomato OrangeRed red HotPink DeepPink pink LightPink PaleVioletRed maroon MediumVioletRed VioletRed magenta violet plum orchid MediumOrchid DarkOrchid DarkViolet BlueViolet purple MediumPurple thistle DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed LightGreen @end verbatim @subsubheading Color names with a numerical suffix In the following names the suffix N can be a number in the range 1-4: @verbatim snowN seashellN AntiqueWhiteN bisqueN PeachPuffN NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN IndianRedN siennaN burlywoodN wheatN tanN chocolateN firebrickN brownN salmonN LightSalmonN orangeN DarkOrangeN coralN tomatoN OrangeRedN redN DeepPinkN HotPinkN pinkN LightPinkN PaleVioletRedN maroonN VioletRedN magentaN orchidN plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN thistleN @end verbatim @subsubheading Grey Scale A grey scale can be obtained using: @example greyN @end example @noindent Where N is in the range 0-100. @node The Feta font @appendixsec The Feta font @cindex Feta font @cindex Font, Feta The following symbols are available in the Emmentaler font and may be accessed directly using text markup such as @code{g^\markup @{ \musicglyph #"scripts.segno" @}}, see @ref{Formatting text}. @lilypondfile[noindent]{font-table.ly} @node Note head styles @appendixsec Note head styles @cindex note head styles The following styles may be used for note heads. @lilypondfile[noindent]{note-head-style.ly} @include markup-commands.tely @include markup-list-commands.tely @node List of articulations @appendixsec List of articulations @cindex accent @cindex marcato @cindex staccatissimo @cindex espressivo @cindex fermata @cindex stopped @cindex staccato @cindex portato @cindex tenuto @cindex upbow @cindex downbow @cindex foot marks @cindex organ pedal marks @cindex turn @cindex open @cindex stopped @cindex flageolet @cindex reverseturn @cindex trill @cindex prall @cindex mordent @cindex prallprall @cindex prallmordent @cindex prall, up @cindex prall, down @cindex thumb marking @cindex segno @cindex coda @cindex varcoda Here is a chart showing all scripts available, @lilypondfile[quote]{script-chart.ly} @node Percussion notes @appendixsec Percussion notes @lilypondfile[quote]{percussion-chart.ly} @node All context properties @appendixsec All context properties @include context-properties.tely @node Layout properties @appendixsec Layout properties @include layout-properties.tely @node Identifiers @appendixsec Identifiers @include identifiers.tely @node Scheme functions @appendixsec Scheme functions @include scheme-functions.tely