From f1dcf9879d1ed4623fd7ecf86732bd1d5ec180c0 Mon Sep 17 00:00:00 2001
From: fred <fred>
Date: Tue, 26 Mar 2002 23:23:12 +0000
Subject: [PATCH] lilypond-1.3.61

---
 Documentation/user/refman.itely   | 2 +-
 Documentation/user/tutorial.itely | 2 +-
 2 files changed, 2 insertions(+), 2 deletions(-)

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index b7db980a02..d385fd0cdc 100644
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -19,7 +19,7 @@
 * Note specification::                      notedesc
 * barlines::                      barlines
 * Manual beams::                  Manual beam
-* tremolo::                       tremolo
+* stem tremolo::                       tremolo
 * Compound music expressions::    Compound music expressions
 * relative::                      relative
 * Repeats::                   	  Repeats	
diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index f15f05f515..a457b40368 100644
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -937,7 +937,7 @@ hoomPahHoomPah = @{ [\hoomPah \hoomPah] @}
 Put two of these fragments in sequence, and beam them.@example 
 bassvoices = \notes \relative c' @{
 c4 g8. b,16
-\repeat unfold 4 {\hoomPahHoomPah} 
+\repeat unfold 4 @{\hoomPahHoomPah @} 
 @end example 
 Entering the bass part is easy: the hoomPahHoomPah variable is
 repeated four times; @code{unfold} means that all four repetitions
-- 
2.39.5