From e7b0d253128e735006f54efb917f41c42e55dd4b Mon Sep 17 00:00:00 2001 From: Trevor Daniels Date: Fri, 6 Jun 2008 21:41:16 +0100 Subject: [PATCH] GDP: Section names in NR3 --- Documentation/user/editorial.itely | 6 +++--- Documentation/user/expressive.itely | 18 +++++++++--------- Documentation/user/input.itely | 22 +++++++++++++--------- Documentation/user/rhythms.itely | 6 +++--- Documentation/user/text.itely | 4 ++-- 5 files changed, 30 insertions(+), 26 deletions(-) diff --git a/Documentation/user/editorial.itely b/Documentation/user/editorial.itely index 23286185c7..3f04aff558 100644 --- a/Documentation/user/editorial.itely +++ b/Documentation/user/editorial.itely @@ -164,7 +164,7 @@ chord by adding them after the pitches. @end lilypond Fingering instructions may be manually placed above or below the -staff, see @ref{Controlling direction and placement}. +staff, see @ref{Direction and placement}. @snippets @@ -175,7 +175,7 @@ staff, see @ref{Controlling direction and placement}. @seealso Notation Reference: -@ref{Controlling direction and placement} +@ref{Direction and placement} Snippets: @rlsr{Editorial annotations}. @@ -403,7 +403,7 @@ made invisible. @seealso Notation Reference: -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Snippets: @rlsr{Editorial annotations}. diff --git a/Documentation/user/expressive.itely b/Documentation/user/expressive.itely index c8c2feeaec..78e83fc526 100644 --- a/Documentation/user/expressive.itely +++ b/Documentation/user/expressive.itely @@ -99,7 +99,7 @@ c-> c-. c-_ The rules for the default placement of articulations are defined in @file{scm/@/script@/.scm}. Articulations and ornamentations may be manually placed above or below the staff, see -@ref{Controlling direction and placement}. +@ref{Direction and placement}. @snippets @@ -120,7 +120,7 @@ Music Glossary: @rglos{portato}. Notation Reference: -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Installed Files: @file{scm/@/script@/.scm}. @@ -170,8 +170,8 @@ such as @code{c4\ff}. The available dynamic marks are @code{\mp}, @code{\mf}, @code{\f}, @code{\ff}, @code{\fff}, @code{\ffff}, @code{\fp}, @code{\sf}, @code{\sff}, @code{\sp}, @code{\spp}, @code{\sfz}, and @code{\rfz}. The dynamic marks may -be manually placed above or below the staff, see @ref{Controlling -direction and placement}. +be manually placed above or below the staff, see +@ref{Direction and placement}. @lilypond[verbatim,quote,relative=2] c2\ppp c\mp @@ -336,7 +336,7 @@ Learning Manual: @rlearning{Articulation and dynamics}. Notation Reference: -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Snippets: @rlsr{Expressive marks}. @@ -423,7 +423,7 @@ Just as with ties, the direction of a slur can be specified with @code{\slur@emph{DIR}}, where @code{@emph{DIR}} is either @code{Up}, @code{Down}, or @code{Neutral} (@code{Neutral} is the default). Slurs may be manually placed above or below the staff, -see @ref{Controlling direction and placement}. +see @ref{Direction and placement}. @lilypond[verbatim,quote,relative=2] c4_( c) c^( c) @@ -461,7 +461,7 @@ Music Glossary: @rglos{slur}. Notation Reference: -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Snippets: @rlsr{Expressive marks}. @@ -491,7 +491,7 @@ normal slur. However, they are treated as different objects. A @code{\slurUp} will have no effect on a phrasing slur; instead, use @code{\phrasingSlurUp}, @code{\phrasingSlurDown}, and @code{\phrasingSlurNeutral}. Phrasing slurs may be manually -placed above or below the staff, see @ref{Controlling direction +placed above or below the staff, see @ref{Direction and placement}. You cannot have simultaneous phrasing slurs. @@ -510,7 +510,7 @@ You cannot have simultaneous phrasing slurs. @seealso Notation Reference: -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Snippets: @rlsr{Expressive marks}. diff --git a/Documentation/user/input.itely b/Documentation/user/input.itely index 3cd37ae70c..4806a5e727 100644 --- a/Documentation/user/input.itely +++ b/Documentation/user/input.itely @@ -108,7 +108,7 @@ Learning Manual: @rlearning{Working on input files}, @rlearning{Music expressions explained}, -@rlearning{Score is a single (compound) music expression}. +@rlearning{Score is a single (compound) musical expression}. @node Multiple scores in a book @@ -339,7 +339,7 @@ Learning Manual: @menu * Input modes:: -* Controlling direction and placement:: +* Direction and placement:: * Distances and measurements:: * Spanners:: @end menu @@ -446,10 +446,8 @@ the markings: -@node Controlling direction and placement -@subsection Controlling direction and placement - -TODO: Maybe rename section to "directions". +@node Direction and placement +@subsection Direction and placement In typesetting music the direction and placement of many items is a matter of choice. For example, the stems of notes can @@ -546,6 +544,12 @@ TODO: staff spaces. Maybe move into tweaks? @node Spanners @subsection Spanners +Many objects of musical notation extend over several notes or even +several bars. Examples are crescendi, trills, tuplet brackets, and +volta repeat brackets. Such objects are called @qq{spanners}, and +have special properties to control their appearance and behaviour. +Some of these properties are common to all spanners; others are +restricted to a sub-set of the spanners. @node Titles and headers @section Titles and headers @@ -1184,12 +1188,12 @@ lilypond file.ly >display.txt @section Controlling output @menu -* Extracting fragments of notation:: +* Extracting fragments of music:: * Skipping corrected music:: @end menu -@node Extracting fragments of notation -@subsection Extracting fragments of notation +@node Extracting fragments of music +@subsection Extracting fragments of music It is possible to quote small fragments of a large score directly from the output. This can be compared to clipping a piece of a paper score diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely index f2365278cc..da68dada95 100644 --- a/Documentation/user/rhythms.itely +++ b/Documentation/user/rhythms.itely @@ -139,7 +139,7 @@ proportional notation, see @ref{Proportional notation}. Dots are normally moved up to avoid staff lines, except in polyphonic situations. Predefined commands are available to force a particular direction manually, for details -see @ref{Controlling direction and placement}. +see @ref{Direction and placement}. @predefined @@ -214,7 +214,7 @@ c4 c \times 2/3 { b4 a g } The automatic placement of the tuplet bracket above or below the notes may be overridden manually with predefined commands, for -details see @ref{Controlling direction and placement}. +details see @ref{Direction and placement}. Tuplets may be nested: @@ -449,7 +449,7 @@ be entered as follows: The vertical placement of ties may be controlled, see Predefined commands, or for details, see -@ref{Controlling direction and placement}. +@ref{Direction and placement}. @cindex ties, appearance @funindex \tieDotted diff --git a/Documentation/user/text.itely b/Documentation/user/text.itely index 40830f2050..a2daa9837f 100644 --- a/Documentation/user/text.itely +++ b/Documentation/user/text.itely @@ -58,7 +58,7 @@ It is possible to add arbitrary text indications to a score, as demonstrated in the following example. Such indications can also be manually placed above or below the staff, using the -simple syntax described in @ref{Controlling direction and +simple syntax described in @ref{Direction and placement}. @lilypond[quote,fragment,ragged-right,verbatim,relative=1] @@ -95,7 +95,7 @@ d8^"pizz." e f g \textLengthOn a4_"scherzando" f @seealso Notation Reference: @ref{Formatting text}, -@ref{Controlling direction and placement}. +@ref{Direction and placement}. Snippets: @rlsr{Text}. -- 2.39.2