From e271bc9e6db1b5a75580085a2514db840e1a9cb9 Mon Sep 17 00:00:00 2001 From: Colin Campbell Date: Tue, 29 Jun 2010 14:54:32 -0600 Subject: [PATCH] Website: added Academia items Added citations of LilyPond use in published works --- Documentation/web/community.itexi | 22 +++++++++++++++++++--- 1 file changed, 19 insertions(+), 3 deletions(-) diff --git a/Documentation/web/community.itexi b/Documentation/web/community.itexi index 614b424a28..961fc777fd 100644 --- a/Documentation/web/community.itexi +++ b/Documentation/web/community.itexi @@ -784,9 +784,6 @@ on Musical Informatics (XIV CIM 2003), Firenze, Italy, May 2003. @subheading What people did with LilyPond -@help{Yeah, this doesn't look bad at all... there's 20-50 papers -out there that cite lilypond; somebody should find at least 3 or 4 -of them, so that it doesn't look so graham-specific.} @divClass{keep-bullets} @itemize @@ -797,6 +794,25 @@ Graham Percival, Tosten Anders, and George Tzanetakis, with Constraint Satisfaction Programming}, International Computer Music Conference 2008. +@item +A. Passos, M. Silva, P. Kroger, and G. Cidra, +@emph{Functional Harmonic Analysis and Computational Musicology +in Rameau}, Proceedings of the 12th Brazilian Symposium on Compute +Music, 2009, pp. 207-210. + +@item +Alberto Simões, Anália Lourenço and José João Almeida, +@emph{Using Text Mining Techniques for Classical Music Scores Analysis}, +New Trends in Artificial Intelligence, 2007 J. Neves et al ed. + +@item + +Kevin C. Baird 2005. +@emph{Real-time generation of music notation via audience interaction using +python and GNU lilypond}. Proceedings of the 2005 Conference on New interfaces +For Musical Expression (Vancouver, Canada, May 26 - 28, 2005). +New Interfaces For Musical Expression. National University of Singapore, Singapore, 240-241. + @end itemize @divEnd -- 2.39.5