From dba327dbc4f2e19a8776504d90d42ce778998da9 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Mon, 5 Nov 2007 14:25:05 -0800 Subject: [PATCH] Patch from Alard; thanks! --- Documentation/user/tutorial.itely | 18 ++++++++++-------- 1 file changed, 10 insertions(+), 8 deletions(-) diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index 5644a0150f..fcdc6c3d21 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -87,7 +87,7 @@ be omitted in some examples in this manual, but don't forget them in your own music! For more information about the display of examples in the manual, see @ref{How to read the tutorial}.} -@cindex Case sensitive +@cindex case sensitive In addition, LilyPond input is @strong{case sensitive}. @code{ @{ c d e @}} is valid input; @code{@{ C D E @}} will produce an error message. @@ -97,7 +97,7 @@ error message. @subheading Entering music and viewing output @cindex PDF file -@cindex Viewing music +@cindex viewing music In this section we will explain what commands to run and how to view or print the output. @@ -375,7 +375,7 @@ explain what all these terms mean: @itemize -@cindex Case sensitive +@cindex case sensitive @item @strong{Case sensitive}: it matters whether you enter a letter in lower case (e.g. @code{a, @@ -521,7 +521,7 @@ Music glossary: @rglos{octave}, @rglos{fourth}, @rglos{fifth}. LilyPond calculates the pitch of each note relative to the previous one@footnote{There is another mode of entering pitches, -@ruser{Absolute note names}. However, in practice relative mode is +@ruser{Absolute octave entry}. However, in practice relative mode is much easier and safer to use.}, as we saw in @ref{Simple notation}. If no extra @notation{octave} marks (@code{'} and @code{,}) are added, it assumes that each pitch is within a @@ -531,6 +531,8 @@ LilyPond examines pitches based on the note names -- in other words, an augmented fourth is @emph{not} treated the same as a diminished fifth. If we begin at a C, then an F-sharp will be placed a higher than the C, while a G-flat will be placed lower than the C. +An F-sharp is written as @code{fis} and a G-flat is written as +@code{ges} as we will see in @ref{Accidentals and key signatures}. @lilypond[verbatim,quote,ragged-right,fragment,relative=2] c2 fis @@ -541,7 +543,7 @@ c2 ges @quotation @table @asis @item Relative octaves -see @ruser{Relative octaves}. +see @ruser{Relative octave entry}. @item Octave check see @ruser{Octave check}. @end table @@ -922,7 +924,7 @@ see @ruser{Grace notes}, @item Tuplets see @ruser{Tuplets}, @item Pickups -see @ruser{Partial measures}. +see @ruser{Upbeats}. @end table @end quotation @@ -1242,8 +1244,8 @@ This section introduces vocal music and simple song sheets. @node Setting simple songs @subsection Setting simple songs -@cindex Lyrics -@cindex Songs +@cindex lyrics +@cindex songs Music glossary: @rglos{lyrics}. -- 2.39.5