From db39ea1a1acc3d39a904fc828eaecd8375ece497 Mon Sep 17 00:00:00 2001 From: fred Date: Sun, 24 Mar 2002 20:15:19 +0000 Subject: [PATCH] lilypond-0.1.64 --- Documentation/vocabulary-data | 252 ------------------------------ mutopia/J.S.Bach/preludes-3.ly.m4 | 177 --------------------- mutopia/J.S.Bach/preludes.tex | 63 -------- 3 files changed, 492 deletions(-) delete mode 100644 Documentation/vocabulary-data delete mode 100644 mutopia/J.S.Bach/preludes-3.ly.m4 delete mode 100644 mutopia/J.S.Bach/preludes.tex diff --git a/Documentation/vocabulary-data b/Documentation/vocabulary-data deleted file mode 100644 index fb42e711e0..0000000000 --- a/Documentation/vocabulary-data +++ /dev/null @@ -1,252 +0,0 @@ -:engraving:notenstechen::steken:: -Francais:US English:Deutsch:UK English:Nederlands:Italiaans: -:Grand staff:::Piano systeem::A combination of two staffs with a brace. Usually used for piano music. -:system:::systeem:: -accentuation:accentuation:::accent:: -accolade:brace::::: -accord:chord:::akkoord:: -accord de neuvième dominante:chord of the dominant ninth:::dominant akkoord:: -accord de septième dominante:chord of the dominant seventh:::septiem akkoord:: -accord parfait majeur:perfect major chord::::: -accord parfait mineur:perfect minor chord::::: -alto:alto:::alt:: -altération accidentelle:accident; accidental alteration:::toevallig teken:: -altération essentielle:essential alteration::::: -appogiature:appoggiatura::::: -appogiature brève:short appoggiatura::::: -appogiature double:double appoggiatura::::: -appogiature longue:long appoggiatura::::: -appogiature simple:simple appoggiatura::::: -armature [de la clé]:key signature:::toonsoort (voortekens):: -armure [de la clé]:key signature:::toonsoort:: -arpège:arpeggio:::gebroken akoord:: -augmenté (intervalle):augmented (interval):::overmatig interval:: -bariton:baritone:::bariton:: -barre de mesure:bar line:::maatstreep:: -:beam:Balk::waardestreep/balk:: -barre de reprise:repeat:::herhaling:: -basse:bass:::bas:: -blanche:half note:::halve noot:: -bâton de pause:(arbitrary number of bars' rest)::::: -bâton de pause:four-bar rest::::: -bâton de pause:two-bar rest::::: -bécarre:natural sign:::herstellingsteken:: -bémol:flat:::mol:: -cadence:cadence:::cadens:: -cadence harmonique:harmonic cadence:::cadens:: -cadence mélodique:melodic cadence:::cadens:: -:cue-notes:Stichnoten::stichnoten:: -caractère:character::::: -chaîne de trilles:chain of trills:::triller:: -chevron:chevron::::: -chiffrage (chiffres indicateurs):time signature:::maatsoort:: -chiffre inférieur:lower number::::: -chiffre supérieur:upper number::::: -clé:clef:::sleutel:: -clé d'octave:octave line::::: -clé d'ut:middle C clef:::C sleutel, alt sleutel:: -clé de fa:bass clef:::F sleutel:: -clé de sol:treble clef:::G sleutel, viool sleutel:: -comma:comma::::: -comma enharmonique::::: -comma pythagoricien::::: -comma syntonique: : : : : : -consonance:consonant interval; consonance:::consonant:: -contralto:contralto::::: -contre-temps:contro-time::::: -contre-temps irrégulier:irregular contro-time::::: -contre-temps régulier:regular contro-time::::: -coulé:slur:::binding, bindingsboog:: -courbe rythmique:rythmic curve::::: -:opening angular bracket::::crescendo: -croche:eighth note:::achtste noot:: -:closing angular bracket::::decrescendo: -degré [de la gamme]:degree [of the scale]:::trap [van de toonladder]:: -demi-pause:half rest:::halve rust:: -demi-soupir:eighth rest:::achtste rust:: -demi-ton:semitone:::halve toon:: -demi-ton chromatique:chromatic semitone:::chromatische halve toon:: -demi-ton diatonique:diatonic semitone:::diatonische halve toon:: -diapason:pitch pipe; tuning fork:::stemfluitje; stemvork:: -diminué (intervalle):diminished (interval):::verminderd (interval):: -dissonance:dissonant interval; dissonance:::dissonant interval; dissonant:: -dièse:sharp:::kruis:: -do:C:::C:: -do central:middle C:::centrale C::: -doigté:::::: -doigté de pédale:::::: -dominante:dominant:::dominant:: -double barre:double bar line:::dubbele streep:: -double bémol:double flat:::dubbelmol:: -double croche:sixteenth note:::zestiende noot:: -double dièse:double sharp:::dubbelkruis:: -double triolet:double triplet:::dubbele triool:: -duolet:duplet:::duool:: -durée:duration:::duur, lengte:: -échelle d'octave:octave line::::: -échelle musicale:Musical Ladder::::: -enharmonie:enharmony::::: -espace:space::::: -extension d'intervalle:extension of interval::::: -fa:F::::: -figure de note:kind of note::::: -figure de silence:kind of rest::::: -fioriture::::cadens:cadenza: -forme du mode mineur ancien:ancient form (diatonic minor scale)::::: -forme harmonique:harmonic form (diatonic minor scale)::::: -forme mélodique:melodic form (diatonic minor scale)::::: -gamme:scale:::toonladder:: -gamme chromatique:chromatic scale:::chromatische toonladder:: -gamme diatonique majeure:diatonic major scale:::diatonische majeur toonladder:: -gamme diatonique mineure:diatonic minor scale::::: -gammes enharmoniques:enharmonic scales::::: -gammes relatives:relative scales::::: -genre chromatique:chromatic type::::: -genre diatonique:diatonic type::::: -genre enharmonique:enharmonic type::::: -groupe irrégulier:irregular group::::: -grupetto:turn; gruppetto:::dubbelslag:: -hauteur:pitch:::toonhoogte:: -huitième de soupir:thirty-second rest:::32e rust:: -incise:motive:::motief:: -indication de pédale::::: -indication métronomique:metronomic indication::::: -intervalle:interval:::interval:: -intervalle ascendant:ascending interval::::: -intervalle composé:compound interval::::: -intervalle descendant:descending interval:::dalend interval:: -intervalle harmonique:harmonic interval::::: -intervalle simple:simple interval::::: -intervalles enharmoniques:enharmonic intervals::::: -juste (intervalle):perfect (interval):::rein (interval):: -la:A::::: -liaison:tie:::overbinding:: -liaison rythmique:legato curve::::: -ligne:line::::: -ligne supplémentaire:ledger line:::hulplijntje:: -étang de lis:lilypond:lilyteich:lily pond:lelievijver:stagno del giglio: -majeur (intervalle):major (interval):::groot (interval):: -membre de phrase:phrase member::::: -mesure:bar; measure:::maat, maatstreep:: -mesure artificielle:artificial measure::::: -mesure composée:compound measure::::: -mesure incomplète:incomplete measure::::: -mesure irrégulière:irregular measure::::: -mesure simple:simple measure::::: -mezzo-soprano:mezzo-soprano::::: -mi:E::::: -mineur (intervalle):minor (interval)::::: -mode:mode::::: -mode ecclésiastique::::: -mode majeur:major mode::::: -mode mineur:minor mode::::: -modulation:modulation:::modulatie:: -mordant:mordent:::mordent:: -:::::: -mouvement:tempo; movement:::deel:: -mouvement conjoint:conjunct movement::::: -mouvement disjoint:disjunct movement::::: -mouvement lent:slow tempo::::: -mouvement modéré:moderate tempo::::: -mouvement rapide:fast tempo::::: -médiante:mediant::::: -métronome:metronome:::metronoom:: -noire:quarter note:::kwartnoot:: -note:note:::noot:: -note doublement pointée:double dotted note::::: -note modale:modal note::::: -note pointée:dotted note::::: -note tonale:tonal note::::: -notes enharmoniques:enharmonic notes:::enharmonische noot:: -nuance:shading::::: -octave:octave:::octaaf:: -ornement:embellishment; accessory::::: -:part:::partij:: -partition:score:::partituur:: -pause:whole rest::::: -phrase:phrase::::: -phrasé:phrasing::::: -pizzicato:dash over/below::::: -point:dot:::punt:: -point d'orgue:pause::::: -point et liaison combinés:dot and curved line combined::::: -pointillés::::: -portamento:underline over/below::::: -portée:staff:::(noten)balk; partij:: -portées:staves::::: -quadruple croche:sixty-fourth note::::: -quart de soupir:sixteenth rest::::: -quarte:fourth:::kwart:: -quartolet:quadruplet:::kwartool:: -quinte:fifth:::kwint:: -registre:register:::register:: -renversement d'intervalle:inversion of interval:::inversie:: -renvoi:return sign:::herstellingsteken:: -respiration:artificial rest::::: -:double whole note::breve:brevis:breve: -ronde:whole note:::hele noot:: -rythme:rythm:::ritme:: -ré:D::::: -seconde:second::::secunde: -seizième de soupir:sixty-fourth rest::::: -sensible:leading note::::: -septième:seventh:::septiem:septime: -sextolet:sextuplet::::: -si:B::::: -signes indicateurs de nuance:shading signs::::: -silence:rest::::: -sixain:sextuplet:::sextool:: -sixte:sixth::::: -sol:G::::: -soprano:soprano:::sopraan:: -soupir:quarter rest::::: -sous-dominante:subdominant::::: -sous-tonique:subtonic::::: -:dot over/below:::staccato:staccato: -sus-dominante:superdominant::::: -sus-tonique:supertonic::::: -syncope:syncopation; upbeat:::syncope:: -syncope irrégulière:irregular syncopation:::onregelmatige syncope:: -syncope régulière:regular syncopation::::: -temps:beat:::tel:: -temps binaire:binary beat::::: -temps faible:weak beat::::: -temps fort:strong beat::::: -temps ternaire:ternary beat::::: -tempérament mésotonique:meantone tuning::::: -tempérament égal:tempered tuning:::getempereerde stemming:: -tierce:third:::terts:: -ton:tone:::toon:: -tonalité:tonality:::tonaliteit:: -tonique:tonic::::: -tons relatifs:relative scales::::: -tons voisins:adjacent keys::::: -transposition:transposition::::: -transposition chromatique:chromatic transposition::::: -transposition enharmonique:enharmonic transposition::::: -trille:trill; shake::::: -trille double:double trill::::: -triolet:triplet::::: -triple croche:thirty-second note::::: -triton:tritone::::: -ténor:tenor::::: -tétracorde:tetrachord::::: -unisson:unison::::: -unité de mesure:unit of measure::::: -unité de temps:unit of beat::::: -ut:C::::: -voix:voice:::stem:: -:quarter note::crotchet::: -:quarter rest::crotchet rest::: -:thirty-second note::demisemiquaver::: -:thirty-second rest::demisemiquaver rest::: -:sixty-fourth note::hemidemisemiquaver::: -:sixty-fourth rest::hemidemisemiquaver rest::: -:half note::minim::: -:half rest::minim rest::: -:eighth note::quaver::: -:eighth rest::quaver rest::: -:whole note::semibreve::: -:whole rest::semibreve rest::: -:sixteenth note::semiquaver::: -:sixteenth rest::semiquaver rest:: : diff --git a/mutopia/J.S.Bach/preludes-3.ly.m4 b/mutopia/J.S.Bach/preludes-3.ly.m4 deleted file mode 100644 index fc91c68737..0000000000 --- a/mutopia/J.S.Bach/preludes-3.ly.m4 +++ /dev/null @@ -1,177 +0,0 @@ -\header{ -filename = "preludes-3.ly"; -title = "3"; -opus = "BWV 999"; -piece = "\\numfont 3"; -% Pr"aludum in C Moll f"ur Laute -% blz 16 -% Six Petits Pr'eludes -% Collection Johann Peter Kellner -% ca 1703 - 1707 -composer = "Johann Sebastian Bach (1685-1750)"; -enteredby = "jcn"; -copyright = "public domain"; -} - -define(comma, r16 [$1$4 $2 $3] [$2 $1 $2 $6$1] r $1$7 r $5$1 |) -define(s, `comma(translit($*,` ', `,'))') -define(t, r16 [$1$4 $2 $3] [$2 $1 $2 $6$1] r $1$7 r $5$1 |) - -one = \melodic{ - \octave c'; - \textstyle "italic"; -%# s(`c' `es' `g' `\p(\<' `\!' `)\!' `\>') - t(c,es,g,`\p(\<',\!,`)\!',\>) -%# s(c es g `(' `' `)') - t(c,es,g,`(',`',`)') -%# s(c f as `(' `' `)') - t(c,f,as,`(',`',`)') - s(c f as) - s('b d f \< \!) - s('b d f) - s('g c es \> \!) - s('g c es) - s('g c es \< \!) - s('g c es) - s('a c es) - s('a c es) - s('a 'bes d \> \!) - s('g 'bes d) - s('bes d g) - s('a es g \mf) - s('a c fis) - s('a c fis) - s('bes d g) - - -%# s(c fis a -"poco a poco cresc.") - t(c,fis,a,-"poco a poco cresc.") - s(d g bes) - s(d fis c') - - s(cis g bes) - s(c es a !-"dim.") - s('bes e g) - s('a c g) - - s('a c fis) - s('g 'bes e) - s('fis 'a es) - - s('g 'bes d -"dim.") - s('g 'a c) - s('fis 'a c) - s('fis 'a c) - r16\p ['g 'a c] ['b 'g 'b 'g] r 'g r 'g -%# s('a c fis -"poco cresc.") - t('a,c,fis,-"poco cresc.") - s(c fis a) - s('b d g) - s('b d f -"dim.") - s('g c es) - s('fis c es) - s('fis c es) - r16 ['g(\< 'b d] ['b 'g 'b d] [es c 'a )\!fis] | - \multi 2 < - {\stemup; g2.-\fermata\mf} - {\stemdown; <'b2. d>} - > - \stemboth; - \bar "|."; -} - -two = \melodic{ - \octave c; - \clef bass; - % c4 r [g8-.(\ped )es-.\*] | - c4 r [g8-.( )es-.] | - c4 r [g8-.( )es-.] | - c4 r [as8-.( )f-.] | - - c4 r [as8-.( )f-.] | - c4 r [as8-.( )f-.] | - c4 r [as8-.( )f-.] | - - c4-- r [es8 c] | - 'bes!4-- r [es8 c] | - 'as!4-- r [es8 c] | - - 'g4-- r [es8 c] | - 'fis4-- r [es8 c] | - 'fis4 r [fis8 d] | - - 'g4 r [d8 'bes] | - 'g4 r ['bes8 'g] | - 'es4 r [g8 es] | - - c4 r [c8 'a] | - 'd4 r [d8 'a] | - 'd4 r [d8 'a] | - 'd4 r [d8 'bes] | - - - 'd4 r [es8 c] | - 'd4 r [g8 d] | - 'd4 r [a8 fis] | - - 'd4 r [g8 es] | - 'd4 r [fis8 d] | - 'd4 r [e8 cis] | - 'd4 r [es8 c] | - - 'd4 r [d8 'a] | - 'd4 r [cis8 'bes] | - 'd4 r [c!8 'a] | - - 'd4 r ['bes8 'g] | - 'd4 r [es8 c] | - 'd4 r [d8 a] | - - 'g4 r [es8 c] | - 'g4 r [d8 'b] | - 'g4 r [es8 c] | - - 'g4 r [es8 c] | - 'g4 r [g8 d] | - 'g4 r [as8 f] | - 'g4 r [es8 c] | - - 'g4 r [es8 c] | - 'g4 r [es8 c] | - 'g4 r r | - 'g2._\fermata - \bar "|."; -} - -global = \melodic{ - \meter 3/4; - \key bes es as; -} - -treble_staff = \type Staff = treble < - \global - \one -> - -bass_staff = \type Staff = bass < -% bass = Staff < - \clef "bass"; - \global - \two -> - -grand_staff = \type Grand_staff < - \treble_staff - \bass_staff -> - -a4 = \paper{ - linewidth= 193.\mm; -} - -\score{ - % Semplice e non troppo legato - \grand_staff - \paper{ \a4 } - \midi{ \tempo 4 = 100; } -} diff --git a/mutopia/J.S.Bach/preludes.tex b/mutopia/J.S.Bach/preludes.tex deleted file mode 100644 index b1680f9d3a..0000000000 --- a/mutopia/J.S.Bach/preludes.tex +++ /dev/null @@ -1,63 +0,0 @@ -\documentclass{article} %UGH -\usepackage{a4} - -% UGH UGH -\advance\oddsidemargin-30mm -\evensidemargin\oddsidemargin -% ugh, centre -\advance\textwidth60mm -\advance\topmargin-20mm -\addtolength{\textheight}{40mm} -\footskip5mm - -\usepackage{fancyheadings} -\lhead{} -\rhead{} -\chead{} -\lfoot{} -\cfoot{\ifnum\thepage=1{\hfill\LilyIdString}\fi} -\rfoot{\ifnum\thepage>1{\hfill\thepage\hfill}\fi} - -\headrulewidth0mm -\pagestyle{fancy} -\thispagestyle{fancy} - -\input titledefs -\input lilyponddefs -\def\interscoreline{\vskip2mm} -%ugh -\staffheight=20pt - -\font\numfont=feta-nummer10 scaled \magstep2 -\def\piece#1#2#3{% -% \hbox to0pt{\vbox to\staffheight{\vss}} -% \nopagebreak - \vbox to 0pt{\large\bf#3\vss} - \nopagebreak - \vbox to0pt{\vbox to4.5\staffheight{\vss\numfont#1}\vss} - \nopagebreak - \input#2% -} - -\begin{document} - -\title{DOUZE PETITS PR\'ELUDES\\ - TWAALF KLEINE PRELUDI\"EN} -\composer{J.S.\ Bach (1685-1750)} - -\makelilytitle -\kern-\staffheight - -\piece{1}{preludes-1}{Moderato} -\piece{2}{preludes-2}{Moderato} -\newpage -\piece{3}{preludes-3}{Semplice e non troppo legato} -\newpage -\piece{4}{preludes-4}{Allegretto} -\newpage -\piece{5}{preludes-5}{Moderato} -\newpage -\piece{6}{preludes-6}{Andante espressivo} - -\end{document} - -- 2.39.5