From d627f5aa2707c875d63d95685951402a49cbfa80 Mon Sep 17 00:00:00 2001 From: Werner Lemberg Date: Sat, 8 Aug 2009 07:57:49 +0200 Subject: [PATCH] Minor formatting. --- Documentation/notation/repeats.itely | 3 +++ Documentation/notation/simultaneous.itely | 3 +++ 2 files changed, 6 insertions(+) diff --git a/Documentation/notation/repeats.itely b/Documentation/notation/repeats.itely index 7e85fe8bd5..9ffea946cb 100644 --- a/Documentation/notation/repeats.itely +++ b/Documentation/notation/repeats.itely @@ -82,6 +82,7 @@ The syntax for a normal repeat is \repeat volta @var{repeatcount} @var{musicexpr} @end example +@noindent where @var{musicexpr} is a music expression. Alternate endings can be produced using @code{\alternative}. In order to delimit the alternate endings, the group of alternatives must be enclosed in a set of @@ -352,6 +353,7 @@ the writing out of repetitious music. The syntax is \repeat unfold @var{repeatcount} @var{musicexpr} @end example +@noindent where @var{musicexpr} is a music expression and @var{repeatcount} is the number of times @var{musicexpr} is repeated. @@ -415,6 +417,7 @@ one or two measures are replaced by percent-like signs. The syntax is @code{\repeat percent @var{number} @var{musicexpr}} @end example +@noindent where @var{musicexpr} is a music expression. @lilypond[verbatim,quote,relative=2] diff --git a/Documentation/notation/simultaneous.itely b/Documentation/notation/simultaneous.itely index f3d8be5d05..8699239107 100644 --- a/Documentation/notation/simultaneous.itely +++ b/Documentation/notation/simultaneous.itely @@ -208,6 +208,7 @@ voices in a single staff is illustrated in the following example: >> @end lilypond +@noindent Here, voices are instantiated explicitly and are given names. The @code{\voiceOne} ... @code{\voiceFour} commands set up the voices so that first and third voices get stems up, second and fourth @@ -228,6 +229,7 @@ construct: >> \oneVoice @end example +@noindent Here, the first expression within a temporary polyphonic passage is placed into the @code{Voice} context which was in use immediately before the polyphonic passage, and that same @code{Voice} context @@ -259,6 +261,7 @@ during and after a polyphonic section: >> @end lilypond +@noindent Here, the @code{\voiceOne} and @code{\voiceTwo} commands are required to define the settings of each voice. -- 2.39.5