From d596cd22ee8ffaf8ab46736e5fa2d067bcd92cad Mon Sep 17 00:00:00 2001 From: David Kastrup Date: Sun, 24 Feb 2013 13:20:31 +0100 Subject: [PATCH] Issue 3202: changes.tely: deal with \transposition and instrumentTransposition changes Those were introduced by issue 754 and issue 3168, respectively. --- Documentation/changes.tely | 23 +++++++++++++++++++++++ 1 file changed, 23 insertions(+) diff --git a/Documentation/changes.tely b/Documentation/changes.tely index d3eb33d83b..dab40a3112 100644 --- a/Documentation/changes.tely +++ b/Documentation/changes.tely @@ -61,6 +61,29 @@ which scares away people. @end ignore +@item +The meaning of @code{instrumentTransposition} has been reversed. +After +@example +\set instrumentTransposition = #@{ b #@} +@end example +a written @code{c'} now sounds like @code{b}. Previously, this +would have been the other way round. This and the following change +should make dealing with transposing instruments more +straightforward. + +@item +The music generated by @code{\set} and @code{\override} commands +is no longer affected by @code{\transpose}. The main consequence +is that @code{\transpose} will transpose audible/@/concert pitch and +printed pitch by the same amount even when the transposed music +contains @code{\transposition}. Previously, +@example +\transpose c' f' \transposition bes' +@end example +was equivalent to @code{\transposition f'}. Now it stays +equivalent to @code{\transposition bes'}. + @item Tuplets are now created with the @code{\tuplet} command, which takes a fraction @code{@var{t}/@var{n}} to specify that @var{t} -- 2.39.2