From d15c89b4012435609b6687385fac67ea956e57ff Mon Sep 17 00:00:00 2001 From: Jan Nieuwenhuizen Date: Mon, 1 Jul 2002 15:51:51 +0000 Subject: [PATCH] Precautions for lilypond-book: don't use spaces after @lilypond options. --- ChangeLog | 3 ++ Documentation/user/glossary.tely | 84 ++++++++++++++++---------------- 2 files changed, 45 insertions(+), 42 deletions(-) diff --git a/ChangeLog b/ChangeLog index 5abe4c8542..2cd994f459 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,5 +1,8 @@ 2002-07-01 Jan Nieuwenhuizen + * Documentation/user/glossary.tely: Precautions for lilypond-book: + don't use spaces after @lilypond options. + * Documentation/topdocs/INSTALL.texi (Top): Remove generic Guile threads warning. diff --git a/Documentation/user/glossary.tely b/Documentation/user/glossary.tely index bbb9caa00e..b4ea48003d 100644 --- a/Documentation/user/glossary.tely +++ b/Documentation/user/glossary.tely @@ -76,7 +76,7 @@ accidental. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps[]] \property Score.barNonAuto = ##t \property Voice.TextScript \set #'font-style = #'large \notes\relative c'' { @@ -131,7 +131,7 @@ mode hell@'enique D: reines Moll, NL: , DK: ren mol, S: ren mollskala, N: . @ -@lilypond[13pt,eps] +@lilypond[13pt,eps[]] \property Score.barNonAuto = ##t \notes\relative c'' { a1 b c d e f g a } @@ -155,7 +155,7 @@ the duration of the long a. is proportionate to that of the main note. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps[]] \context Voice\notes\relative c'' { \key d \major \time 4/4 @@ -180,7 +180,7 @@ An appoggiatura may have more notes preceding the main note. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps[]] \notes\relative c'' { \key as \major \time 2/4 @@ -201,7 +201,7 @@ Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N: @ -@lilypond[13pt,eps] +@lilypond[13pt,eps[]] \notes \context PianoStaff < \context Staff = SA \relative c'' { \time 4/4 @@ -340,7 +340,7 @@ orchestral or choral score. \relative c \context Staff = SB { \clef bass c1 \bar "|." } > @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \context StaffGroup < % \property StaffGroup.minVerticalAlign = #12 \notes\relative c'' \context Staff = SA { \clef treble g4 e c2 } @@ -370,7 +370,7 @@ in pre-1650 music. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \notes\relative c'' { g\breve } @end lilypond @@ -387,7 +387,7 @@ lines. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.Clef \override #'full-size-change = ##t \property Score.LyricText \set #'font-style = #'large @@ -446,7 +446,7 @@ chords are denoted open chords @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Voice.TextScript \set #'font-style = #'large \time 4/4 @@ -468,7 +468,7 @@ A scale consisting of all 11 @w{@ar{}@strong{semitone}}s. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \notes\relative c' { c1 cis d dis e f fis g gis a ais b c } @end lilypond @@ -523,7 +523,7 @@ Melody moving in the narrow steps of the scale; @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \key g \major \time 4/4 \notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" } @end lilypond @@ -612,7 +612,7 @@ abbreviation "cresc.". @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \key g \major \time 4/4 \notes\relative c'' { g4 \< a b c | \! d1 \bar "|." } @end lilypond @@ -643,7 +643,7 @@ frequently near the beginning marked by a sign: @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Voice.TextScript \set #'font-style = #'large \key g \major \time 4/4 \notes\relative c'' { d1 | g,4^\segno a b c | b a g2_"d.s." \bar "|." } @@ -658,7 +658,7 @@ or the abbreviation "decresc.". @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \context Staff \notes\relative c'' {\key g \major \time 4/4 d4 \> c b a | \! g1 \bar "|." } @end lilypond @@ -683,7 +683,7 @@ also to some extent in newer jazz music. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -697,7 +697,7 @@ also to some extent in newer jazz music. \context Lyrics \lyrics { Ionian } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -712,7 +712,7 @@ also to some extent in newer jazz music. \context Lyrics \lyrics { Dorian } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -726,7 +726,7 @@ also to some extent in newer jazz music. \context Lyrics \lyrics { Phrygian } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -740,7 +740,7 @@ also to some extent in newer jazz music. \context Lyrics \lyrics { Lydian } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -754,7 +754,7 @@ also to some extent in newer jazz music. \context Lyrics \lyrics { Mixolydian } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -773,7 +773,7 @@ compositional music are primarily the major and the minor scales. In the harmonic minor scale type an augmented second (A) occurs between the 6th and 7th tone. -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -787,7 +787,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and \context Lyrics \lyrics { Major } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -801,7 +801,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and \context Lyrics \lyrics { "ancient minor" } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -819,7 +819,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and \context Lyrics \lyrics { "Harmonic minor" } @end lilypond -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -1047,7 +1047,7 @@ example bass recorder) while 8 below the clef symbol indicates playing an octave lower (for example on double bass @w{@ar{}@strong{strings}}). -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Staff.Clef \override #'full-size-change = ##t \property Score.LyricText \set #'font-style = #'large @@ -1160,7 +1160,7 @@ of the base chords. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -1186,7 +1186,7 @@ that). @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Staff.Clef \set #'full-size-change = ##t \property Score.LyricText \set #'font-style = #'large @@ -1257,7 +1257,7 @@ section. @ar{}@w{}@strong{functional harmony} @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \notes\context PianoStaff < \context Staff = SA \relative c'' { \time 4/4 @@ -1283,7 +1283,7 @@ Consonances: @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.TextScript \set #'font-style = #'large \context Voice \notes\relative c'' { @@ -1301,7 +1301,7 @@ Dissonances: @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.TextScript \set #'font-style = #'large \context Voice \notes\relative c'' { @@ -1332,7 +1332,7 @@ forms an octave. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -1353,7 +1353,7 @@ forms an octave. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -1374,7 +1374,7 @@ forms an octave. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large \property Score.TextScript \set #'font-style = #'large @@ -1401,7 +1401,7 @@ The difference between an interval and an octave. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.TextScript \set #'font-style = #'large \context Staff \notes\relative c'' { @@ -1457,7 +1457,7 @@ A ledger line is an extension of the staff. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \notes\relative c'' { a,1 s c'' } @end lilypond @@ -1515,7 +1515,7 @@ note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note valu @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \notes\relative c'' { \property Voice.NoteHead \set #'style = #'mensural @@ -1630,7 +1630,7 @@ First C below the 440 Hz A. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Staff.Clef \set #'full-size-change = ##t \notes\relative c' { @@ -1680,7 +1680,7 @@ subject. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.TimeSignature \override #'style = #'C2/2 \property Score.TextScript \set #'font-style = #'large \notes\relative c'' { @@ -2004,7 +2004,7 @@ the same @w{@ar{}@strong{signature}}. @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.TextScript \set #'font-style = #'large \notes\relative c' { @@ -2076,7 +2076,7 @@ sub@-do@-mi@-nant (S) and V = dominant (D). @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.LyricText \set #'font-style = #'large %\property Lyrics.minVerticalAlign = #8 @@ -2119,7 +2119,7 @@ semitones. @w{@ar{}@strong{interval}} @w{@ar{}@strong{chromatic scale}} @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \notes\relative c'' { g1 gis s a bes s b c } @end lilypond @@ -2529,7 +2529,7 @@ a @w{@ar{}@strong{chord}}, usually in the distance of a third @ -@lilypond[13pt,eps] +@lilypond[13pt,eps] \property Score.barNonAuto = ##t \property Score.TextScript \set #'font-style = #'large \notes\relative c' { -- 2.39.5