From cf66d832ddfeecfb2c2f49272a16ccd78f6dc1e7 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Mon, 21 Jan 2008 00:38:11 -0800 Subject: [PATCH] Minor update. --- Documentation/user/pitches.itely | 5 ++++- 1 file changed, 4 insertions(+), 1 deletion(-) diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely index 205bf7b3be..bb39037cad 100644 --- a/Documentation/user/pitches.itely +++ b/Documentation/user/pitches.itely @@ -866,7 +866,9 @@ other voices}. The pitch to use for @code{\transposition} should correspond to the real sound heard when a@tie{}@code{c'} written on the staff is -played by the transposing instrument. +played by the transposing instrument. @code{\transposition} +should @emph{only} be used if the pitches are @emph{not} being +entered in concert pitch. Here are a few notes for violin and B-flat clarinet where the parts have been entered using the notes and key as they appear in @@ -892,6 +894,7 @@ playing in unison. \set Staff.midiInstrument="clarinet" \transposition bes + % not concert pitch \key d \major a4( d8) r d r d4 } -- 2.39.5