From cc9440f8acff5af28b3944e46f4d152c521922d1 Mon Sep 17 00:00:00 2001
From: Graham Percival <graham@percival-music.ca>
Date: Thu, 11 Oct 2007 21:46:47 -0700
Subject: [PATCH] Add @lsrdir{} everywhere.

---
 Documentation/user/pitches.itely | 43 +++++++++++++++++++++++++++-----
 1 file changed, 37 insertions(+), 6 deletions(-)

diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely
index 05d1bfc651..13b127ba43 100644
--- a/Documentation/user/pitches.itely
+++ b/Documentation/user/pitches.itely
@@ -10,11 +10,12 @@
 @node Pitches
 @section Pitches
 
-This section discusses how to specify the pitch of notes.
-
 @lilypondfile[ragged-right,line-width=16\cm,staffsize=16,quote]
 {pitches-headword.ly}
 
+This section discusses how to specify the pitch of notes.  There
+are three steps to this process: input, modifying, and output.
+
 @menu
 * Writing pitches::             
 * Changing multiple pitches::   
@@ -25,7 +26,7 @@ This section discusses how to specify the pitch of notes.
 @node Writing pitches
 @subsection Writing pitches
 
-Intro text.
+This section discusses how to input pitches.
 
 @menu
 * Absolute octave entry::       
@@ -84,6 +85,10 @@ c' c'' e' g d'' d' d c
 c, c,, e, g d,, d, d c
 @end lilypond
 
+@seealso
+
+Snippets: @lsrdir{pitch}
+
 
 @node Relative octave entry
 @unnumberedsubsubsec Relative octaves entry
@@ -205,7 +210,6 @@ may disappear in future versions, so its use is discouraged.
 
 
 
-
 @node Accidentals
 @unnumberedsubsubsec Accidentals
 
@@ -320,6 +324,8 @@ For @emph{musica ficta}, editorial accidentals placed above the
 staff commonly used in editions of early music, see @ref{Musica
 ficta accidentals}.
 
+Snippets: @lsrdir{pitch}
+
 Program reference: @internalsref{LedgerLineSpanner},
 @internalsref{NoteHead}.
 
@@ -429,9 +435,17 @@ Catalan and Spanish no special names have been defined yet.
 @end multitable
 @end example
 
+@seealso
+
+Snippets: @lsrdir{pitch}
+
+
+
 @node Changing multiple pitches
 @subsection Changing multiple pitches
 
+This section discusses how to modify pitches.
+
 @menu
 * Octave check::                
 * Transpose::                   
@@ -500,6 +514,10 @@ deleted without changing the output of the piece.
 }
 @end lilypond
 
+@seealso
+
+Snippets: @lsrdir{pitch}
+
 
 @node Transpose
 @unnumberedsubsubsec Transpose
@@ -588,8 +606,8 @@ the existing music with another @code{transpose}
 
 Program reference: @internalsref{TransposedMusic}.
 
-Example:
-@lsr{scheme,transpose-pitches-with-minimum-accidentals.ly}.
+Snippets: @lsrdir{pitch}, @lsr{scheme,
+transpose-pitches-with-minimum-accidentals.ly}.
 
 
 @refbugs
@@ -600,9 +618,12 @@ you must put @code{\transpose} outside of @code{\relative}, since
 a @code{\transpose}.
 
 
+
 @node Displaying pitches
 @subsection Displaying pitches
 
+This section discusses how to alter the output of pitches.
+
 @menu
 * Clef::                        
 * Key signature::               
@@ -802,6 +823,8 @@ and some which do not:
 
 User manual: @ref{Ancient clefs}.
 
+Snippets: @lsrdir{pitch}
+
 Program reference: @internalsref{Clef}.
 
 @node Key signature
@@ -897,6 +920,8 @@ signature for generating a whole-tone scale:
 
 @seealso
 
+Snippets: @lsrdir{pitch}
+
 @c Link to snippet 248
 Another example of using @code{keySignature} can be found in
 @lsrdir{scordatura}
@@ -946,6 +971,8 @@ Internally the function sets the properties @code{ottavation}
 
 @seealso
 
+Snippets: @lsrdir{pitch}
+
 Program reference: @internalsref{OttavaBracket}.
 
 
@@ -1041,5 +1068,9 @@ saxophone = @{
 to serve as a reminder
 that these parts are written in C.
 
+@seealso
+
+Snippets: @lsrdir{pitch}
+
 
 
-- 
2.39.2