From cc881bb69558aaff2165c8c85c0de942e974ba10 Mon Sep 17 00:00:00 2001 From: fred Date: Wed, 7 Jul 1999 12:06:25 +0000 Subject: [PATCH] lilypond-1.1.55 --- Documentation/bibliography/engraving.bib | 306 +++++++++++++++++++++++ 1 file changed, 306 insertions(+) create mode 100644 Documentation/bibliography/engraving.bib diff --git a/Documentation/bibliography/engraving.bib b/Documentation/bibliography/engraving.bib new file mode 100644 index 0000000000..bfa65238d3 --- /dev/null +++ b/Documentation/bibliography/engraving.bib @@ -0,0 +1,306 @@ +% +% TITLE=The engraving bibliography +% AUTHOR=Han-Wen Nienhuys +% + + +@Book{banter, + author = {Harald Banter}, + title = {Akkord Lexikon}, + publisher = {Schott's S\"ohne}, + year = {1987}, + isbn = {ISBN 3-7957-2095-8}, + note = {Comprehensive overview of commonly used + chords. Suggests (and uses) a unification for all different kinds + of chord names.}, + address = {Mainz, Germany}, +} + +@Book{rastall, + author = {Richard Rastall}, + ALTeditor = {}, + title = {The Notation of Western Music: an + Introduction}, + publisher = {J. M. Dent \& Sons London}, + year = {1983}, + note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN}, +} + +@Book{ross, + author = {Ted Ross}, + title = {Teach yourself the art of music engraving and processing}, + publisher = {Hansen House}, + year = 1987, + note = {This is about engraving, i.e. professional typesetting. It contains + directions on good typesetting, but the sections on reproduction + technicalities, how to use pens and history are interesting. + Especially the section on Music Typewriters is amusing HWN}, + address = {Miami, Florida}, +} + + + +@Book {read78, + note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN}, + year = {1978}, + title = {Modern Rhythmic Notation}, + author = {Gardner Read}, + publisher = {Indiana University Press}, +} + + +@Book {read-notation, + note = {(Out of print) This is as close to the ``standard'' reference +work for music notation issues as one is likely to get. MB}, + title = {Music Notation: a Manual of Modern Practice}, + author = {Gardner Read}, + totalentry = {(2nd edition)}, + publisher ={Taplinger Publishing}, + address ={New York}, +} + +@Book {weaner93, + year = {1993}, + title = {Standard Music Notation Practice}, + author = {Maxwell Weaner and Walter Boelke}, + totalentry = {revised edition by Arnold Broido and Daniel Dorff.}, + publisher = {Music Publisher's Association of the United States Inc}, + address = {New York} +} + + +@Book {wanske, + note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN}, + year = {1988}, + title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz}, + author = {Helene Wanske}, + publisher = {Schott-Verlag}, + address = {Mainz}, + isbn = {ISBN 3-7957-2886-x}, +} + +{willemze, + note = {A comprehensive overview of music theory; +the (Dutch) authority on general music theory}, + year = {1964-1993}, + title = {Algemene muziekleer}, + author = {Theo Willemze}, + publisher = {Aula, Het Spectrum}, + address = {Utrecht}, + isbn = {ISBN 90-274-1817-9}, +} + + +@Book {hader48, + year = {1948}, + title = {Aus der Werkstatt eines Notenstechers}, + author = {Karl Hader}, + publisher = {Waldheim--Eberle Verlag}, + address ={Vienna}, + + note = {Hader was the chief-engraver of the Waldheim-Eberle music + publishers. This beautiful booklet was intended as an introduction + for laymen on the art of engraving. It contains a step by step, + in-depth explanation of how to cut and stamp music into zinc plates. + It also contains a few compactly formulated rules on musical + orthography. Out of print. } +} + +@Book{gamble23:_music_engrav, + author = {William Gamble}, + title = {Music Engraving and printing. Historical and Technical Treatise}, + publisher = {Sir Isaac Pitman & Sons, ltd.}, + year = 1923, + note = {This pattriotic book was an attempt to promote and help + British music engravers. It is somewhat similar to Hader's + book\cite{hader48} in scope and style, but Gamble focuses more on + technical details (Which French punch cutters are worth buying from, + etc.), and does not treat typographical details, such as optical + illusions. It is available as reprint from Da Capo Press, New York + (1971).} +} + + +@Booklet {mpa96, + note = {Pamphlet explaining a few fine points in music font design HWN}, + year = {1996}, + title = {Standard music notation specifications for computer programming.}, + month = {December}, + author ={mpa}, + publisher = {MPA}, +} + + +@Book {donato63, + year = {1963}, + author = {Anthony Donato}, + title ={Preparing Music Manuscript}, + address ={Englewood Cliffs, NJ}, + publisher={Prentice-Hall}, +} + + +@Book {Karkoshka72, + year = {1972}, + title = {Notation in New Music; a critical guide to interpretation and realisation}, + author = {Erdhard Karkoshka}, + translator={Ruth Koenig}, + publisher={Praeger Publishers}, + address={New York}, + note ={(Out of print)}, +} + + +@Book {Roemer84, + year = {1984}, + title = {The Art of Music Copying}, + author = {Clinton Roemer}, + publisher={Roerick music co.}, + address= {Sherman Oaks (CA)}, + + note ={Out of print. Heussenstamm writes: an instructional manual + which specializes in methods used in the commercial field. }, + edition={2nd}, +} + + +@Book {Rosecrans79, + year = {1979}, + title = {Music Notation Primer}, + author = {Glen Rosecrans}, + publisher={Passantino}, + address={New York}, + note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}} +} + +@Book {donemes1900, + year = {1900}, + title = {Uitgeven van muziek}, + author = {Donemus}, + publisher= {Donemus Amsterdam}, +} + + +@Book{vinci, +author={Vinci, Albert C.}, +title={Fundamentals of Traditional Music Notation}, +publisher={Kent State University Press}, +year={1989} +} + +@Book{schirmer90, + author={G. Schirmer, Inc.}, + title={The G. Schirmer Manual of Style and Usage}, + address={New York}, + publisher={The G. Schirmer Publications Department}, + year={1990} +} + + +@Book {Stone80, + year = {1980}, + title = {Music Notation in the Twentieth Century}, + author = {Kurt Stone}, + publisher= {Norton}, + address={New York}, + note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. }, + +} +@Book {Heussenstamm87, + year = {1987}, + title = {The Norton Manual of Music Notation}, + author = {George Heussenstamm}, + address= {New York}, + publisher={Norton}, + note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN} +} + + + +@Book{unknown69:_music_notat, + author = {--}, + title = {Music Notation}, + publisher = {Crescendo books}, + year = 1969, + note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]} +} + + +@Book {gerou96, + note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN}, + year = {1996}, + title = {Essential Dictionary of Music Notation}, + author = {Tom Gerou and Linda Lusk}, + publisher = {Alfred Publishing}, + address ={Van Nuys CA}, + isbn ={ISBN 0-88284-768-6}, +} + + +@Book {chlapik87, + note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN}, + year = {1987}, + title = {Die Praxis des Notengraphikers}, + author = {Herbert Chlapik}, + publisher = {Doblinger}, + isbn ={ISBN 3-9000 035-96-2}, +} + + + +@Book {barksdale57, + author = {Barksdale, A}, + year = {1957}, + title = {The Printed Note: 500 Years of Music Printing and Engraving}, + address={Toledo, Ohio}, + month = {January}, + note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music}, + publisher={The Toledo Museum of Art}, +} + + +@Book {wolf19, + author = {Wolf, Johannes}, + year = {1919}, + title = {Handbuch der Notationskunde}, + address={Leipzig}, + publisher={Breitkopf & Hartel}, + note= {Very thorough treatment (in two volumes) of the history musical notation}, +} + +@Book {rosenthal67, + author = {Rosenthal, Carl A}, + year = {1967}, + title = {A Practical Guide to Music Notation}, + address={New York}, + publisher={MCA Music}, + note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation} +} + + +@Book {Boehm61, + author = {Boehm, Laszlo}, + year = {1961}, + title={Modern Music Notation}, + address={New York}, + publisher={G. Schirmer, Inc.}, + note ={Heussenstamm writes: A handy compact reference book in basic notation. } +} +@Book{button20:_system_music_notat, + author = {Button, H. Elliot}, + title = {System in Musical Notation}, + publisher = {Novello and co.}, + year = 1920, + address = {London} +} + +@Book{johnson46:_how, + author = {Johnson, Harold}, + title = {How to write music manuscript}, + publisher = {Carl Fischer, Inc.}, + year = 1946, + address = {New York} +} + + + -- 2.39.5