From c9d7ae9b24eed762af18ae6775d4b069820c9618 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Sat, 12 Jan 2008 15:04:36 -0800 Subject: [PATCH] Update from Kurt. --- Documentation/user/music-glossary.tely | 120 +++++++++++++++---------- 1 file changed, 73 insertions(+), 47 deletions(-) diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index 706fc53b4b..a15c22fc6a 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -315,7 +315,7 @@ Languages in this order. * movement:: * multi-measure rest:: * mixolydian mode:: -* natural sign:: +* natural:: * neighbour tones:: * ninth:: * non-legato:: @@ -486,7 +486,7 @@ An accidental has the effect of an @ref{alteration} of a note. A sharp raises a tone by a @ref{semitone}, a double sharp raises it by a @ref{whole tone}, a flat lowers it by a semitone and a double flat lowers it by a whole tone. A natural cancels the effect of a previous -accidental. +accidental, or a sharp or flat in the key signature. @lilypond[fragment,notime,line-width=13.0\cm] \set Score.automaticBars = ##f @@ -545,10 +545,15 @@ FI: adagio, hitaasti. It.@: comfortable, easy. -1.@tie{}Slow tempo, slower -- especially in -even meter -- than @ref{andante} and faster than @ref{largo}. -2.@tie{}A movement in slow tempo, especially the second (slow) -movement of @ref{sonata}s, symphonies, etc. +@itemize + +@item Slow tempo, slower -- especially in even meter -- than +@ref{andante} and faster than @ref{largo}. + +@item A movement in slow tempo, especially the second (slow) movement +of @ref{sonata}s, symphonies, etc. + +@end itemize @node allegro @@ -859,11 +864,16 @@ DK: håndskrift, autograf, S: handskrift, FI: käsinkirjoitettu nuotti. -1.@tie{}A manuscript in the composer's own hand. -2.@tie{}Music prepared for photoreproduction by freehand drawing, with +@itemize + +@item A manuscript in the composer's own hand. + +@item Music prepared for photoreproduction by freehand drawing, with the aid of a straightedge ruler and T-square only, which attempts to emulate engraving. This required more skill than did engraving. +@end itemize + @node B @section B @@ -979,9 +989,14 @@ DK: bas, S: bas, FI: basso, matala miesääni. -1.@tie{}The lowest male voice. -2.@tie{}Sometimes, especially in jazz music, used as an abbreviation -for double bass. +@itemize + +@item The lowest male voice. + +@item Sometimes, especially in jazz music, used as an abbreviation for +double bass. + +@end itemize @seealso @@ -2623,7 +2638,8 @@ indicate this information are called dynamic marks. @seealso -@ref{piano}, @ref{forte}, @ref{crescendo}, @ref{decrescendo}, @ref{diminuendo}. +@ref{piano}, @ref{forte}, @ref{crescendo}, @ref{decrescendo}, +@ref{diminuendo}. @node E @@ -2793,9 +2809,15 @@ DK: foredragsbetegnelse, S: föredragsbeteckning, FI: nyanssiosoitus, esitysmerkki. -Performance indications concerning 1. volume, dynamics (for example -@ref{forte}, @ref{crescendo}), 2. tempo (for example @ref{andante}, -@ref{allegro}). +Performance indications concerning: + +@itemize + +@item volume, dynamics (for example @ref{forte}, @ref{crescendo}), + +@item tempo (for example @ref{andante}, @ref{allegro}). + +@end itemize @node extender line @@ -2816,10 +2838,11 @@ text (without indicating the musical @emph{function} of that text). Used in many contexts, for example: @itemize -@item -In vocal music to indicate the syllable for a melisma. Called + +@item In vocal music to indicate the syllable for a melisma. Called @q{extension} in the -@uref{http://www.dolmetsch.com/defse1.htm,Dolmetsch Online Music Dictionary}. +@uref{http://www.dolmetsch.com/defse1.htm,Dolmetsch Online Music +Dictionary}. @item In figured (or thorough) bass to indicate that: @@ -3232,7 +3255,8 @@ counted in the rhythm of the bar. @seealso -@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. +@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, +@ref{ornament}. @node grand staff @@ -3933,13 +3957,18 @@ DK: mediant, S: mediant, FI: keskisävel. -1.@tie{}The third @b{scale degree}. -2.@tie{}A @ref{chord} having its base tone a third from that of -another chord. For example, the tonic chord may be replaced by its -lower mediant (variant tonic). +@itemize + +@item The third @b{scale degree}. -@ref{functional -harmony}, @ref{relative key}. +@item A @ref{chord} having its base tone a third from that of another +chord. For example, the tonic chord may be replaced by its lower +mediant (variant tonic). + +@end itemize + +@seealso +@ref{functional harmony}, @ref{relative key}. @node melisma @@ -4281,8 +4310,8 @@ German, as a reminiscence of its use in Renaissance vocal polyphony. @ref{diatonic scale}. -@node natural sign -@section natural sign +@node natural +@section natural ES: becuadro, I: bequadro, @@ -4591,9 +4620,15 @@ DK: stemme, S: stämma, FI: stemma, instrumenttiosuus. -1.@tie{}In instrumental or choral music the music for the single instrument -or voice. 2.@tie{}in contrapuntal music @ref{counterpoint} the single -melodic line of the contrapunctal web. +@itemize + +@item In instrumental or choral music the music for the single instrument +or voice. + +@item in contrapuntal music @ref{counterpoint} the single melodic line +of the contrapunctal web. + +@end itemize @node pause @@ -5053,7 +5088,6 @@ metrical unit (beat). @end itemize - @node ritardando @section ritardando @@ -5253,7 +5287,7 @@ FI: septimi. @seealso -@ref{sextuplet} +@ref{sextuplet}, @ref{note value}. @node sextuplet @@ -5387,7 +5421,6 @@ FI: kuudeskymmenesneljäsosatauko. @ref{note value}. - @node slur @section slur @@ -5405,7 +5438,6 @@ played @ref{legato}, e.g., with one stroke of the violin bow or with one breath in singing. - @node solmization @section solmization @@ -5426,7 +5458,6 @@ General term for systems of designating the degrees of the @ref{scale degree}. - @node sonata @section sonata @@ -5749,7 +5780,6 @@ contradiction between the underlaying (normal) pulse and the actual @end lilypond - @node syntonic comma @section syntonic comma @@ -5767,7 +5797,6 @@ Difference between the natural third and the third obtained by Pythagorean tuning (@ref{Pythagorean comma}), equal to 22@w{ }cents. - @node system @section system @@ -6306,9 +6335,14 @@ DK: stemme, S: stämma, FI: ääni, lauluääni. -1.@tie{}Human voices: @ref{soprano}, @ref{mezzo-soprano}, +@itemize + +@item Human voices: @ref{soprano}, @ref{mezzo-soprano}, @ref{contralto}, @ref{tenor}, @ref{baritone}, @ref{bass}. -2.@tie{}A melodic layer or part of a polyphonic composition. + +@item A melodic layer or part of a polyphonic composition. + +@end itemize @node weak beat @@ -6364,7 +6398,6 @@ FI: kokotauko. @ref{note value}. - @node whole tone @section whole tone @@ -6382,8 +6415,6 @@ on the piano keyboard with exactly one key between them -- including black and white keys -- is a whole tone. - - @node woodwind @section woodwind @@ -6546,8 +6577,6 @@ saxophone, and bassoon. @end multitable - - @node Pitch names @chapter Pitch names @@ -6607,9 +6636,6 @@ dièse @tab Ais @tab ais @tab ais @tab ais @tab ais @end multitable - - - @menu * Literature used:: @end menu -- 2.39.5