From c4c8fab2bd89b6542954184b7871fdd846de6ecb Mon Sep 17 00:00:00 2001
From: James Lowe <james.lowe@datacore.com>
Date: Wed, 8 Dec 2010 17:50:16 +0000
Subject: [PATCH] Doc: Remove fragment option from @lilypond LM

---
 Documentation/learning/fundamental.itely | 36 +++++++++++-------------
 1 file changed, 17 insertions(+), 19 deletions(-)

diff --git a/Documentation/learning/fundamental.itely b/Documentation/learning/fundamental.itely
index 8ee72ee770..b80e6372b3 100644
--- a/Documentation/learning/fundamental.itely
+++ b/Documentation/learning/fundamental.itely
@@ -520,8 +520,8 @@ So, for example, a phrasing slur can start before a manually
 inserted beam and end before the end of the beam -- not very
 musical, perhaps, but possible:
 
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
- { g8\( a b[ c b\) a] g4 }
+@lilypond[quote,verbatim,ragged-right,relative=2]
+g8\( a b[ c b\) a] g4
 @end lilypond
 
 In general, different kinds of brackets, bracket-like constructs,
@@ -531,13 +531,11 @@ a slur extending into a tuplet (line 2), a beam and a slur
 extending into a tuplet, a tie crossing two tuplets, and a
 phrasing slur extending out of a tuplet (lines 3 and 4).
 
-@lilypond[quote,verbatim,fragment,ragged-right]
-{
-  r16[ g \times 2/3 { r16 e'8] }
-  g16( a \times 2/3 { b16 d) e' }
-  g8[( a \times 2/3 { b8 d') e'~] } |
-  \times 4/5 { e'32\( a b d' e' } a'4.\)
-}
+@lilypond[quote,verbatim,ragged-right,relative=1]
+r16[ g \times 2/3 { r16 e'8] }
+g,16( a \times 2/3 { b16 d) e }
+g,8[( a \times 2/3 { b8 d) e~] } |
+\times 4/5 { e32\( a, b d e } a4.\)
 @end lilypond
 
 
@@ -589,7 +587,7 @@ A single voice can contain many notes in a chord, of course,
 so when exactly are multiple voices needed?  Look first at
 this example of four chords:
 
-@lilypond[quote,verbatim,fragment,ragged-right,relative=1]
+@lilypond[quote,verbatim,ragged-right,relative=1]
 \key g \major
 <d g>4 <d fis> <d a'> <d g>
 @end lilypond
@@ -624,7 +622,7 @@ of polyphony.
 Here's how we split the chords above into two voices and add both
 the passing note and a slur:
 
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
 \key g \major
 %    Voice "1"               Voice "2"
 << { g4 fis8( g) a4 g } \\ { d4 d d d }  >>
@@ -634,7 +632,7 @@ Notice how the stems of the second voice now point down.
 
 Here's another simple example:
 
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
 \key d \minor
 %    Voice "1"             Voice "2"
 << { r4 g g4. a8 }    \\ { d,2 d4 g }       >> |
@@ -648,7 +646,7 @@ can help the legibility of the code, but if there are many
 notes in each bar it may be better to split out each voice
 separately, like this:
 
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
 \key d \minor
 << {
   % Voice "1"
@@ -677,7 +675,7 @@ The Voice contexts bear the names @code{"1"}, @code{"2"}, etc.
 In each of these contexts, the vertical direction of slurs,
 stems, ties, dynamics etc., is set appropriately.
 
-@lilypond[quote,verbatim,fragment]
+@lilypond[quote,verbatim]
 \new Staff \relative c' {
   % Main voice
   c16 d e f
@@ -869,7 +867,7 @@ shall see, this encounters some difficulties.  We begin as
 we have learnt, using the @code{<< \\  >>} construct to
 enter the music of the first bar in three voices:
 
-@lilypond[quote,verbatim,fragment,ragged-right]
+@lilypond[quote,verbatim,ragged-right]
 \new Staff \relative c'' {
   \key aes \major
   <<
@@ -892,7 +890,7 @@ of music.  We can correct this by skipping voice three
 and placing the music in voice four.  This is done by simply
 adding another pair of @code{\\}.
 
-@lilypond[quote,verbatim,fragment,ragged-right]
+@lilypond[quote,verbatim,ragged-right]
 \new Staff \relative c'' {
   \key aes \major
   <<  % Voice one
@@ -1192,7 +1190,7 @@ explicitly link
 the lyrics to the notes with @code{\lyricsto@{@}}, using the
 name assigned to the Voice.
 
-@lilypond[quote,verbatim,fragment]
+@lilypond[quote,verbatim]
 <<
   \new Voice = "one" {
     \relative c'' {
@@ -1366,7 +1364,7 @@ appear explicitly in the input file must be added to the
 output.  For example, compare the input and output of the
 following example:
 
-@lilypond[quote,verbatim,relative=2,fragment]
+@lilypond[quote,verbatim,relative=2]
 cis4 cis2. | a4 a2. |
 @end lilypond
 
@@ -1807,7 +1805,7 @@ font size, which affects the size of the note heads (among
 other things) several times.  The change is from the default
 value, not the most recently set value.
 
-@lilypond[quote,verbatim,ragged-right,relative=1,fragment]
+@lilypond[quote,verbatim,ragged-right,relative=1]
 c4 d
 % make note heads smaller
 \set fontSize = #-4
-- 
2.39.5