From c311e606b187c99bb5cdbf0acfe26c9f9b8790aa Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Sat, 12 Jan 2008 12:18:18 -0800 Subject: [PATCH] Formatting fixes in accordance with doc policy. --- Documentation/user/pitches.itely | 8 ++++---- 1 file changed, 4 insertions(+), 4 deletions(-) diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely index 384a032d20..0b23524440 100644 --- a/Documentation/user/pitches.itely +++ b/Documentation/user/pitches.itely @@ -478,7 +478,7 @@ be a@tie{}@code{d''} and the next note is calculated relative to@tie{}@code{d''} instead of@tie{}@code{d'}. There is also an octave check that produces no visible output. -The syntax is +The syntax is: @example @var{pitch} \octave @var{controlpitch} @@ -563,7 +563,7 @@ by the same interval. Consider a piece written in the key of D-major. If this piece is a little too low for its performer, it can be transposed up to -E-major with +E-major with: @example \transpose d e @dots{} @@ -572,7 +572,7 @@ E-major with Consider a part written for violin (a C instrument). If this part is to be played on the A clarinet (for which an A is notated as a C, and thus sounds a minor third lower than notated), the appropriate part will be -produces with +produces with: @example \transpose a c' @dots{} @@ -618,7 +618,7 @@ musicInBflat = @{ e4 @dots{} @} @end example To print this music in F (e.g., rearranging to a French horn) you -would wrap the existing music with another @code{\transpose} +would wrap the existing music with another @code{\transpose}: @example musicInBflat = @{ e4 @dots{} @} -- 2.39.5