From c00bff7e82e6931c6111f752d7328736bdee4ac7 Mon Sep 17 00:00:00 2001
From: Graham Percival <graham@percival-music.ca>
Date: Fri, 9 Nov 2007 12:59:24 -0800
Subject: [PATCH] Formatting fixes from Ralph, thanks!

---
 Documentation/user/rhythms.itely | 56 ++++++++++++++++++++++++++++++++
 1 file changed, 56 insertions(+)

diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely
index 86411e8e25..75cdf0af90 100644
--- a/Documentation/user/rhythms.itely
+++ b/Documentation/user/rhythms.itely
@@ -322,6 +322,7 @@ a multiplier.  This is useful for skipping many bars, e.g.,
 
 This manual: @ref{Tuplets}, @ref{Skips}.
 
+Snippets: @lsrdir{rhythms}
 
 @node Ties
 @unnumberedsubsubsec Ties
@@ -410,6 +411,8 @@ c4_~ c c^~ c)
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference:
 @internalsref{LaissezVibrerTie}
 @internalsref{LaissezVibrerTieColumn}
@@ -467,8 +470,12 @@ second number indicates the direction (1=up, -1=down).
 
 @seealso
 
+
+
 In this manual: @ref{Automatic note splitting}.
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{Tie}.
 
 
@@ -534,6 +541,8 @@ rests alone.
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{Rest}.
 
 
@@ -590,6 +599,8 @@ The fragment @code{@{ \skip 4 @} } would produce an empty page.
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{SkipMusic}.
 
 
@@ -721,6 +732,8 @@ s1^\markup {CHORUS} % Chorus notes would go here
 
 This manual: @ref{Text}
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: 
 
 @internalsref{MultiMeasureRest}.
@@ -860,6 +873,8 @@ rhythmically complex modern music.  In the following example, the
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{TimeSignature}, and
 @internalsref{Timing_translator}.
 
@@ -927,6 +942,9 @@ a2 g2
 piece.  If you use it after the beginning, some odd warnings may
 occur.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
 
 @node Unmetered music
 @unnumberedsubsubsec Unmetered music
@@ -963,6 +981,10 @@ staff line, you will need to insert invisible barlines
 @noindent
 to indicate where breaks can occur.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 @node Polymetric notation
 @unnumberedsubsubsec Polymetric notation
@@ -1121,6 +1143,10 @@ staff, shown durations are multiplied by 3/5, so that 3/5 * 10/8 =
 When using different time signatures in parallel, the spacing is
 aligned vertically, but barlines distort the regular spacing.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 @node Automatic note splitting
 @unnumberedsubsubsec Automatic note splitting
@@ -1162,6 +1188,8 @@ split rests.
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{Completion_heads_engraver}.
 
 
@@ -1358,6 +1386,10 @@ same holds polyphonic voices, entered with @code{<< @dots{} \\ @dots{}
 >>}.  If a polyphonic voice ends while an automatic beam is still
 accepting notes, it is not typeset.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 
 
@@ -1476,6 +1508,8 @@ f8 f''8 f8 f''8
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{Beam}.
 
 
@@ -1577,6 +1611,10 @@ c8 \repeat unfold 15 {c[ c] } c
 The @code{\featherDurations} command only works with very short
 music snippets, and when numbers in the fraction are small.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 @node Bars
 @subsection Bars
@@ -1723,6 +1761,8 @@ with @code{\set Timing.defaultBarType = }@var{bartype}.
 
 In this manual: @ref{Repeats}, @ref{System start delimiters}.
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{BarLine} (created at
 @internalsref{Staff} level), @internalsref{SpanBar} (across
 staves), @internalsref{Timing_translator} (for Timing 
@@ -1861,6 +1901,8 @@ engraver from the score context.
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{BarNumber}.
 
 Examples: @lsrdir{bar number}
@@ -1957,6 +1999,10 @@ are entering from.  This can be checked with
 will print a warning if the @code{currentBarNumber} is not 123
 when it is processed.
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 @node Rehearsal marks
 @unnumberedsubsubsec Rehearsal marks
@@ -2053,6 +2099,8 @@ For common tweaks to the positioning of rehearsal marks, see
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 This manual: @ref{Text marks}.
 
 Internals Reference: @internalsref{RehearsalMark}.
@@ -2229,6 +2277,8 @@ in other staves by setting @code{strict-grace-spacing} to
 
 @seealso
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{GraceMusic}.
 
 
@@ -2291,6 +2341,10 @@ cadenza = \relative c' {
 >>
 @end lilypond
 
+@seealso
+
+Snippets: @lsrdir{rhythms}
+
 
 @node Time administration
 @unnumberedsubsubsec Time administration
@@ -2362,6 +2416,8 @@ notes.
 
 This manual: @ref{Bar numbers}, @ref{Unmetered music}
 
+Snippets: @lsrdir{rhythms}
+
 Internals Reference: @internalsref{Timing_translator},
 @internalsref{Score}
 
-- 
2.39.5