From bf075fe3591025e245c9065f09b6da7c255558d7 Mon Sep 17 00:00:00 2001 From: fred Date: Sun, 24 Mar 2002 19:46:19 +0000 Subject: [PATCH] lilypond-0.0.70pre --- Documentation/index.pod | 2 +- Documentation/lilyliterature.pod | 28 ++++++++++++++++++---------- 2 files changed, 19 insertions(+), 11 deletions(-) diff --git a/Documentation/index.pod b/Documentation/index.pod index c308cf9447..ebaae8553f 100644 --- a/Documentation/index.pod +++ b/Documentation/index.pod @@ -59,7 +59,7 @@ internal structures. =item * -resources on music typesetting +Papers, books and online-resources on music typesetting diff --git a/Documentation/lilyliterature.pod b/Documentation/lilyliterature.pod index 5293ff3945..e92cb72a9a 100644 --- a/Documentation/lilyliterature.pod +++ b/Documentation/lilyliterature.pod @@ -10,10 +10,6 @@ note that don't have access to most material. [What I do know, I've commented inside brackets. They are just my personal comments, not to be taken too seriously] -More on GNU Music: http://dept-info.labri.u-bordeaux.fr/~strandh/Gsharp - -Tablature: http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html - =head2 References Wanske, Helene. ``Musiknotation --- Von der Syntax des Notenstichs @@ -45,7 +41,7 @@ processing'' (3rd edition). Hansen House, Miami Beach, FL. [This is about I i.e. professional music typesetting, and includes some good spacing tables] - + Read, Gardner. ``Modern Rhythmic Notation.'' Indiana University Press, 1978. Read, Gardner. ``Music Notation'' (2nd edition). Taplinger Publishing, @@ -105,8 +101,8 @@ L. Haken and D. Blostein, The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor, Computer Music Journal, Vol. 17, No. 3, 1993, pp. 43-58 -[A description of Lime internals (which resemble LilyPond pre 0.0.68 -data structures somewhat)] +[A description of Lime internals (which resemble older (before +0.0.68pre) LilyPond data structures somewhat)] L. Haken and D. Blostein, A New Algorithm for Horizontal Spacing of Printed Music, International Computer Music Conference, Banff, @@ -121,6 +117,13 @@ Communications of the ACM, VolJ34, No. 3, March 1991, pp. 88-99. [This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines.] +Gary M. Rader, ``Creating Printed Music Automatically''. Computer Vol +29(6), June 1996, pp 61--69. + +[Describes a system called MusicEase, and explains that it uses +"constraints" (which go unexplained) to automatically position various +elements.] + =head2 Further reading Chlapik, Herbert. ``Die Praxis des Notengraphikers''. Doblinger, 1987. @@ -132,16 +135,21 @@ some of the conventions and difficulties in printing music] The University of Colorado Music Engraving page. http://obenamots.cc.colorado.edu/cgi-bin/Musicpress/engraving.html +More on GNU Music: http://dept-info.labri.u-bordeaux.fr/~strandh/Gsharp + +Tablature: http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html + + (of varying usefulness): Donato, Anthony. Preparing Music Manuscript. Englewood Cliffs: Prentice-Hall, 1963. Donemus. "Uitgeven van muziek". Donemus Amsterdam, 1900 - + Heussenstamm, George. The Norton Manual of Music Notation. New York: Norton, 1987. - + Karkoshka, Erdhard. Notation in New Music. Trans. Ruth Koenig. New York: Praeger Publishers, 1972. Out of print. @@ -157,7 +165,7 @@ C. Roemer, The Art of Music Copying. Roerick music co., Sherman Oaks (CA), 1973. Rosecrans, Glen. Music Notation Primer. New York: Passantino, 1979. - + Stone, Kurt. Music Notation in the Twentieth Century. New York: Norton, 1980. =head2 other stuff -- 2.39.5