From b57384106e4e54f4a22a93af88204f86f37d078b Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Mon, 30 Jun 2008 17:25:06 -0700 Subject: [PATCH] Merge easy parts of Keyboard. --- Documentation/user/keyboards.itely | 52 +++++++++++++------ input/manual/keyboard-headword.ly | 82 ++++++++++++++++++++++++++++++ 2 files changed, 119 insertions(+), 15 deletions(-) create mode 100644 input/manual/keyboard-headword.ly diff --git a/Documentation/user/keyboards.itely b/Documentation/user/keyboards.itely index 7adae697ef..767b209e83 100644 --- a/Documentation/user/keyboards.itely +++ b/Documentation/user/keyboards.itely @@ -8,18 +8,15 @@ @c \version "2.11.38" -@c Andrew's TODO List -@c references - first pass complete -@c manual changes - first pass complete -@c automatic changes - first pass complete -@c staff-change lines - first pass complete -@c cross-staff stems - first pass complete -@c pedals - first pass complete -@c accordian discant symbols +@c "I have finished the first draft." -AH @node Keyboard instruments @section Keyboard instruments +@lilypondfile[quote]{keyboard-headword.ly} + +FIXME add sentence + @menu * Common notation for keyboards:: * Piano:: @@ -29,6 +26,8 @@ @node Common notation for keyboards @subsection Common notation for keyboards +FIXME add sentence + @menu * References for keyboards:: * Changing staff manually:: @@ -176,8 +175,8 @@ Learning Manual: @rlearning{Fixing overlapping notation}. Notation Reference: -@ref{Stems}, -@ref{Automatic beams}. +@ruser{Stems}, +@ruser{Automatic beams}. Snippets: @rlsr{Keyboards}. @@ -339,9 +338,8 @@ staff, or vice versa. @end lilypond @snippets -@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc] -@c {indicating-cross-staff-chords-with-arpeggio-bracket.ly} - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{indicating-cross-staff-chords-with-arpeggio-bracket.ly} @seealso @@ -354,6 +352,8 @@ Internals Reference: @node Piano @subsection Piano +FIXME add sentence + @menu * Piano pedals:: @end menu @@ -437,12 +437,34 @@ Notation Reference: @ref{Ties} (laissez vibrer). @node Accordion @subsection Accordion +FIXME add sentence + @menu * Discant symbols:: @end menu @node Discant symbols @subsubsection Discant symbols +@cindex accordion discant symbols +@cindex discant symbols, accordion +@cindex accordion shifts + +@c FIXME: use @notation, not @q. + +Accordions are often built with more than one set of reeds that may be +in unison with, an octave above, or an octave below the written pitch. +Each accordian maker has different names for the @q{shifts} that +select the various reed combinations, such as @q{oboe}, @q{musette}, or +@q{bandonium}, so a system of symbols has come into use to simplify +the performance instructions. -@c TODO Add text from -user and lsr 194 -TBC +@snippets + +@c FIXME: invalid snippet name. Check the GDP snippet list. +@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +@c {accordion-discant-symbols.ly} + +@seealso + +Snippets: +@rlsr{Keyboards}. diff --git a/input/manual/keyboard-headword.ly b/input/manual/keyboard-headword.ly new file mode 100644 index 0000000000..ac7d638bc5 --- /dev/null +++ b/input/manual/keyboard-headword.ly @@ -0,0 +1,82 @@ +% Sergei Rachmaninoff, Prelude Op. 3 No. 5, mm. 44–47 + +\version "2.11.49" +\include "english.ly" + +#(set-global-staff-size 15) +\paper{ + ragged-right=##t + line-width=17\cm + indent=0\cm +} + +rh = { \change Staff = RH \voiceFour } +lh = { \change Staff = LH \voiceOne } + +\new PianoStaff << + \set Score.currentBarNumber = #44 + \new Staff = "RH" { + << + \override Staff.NoteCollision #'merge-differently-dotted = ##t + \relative c''' { + \key g \minor + r8 --( -- -- 4-- 8 8) + 8( 4)-- 8(-- 4) + r8 (_\markup \italic cresc. + 4) 8( ) + \mf( ) ( 4\> 8)\! + 8\p + } + \\ + \relative c'' { + s8 a16( c d4)-- s4 + 4 s2 + s1 + s4 2 + } + >> + } + \new Staff = "LH" << + \override Staff.NoteCollision #'merge-differently-dotted = ##t + \clef bass + \key g \minor + \new Voice \relative c' { + \rh 2-- c8 \lh d ef f + g4 fs8-- \rh g^- a4.-- a16( c + \showStaffSwitch + 2--) r8 d-- ef-- f-- + g4-- \lh g,~-- g8 \clef treble a-- bf-- c-- + \rh d2*1/4 + } + \new Voice \relative c, { + \times 4/6 {d16[( a' d fs c' d]} + \override TupletNumber #'transparent = ##t + \times 4/6 {fs d c fs, d a)} + \voiceTwo + \times 4/6 {d,[ a' g' d'( c g)]} + \times 4/6 {ef'( c g) f'( c g)} + + \times 4/6 {d,[( a' g' a bf cs])} + \times 4/6 {fs( cs bf g a, d,~)} + \oneVoice + \times 4/6 {d[( a' d d a' d]} + \times 4/6 {c a d, d d, d')} + + \times 4/6 {g,[( d' g bf \clef treble d g]} + \times 4/6 {bf g d \clef bass bf g d)} + \times 4/6 {f,([ d' g af bf \clef treble d]} + \times 4/6 {af' ef bf d \clef bass af bf,)} + + \times 4/6 {ef,([ bf' g' bf ef f])} + \voiceTwo + \times 4/6 {g( ef bf g bf, ef,)} + \times 4/6 {e[( g' ) a'( g d)]} + \times 4/6 {bf'( g d) c'( g d)} + + \oneVoice + \clef bass a,,16 + } + >> +>> -- 2.39.2