From b3768e70f4497923ad4c1400c4da88e1808c1b22 Mon Sep 17 00:00:00 2001
From: Han-Wen Nienhuys <hanwen@xs4all.nl>
Date: Mon, 18 Apr 2005 11:27:22 +0000
Subject: [PATCH] *** empty log message ***
---
ChangeLog | 6 ++++++
Documentation/user/instrument-notation.itely | 14 +++++++++++++-
input/test/chord-names-german.ly | 16 +++++++++++++---
3 files changed, 32 insertions(+), 4 deletions(-)
diff --git a/ChangeLog b/ChangeLog
index 8f3bc2eb1c..ca0f5716a7 100644
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,3 +1,9 @@
+2005-04-18 Mathieu Giraud <magiraud@free.fr>
+
+ * input/test/chord-names-german.ly: update for italian/french chords
+
+ * Documentation/user/instrument-notation.itely (Printing chord names): update
+
2005-04-18 Han-Wen Nienhuys <hanwen@xs4all.nl>
* lily/include/paper-score.hh (class Paper_score): remove unused prototypes.
diff --git a/Documentation/user/instrument-notation.itely b/Documentation/user/instrument-notation.itely
index 4185e1a1d4..7bb12094a3 100644
--- a/Documentation/user/instrument-notation.itely
+++ b/Documentation/user/instrument-notation.itely
@@ -585,10 +585,18 @@ The default is to print single pitch, e.g., the bass note, using the
to a specialized function to change this behavior. For example, the
base can be printed in lower case.
+@cindex @code{chordPrefixSpacer}
+@item chordPrefixSpacer
+The ``m'' for minor chords is usually printed right after the root of
+the chord. By setting @code{chordPrefixSpacer}, you can fix a spacer
+between the root and ``m''. The spacer is not used when the root
+is altered.
+
@end table
The predefined variables @code{\germanChords},
-@code{\semiGermanChords} set these variables. The effect is
+@code{\semiGermanChords}, @code{\italianChords} and @code{\frenchChords}
+set these variables. The effect is
demonstrated here,
@lilypondfile[raggedright]{chord-names-german.ly}
@@ -610,6 +618,10 @@ chart}. Turning on these styles is described in the input file
@code{\germanChords},
@cindex @code{\semiGermanChords}
@code{\semiGermanChords}.
+@cindex @code{\italianChords}
+@code{\italianChords}.
+@cindex @code{\frenchChords}
+@code{\frenchChords}.
diff --git a/input/test/chord-names-german.ly b/input/test/chord-names-german.ly
index df70113482..88e3d2e8cb 100644
--- a/input/test/chord-names-german.ly
+++ b/input/test/chord-names-german.ly
@@ -2,13 +2,16 @@
\header {
texidoc = "@cindex Chord Names German
The english naming of chords (default) can be changed to german
-(@code{\germanChords} replaces B and Bes to H and B) or semi-german
-(@code{\semiGermanChords} replaces B and Bes to H and Bb).
+(@code{\germanChords} replaces B and Bes to H and B), semi-german
+(@code{\semiGermanChords} replaces B and Bes to H and Bb), italian
+(@code{\italianChords} uses Do Re Mi Fa Sol La Si), or french
+(@code{\frenchChords} replaces Re to Ré).
" }
scm = \chordmode {
- c1/c cis/cis
+ e1/d c:m
+ % c/c cis/cis
% yeah, we get the idea. -hwn
% cisis/cisis ces/ces ceses/ceses
@@ -33,5 +36,12 @@ scm = \chordmode {
\new ChordNames {
\set instrument = #"semi-german"
\semiGermanChords \scm }
+ \new ChordNames {
+ \set instrument = #"italian"
+ \italianChords \scm }
+ \new ChordNames {
+ \set instrument = #"french"
+ \frenchChords \scm }
+
\context Voice { \scm }
>>
--
2.39.5