From a65cdbaa51cdc620a0582d070853cfa2c9f619af Mon Sep 17 00:00:00 2001 From: Heikki Junes Date: Sat, 14 Feb 2004 12:21:04 +0000 Subject: [PATCH] * Documentation/user/refman.itely: small fixes. --- ChangeLog | 4 ++++ Documentation/user/refman.itely | 31 ++++++++++++++++--------------- 2 files changed, 20 insertions(+), 15 deletions(-) diff --git a/ChangeLog b/ChangeLog index f9064b9464..3ec90bc38c 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,7 @@ +2004-02-14 Heikki Junes + + * Documentation/user/refman.itely: small fixes. + 2004-02-14 Han-Wen Nienhuys * scm/document-backend.scm (interface-doc): prune Grob diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely index 83f8349c5c..b64a3ee859 100644 --- a/Documentation/user/refman.itely +++ b/Documentation/user/refman.itely @@ -1357,7 +1357,7 @@ Normally, beaming patterns within a beam are determined automatically. When this mechanism fouls up, the properties @code{stemLeftBeamCount} and @code{stemRightBeamCount} can be used to control the beam subdivision on a stem. If either property -is set, its value will be used only once, and then it is erased. +is set, its value will be used only once, and then it is erased: @lilypond[fragment,relative,verbatim] \context Staff { @@ -1370,7 +1370,7 @@ is set, its value will be used only once, and then it is erased. The property @code{subdivideBeams} can be set in order to subdivide all 16th or shorter beams at beat positions, as defined by the -@code{beatLength} property . This accomplishes the same effect as +@code{beatLength} property. This accomplishes the same effect as twiddling with @code{stemLeftBeamCount} and @code{stemRightBeamCount}, but it take less typing: @@ -1540,7 +1540,7 @@ The variables set properties in the ``@code{Current}'' context (see normally be added right after the creation of the context in which the accidental typesetting described by the variable is to take effect. For example, if you want to use piano-accidentals in a piano -staff then issue @code{\pianoAccidentals} first thing after the +staff, then issue @code{\pianoAccidentals} first thing after the creation of the piano staff: @example \score @{ @@ -1899,7 +1899,7 @@ will only affect normal slurs and not phrasing slurs. @cindex @code{\phrasingSlurDown} @code{\phrasingSlurDown}, @cindex @code{\phrasingSlurBoth} -@code{\phrasingSlurBoth}, +@code{\phrasingSlurBoth}. @seealso @@ -2193,8 +2193,10 @@ longer be computed. @refcommands -@refcommand{fatText}, @refcommand{emptyText}. - +@cindex @code{\fatText} +@code{\fatText}, +@cindex @code{\emptyText} +@code{\emptyText}. @seealso @@ -2331,7 +2333,7 @@ Another option is to change the variables @code{startGraceMusic}, @code{stopGraceMusic}, @code{startAccacciaturaMusic}, @code{stopAccacciaturaMusic}, @code{startAppoggiaturaMusic}, @code{stopAppoggiaturaMusic}. More information is in the file -@file{ly/grace-init.ly} +@file{ly/grace-init.ly}. @seealso @@ -3556,7 +3558,7 @@ To make empty spaces in lyrics, use @code{\skip}. @seealso -Internals: Layout objects @internalsref{LyricText} +Internals: Layout objects @internalsref{LyricText} and @internalsref{VocalName}. Music expressions: @internalsref{LyricEvent}. @@ -3653,7 +3655,7 @@ rather than to the @internalsref{Voice} context. It is possible to tune individual ambituses for multiple voices on a single staff, for example by erasing or shifting them horizontally. An -example is in @inputfileref{input/test,ambitus-mixed.ly} +example is in @inputfileref{input/test,ambitus-mixed.ly}. @seealso @@ -4192,7 +4194,7 @@ that behavior: @seealso -Internals: @internalsref{MarkEvent}, @internalsref{RehearsalMark} +Internals: @internalsref{MarkEvent}, @internalsref{RehearsalMark}. Init files: @file{scm/translation-functions.scm} contains the definition of @code{format-mark-numbers} and @@ -4264,7 +4266,7 @@ names: \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" - \smaller \musicglyph #"accidentals--1" + \smaller \flat } > } @@ -4461,8 +4463,7 @@ The syntax for part combining is \partcombine @var{musicexpr1} @var{musicexpr2} @end example -The music expressions will be interpreted as @internalsref{Voice} -contexts. +The music expressions will be interpreted as @internalsref{Voice} contexts. The following example demonstrates the basic functionality of the part combiner: putting parts on one staff, and setting stem directions and @@ -7504,7 +7505,7 @@ used in music aimed at beginners: } @end lilypond -The @code{EasyNotation} variable overrides a @internalsref{Score} +The @code{EasyNotation} variable overrides a @internalsref{Score} context. To make the letters readable, it has to be printed in a large font size. To print with a larger font, see @ref{Font Size}. @@ -7966,7 +7967,7 @@ The following commands set @code{fontSize} for the current voice. @cindex @code{\small} @code{\small}, @cindex @code{\normalsize} -@code{\normalsize}, +@code{\normalsize}. @seealso -- 2.39.5