From a1a6f123caabd3929729068b20ba3dd10b555c48 Mon Sep 17 00:00:00 2001 From: John Mandereau Date: Tue, 1 Jan 2008 19:19:57 +0100 Subject: [PATCH] Remove LSR snippets (concurrent updates) The new input/lsr revision already contains these files. --- .../changing-the-default-text-font-family.ly | 44 ------- ...e-fragments-above-the-staff,-as-markups.ly | 33 ------ input/lsr/expressive/glissando-contempary.ly | 20 ---- ...y-customized-polymetric-time-signatures.ly | 38 ------ input/lsr/pitches/glissando-contempary.ly | 20 ---- ...itioning-segno-and-coda-with-line-break.ly | 109 ------------------ ...e-fragments-above-the-staff,-as-markups.ly | 33 ------ .../changing-the-default-text-font-family.ly | 44 ------- ...to-put-ties-between-syllables-in-lyrics.ly | 10 -- 9 files changed, 351 deletions(-) delete mode 100644 input/lsr/editorial/changing-the-default-text-font-family.ly delete mode 100644 input/lsr/editorial/inserting-score-fragments-above-the-staff,-as-markups.ly delete mode 100644 input/lsr/expressive/glissando-contempary.ly delete mode 100644 input/lsr/percussion/heavily-customized-polymetric-time-signatures.ly delete mode 100644 input/lsr/pitches/glissando-contempary.ly delete mode 100644 input/lsr/repeats/positioning-segno-and-coda-with-line-break.ly delete mode 100644 input/lsr/staff/inserting-score-fragments-above-the-staff,-as-markups.ly delete mode 100644 input/lsr/text/changing-the-default-text-font-family.ly delete mode 100644 input/lsr/text/how-to-put-ties-between-syllables-in-lyrics.ly diff --git a/input/lsr/editorial/changing-the-default-text-font-family.ly b/input/lsr/editorial/changing-the-default-text-font-family.ly deleted file mode 100644 index 794a994a64..0000000000 --- a/input/lsr/editorial/changing-the-default-text-font-family.ly +++ /dev/null @@ -1,44 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -The default font families for text can be overridden with -@code{make-pango-font-tree}. -" } - -\paper { - % change for other default global staff size. - myStaffSize = #20 - %{ - run - lilypond -dshow-available-fonts blabla - to show all fonts available in the process log. - %} - - #(define fonts - (make-pango-font-tree "Times New Roman" - "Nimbus Sans" - "Luxi Mono" -;; "Helvetica" -;; "Courier" - (/ myStaffSize 20))) -} - -\relative { - c'^\markup { - roman: foo \bold bla \italic bar \italic \bold baz - } - c'_\markup { - \override #'(font-family . sans) - { - sans: foo \bold bla \italic bar \italic \bold baz - } - } - c'^\markup { - \override #'(font-family . typewriter) - { - mono: foo \bold bla \italic bar \italic \bold baz - } - } -} - diff --git a/input/lsr/editorial/inserting-score-fragments-above-the-staff,-as-markups.ly b/input/lsr/editorial/inserting-score-fragments-above-the-staff,-as-markups.ly deleted file mode 100644 index 7293f7a5d5..0000000000 --- a/input/lsr/editorial/inserting-score-fragments-above-the-staff,-as-markups.ly +++ /dev/null @@ -1,33 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -The \\markup command is quite versatile. In this snippet, it contains a -\\score bloc instead of texts or marks. -" } - -tuning = \markup { - \score { - \new Staff \with { - \remove Time_signature_engraver - } { - \clef bass 1 - } - \layout { ragged-right = ##t } - } -} - - -\header { - title = "Solo Cello Suites" - subtitle = "Suite IV" - subsubtitle = \markup { "Originalstimmung:" \tuning } -} - -\relative { - \time 4/8 - \times 2/3 { c'8 d e } \times 2/3 {c d e} - \times 2/3 { c8 d e } \times 2/3 {c d e} - g8 a8 g8 a - g8 a8 g8 a -} diff --git a/input/lsr/expressive/glissando-contempary.ly b/input/lsr/expressive/glissando-contempary.ly deleted file mode 100644 index 9671942f33..0000000000 --- a/input/lsr/expressive/glissando-contempary.ly +++ /dev/null @@ -1,20 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -Use a glissando without final note. Contemporary glissando ! -" } - -\relative c'' { - \override Glissando #'style = #'zigzag - \time 3/4 - c4 c - \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff - \bar "|" - } - -\addlyrics { Use cadenzaOn glissando hideNotes } -\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 } -\layout{raggedright = ##t} -\header { tagline="" } - diff --git a/input/lsr/percussion/heavily-customized-polymetric-time-signatures.ly b/input/lsr/percussion/heavily-customized-polymetric-time-signatures.ly deleted file mode 100644 index 8f3963d725..0000000000 --- a/input/lsr/percussion/heavily-customized-polymetric-time-signatures.ly +++ /dev/null @@ -1,38 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -Though the set-time-signature thing was not the most essential here, it -has been included to show the beat of this piece (which is a template -of a real balkan song!). -" } - -#(define (compound-time one two three four five six seven eight nine ten num) - (markup #:override '(baseline-skip . 0) #:number - (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num)) #:vcenter "+" (#:column (three num)) #:vcenter "+" (#:column (four num)) #:vcenter "+" (#:column (five num)) #:vcenter "+" (#:column (six num)) #:vcenter "+" (#:column (seven num)) #:vcenter "+" (#:column (eight num)) #:vcenter "+" (#:column (nine num)) #:vcenter "+" (#:column (ten num)))))) - - -melody = -{ \relative c'' { - \set Staff.instrumentName = "Bb Sop." - \key g \major \time 25/8 - \override Staff.TimeSignature #'stencil = #ly:text-interface::print - \override Staff.TimeSignature #'text = #(compound-time "3" "2" "2" "3" "2" "2" "2" "3" "2" "2" "8" ) - c8[ c c] d4 c8[ c] b[ c b] a4 g fis8[ e d c] b'[ c d] e4-^ fis8[ g] | \break - c,4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | - c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break - c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | - c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break } -} -drum = { - \new DrumStaff \drummode - { - \bar "|:" bd4. ^\markup { "Drums" } sn4 bd \bar ":" sn4. bd4 sn \bar ":" - bd sn bd4. sn4 bd \bar ":|" - } -} - -{ - \melody - \drum -} diff --git a/input/lsr/pitches/glissando-contempary.ly b/input/lsr/pitches/glissando-contempary.ly deleted file mode 100644 index 9671942f33..0000000000 --- a/input/lsr/pitches/glissando-contempary.ly +++ /dev/null @@ -1,20 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -Use a glissando without final note. Contemporary glissando ! -" } - -\relative c'' { - \override Glissando #'style = #'zigzag - \time 3/4 - c4 c - \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff - \bar "|" - } - -\addlyrics { Use cadenzaOn glissando hideNotes } -\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 } -\layout{raggedright = ##t} -\header { tagline="" } - diff --git a/input/lsr/repeats/positioning-segno-and-coda-with-line-break.ly b/input/lsr/repeats/positioning-segno-and-coda-with-line-break.ly deleted file mode 100644 index 4e769b1a1a..0000000000 --- a/input/lsr/repeats/positioning-segno-and-coda-with-line-break.ly +++ /dev/null @@ -1,109 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -If you want to place an exiting segno sign and add text like \"D.S. al -Coda\" next to it where usually the staff lines are you can use this -snippet. The coda will resume in a new line. Theres a variation -documented in this snippet, where the coda will remain on the same -line. -" } - -{ - \clef treble - \key g \major - \time 4/4 - \relative c'' { - \repeat unfold 2 { - | c4 c c c - } - - % Set segno sign as rehearsal mark and adjust size if needed - % \once \override Score.RehearsalMark #'font-size = #3 - \mark \markup { \musicglyph #"scripts.segno" } - \repeat unfold 2 { - | c4 c c c - } - - % Set coda sign as rehearsal mark and adjust size if needed - \once \override Score.RehearsalMark #'font-size = #4 - \mark \markup { \musicglyph #"scripts.coda" } - \repeat unfold 2 { - | c4 c c c - } - - % Should Coda be on anew line? - % Coda NOT on new line: use \nobreak - % Coda on new line: DON'T use \nobreak - % \noBreak - - \bar "||" - - % Set segno sign as rehearsal mark and adjust size if needed - \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible - % \once \override Score.RehearsalMark #'font-size = #3 - \mark \markup { \musicglyph #"scripts.segno" } - - % Here begins the trickery! - % \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines. - \cadenzaOn - \stopStaff - % Some examples of possible text-displays - - % text line-aligned - % ================== - % Move text to the desired position - % \once \override TextScript #'extra-offset = #'( 2 . -3.5 ) - % | s1*0^\markup { D.S. al Coda } } - - % text center-aligned - % ==================== - % Move text to the desired position - % \once \override TextScript #'extra-offset = #'( 6 . -5.0 ) - % | s1*0^\markup { \center-align { D.S. "al Coda" } } - - % text and symbols center-aligned - % =============================== - % Move text to the desired position and tweak spacing for optimum text alignment - \once \override TextScript #'extra-offset = #'( 8 . -5.5 ) - \once \override TextScript #'word-space = #1.5 - | s1*0^\markup { \center-align { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } } - - % Increasing the unfold counter will expand the staff-free space - \repeat unfold 4 { - s4 s4 s4 s4 - \bar "" - } - % Resume bar count and show staff lines again - \startStaff - \cadenzaOff - - % Should Coda be on new line? - % Coda NOT on new line: DON'T use \break - % Coda on new line: use \break - \break - - % Show up, you clef and key! - \once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible - \once \override Staff.Clef #'break-visibility = #end-of-line-invisible - - % Set coda sign as rehearsal mark and adjust size and position - - % Put the coda sign ontop of the (treble-)clef dependend on coda's line-position - - % Coda NOT on new line, use this: - % \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 ) - - % Coda on new line, use this: - \once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 ) - - \once \override Score.RehearsalMark #'font-size = #5 - \mark \markup { \musicglyph #"scripts.coda" } - - % The coda - \repeat unfold 5 { - | c4 c c c - } - \bar"|." - } -} diff --git a/input/lsr/staff/inserting-score-fragments-above-the-staff,-as-markups.ly b/input/lsr/staff/inserting-score-fragments-above-the-staff,-as-markups.ly deleted file mode 100644 index 7293f7a5d5..0000000000 --- a/input/lsr/staff/inserting-score-fragments-above-the-staff,-as-markups.ly +++ /dev/null @@ -1,33 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -The \\markup command is quite versatile. In this snippet, it contains a -\\score bloc instead of texts or marks. -" } - -tuning = \markup { - \score { - \new Staff \with { - \remove Time_signature_engraver - } { - \clef bass 1 - } - \layout { ragged-right = ##t } - } -} - - -\header { - title = "Solo Cello Suites" - subtitle = "Suite IV" - subsubtitle = \markup { "Originalstimmung:" \tuning } -} - -\relative { - \time 4/8 - \times 2/3 { c'8 d e } \times 2/3 {c d e} - \times 2/3 { c8 d e } \times 2/3 {c d e} - g8 a8 g8 a - g8 a8 g8 a -} diff --git a/input/lsr/text/changing-the-default-text-font-family.ly b/input/lsr/text/changing-the-default-text-font-family.ly deleted file mode 100644 index 794a994a64..0000000000 --- a/input/lsr/text/changing-the-default-text-font-family.ly +++ /dev/null @@ -1,44 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -The default font families for text can be overridden with -@code{make-pango-font-tree}. -" } - -\paper { - % change for other default global staff size. - myStaffSize = #20 - %{ - run - lilypond -dshow-available-fonts blabla - to show all fonts available in the process log. - %} - - #(define fonts - (make-pango-font-tree "Times New Roman" - "Nimbus Sans" - "Luxi Mono" -;; "Helvetica" -;; "Courier" - (/ myStaffSize 20))) -} - -\relative { - c'^\markup { - roman: foo \bold bla \italic bar \italic \bold baz - } - c'_\markup { - \override #'(font-family . sans) - { - sans: foo \bold bla \italic bar \italic \bold baz - } - } - c'^\markup { - \override #'(font-family . typewriter) - { - mono: foo \bold bla \italic bar \italic \bold baz - } - } -} - diff --git a/input/lsr/text/how-to-put-ties-between-syllables-in-lyrics.ly b/input/lsr/text/how-to-put-ties-between-syllables-in-lyrics.ly deleted file mode 100644 index 9c1073b3cd..0000000000 --- a/input/lsr/text/how-to-put-ties-between-syllables-in-lyrics.ly +++ /dev/null @@ -1,10 +0,0 @@ -%% Do not edit this file; it is auto-generated from LSR! -\version "2.11.35" - -\header { texidoc = " -This can be achieved by separating those syllables by tildes. -" } - -\lyrics { - wa~o~a -} -- 2.39.5